What do you get when you have blues rocker Edgar Winter, Mr. Shock Rock Alice Cooper and hard rock pioneers Deep Purple on one ticket? Three-and-a-half hours of furious rock and possibly some hearing loss!
I cannot believe it took me more than 30 years after I first listened to Machine Head to see my favorite hard rock band live. Last night, that time finally came when Deep Purple played the PNC Bank Arts Center in Holmdel, N.J. Also on the ticket were Alice Cooper and Edgar Winter, who opened the four-hour night including breaks for stage changes.
From the very beginning, the Edgar Winter Band felt like an engine running on maximum rpm the entire time – almost as if Winter, who is the younger brother of electric blues legend Johnny Winter, wanted to bundle the energy of Alice Cooper’s and Deep Purple’s longer performances in a much shorter set. If that was indeed his goal, he succeeded!
Winter’s five-track set included the 1973 Edgar Winter Group hits Free Ride and Frankenstein, as well as covers of Jumpin’ Jack Flash, Tobacco Road and Rock and Roll, Hoochie Koo. He dedicated the last two tunes to his brother. In addition to Winter’s impressive vocal dynamics, he showcased his multi-instrumental skills, playing keyboards, saxophone and percussion. Here’s a clip of Tobacco Road captured during a performance in Atlanta earlier this month.
Next up was Alice Cooper. I only knew four of the sixteen songs he performed, but fortunately, there is setlist.fm. With a discography of 27 studio albums to date, Cooper had plenty of material he could draw from. The set spanned tacks from 1971’s Love It To Death until his last album Paranormal, which was released at the end of July.
Cooper’s gig started off with Brutal Planet, the title song of his 2000 studio album. This was followed by No More Mr. Nice Guy from his best-selling 1973 record Billion Dollar Babies, which hit no. 1 in the U.S. and the U.K. No More Mr. Nice Guy was the most successful of the four singles from the album, climbing to no. 25 on the U.S. Billboard Hot 100. Here is a clip from a show in Nashville back in May.
The stand-out musician in Cooper’s band was lead guitarist Nita Strauss. The 30-year-old from Los Angeles is a quite a shredder. According to Wikipedia, one of her ancestors on her father’s side of the family is Johann Strauss II, the famous Austrian composer. Strauss, who became Cooper’s touring lead guitarist in 2014, was ranked no. 1 on Guitar World’s 10 Female Guitarists You Should Know. Here is a clip of a solo Strauss played during the show, which blends into Poison, another big hit for Cooper from his 18th studio album Trash, released in 1989.
Of course, a review of Cooper’s set wouldn’t be complete without the epic School’s Out, the title track from his fifth studio album, which appeared in June 1972. Perhaps not surprisingly, he kept it all the way until the very end as the encore. Here’s a clip from Appleton, WI from June.
And then it was finally time for Deep Purple, the main reason I was at last night’s show. The gig was part of the band’s Long Goodbye Tour, which supports their 20th and latest studio album Infinite. When Deep Purple announced the tour in December 2016, drummer Ian Paice told Heavyworlds, “It’ll be a long tour; it may be the last big tour, we don’t know…We haven’t made any plans, but it becomes obvious that you cannot tour the same way you did when you were 21.” In June 2016, Paice had a mini-stroke, which impacted his right hand and forced the band to cancel some shows in Scandinavia.
Last night, I have to say I thought Paice was in superb shape. There were no signs of any impairment. In fact, I was most impressed with him and keyboarder Don Airy. Singer Ian Gillan, on the other hand, seemed to be a bit subdued. At 72 years, he is the oldest member of the band. Plus, as a vocalist, changes are perhaps more obvious. Unlike a guitar you can tune, the voice is a natural instrument that changes over time. Gillan has been a singer for a whooping 55 years. Even though his voice isn’t quite what it used to be, it was still amazing to see him perform alongside his Machine Head compatriots Paice and bassist Roger Glover. Steve Morse, who at 63 is the youngest member of Deep Purple, is a very fine guitarist.
Deep Purple opened their set with two of their greatest songs, Highway Star and Fireball from Machine Head (1972) and Fireball (1971), respectively. I’ve always loved Highway Star’s organ and guitar solos on the studio version, which were played by the amazing Jon Lord and rock guitar virtuoso Ritchie Blackmore, respectively. Perhaps that version puts the bar impossibly high for a live performance. Here is a clip from a show earlier this month in Woodlands, Texas.
Machine Head was the best represented album in Deep Purple’s set. In addition to Highway Star, they played Lazy, Space Truckin and of course Smoke On The Water – frankly, I wouldn’t have minded if they had included all of the record’s tunes – each of them is great, in my opinion!
Songs from the Infinite album included Time For Bedlam and The Surprising. Deep Purple also played two tracks from 1984’s Perfect Strangers, Knocking At Your Back Door and the title song. I always thought Perfect Strangers, the first record after the band had disbanded in 1976, was a pretty good comeback album. Here is a clip of the title track, which was also captured during the above Woodlands concert.
Another great moment in Deep Purple’s set last night was Hush, which is from their 1968 debut Shades Of Deep Purple. By the way, Paice already was part of the band’s lineup then, making him the only member who has played on all Deep Purple records to date. Written by Joe South, Hush became the band’s first hit single climbing to no. 4 on the Billboard Hot 100. Here’s a clip captured a few days ago during a concert in Mansfield, Mass.
Last but not least there is what is probably the band’s signature song featuring a riff every guitarist learns: Smoke On The Water. It was the final tune of Deep Purple’s set and a great end to a terrific rock night. Here is a clip recorded in May at a show in Sofia, Bulgaria.
Sources: Wikipedia, setlist.fm, YouTube
4 thoughts on “Blues, Shock and Rock Rumble New Jersey”
Sounds like a great one. If this was a few years ago I would have gone to this. But I think that for the most part I’ve hung up my arena rock ‘n roll shoes for the smaller clubs. You can carry the torch and I’ll read it. Of course, that is subject to change if Queen or AC/DC comes around.
I get the small club thing and the more intimate setting that comes with it, though ironically, I haven’t done that in a long time.
While pouring money in expensive stadium-type concerts is largely irrational, if you really think about it, going to such shows still excites me like a 21-year-old kid – at least that’s how I’m trying to rationalize it! So I guess I’m not quite ready to give it up.
Plus, I guess like many folks, I feel like I’m working my ass off to live the American dream, aka paying the fucking mortgage on your house. How rational is that at the end of the day?
As for AC/DC and Queen, I love both of them, though I don’t know about the prospects of seeing them. While I also dig Guns ‘n Roses, I’m not wild about Axel Rose doing vocals for AC/DC, based on clips I have seen.
This is unlike Paul Rodgers who I thought did a great job performing with the former members of Queen. While I understand Rodgers hasn’t ruled out working with the band again, I haven’t heard anything that suggests something is in the works.
Yeah, I hear you on all that. This decision of mine is fairly recent, actually going back to seeing Springsteen last fall. He did so much stuff I loved and it was such a great show I thought, If this were the last show I ever see, that’s ok. I’ll go out on a high note. But the truth of the matter is there are no longer very many bands that I want to see. I’ve either seen ’em or no longer care if I do. I might be coaxed out for the bands I mentioned and there are others (ZZTop, Skynyrd) that might cause me to put my rock and roll shoes back on. The funny thing is that for the past 20 years or so, every time we go to a big concert I turn to my wife and say, Well, tThat’s the last one. And she says, You say that every year. 😀 But yea, I’m digging the small clubs. One in particular around here caters to us, ahem, more “mature” types so I can always see the Mayalls and Savoy Browns of the world. Try a small club again some time. No reason you can’t have both and it’s a much more intimate (and cheaper) experience.