Great Music Isn’t Quite Dead Yet

Four coinciding releases from Roger Daltrey, Ry Cooder, John Mellencamp and Glenn Fry

Yesterday was a great day in music as far as I’m concerned. When was the last time you can remember new releases from four great artists coming out the same day? While admittedly sometimes I don’t recall what I did the previous day, I really couldn’t tell you. Sadly, when checking iTunes for new music, I usually see stuff I don’t care about, so why even bother? Well, part of me refuses to give up hope that amid all the mediocre crap that dominates the charts these days, I might find something I actually dig. This time I surely did, with new releases from Roger Daltrey, Ry CooderJohn Mellencamp and Glenn Frey.

Since I just wrote about Daltrey’s new single How Far from his upcoming solo album As Long As I Have You, I’m only briefly acknowledging it in this post. Based on this tune and the previously released title track, his new record surely looks very promising. It’s set to come out June 1, tough I have a feeling we might see a third single leading up to its release – really looking forward to this one!

Ry Cooder_The Prodigal Son

Ry Cooder’s new album The Prodigal Son is his 17th solo record and first new release in six years. I’m not going to pretend to be an expert on his music – in fact, I know far too little about it. But here’s what I know. I’ve yet to hear bad music from this virtuoso multi-instrumentalist and I know good music when I hear it. And this it, baby, great music – plain and simple – no need to over-analyze!

The Prodigal Son is a beautiful collection of roots and gospel music. Eight of the 11 tunes are covers from artists like Blind Willie Johnson, Blind Alfred Reed and Carter Stanley. All of the reviews I read noted the album represents a return all the way to the beginning of Cooder’s 50-year recording career. Asked by the Los Angeles Times why he decided to make a gospel-focused record, Cooder said, “In these times, all I can say, empathy is good, understanding is good, a little tolerance is good. We have these dark forces of intolerance and bigotry that are growing back…The gospel music has a nice way of making these suggestions about empathy…Plus I like the songs, I have to admit.” Well said!

Here’s a nice clip of the Blind Willie tune Everybody Ought To Treat A Stranger Right – sadly, this couldn’t be more timely! Watching the maestro at work live in the studio is a real treat. By the way, the drummer is Cooder’s son Joachim, who has collaborated with him on several records and tours in the past and apparently was an important catalyst for the new record.

More frequent readers of the blog know that I’m a huge fan of John Mellencamp. His new release Plain Spoken: From The Chicago Theatre is a companion to a concert film that debuted on Netflix on February 1st. It captures a show Mellencamp performed at the landmark venue on October 25, 2016. The set features country singer Carlene Carter, with whom he has been on the road for several years and recorded the excellent 2017 collaboration album Sad Clowns & Hillbillies.

John Mellencamp_Plain Spoken From The Chicago Theatre

The new DVD-CD set includes the original version of the Netflix film with commentary from Mellencamp throughout, a “non-commentary” version of the film, and a live CD of the concert. While I’ve only listened into some of the tunes from the CD via Apple Music, I certainly like what I’ve heard so far. Here’s a clip of Cherry Bomb, a track from the 1987 studio album The Lonesome Jubilee, one of my favorite Mellencamp records.

Last but not least, there’s Above The Clouds: The Collection, a new four-disc box set capturing the solo career of Glenn Frey. The set combines well known tunes like The Heat Is On, Smuggler’s Blues and You Belong To City with lesser known, deeper cuts and, perhaps most intriguingly, a copy of Longbranch Pennywhistle, a pre-Eagles 1969 album Frey recorded with J.D. Souther. The set also includes a DVD capturing footage from Frey gig in September 1992.

Glenn Frey_Above The Clouds Box Set

Admittedly, I had not been aware of Longbranch Pennywhistle, which according to Ultimate Class Rock until now had only been available on CD as an import. Frey and Souther also performed as a duo under that name, though it was a short-lived venture. Frey went on to co-found the Eagles in 1971, together with Don Henley, Bernie Leadon and Randy Meisner. Souther ended up co-writing some of the band’s best known tunes, such as Best Of My Love, Heartache Tonight and New Kid In Town. Here’s a clip of Run Boy, Run, one of the tracks from the Longbranch Pennywhistle album, which was written by Frey.

While Daltrey’s upcoming album is something to look forward to, I’m under no illusion that yesterday was an aberration. The days when great music releases were part of the mainstream are long gone. Still, why not enjoy the nice moment while it lasts!

Sources: Wikipedia, Los Angeles Times, Rolling Stone, American Songwriter, NPR, John Mellencamp official website, USA Today, Ultimate Classic Rock, YouTube


19 thoughts on “Great Music Isn’t Quite Dead Yet”

  1. A nice mix. I had missed your Daltrey post. Boy, he does sound great. Ry Cooder is a national treasure. Of course, he’s touring and the only tix left are in the nosebleed seats. I like Mellencamp and Frey though not as much of a fan as the former as you.

    Liked by 1 person

      1. I think you said you already have ‘Bop Till You Drop.’ ‘Paradise and Lunch’ is good and I figure you already know about the (non-solo) Buena Vista album.

        Liked by 2 people

      2. Great, thanks. Yep, I have “Bop Till You Drop” on vinyl and really dig “Little Sister” from that one! Haven’t heard it in a while, so will give it a spin this weekend. It’s also a good reason to go back enjoying some more vinyl, which I haven’t done for some time either.

        There is just too much freaking music and too little time. Meanwhile, I like to bitch about the fact that great music essentially is no longer part of the mainstream. Oh, well…


      3. I’m currently listening to the “Buena Vista Social Club” album. I had been aware of it in general but had not explored it. I know nothing about Cuban music and, as such, it’s completely outside my wheelhouse. But, man, you don’t have to be an expert in traditional Cuban music to realize how amazing it is!

        Even without seeing the musicians (haven’t watched the Wenders documentary either – not yet, that is!😀), I feel like you still can literally see them. The joy of performing these songs is palpable and the grooves are seductive.

        I’ve also started listening to Cooder’s first three solo albums. While I generally like what he did there, “Buena Vista” has to be his masterpiece. It’s hard to imagine how you can trump this!


      4. Yeah, it’s all good stuff. Ry is a master and he is a roots guy all the way. That ‘Buena Vista’ thing was a pretty big deal. His cultural ‘Graceland’ if you will.

        Liked by 1 person

  2. That Cooder tune cooks. Is that music or what? He just keeps getting better if that’s possible. Those young guys playing with him are getting a lesson and will have a story to tell. Fantastic. He’s coming to an outdoor summer fest near me. I’ll be going.

    Liked by 1 person

  3. So guess what, laddies? Cooder added a show at one of my favorite spots so I am going to see him Tuesday night. That gives me a week or so to absorb his new album. I’ll review the show.

    Liked by 1 person

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