On Friday (Nov 4), Bon Jovi released his 13th studio album, This House Is Not For Sale – the first without Richie Sambora. For the most part, it sounds like classic Bon Jovi.
When Sambora left in 2013 after 30 years, many people were wondering whether Bon Jovi could continue. My initial doubts were largely pushed aside after seeing one of the band’s shows that year in New Jersey. I always thought Sambora was such an integral part of the band who would be hard to replace, but I have to say Phil X did a great job. As such, I’m not surprised he appears on the new album as a core member of the band.
Another new official member is Hugh McDonald. After having worked with Bon Jovi in the studio since the band’s inception and been its bassist since 1994, this was long overdue. The remaining line-up includes original members Tico Torres (drums, percussion) and David Bryan (keyboards, piano).
Bon Jovi has always had a great gift to combine rock music with catchy hook lines. The album’s title song, which was previously released as a single in August, perfectly illustrates this. While it’s probably hard to write another Livin’ On a Prayer, the tune could well have been included on Crush, Have a Nice Day or The Circle, Bon Jovi’s studio releases from 2000, 2005 and 2009, respectively. I have no doubt it will become a crowd pleaser during future live shows, as will Knockout, the second single released last month.
Some of the reviews I’ve seen note Sambora brought a certain edginess to Bon Jovi’s sound that’s missing on the new album. Sure, the songs don’t rock quite as hard as on the band’s releases from the 80s. But their music started to evolve from pop metal to more of a pop rock formula while Sambora was still there.
Sambora may have left the band in 2013, but he certainly continued to be on Jon Bon Jovi’s mind. While in various interviews Bon Jovi suggested the door isn’t necessarily shut for Sambora to return, he was quick to add he didn’t think this was possible after having been absent for such a long time. He is probably right.
The album’s second song, Living with the Ghost, is said to reflect Bon Jovi’s thoughts on Sambora’s departure. While Bon Jovi has denied rumors about a fall-out over money, Sambora’s departure remains mysterious to this day. Regardless of the specific circumstances, the lyrics suggest some bitter feelings, at least on Bon Jovi’s end:
“I ain’t living with the ghost
No future living in the past
I’ve seen what hate has done to hope
Tomorrow wasn’t built to last
I ain’t living with the ghost
How can I scream? I’m scared to breathe
I wrote each word, you gave the toast
But we were fire and gasoline
I ain’t living with the ghost…”
Labor of Love, a ballad, has guitar portions that remind me a bit of Chris Isaak’s Wicked Game. The album also includes two other slow songs. To me the standout among these tunes is Scars on This Guitar.
Jon Bon Jovi co-wrote most of the album’s songs with Billy Falcon and John Shanks, both musical collaborators on previous studio releases. Shanks also became the band’s touring rhythm guitarist this year.
Now that the new album is out, Bon Jovi fans won’t have to wait for too long for a chance to see the band return to the stage. According to a Rolling Stone story from last month, Bon Jovi is planning a six-week tour in 2017 in support of the new album. The 20-gig tour is supposed to kick off on Feb 8 in Greenville, SC and conclude on March 22nd in Indianapolis.