I just returned from the movies where I watched Concert For George, a documentary about a fantastic George Harrison tribute show Eric Clapton and Jeff Lynne put together with Dhani Harrison and Olivia Harrison at the magnificent Royal Albert Hall in London on November 29, 2002. I could easily go on raving about it. For now all I want to say is, if you’re a fan of Harrison’s music, you should absolutely catch this film, which is available on DVD and is still on in certain select movie theaters. For listings you can check here.
With my mind still very much set on Harrison, undoubtedly because of the amazing documentary, I’m publishing my third and last post (promise!) to celebrate what would have been his 75th birthday today (February 25). The above clip of Taxman is from a concert in Japan in December 1991, which Harrison conducted as part of a joint tour with Eric Clapton. The tour was also documented with the double album Live In Japan that came out in July 1992.
Taxman is one of three Harrison compositions that appear on Revolver, The Beatles’ seventh studio album released in August 1966. His two other contributions for that record were Love You To and I Want To Tell You.
Sources: Concert For George official website, Wikipedia, YouTube
Today, George Harrison would have turned 75 years, so this felt like a great occasion to put together a commemorative piece and playlist. Harrison was born on February 25, 1943 in Liverpool, England. His father Harold Hargreaves Harrison was a bus conductor, while his mother Louise (née French) was working as a shop assistant. He had three older siblings, two brothers (Harold and Peter) and one sister (Louise).
While growing up in Liverpool, Harrison developed an early interest in music and guitars. His father had reservations about his son’s plans to pursue a music career but still bought him an acoustic guitar in 1956. One of his dad’s friends taught Harrison a few songs. Not surprisingly soon thereafter, Harrison formed his first band with his brother Peter and a friend – a skiffle group inspired by Lonnie Donegan. In 1957 on the bus to his high school, Harrison had a chance encounter that started a life-changing path: Running into Paul McCartney. With their shared passion for music, the two hit if off pretty quickly.
McCartney, who had started playing with another young fellow called John Lennon in The Quarrymen, brought Harrison into the skiffle band in early 1958. By August 1960, the band had adopted rock & roll and following a few name changes evolved into The Beatles. Apart from Lennon, McCartney and Harrison, the initial lineup included Stuart Sutcliffe (bass) and Pete Best (drums). In August 1962, Ringo Starr joined on drums, after George Martin had complained to Brian Epstein about Best’s poor skills. Sutcliffe had left The Beatles a year earlier, which had prompted McCartney to switch from guitar to the bass. The classic line-up was finally in place!
In the early years, Lennon and McCartney dominated the band’s songwriting. While Harrison got his first credit for Don’t Bother Me on the second studio album With The Beatles from 1963, it wasn’t until Help! (1965) that he started asserting himself more as a writer. Help! featured his two compositions I Need You and You Like Me Too Much. Eventually, he introduced Indian influences and other ideas. The Beatles’ music wouldn’t have evolved the way it did, had it not been for Harrison.
Some of Harrison’s other song contributions during The Beatles period included If Needed Someone (Rubber Soul, 1965), Taxman (Revolver, 1966), Within You Without You (Sgt. Pepper’s Lonely Hearts Club Band), Blue Jay Way (Magical Mystery Tour, 1967), The Inner Light (non-album single, 1968), While My Guitar Gently Weeps (The Beatles, aka The White Album, 1968), It’s All Too Much (Yellow Submarine), Here Comes The Sun (Abbey Road) and I Me Mine (Let It Be).
Before The Beatles broke up in early 1970, Harrison had already released two solo records, Wonderwall Music and Electronic Sound, both of which were mostly instrumental. In November 1970, his first post-Beatles solo record appeared, the triple LP All Things Must Pass – a powerful statement that Harrison was finally free from all artistic restrictions!
In 1971, responding to a request from his mentor Ravi Shankar, Harrison organized the Concert For Bangladesh to raise money for starving refugees in the war-ravaged country. In addition to him and Shankar, the charity event in New York’s Madison Square Garden on August 1st featured an impressive array of other artists, such as Eric Clapton, Ringo Starr, Leon Russell, Billy Preston and Bob Dylan. It attracted more than 40,000 visitors and raised close to $250,000 (about $1.55 million in today’s money), and essentially introduced the concept for Live Aid and other music charity events.
Between 1973 and 1987, Harrison released eight additional solo albums: Living In The Material World (1973), Dark Horse (1974), Extra Texture (Read All About It) (1975), Thirty Three & 1/3 (1976), George Harrison (1979), Somewhere In England (1981), Gone Troppo (1982) and Cloud Nine (1987). He could not complete his final album Brainwashed due to advanced cancer but left it with a guide for his son Dhani Harrison and his friend and music collaborator Jeff Lynne to complete. The record appeared in November 2002, one year after Harrison’s death.
In 1988, Harrison co-founded The Traveling Wilburys, which also included Bob Dylan, Jeff Lynne, Roy Orbison and Tom Petty. The band released two albums, Traveling Wilburys Vol. 1 (1988) and Traveling Wilburys Vol. 3 (1990). The latter record did not include Orbison who had passed away in December 1988. Harrison’s discography also includes two live records, four compilation albums and four box sets. Time for some music clips!
Wah-Wah appears on All Things Must Pass, which is widely considered to be Harrison’s best solo album. It also became his most successful solo release, topping the charts in the US, UK, Canada, Australia and various other countries.
Here Comes The Sun is one of Harrison’s compositions from The Beatles period and one of my favorite tunes from the Abbey Road album. The following clip captures his live performance during the Concert For Bangladesh, together with Badfinger lead vocalist and guitarist Peter Ham.
The Lord Loves The One (That Loves The Lord) is from Harrison’s forth studio album Living In The Material World, which appeared in May 1973.
Dark Horse is the title track of Harrison’s fifth studio record from December 1974.
Crackerbox Palace appears on Thirty Three & 1/3, Harrison’s seventh studio album from November 1976. The tune, which features a slide guitar sound that had become a Harrison signature, was also released as the record’s second single in January 1977.
Blow Away is included on Harrison’s eponymous 8th studio album, which came out in February 1979. The song also appeared separately as the record’s lead single a few days ahead of its release.
Got My Mind Set On You, composed by American songwriter Rudy Clark, is from Cloud Nine. Released in November 1987 after a five-year hiatus from the music business, Harrison’s 11th studio album became a successful comeback, reaching no. 8 on the U.S. Billboard 200 and climbing to no. 10 on the UK Albums Chart. Got My Mind Set On You was also the record’s lead single and reached the top of the Billboard Hot 100.
Handle With Care is the opening track from Traveling Wilburys Vol. 1. The tune, which like all songs on the 1988 album is simply credited to Traveling Wilburys, features Harrison and Orbison on lead vocals. Here is the official video clip.
If I Needed Someone is one of my favorite Harrison compositions and Beatles tunes. It appears on the band’s sixth studio Rubber Soul, released in December 1965. The following clip is from Harrison’s 1992 Live In Japan album, which features Clapton and a terrific backing band.
I’d like to conclude this post and playlist with Any Road from Brainwashed, released in November 2002. Harrison’s final solo album took about 14 years to complete. After he had started work in 1988, things got delayed due to business problems with his former manager Denis O’Brien, his work with the Traveling Wilburys and Ravi Shankar, and his involvement in The Beatles Anthology albums. In 2001, Harrison underwent surgery for lung cancer and radiotherapy for cancer that had metastasized into his brain. He continued to work on the album as long as he could and left instructions for Dhani and Lynne to complete things. Harrison passed away at a friend’s house in Los Angeles on November 29, 2001. He was 58 years old.
This previously unreleased version of Lover Man by Jimi Hendrix is the third track from his upcoming posthumous album Both Sides Of The Sky, scheduled for release on March 9. According to Ultimate Classic Rock, Hendrix recorded this take of the blues rock tune in December 1969 with future Band Of Gypsys members Billy Cox (bass) and Buddy Miles (drums). This was less than a month before that band recorded their eponymous debut album, the last Hendrix studio record that appeared prior his death.
Written by Hendrix, Lover Man was modeled after Rock Me Baby by BB King, per Songfacts. Other versions of the tune can be heard on Valleys Of Neptune, a 2010 posthumous Hendrix album, the second of the trilogy that is concluded with Both Sides Of The Sky, as well as Isle Of Wright, a posthumous live album from 1971.
“Jimi loved the blues,” Eddie Kramer told Ultimate Classic Rock recently. “So did Billy, so did Buddy,” added Kramer, Hendrix’s recording engineer on all of his albums recorded during his lifetime and co-producer of the upcoming record. “Billy was always this wonderful counterpart. He did these fantastic runs, these lovely loping figures. Jimi was so happy to have that bouncy feeling beneath what he was doing. And you can’t have a record like this without the famous cement mixer. That’s what Mitch Mitchell used to say about Buddy — ‘He’s a bit of a cement mixer.’ No kidding. I mean, he was just the most amazing funk/R&B drummer, and I just love the way that Jimi’s solo just rips into that far-out distortion. It just shreds. I mean, that’s the ultimate shred solo.”
Sources: Ultimate Classic Rock, Songfacts, YouTube
Celebration of Harrison’s 75th birthday with premiere of 2002 commemorative concert in select movie theaters and special audio reissue
This Sunday, February 25 George Harrison would have turned 75 years. Sadly, he passed away from cancer on November 29, 2001 at the age of 58 – I can’t believe it’s been more than 16 years! Exactly one year after Harrison’s untimely death, a concert at the Royal Albert Hall in London celebrated his life and music. That commemorative event, which had been available on DVD and CD, is now being shown in select movie theaters nationwide and today for the first time appeared as a 4-LP vinyl box reissue. Here’s a nice clip of the unveiling of the box.
The concert was organized by Harrison’s widow Olivia and son Dhani. Longtime friends Eric Clapton and Jeff Lynne served as musical directors and performed during the show. Some of the other participating music artists included Paul McCartney, Ringo Starr, Tom Petty and The Heartbreakers, Billy Preston, guitarist Albert Lee, Procul Harum lead vocalist and pianist Gary Brooker, session musican Klaus Voorman and Dhani.
Before the above artists came on stage, Anoushka Shankar, the daughter of Harrison’s mentor Ravi Shankar, opened the event with a special composition by her father, presented together with a 16-piece orchestra of Indian musicians. Afterwards, surviving members of the Monty Python troupe performed comedy skits to acknowledge Harrison’s well-known sense of humor.
Following are a three clips from the concert. The first is a beautiful version of Harrison’s second song that appeared on a record by The Beatles: I Need You from Help!, performed by Petty and Heartbreakers.
The second clip is White Album gem While My Guitar Gently Weeps, featuring Clapton on lead vocals and guitar, backed by McCartney, Starr, Lee, Lynne and Dhani, among others. While it is probably impossible to beat the tune’s rendition and Prince solo performed during the 2004 Rock & Roll Hall of Fame induction show, it’s a pretty solid performance.
I also came across the following clip, showing Billy Preston singing My Sweet Lord, backed by the above other musicians. The tune was Harrison’s first big post-Beatles hit, which appeared on his solo debut album All Things Must Pass. Unfortunately, the quality of the video isn’t great but the audio is decent.
“We will always celebrate George’s birthday and this year we are releasing Concert for George in a very special package in memory of a special man,” Olivia said in a statement.
In addition to the vinyl set, the reissue is available in four other formats: 2-CD + 2-Blu-Rays Combo Pack, 2-CD + 2-DVD Combo Pack, 2-CD Pack and, I suppose for the true die-hard fans, as a limited Deluxe Box Set,including four 180-gram audiophile LPs, 2 CDs, 2 DVDs and 2 Blu-rays, a 12”x12” hard-bound 60-page book, plus a piece from the original hand-painted on-stage tapestry used as the backdrop at the Royal Albert Hall concert. The recording of the concert also premiered on music streaming services today.
The film that captured the concert was directed by David Leland and produced by Ray Cooper, Olivia Harrison and Jon Kamen. All profits from the sale of Concert for George products will go to The Material World Charitable Foundation, founded by George Harrison in 1973.
Sources: Wikipedia, Concert For George official website, Rolling Stone, YouTube
Tonight Steve Winwood kicks off his Greatest Hits Live Tour in Chicago, so I felt like posting this cool clip of Gimme Some Lovin’. It was captured at a show in Baltimore last April during his 2017 World Tour.
Co-written by Steve (vocals, organ), his older brother Muff Winwood (bass) and Spencer Davis (guitar) and performed by the Spencer Davis Group, which also included Pete York on drums, Gimme Some Lovin’ was released as a single in October 1966. The tune became one of the band’s biggest hits, reaching no. 2 on the UK Singles Chart and no. 7 in the U.S.
Winwood’s new tour includes 13 additional dates and ends in Bethlehem, Pa on March 14. One of the gigs will be on March 8 at New Jersey Performing Arts Center in Newark, not far from my house. I’ve seen the man once before a few years ago, and it was a great show. His voice and roaring Hammond continue to excite me, so I think I’m gonna get a ticket and give him some lovin’!
1959:Ray Charles recorded What’d I Say at Atlantic Records in New York City. Written by Charles, the R&B classic evolved from an improvisation during a concert in December 1958. At the end of that show, Charles found himself with some time to fill and reportedly told his female backing vocalists The Raelettes, “Listen, I’m going to fool around and y’all just follow me.” Fooling around paid off nicely. Following its release in July that year, the tune became Charles’ first gold record. One of the challenges with the song was its original length of more than seven and a half minutes, far longer than the usual two-and-a-half-minute format for radio play. Recording engineer Tom Dowd came up with the idea to remove some parts and split up the song in two three-and-a-half-minute chunks: What’d I Say Part I and What’d I Say Part II. The division relied on a false ending after the orchestra had paused the music.
1965:Tired Of Waiting For You by The Kinks hit no. 1 on the UK Singles Chart. Written by Ray Davies, the tune was a single from the band’s second studio LP Kinda Kinks, which appeared in March that year. Notably, The Kinks only had two other chart-topping singles in the UK during their long career: You Really Got Me (1964) and Sunny Afternoon (1966). According to Songfacts, Davies wrote the tune while studying at Hornsey School of Art in London. Since by the time The Kinks went into the studio he couldn’t remember the lyrics, the band initially only recorded the backing track. Davies ended up writing the words on the train the following day while heading back to the studio.
1967:The Buckinghams topped the U.S. Billboard Hot 100 with Kind Of A Drag, the Chicago sunshine pop band’s only no. 1 hit. The tune was written by Jim Holway, who is also best known for this accomplishment. The band, which had formed the previous year, became one of the top-selling acts in 1967, according to Wikipedia. But their chart success was short-lived and they disbanded in 1970, which I suppose is, well, kind of a drag! On a more cheerful note, they re-emerged in 1980 and apparently remain active to this day. Here’s a clip of the lovely tune.
1972:Neil Young’s fourth studio album Harvest was certified Gold by the Recording Industry Association of America (RIAA), only less than three weeks after its release on February 1. It features some of Young’s best known songs, including Heart Of Gold, Old Man and The Needle And The Damage Done. James Taylor, Linda Ronstadt, David Crosby, Stephen Stills and Graham Nash were among the impressive array of guest musicians. Harvest topped the Billboard 200 for two weeks and became the best-selling record of the year in the U.S. As of June 27, 1994, the album has 4x Multi-Platinum certification. Here’s a clip of The Needle And The Damage Done.
Sources: Wikipedia, This Day in Music.com, Songfacts Music History Calendar, YouTube
If you’re into electric slide guitar blues, check out this clip captured during Eric Clapton’s 2013 Crossroads blues festival, showing two of the finest artists in that genre: Sonny Landreth and Derek Trucks – damn!
Trucks, part of the Tedeschi Trucks Band and former member of The Allman Brothers Band, probably needs no further introduction. I’m not sure the same can be said about Landreth, who I don’t believe is widely known beyond blues circles. Admittedly, I wasn’t aware of this ace slide guitarist either, until a good friend recommended that I check him out – BTW, the same friend who told me about this new Tom Petty live box set covered in my previous post. If you like Petty, you’re going to love this!
Congo Square was co-written by Landreth, Mel Melton and David Ranson. Melton heads a blues band with the awesome name The Wicked Mojos. Ranson is a bassist, who frequently plays with Landreth and is also in the clip. The tune appears on Landreth’s fourth studio album South Of I-10, which was released in 1995. You can bet I’m going to check out additional music from him!
“San Francisco Serenades” features hits, covers and rarities from 1997 gig at Fillmore
When chatting about music with a dear friend this morning, he asked me whether I had heard of this 3-CD box live set from Tom Petty and The Heartbreakers, which had come out recently. I had not but was immediately intrigued, especially when my friend added it features numerous great covers, including Satisfaction (The Rolling Stones), You Really Got Me (Kinks) and Louie Louie (The Kingsmen).
He had seen it on Amazon. While still on the phone with him, I searched Apple Music/iTunes and came up empty. Then I started searching the Internet for this box set called San Francisco Serenades. The first hit was the enclosed YouTube clip, which based on its length of more than three hours seems to capture the entire thing! Of course, I realize there is a high likelihood the shelf life of this link is limited, but heck, as long as it works, I’m happy to feature it on the blog.
According to the website of Spin CD, a UK music retailer, the box set captures the last show of a 20-date residency at The Fillmore in San Francisco, which the band had there from January 10 to February 7, 1997. Apparently, that gig was recorded live for FM broadcast. In addition to some Petty gems like I Won’t Back Down, American Girl and Free Fallin’, the set predominantly includes cover versions of tunes by Chuck Berry, JJ Cale, The Rolling Stones and other artists. In addition, John Lee Hooker joined the band to perform three of his tunes.
After having listened to the first two hours in a row and sampled the remainder, I have to say I’m really blown away! The fact that the Heartbreakers were a terrific band wasn’t news to me; what I didn’t fully appreciate is how many covers these guys played, and damn, do they sound great! While taking three hours to listen to the entire clip is a significant time commitment, if you are a Petty fan, you should do it!
Following are some highlights of the covers with time stamps: Around And Around (Chuck Berry; 0.00); Call Me The Breeze (JJ Cale; 17:18 – Petty credited Floridian compatriots Lynyrd Skynyrd, which also covered the tune); With John Lee Hooker: I Found My Baby, It Serves You Right To Suffer & Boogie Chillin’; 50:05 – 1:07:07); Green Onions (Booker T. & The M.G.s; 1:19:40); You Really Got Me (The Kinks; 1:53:55); Shakin’ All Over (Johnny Kidd and The Pirates; 2:09:15); Gloria (Them; 2:38:07); (I Can’t Get No) Satisfaction (The Rolling Stones; 2:52:38); and It’s All Over Now (The Valentinos; 2:59:35).
Here is the full set list.
1. Around And Around 2:48
2. Jammin’ Me 4:41
3. Runnin’ Down A Dream 5:05
4. Time Is On My Side 4:28
5. Call Me The Breeze 5:54
6. Cabin Down Below 2:48
7. Diddy Wah Diddy 3:51
8. Slaughter On 10th Ave 3:46
9. Listen To Her Heart 4:10
10. I Won’t Back Down 3:56
11. The Date I Had With That Ugly Homecoming Queen 8:10
12. Find My Baby (featuring John Lee Hooker) 5:03
13. It Serve You Right To Suffer (featuring John Lee Hooker) 4:21
14. Boogie Chillun’ (featuring John Lee Hooker) 8:39
1. It’s Good To Be King 12:05
2. Green Onions 4:54
3. You Are My Sunshine 2:07
4. Ain’t No Sunshine 3:32
5. On The Street 3:28
6. I Want You Back Again 3:37
7. Little Maggie 3:38
8. Walls (Circus) 3:45
9. Angel Dream 2:53
10. Guitar Boogie Shuffle 3:44
11. Even The Losers 3:12
12. American Girl 2:33
13. You Really Got Me 2:51
14. County Farm 8:38
15. You Wreck Me 4:18
1. Shakin’ All Over 2:44
2. Mary Jane’s Last Dance 10:21
3. You Don’t Know How It Feels 7:08
4. I Got A Woman 3:00
5. Free Fallin’ 5:20
6. Gloria 10:46
7. Bye Bye Johnny 4:06
8. Satisfaction 3:02
9. Louie Louie 3:51
10. It’s All Over Now 4:54
11. Alright For Now 3:17
What’s a bit of a mystery is when exactly the box set appeared. Leeway’s Homegrown Music Network, which describes itself as “independent bands, representatives, venues, stores, fans and people like you all working together to improve our world through good music,” indicates February 9, 2018 as the release date. AllMusic notes the box set is available on Amazon with a date of December 1, 2017. Amazon simply indicates 2018 as the release time. I suppose, it matters less when the bloody box set came out than the fact that it is outstanding.
Sources: Spin CD, Leeway’s Homegrown Music Network, AllMusic, YouTube
The above clip is the second tune released yesterday (February 15) in advance of Both Sides Of The Sky, a posthumous album by Jimi Hendrix, set to come out March 9. Written by Hendrix and first recorded in London in 1967, Hear My Train A Coming became a staple during Hendrix live shows but didn’t appear on any of his albums until now.
According to a USA Todaystory, this version of the blues shredder was recorded in New York in April 1969 and was partially inspired by Muddy Waters, one Hendrix’s influences. It is one of the last songs recorded by The Jimi Hendrix Experience, which in addition to Hendrix included bassist Noel Redding and drummer Mitch Michell.
“I love the feeling of being life in the studio ,” commented Eddie Kramer, recording engineer for every Hendrix album during the guitarist’s life, during a video interview posted on the official Hendrix Facebook page. “This is an absolutely right-on performance from Jimi,” added Kramer who co-produced the record with John McDermott and Jimi’s sister and Janie Hendrix, head of the Hendrix estate. See clip below for entire interview.
While this new tune is cool, I think I prefer the previous upfront release of Mannish Boy. The forthcoming record also features various collaborations that sound intriguing, including with Stephen Stills on the Joni Mitchell tune Woodstock,and Johnny Winter on Things I Used to Do, a blues track written and released by New Orleans blues guitarist Guitar Slim in 1953.
Sources: Wikipedia, USA Today, Jimi Hendrix Facebook page, Rolling Stone, YouTube
Just take my way, it’s the highway, it’s the best…
Get your kicks on Route 66. These lines of course are the beginning of the opening verse from the well-known R&B standard composed by American songwriter Bobby Troup in 1946. Frequent readers of the blog may notice it’s not the first time I write about this tune. So what’s going on here?
To me Route 66 simply is one of the best car songs I know, along with Highway Star, Born To Be Wild (wait, isn’t that from a famous picture about bikers?) and Radar Love, to name a few others. And, yes, I also enjoy driving and believe a road trip is the best way to explore the U.S., even though it sounds so 20th century! Heck, most of the music I like is from that period as well, so I guess I’m living in the wrong century!
Now that my slight obsession with Route 66 and car travel is out of the way, I thought it would be fun to put together a playlist of different versions of the song. The tune has been covered by numerous artists over the decades. In fact, if I would look long enough, it might even be possible to find 66 versions. While perhaps that may be clever, it would be a bit of overkill, even for a Route 66 fan like me. Therefore, I’d like to keep this post to six versions.
Let’s kick things off from the beginning with the first recording of the tune by the King Cole Trio. BTW, the song’s full title is (Get Your Kicks) On Route 66. This first recorded version was released in 1946, some 72 years ago! I love that jazz groove and how relaxed the musicians are playing in this clip. It shows that great music stands the test of time.
Next up is the excellent cover by Chuck Berry. He included it on his fifth studio LP from March 1961 New Juke Box Hits. Unlike many of his other tunes he had released before then, it didn’t become a hit. Neither did the record, which came out while Berry was in legal trouble that led to 1.5 years of incarceration starting in 1962 – not good for PR!
Perhaps one of the best known covers is the version by The Rolling Stones, which appears on both their 1964 UK and US debut records The Rolling Stones and The Rolling Stones (England’s Newest Hit Makers), respectively. Instead, I’m highlighting the 1965 cover by Them from that band’s debut The Angry Young Them. I like this take even better than the Stones, and I say this as a Stones fan. The musicians are giving a killer performance here, including great piano and guitar solos, while Van Morrison’s voice is a bit reminiscent of Mick Jagger. They don’t call him Van the Man for nothing!
Another cool hard-charging cover of Route 66 is by British pub rockers Dr. Feelgood. They included the tune on their 1975 debut Down By The Jetty. I’d go see these guys in a bar!
And how about a largely a cappella version by The Manhattan Transfer? If I see it correctly, the jazz vocal group first recorded Route 66 for their eighth studio album Bop Doo-Wopp, released in 1984. The clip below apparently was captured during a 2008 live performance. There is just something special about a vocal band, particularly if they can sing like these guys!
The last Route 66 cover I’m including here is another nice jazzy version by an unexpected artist: Glenn Frey. I also like the touch of country created by the pedal steel guitar. This version appears on Frey’s final studio album After Hours from May 2012, a collection of tunes from the Great American Songbook. It proves what a versatile artist Frey was. Here’s the official video – makes me want to snip my fingers right along with the groove.
While I understand there is very little left of the Mother Road, one of these years, I’d like to take that California trip from Chicago to LA, more than 2,000 miles all the way – according to Wikipedia, the original Route 66 covered a total of 2,448 miles. Maybe something for my 66th birthday? Okay, I guess I’m starting to overthink it now!