Final Gregg Allman Studio Album Released

With Southern Blood, Allman’s solo work comes full circle

Today, the and eighth and final studio album from Gregg Allman Southern Blood  appeared. This followed an announcement from Rounder Records about the release in late July, which coincided with the premiere of the record’s first song My Only True Friend on NPR. I previously did a post on this.

My first impression of the album is that Allman’s voice sounds pretty powerful throughout. After all, the liver cancer he had been battling since 2012 was at a terminal stage when he recorded the 10 tracks over nine days in March 2016 – about 10 months prior to his death on May 27 this year. In fact, based on media reports I previously read, Allman could only work for four hours a day.

Gregg Allman & Band at FAME Studios
Gregg Allman (fourth from left) with FAME studio owner Rick Hall (fifth from left), Don Was (sixth from left) and members of his band

While all who were involved in recording the album knew this was Allman’s final output, the record doesn’t portray a dark mood. Instead, it feels like Allman has come full circle with his solo debut from 1973. “Laid Back had that great pedal steel on it and incorporates a little more of Gregg’s roots than maybe what you heard from just the Allman Brothers,” producer Don Was told Billboard. “One of the things Gregg and I did speak about was making the texture of this record something along the lines of what Laid Back would have sounded like if it were recorded at FAME Studios in Muscle Shoals in 2017.”

Intially, Allman had planned to write more songs for the record, but it soon became apparent that between touring and his declining health this wasn’t feasible. “So we came up with the idea of picking a great selection of songs that had deep meaning for Gregg,” his former manager Michael Lehman told Rolling Stone. “The order of the songs tells Gregg’s story. When Gregg picked them, he knew where he was in his life’s journey. He was already further along with the progression of his disease.”

Southern Blood kicks off with My Only True Friend, the previously released song and the only track for which Allman has writing credits. He co-wrote the ballad with his guitarist and musical director Scott Sharrard. The tune’s origins date back to 2012 when Sharrard saw Duane Allman talk to Gregg in a dream. “I woke up, ran downstairs grabbed my guitar and pen and paper and basically got the intro and verse exactly as you hear it on the record,” Sharrard noted in an interview with Guitar World. When showing the beginnings of the song to Allman he liked it, and the two of them started working on it over the next few months. They finished the song just before it was recorded.

Once I Was is a country tune from Tim Buckley, which was included on his second studio album Goodbye and Hello from August 1967. Apparently, Allman was fond of the American singer-songwriter and guitarist. During the above interview with Guitar World, Sharrard said he first heard Allman play the song in March 2014. When he asked him, Allman confirmed he was a fan of Buckley, though he initially wasn’t sure whether he wanted to record the tune. Sharrad liked what he had heard continued to encourage Allman, who eventually agreed to record the song.

I Love the Life I Live is a mid-tempo Willie Dixon blues song. It has a cool guitar riff, great groove and nice horn work. I instantly liked the tune after listening to the opening bars.

Another nice blues rocker on the record is Love Like Kerosene, which was written by Sharrard. Similar to the Dixon tune, it has a great groove and some cool Memphis-style horns – my kind of song! Allman first included the track on his excellent live album Gregg Allman Live: Back to Macon, GA, which was released in August 2015.

The last track I’d like to highlight is Song For Adam, which was written by Jackson Browne and included on his 1972 eponymous debut album. Browne, a good friend of Allman, also sang back-up vocals on the recording. “Jackson and Gregg were such good friends and admirers of each other’s work since they were teenagers, I couldn’t think of a better way for the record to come to a conclusion than with a lyric that Gregg always related to through the tragic loss of his brother at a young age,” Sharrard told Guitar World.

As noted above, Southern Blood was recorded at FAME Studios in Muscle Shoals, Ala., which had special meaning to Allman. “A constant discussion during all of my nearly 15 years working with Gregg was his desire to return to Muscle Shoals,” Lehman explained. “He always would talk about how he needed to get back to Fame Studios to bring him full circle.”

“Muscle Shoals is hallowed musical ground,” added Was. “Fame was the place where Gregg’s brother Duane first started making waves in the music world and where the earliest seeds of The Allman Brothers Band were sown in a back room during their first, seminal rehearsals. Duane’s presence is still ubiquitous in that building. Recording there was Gregg’s way of making his spirit a part of this album, in the same way that his spirit continued to be part of Gregg’s life.”

Sources: Wikipedia, Billboard, Rolling Stone, Guitar World, YouTube

10 thoughts on “Final Gregg Allman Studio Album Released”

    1. Is it the best he’s ever done? Probably not, but it’s still pretty darn good and definitely worth getting!

      So far I’ve listened to the album in Apple Music. I’m actually considering buying it on vinyl. It would be my first new new vinyl in 30 years. A few months ago, I got the newly remixed Sgt Pepper on vinyl, a new record but of course an old album!😀

      BTW, are you familiar with Devon’s music? Until I happened to catch a Gregg Allman commemorative event on Facebook Live on Saturday evening, I didn’t even know he had a son, another humble reminder about my knowledge gaps in music – sigh!

      Anyway, I’ve started listening to Devon and really digging this guy – he’s a pretty good guitarist with a quite impressive recording career. I just did a post on Devon’s last solo album, which includes lots of great blues rock.

      I’m currently listening to Royal Southern Brotherhood, his previous project with Cyril Neville and Mike Zito. As far as I can tell, they only released one (eponymous) album in 2012. So far, I like what I’m hearing!

      As for that Gregg Allman event, it was pretty cool. Scott Sharrad and Devon were there, among others, sharing stories about Gregg and talking about his last studio album.

      Two interesting nuggets: While until the end of his life Gregg considered Duane the best guitarist, he actually wasn’t a fan of the long guitar solos, for which the Allman Brothers were known – which is why these types of solos are absent from his solo records.

      In addition to Duane, Gregg was a huge fan of David Gilmour and Pink Floyd. Apparently, he was frequently watching “Live At Pompeii” on his tour bus.

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      1. Yeah, I think if Gregg had for whatever reason not joined the ABB, he would have sounded more like “Laid Back” or “Low Country Blues.” Have you heard the latter album? Terrific. Shame on you for not knowing about all of Gregg’s children. 😀 Here’s a site for you to read in case you wind up in a rock trivia game.

        http://heavy.com/entertainment/2017/05/gregg-allman-children-child-family-sons-daughter-elijah-blue-devon-delilah-michael/

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      2. Oh, yeah. I saw that. Tres cool. If I have one regret, it’s that I never saw Gregg solo. I saw the Allmans about 8million times but Gregg never. The one time I had tickets to see him he had to cancel for a health issue, I think Hep C. I dug the bluesy, horn-driven thing.

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      3. Every time I watch that clip, I’m getting emotional – sometimes I feel like I’m turning into into a fucking sentimental old guy!

        During the previously mentioned commemorative event, Scott Sharrard said Gregg was very proud of his band. Just watching these guys doing their thing, you can see why!

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      4. BTW, some of the various Allmans kids bands cycle through town occasionally at some of those smaller clubs we talked about. Much as I might like to see them, in the endless battle of “where do I spend my discretionary concert money,” I’m much more likely to opt for bands like Fabulous Thunderbirds, Coco Montoya, etc. Doesn’t mean, though, I can’t take the reminder of checking them out online.

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