The title of Sheryl Crow’s new album, Be Myself, is a statement that you shouldn’t try to be somebody else than you really are. It also nicely fits the singer-songwriter’s conclusion that seeking success in the world of country came with unexpected roadblocks and requirements, which ultimately made the genre the wrong fit for her.
While Crow said she enjoyed the songwriting for her 2013 country album, which ironically was titled Feels Like Home, there were other things she didn’t like. “What I didn’t expect is that [country radio programmers] really don’t play women unless it’s Carrie [Underwood] and Miranda [Lambert], ” Crow told the Los Angeles Times. “The other thing I didn’t expect is how much you have to make yourself available to record promoters and radio programmers,” a tough proposition for Crow who is raising two young school-age children by herself.
Released last Fri (Apr. 21), Be Myself is Crow’s 10th studio album. Not only did she decide to return to her pop rock-oriented style of the 90s, she also collaborated with two people who played an important role during that period: Songwriter Jeff Trott and audio engineer Tchad Blake, who had been involved in Crow’s 1996 eponymous studio album and the 1998 follow-on, The Globe Sessions. Both albums sold well and won Gammy awards. Trott, who also co-produced the new record together with Crow, co-wrote many of her hits over the years, such as Everyday is a Winding Road, My Favorite Mistake, Soak Up the Sun and If It Makes You Happy, which is perhaps my favorite Crow song.
Fans of Crow’s early work won’t be disappointed with the new album. The opener Alone in the Dark pretty much reflects the style of the record: mid-tempo, guitar-oriented pop rock with catchy melodies. Halfway There, which was released as the first single in early March, has a nice grove with effective touches of funky guitar and horns. Other standouts are the title song with a nice rock guitar solo, and Roller Skate, which has a cool guitar riff. Another aspect I like about the album is the music craftsmanship. At 55 years old, Crow comes from a generation of musicians who believes music should be played on real instruments rather than generated in the computer.
Initial reactions to the album have been positive. Rolling Stone’s Rob Sheffield called it “excellent” and her “toughest, best in a decade.” Writing for AllMusic, Steven Thomas Erlewine characterized the album as “strong, sophisticated pop.” Blurt’s Tiffini Taylor concluded, “Sheryl Crow is presenting a great musical journey with Be Myself. It’s a journey that everyone should get on board with, one that will be listened to for a very long time.”
I’m less optimistic than Taylor about the album’s longevity, given it sounds very different from most of the mediocre stuff dominating the charts nowadays. But Crow, who has proven has herself and – it’s safe to assume – also made good money in the process, seems to be at ease. “There is something really fantastic about being my age,” she said in an interview with USA Today. “I don’t worry about repeating myself or wanting to be a better producer, a better songwriter, a better this or that. On this record, I was like, screw that. Let’s just close the door and not worry about who hears this.”
Here’s a nice clip of a live performance of Alone in the Dark, which apparently was captured just a few days ago from a show in New York City’s Bowery Ballroom.
Sources: Wikipedia, Los Angeles Times, Rolling Stone, AllMusic, Blurt, USA Today, YouTube