Jane Lee Hooker is another discovery I made when looking for free outdoor concerts in my area this weekend. The five-piece all-female blues rock band from New York City is scheduled to perform Sunday evening in Long Branch, N.J. as part of that seaside city’s summer concert series. The moment I started listening to No B!, I literally thought, ‘holy shit’ – these ladies are playing a furious type of blues rock, sometimes mixed with a dose of punk.
Just like my previous discovery this weekend, The John Byrne Band whose most recent album I reviewed here, Jane Lee Hooker or JLH doesn’t have a Wikipedia entry- too bad! But their website does provide some background. Formed in 2013, the band consists of Dana “Danger” Athens (vocals), Hail Mary Z (bass), Tracy Hightop (guitar), Melissa “Cool Whip” Houston (drums) and Tina “T-Bone” Gorin. In 2015, JHL signed with blues label Ruf Records and released No B! in April 2016.
As the website points out, while JLH was only founded four years ago, the band’s members have “between them decades of experience in the studio and on the road.” Each of these ladies were in other bands before they joined JHL. The two guitarists previously played together in the ’90s in a band called Helldorado where they “honed their love of blazing dual leads.”
JHL has shared bills with Wilco, Southside Johnny & the Asbury Jukes and The Blasters, among others. Earlier this year, they conducted a European tour, including Germany, France, Luxembourg and Switzerland. One of their gigs was a performance at the end of May on Rockpalast, a well-known long-running German rock TV show.
No B! starts off furiously with Wade In The Water, setting the tone for the album. According to Wikipedia, originally, the tune is a negro spiritual written by John Wesley Work III and his brother Frederick J. Work and was first published in 1901 by the Fisk Jubilee Singers.
Next up is Mean Town Blues, which kicks things up a few notches. The song was written by Johnny Winter who first released it on his 1968 debut album The Progressive Blues Experiment. JLH’s version of the tune sounds like Winter spinning on 78 instead of 45 rpm!
While I Believe It To My Soul slows down the speed, the track sounds just as intense as the two previous tunes. Originally, Ray Charles wrote and first recorded the song in 1961 on his studio album The Genius Sings the Blues.
In The Valley is only JLH original tune on the album. It was written by Athens, the singer, whose voice at times reminds me a bit of Melissa Etheridge.
Free Me is another nice cover showing a soulful side of Athens. Written by Otis Redding and Gene Lawson in 1967, the song appeared on Redding’s fourth posthumous album Love Man, which was released in 1969.
The last track I’d like to highlight is the great Muddy Waters tune Mannish Boy. Waters recorded it first in 1955. While it’s perhaps a bit peculiar hearing a woman sing, “I’m a man, I’m a full-grown man,” JLH does a great job with it.
JHL, whose current tour apparently started in mid-July, will be on the road all the way to mid-November. After Long Branch they are scheduled for seven additional U.S. gigs until early September before taking their tour back to Europe in late October, returning to Germany and Switzerland. They are also adding Denmark and the Czech Republic where the tour will conclude in Šumperk on November 18 at the Blues Alive Festival.
Here is a clip of JLH’s above mentioned live performance on Rockpalast – not sure how long it will be available.
Sources: Jane Lee Hooker website, YouTube, Wikipedia