I’ve always admired Stevie Ray Vaughan for his incredible guitar skills and cool sound. He is right up there with Jimi Hendrix, Jeff Beck, Eric Clapton and Buddy Guy. In fact, he oftentimes reminds me of Hendrix.
The first time I was introduced to Vaughan’s music was in my early twenties after I had joined a blues band as a bassist. Among the songs I had to learn was Tin Pan Alley, one of the tunes on Couldn’t Stand the Weather. Vaughan’s second studio album with Double Trouble was released in May 1984. I bought the CD shortly thereafter. It remains one of my favorite blues albums to this day.
The record kicks off with Scuttle Buttin’, an instrumental Vaughan shreds at breakneck speed. It is one of two instrumentals on the album and one of four tracks written by him. Here’s a nice clip of a live performance of this incredible tune.
Next up is the record’s fantastic title song, another Vaughan composition. A cool mix of blues and funk, the tune features Vaughan’s brother Jimmie Vaughan on rhythm guitar. Here is a clip of the official music video, which according to Wikipedia received regular play on MTV – a pretty remarkable feat, given the song sounded very differently from the music that dominated the charts at the time. I imagine the funky grove had something to do with it.
Couldn’t Stand the Weather also includes an amazing version of the Hendrix classic Voodoo Child (Slight Return). It nicely showcases Vaughan’s virtuosity and his impeccable command of the wah-wah pedal – just like the maestro himself! Here’s a great illustration.
Another tune from the record I’d like to highlight is Cold Shot, which was co-written by the “Godfather of Austin Blues” Wesley Curley Clark and Michael Kindred. Here’s a pretty hilarious clip of what apparently is the song’s official video.
And then there is of course Tin Pan Alley, written by James Reed. Vaughan’s version is perhaps the best electric slow blues I know. It literally makes the hair in my neck stand up. Here’s an epic clip.
Couldn’t Stand the Weather was recorded in just 19 days at the Power Station in New York City (now called Avatar Studios). Other major artists, such as Aerosmith, Bon Jovi, Dire Straits, Bruce Springsteen, John Lennon, David Bowie, Neil Young and Sting, have worked at that studio. The record was produced Vaughan and Double Trouble (Tommy Shannon, bass; and Chris Layton, drums), Richard Mullen and Jim Capfer. John Hammond was the executive producer.
Following on the heels of his 1983 debut Texas Floods, the album was another success for Vaughan, climbing to no. 31 on the Billboard 200, and selling one million copies in just five weeks – a remarkable showing for a blues album. Couldn’t Stand the Weather is part of Vaughan’s impressive recording legacy.
In 2015, Rolling Stone ranked Vaughan no. 12 in its 100 Greatest Guitarists of All Time, saying he “was recognized as a peer by the likes of B.B. King (no. 6 on the list) and Eric Clapton (no. 2 on the list) and despite his 1990 death in a helicopter crash, he’s still inspiring multiple generations of guitarists, from Pearl Jam’s Mike McCready to John Mayer and rising young star Gary Clark Jr.”
Another inspired young blues guitarist is Kenny Wayne Shepherd. He told Rolling Stone in 1999, “Stevie Ray Vaughan was the whole inspiration for me picking up the guitar. I got to hear him play for the first time when I was seven years old, in Shreveport, Louisiana…It’s weird to think that a seven-year-old child can have such a spiritual experience, but it affected the rest of my life. Six months later, I got my own guitar.”
Sources: Wikipedia, YouTube, Rolling Stone