My Playlist: Deep Purple

Deep Purple has been my favorite hard rock band pretty much since the time I started listening to music 40-plus years ago. When this morning Apple Music served up Machine Head, one of my longtime favorite albums, I listened to it again for what must have been the one millionth time or so – it just doesn’t get boring! While undoubtedly best known for Smoke On The Water, which features one of the most iconic guitar riffs in rock, and the kick ass Highway Star, the record has much more to offer than these two tracks. It gave me the inspiration to put together this post and playlist.

The origins of Deep Purple date back to 1967 when ex-Searchers drummer Chris Curtis envisaged forming a “supergroup” he wanted to call Roundabout. Jon Lord, a classically trained organ player, Nick Simper (bass) and Carlo Little (drums), who were all performing in the backing band for The Flower Pot Men, became Roundabout’s first members. The next to join was guitarist Ritchie Blackmore, after Simper and Little had suggested him.

Deep Purple Mark I
Deep Purple Mark I (left to right): Back: Blackmore, Lord & Simper; front: Paice & Evans

Following Curtis’ was firing due to drug-induced erratic behavior, Blackmore and Lord took over artistically and replaced Little with Bobby Woodman on drums. An extended search for a lead vocalist led to Rod Evans in March 1968, who brought along drummer Ian Paice. This forced Woodman out and completed the band’s lineup. Roundabout soon became Deep Purple, a name suggested by Blackmore. The so-called Mark I formation of Blackmore, Lord, Paice, Simper and Evans went into the studio to record the band’s debut album Shades Of Deep Purple. It was first released in the U.S. in July 1968, followed by the UK in September that year.

The Mark I lineup released two additional records: The Book Of Taliesyn (U.S.: October 1968; UK: June 1969) and Deep Purple (U.S.: September 1969). In June 1969, Evans and Simper were fired and replaced by Ian Gillan and Roger Glover, respectively. The beginning of the Mark II lineup brought a change from progressive-oriented rock to a heavier sound, and the band’s commercial breakthrough with their fourth studio album Deep Purple In Rock. Mark II, which is my favorite lineup, issued three more records: Fireball (July 1971); Machine Head (March 1972), which became the band’s most commercially successful record; and Who Do You Think We Are (January 1973).

Deep Purple_Machine Head Gatefold
Deep Purple: Machine Head (March 1972) Gatefold

Following Who Do You Think We Are, Deep Purple went through various additional lineup changes and an eight-year hiatus from 1976 to 1984. The members of the Mark II lineup reunited twice, from 1984 to 1989, and from 1992 to 1993. Deep Purple, which have been on The Long Goodbye Tour since May 2017, continue to rock to this day. Last month, they announced a 25-city North American co-headliner with heavy metal outfit Judas Priest, which will kick off August 21 in Cincinnati and wrap up on September 30 in Wheatland, Calif.

Paice remains the only founding member in Deep Purple’s present lineup (Mark VIII), which also includes Glover, Gillan, Steve Morse (guitar, since 1994) and Don Airey (keyboards, since 2001). The current formation has been in place since 2001, making it the band’s most stable lineup. To date, Deep Purple have released 20 studio albums, the most recent being Infinite from April 2017, as well as numerous live and compilation records. Time to get to the playlist!

While Shades Of Deep Purple is best known for Hush, a song I’ve always liked, I’ve decided to highlight a different track called And The Address. This cool instrumental, which was co-written by Blackmore and Lord, is the album’s opener.

Why Didn’t Rosemary is another great early Deep Purple tune from the Mark I lineup. It appeared on the band’s eponymous third studio record from June 1969 and was credited to all members. On this tune, I particularly dig Blackmore’s guitar playing and Lord’s work on the Hammond.

One of my favorite Deep Purple songs to this day is Black Night, the first single released by the Mark II lineup and the band’s second overall. It came out in June 1970 just a few days after Deep Purple In Rock had appeared. It’s puzzling to me that the tune wasn’t included on the album. Like all of the songs released by the Mark II lineup, it was credited to all members of the band. The tune became a major hit for Deep Purple, climbing to no. 2 on the UK charts – their highest peaking UK single to this day.

Speaking of Deep Purple In Rock, here is the epic Child In Time. To me Gillan’s singing and Lord’s keyboard work are the outstanding features of the tune. It gives me goosebumps every time I listen to it.

When it comes to Machine Head, I find it hard to pick a tune. Sure, Highway Star or Smoke On The Water would be obvious choices, and I certainly dig both of these songs – and tortured my poor parents playing along on the electric guitar as a teen – of course, with full distortion and the volume of my tiny home amp put to the max! But instead, I’d like to highlight Pictures Of Home. Why? Because I think Blackmore’s guitar riff is pretty cool, plus I dig Glover’s bass solo. I also like Paice’s intro. I think these are more than enough reasons.

Who Do You Think We Are was the final album of Mark II’s initial run. Here’s the great opener Woman From Tokyo – love that honky tonk piano solo starting at around 4:12 minutes.

Burn was Deep Purple’s eighth studio album and first of the Mark III formation featuring David Coverdale and Glenn Hughes on vocals and bass, respectively, replacing Gillan and Glover. Coverdale, who in 1978 became the lead singer of Whitesnake (and still is to this day after several departures and returns), is a fine rock vocalist but Gillan will always remain my favorite Deep Purple lead vocalist. Anyway, here is the album’s title track.

Perfect Strangers marked the triumphant return of Deep Purple after their 1976-1984 hiatus. It was also the first reunion of the Mark II lineup. Here’s the album’s title track. Portions of the instrumental parts are a bit reminiscent of Led Zeppelin’s Kashmir.

In my opinion, Perfect Strangers was the last great Deep Purple album. I still want to acknowledge some of the band’s music that followed. First up: the title track of their 14th studio record The Battle Rages On, which came out in July 1993. It was the first and only record released during the second reunion of the Mark II lineup. During the tour that followed in support of the album, Blackmore left the band for good.

For the last tune of this playlist I’d like to jump to Deep Purple’s most recent record Infinite. Here is the opener Time For Bedlam, which also became the album’s lead single. While clearly not being Machine Head caliber, it proves the band still knows how to kick ass. Airey and Morse do a fine job on keyboards and guitar, respectively.

Deep Purple have sold more than 100 million albums worldwide, making them one of the most commercially successful rock bands. In 2016, the band (Blackmore, Lord, Paice, Gillan, Glover, Coverdale, Evans and Hughes) was inducted into the Rock & Roll Hall of Fame. Among their other accolades is a listing in the 1975 Guinness Book of World Records as the “globe’s loudest band,” based on a 1972 concert at the Rainbow Theatre in London, England.

Sources: Wikipedia, Deep Purple official website, YouTube

 

Jackson Browne Still Strong And Far From Running On Empty

Vonda Shepard delivers soulful opening

Jackson Browne must have a secret, and I wanna know what it is. While the man supposedly has been running on empty for the past 40 years, he doesn’t show any signs of slowing down. After I had heard the song for the first time on the radio in Germany in the late ’70s, Browne quickly became one of my favorite artists. Not surprisingly, I was really psyched when I finally saw him for the first time Sunday night at Sands Bethlehem Event Center in the former steel town of Bethlehem, Pa.

After a 45-year-plus recording career, Browne’s voice still sounded just as great as it did back in the days of Running On Empty. Heck, he even largely looked the same with the same hairstyle – okay, now with grey hair and glasses, but overall, time has been relatively kind to Browne. And what an ace backing band! But let’s start from the beginning.

Jackson Browne Concert Poster

Have you ever been to a rock & roll show that started on time? I don’t recall any, but this one actually did! At 7:30 PM on the dot, Browne walked out on stage to personally introduce his opening act: American singer-songwriter Vonda Shepard. Frankly, I had never heard of her before. Browne called her a great songwriter who for sometime had been part of his band. Oh, and he also allowed her to use his current backing band – what a class act!

I have to say I was impressed with Shepard, who reminded a bit of Sheryl Crow. Her voice has a nice soulful vibe. She also is a musician, playing the piano, bass and guitar.  Shepard started out as a backing singer, eventually got a record contract, and released her eponymous debut album in 1989. After her third record had appeared in 1996, she was hired for the TV sitcom Ally McBeal, for which she recorded two companion soundtrack albums. She scored a hit with Searchin’ My Soul, a catchy pop rock tune she co-wrote with Paul Howard Gordon. To date Shepard has released 14 albums. Here is a clip of Searchin’ My Soul, which was the closer of her 25-minute set.

Then the time had finally come for Jackson Browne. From the opening bars of Before The Deluge to the final notes of the encore, I was amazed by Browne’s voice and his musicianship. With a 45-year-plus recording career, he certainly had an enormous catalog he could pull from and he did. I wasn’t familiar with all of the tunes he performed, but with the help of Setlist.fm, I figured out the entire set except for one song.

The first tune I’d like to call out is The Long Way Around, a track from Browne’s last studio album Standing In The Breach, which appeared in October 2014. One thing I liked about the song was the great solo by Browne’s lead guitarist Val McCallum, whose guitar work shined throughout the evening. I just dig the clear and transparent sound he got out of his Fender Telecaster. Here’s a nice clip.

Another highlight was Lives In The Balance, the title song from Browne’s eighth studio album released in February 1986. The stripped back version prominently featured his terrific backing vocalists Alethea Mills and Chavonne Stewart, who added a dose of gospel and soul. Check it out.

Amid all his songs, Browne also threw in a cover of I’m A Patriot, a tune written by Little Steven for his second solo album Voice Of America from May 1984. Again, backing singers Mills and Stewart featured prominently in the laid back tune and did a beautiful job.

In addition to being a great songwriter and vocalist, Browne is a pretty decent guitarist. One standout in this context was Your Bright Baby Blues from his fourth studio album The Pretender released in November 1976. It featured some nice slide guitar work by Browne. You can watch it here.

Speaking of The Pretender, here is the great title track of the album. It was one of the tunes Browne played on the piano.

Running On Empty was the last track of the regular set. I still love this song after all these years. Greg Leisz did a beautiful job on pedal steel guitar. Like the amazing David Lindley, this guy is an impressive multi-instrumentalist.

Browne waited to the encore to play one of his other major hits: Take It Easy, which he co-wrote with Glenn Frey. It became the first single for the Eagles in May 1972. Browne included the tune on his sophomore album For Everyman, which came out in October 1973. On Sunday night, he blended it into Our Lady Of The Well, the second tune on that record. Leisz provided more beautiful pedal steel guitar. It’s all nicely captured in the following clip.

In addition to McCallum, Leisz, Mills and Stewart, Browne’s excellent backing band included Bob Glaub (bass), Mauricio Lewak (drums) and Jeff Young (keyboards). Here is the entire set list.

  • Regular
    • Before The Deluge
    • Some Bridges
    • You Love the Thunder
    • The Long Way Around
    • The Dreamer
    • Lives In The Balance
    • Doctor My Eyes
    • These Days
    • Shaky Town
    • Never Stop
    • I’m A Patriot
    • Somebody’s Baby
    • Looking East
    • Your Bright Baby Blues
    • World in Motion (together with Vonda Shepard)
    • Unknown song
    • I’m Alive
    • Sky Blue and Black
    • Shape of the Heart
    • The Pretender
    • Running on Empty
  • Encore:
    • Take It Easy
    • Our Lady Of The Well

Source: Wikipedia, Setlist.fm, YouTube

Great Music Isn’t Quite Dead Yet

Four coinciding releases from Roger Daltrey, Ry Cooder, John Mellencamp and Glenn Fry

Yesterday was a great day in music as far as I’m concerned. When was the last time you can remember new releases from four great artists coming out the same day? While admittedly sometimes I don’t recall what I did the previous day, I really couldn’t tell you. Sadly, when checking iTunes for new music, I usually see stuff I don’t care about, so why even bother? Well, part of me refuses to give up hope that amid all the mediocre crap that dominates the charts these days, I might find something I actually dig. This time I surely did, with new releases from Roger Daltrey, Ry CooderJohn Mellencamp and Glenn Frey.

Since I just wrote about Daltrey’s new single How Far from his upcoming solo album As Long As I Have You, I’m only briefly acknowledging it in this post. Based on this tune and the previously released title track, his new record surely looks very promising. It’s set to come out June 1, tough I have a feeling we might see a third single leading up to its release – really looking forward to this one!

Ry Cooder_The Prodigal Son

Ry Cooder’s new album The Prodigal Son is his 17th solo record and first new release in six years. I’m not going to pretend to be an expert on his music – in fact, I know far too little about it. But here’s what I know. I’ve yet to hear bad music from this virtuoso multi-instrumentalist and I know good music when I hear it. And this it, baby, great music – plain and simple – no need to over-analyze!

The Prodigal Son is a beautiful collection of roots and gospel music. Eight of the 11 tunes are covers from artists like Blind Willie Johnson, Blind Alfred Reed and Carter Stanley. All of the reviews I read noted the album represents a return all the way to the beginning of Cooder’s 50-year recording career. Asked by the Los Angeles Times why he decided to make a gospel-focused record, Cooder said, “In these times, all I can say, empathy is good, understanding is good, a little tolerance is good. We have these dark forces of intolerance and bigotry that are growing back…The gospel music has a nice way of making these suggestions about empathy…Plus I like the songs, I have to admit.” Well said!

Here’s a nice clip of the Blind Willie tune Everybody Ought To Treat A Stranger Right – sadly, this couldn’t be more timely! Watching the maestro at work live in the studio is a real treat. By the way, the drummer is Cooder’s son Joachim, who has collaborated with him on several records and tours in the past and apparently was an important catalyst for the new record.

More frequent readers of the blog know that I’m a huge fan of John Mellencamp. His new release Plain Spoken: From The Chicago Theatre is a companion to a concert film that debuted on Netflix on February 1st. It captures a show Mellencamp performed at the landmark venue on October 25, 2016. The set features country singer Carlene Carter, with whom he has been on the road for several years and recorded the excellent 2017 collaboration album Sad Clowns & Hillbillies.

John Mellencamp_Plain Spoken From The Chicago Theatre

The new DVD-CD set includes the original version of the Netflix film with commentary from Mellencamp throughout, a “non-commentary” version of the film, and a live CD of the concert. While I’ve only listened into some of the tunes from the CD via Apple Music, I certainly like what I’ve heard so far. Here’s a clip of Cherry Bomb, a track from the 1987 studio album The Lonesome Jubilee, one of my favorite Mellencamp records.

Last but not least, there’s Above The Clouds: The Collection, a new four-disc box set capturing the solo career of Glenn Frey. The set combines well known tunes like The Heat Is On, Smuggler’s Blues and You Belong To City with lesser known, deeper cuts and, perhaps most intriguingly, a copy of Longbranch Pennywhistle, a pre-Eagles 1969 album Frey recorded with J.D. Souther. The set also includes a DVD capturing footage from Frey gig in September 1992.

Glenn Frey_Above The Clouds Box Set

Admittedly, I had not been aware of Longbranch Pennywhistle, which according to Ultimate Class Rock until now had only been available on CD as an import. Frey and Souther also performed as a duo under that name, though it was a short-lived venture. Frey went on to co-found the Eagles in 1971, together with Don Henley, Bernie Leadon and Randy Meisner. Souther ended up co-writing some of the band’s best known tunes, such as Best Of My Love, Heartache Tonight and New Kid In Town. Here’s a clip of Run Boy, Run, one of the tracks from the Longbranch Pennywhistle album, which was written by Frey.

While Daltrey’s upcoming album is something to look forward to, I’m under no illusion that yesterday was an aberration. The days when great music releases were part of the mainstream are long gone. Still, why not enjoy the nice moment while it lasts!

Sources: Wikipedia, Los Angeles Times, Rolling Stone, American Songwriter, NPR, John Mellencamp official website, USA Today, Ultimate Classic Rock, YouTube

Roger Daltrey Releases Second Track From Upcoming Solo Album

Today, Roger Daltrey released How Far, the second single from his upcoming new studio release As Long As I Have You. This follows a March 15 announcement of the record, his ninth solo album, which coincided with the release of the title track as the lead single.

How Far was written by Stephen Stills and first appeared on the eponymous debut album from Manassas in April 1972. Manassas was a short-lived rock band Stills had formed in the fall of 1971. They only recorded one more album, Down The Road, released in May 1973, before they dissolved in October that year.

Daltrey does a great job with the tune. His voice still sounds amazing. Other covers on the upcoming album include Into My Arms (Nick Cave), You Haven’t Done Nothing (Stevie Wonder) and the title track (Garnet Mimms). There are also some original tunes. Pete Townshend contributes guitar on seven of the 11 tracks.

Roger Daltrey_As Long As I Have You Vinyl

Daltrey calls the record a soul album: “This is a return to the very beginning, to the time before Pete [Townshend] started writing our songs, to a time when we were a teenage band playing soul music to small crowds in church halls,” he said. “That’s what we were, a soul band. And now, I can sing soul with all the experience you need to sing it. Life puts the soul in. I’ve always sung from the heart but when you’re 19, you haven’t had the life experience with all its emotional trials and traumas that you have by the time you get to my age.” Townshend added, “It shows Roger at the height of his powers as a vocalist.”

The record was produced by Dave Eringa, with whom Daltrey had previously worked on Going Back Home, his excellent 2014 collaborative album with British blues rock guitarist Wilko Johnson. Set for release on June 1, As Long As I Have You will be available on a number of formats including CD, 180g Black Vinyl, Limited 180g Red Vinyl housed in Polydor Disco Bag (available exclusively via thewho.com) and Digital. I’ll be sure to look out for it!

Sources: Wikipedia, The Who official website, YouTube

 

Little Steven Captures 2017 Tour In Great Live Album

“Soulfire Live!” is a journey through rock history

Today, I coincidentally came across this great new live album from Steven Van Zandt and his excellent Disciples Of Soul backing band in Apple Music. I had completely missed Soulfire Live! when it appeared on April 27 on digital platforms for streaming and downloading. According to an announcement, the “surprise release” came just before Little Steven and the band embarked on a new tour through the U.S. in late April, which will last through May and be followed by dates in Europe in late June and July.

Recorded at 2017 shows in Europe and North America, the 24-track collection features original tunes by Little Steven and covers. It includes various tracks from his excellent last studio album Soulfire from May 2017, his first new record in nearly 18 years and one of my favorite albums from last year. I previously wrote about it here. And since I really dig the music, I also decided to catch Little Steven and The Disciples at one of their U.S. gigs in September last year. I also had something to say about that show here.

Soulfire Live! nicely captures the concert atmosphere. At least as intriguing as the music are some of Little Steven’s announcements, during which he provides his perspective on music and shares anecdotes from the past, reminiscent to what he does on his excellent Underground Garage radio show. But the highlight of the talking undoubtedly is Mike Stoller, who the introduced the band at the Orpheum Theatre in Los Angeles last October – yep, The Mike Stoller who together with Jerry Leiber wrote numerous legendary tunes for artists like Big Mama Thornton (Hound Dog), The Drifters (Fools Fall In Love), Ben E. King (Stand By Me) and of course Elvis Presley (Jailhouse Rock, King Creole, Treat Me Nice, etc.).

Stoller notes he was an usher at the theatre 67 years ago until got into an argument with his boss and was fired. After that he says he decided to team up with his friend Jerry Leiber to write songs, dryly adding it worked out pretty good. Listen for yourself – it’s priceless!

On to some music. Here is one of my favorite covers from this collection, which also appeared on the Soulfire studio album: Blues Is My Business, a tune co-written by Kevin Bowe and Todd Cerney and sung by Etta James on her 2003 blues record Let’s Roll. The band is just killing it!

One of the original Little Steven tunes is Angel Eyes, which he recorded for his 1982 solo debut record Men Without Women. That tune has a nice soul groove.

Standing In The Line Of Fire is another song by Little Steven. He wrote it for Gary U.S. Bonds, and it became the title track of a studio album Bonds released in September 1984. Little Steven also co-produced the record. I like the song’s Hank Marvin-style guitar intro.

Another superb cover is the blaxploitation tune Down And Out In New York City. It was written by Bodie Chandler and Barry De Vorzon, and recorded by James Brown for Black Caesar, a soundtrack album for the motion picture of the same name, which appeared in February 1973. The track was also included on Soulfire, though the live version is extended.

The last tune I’d like to highlight is another cover, Groovin’ Is Easy, by American blues rock and soul band The Electric Flag. The song was written by the band’s guitarist Nick Gravenites and appeared on their debut album A Long Time Comin’ from March 1968. Based on some of their music I’ve heard, I have to check out these guys more closely.

Soulfire Live! was produced and arranged by Van Zandt, and appears on his rock and roll label Wicked Cool Records. It was mixed by heavy hitter Bob Clearmountain, who has worked with artists like Bruce Springsteen, The Rolling Stones, Paul McCartney and The Who, among many others. The album will also become available on CD, Blu-ray and vinyl editions this summer.

Sources: Universal Music Enterprises (UMe) press release, NJArts.net, Wikipedia, YouTube

Memorable Rock & Roll Hall Of Fame Induction Performances

Last evening’s HBO broadcast of the 2018 Rock & Roll Hall Of Fame induction ceremony gave me the idea to take a look at previous inductions and highlight some of the performances there. I’m not getting into the nomination and selection process, the judges, which artists who currently aren’t in should be inducted, etc. – topics that undoubtedly will continue to be discussed. This post is about some of the great music that was performed at the induction festivities over the years.

I’d like to start with the 1999 induction ceremony that featured a great performance of In The Midnight Hour by Wilson Pickett and Bruce Springsteen, one of the inductees that year. They were backed by The E Street Band. Springsteen, a huge fan of Pickett, frequently performs some of the soul legend’s tunes during his shows. Recorded at Stax studios in Memphis, the song was initially released in June 1965 and became Pickett’s first hit for Atlantic Records. He co-wrote the tune with Stax session guitarist Steve Cropper.

In 1993, The Doors were inducted into the Hall. The band’s then-living original members Ray Manzarek (keyboards), Robbie Krieger (guitar) and John Densmore (drums) teamed up with Pearl Jam lead vocalist Eddie Vedder, who did a fine job singing the parts of the charismatic Jim Morrison. Here’s Light My Fire, one of my favorite Doors tunes that appeared on their eponymous debut album from January 1967. Like each of the original songs on the band’s first two records, the tune was credited to all members.

The 1993 inductees also included another legendary band: Cream. Jack Bruce (lead vocals, bass), Eric Clapton (guitar) and Ginger Baker (drums) reunited for the occasion. One of the songs they played was the terrific Sunshine Of Your Love from Cream’s second studio album Disraeli Gears, released in November 1967. The tune was co-written by Bruce, Clapton and Pete Brown. To this day I think Sunshine has one of the coolest guitar riffs in rock.

Among the 2018 inductees were The Moody Blues, a band whose second studio album Days Of Future Passed became one of the first successful concept albums and put them on the map as pioneers of progressive rock. They played the mighty Nights In White Satin from that record, but the first tune they performed was I’m Just A Singer (In A Rock & Roll Band). That song is from their seventh studio album Seventh Sojourn, which appeared in October 1972. It was written by John Lodge (vocals, bass, guitar), who together with Justin Hayward (lead vocals, guitar) and Graeme Edge (drums) is one of the remaining original members who performed at the induction.

Last but not least, here is a clip of what may be the best Rock & Roll Hall Of Fame performance to date: While My Guitar Gently Weeps, played during the induction of George Harrison as a solo artist in 2004. The performance featured Tom Petty, Jeff Lynne, Steve Winwood, Dhani Harrison and Prince, among others. It will forever be remembered for Prince’s incredible guitar solo. While My Guitar Gently Weeps appeared on the “White Album,” the ninth studio album by The Beatles from November 1968.

Source: Wikipedia, Legacy.com, YouTube

My Longtime Favorite Albums

Ten records I continue to enjoy after more than three decades

Earlier this week, I got nominated on Facebook to name 10 music albums that have made an impact on me and that I continue to enjoy today. The task was to post one album cover daily, and each time when doing so to nominate somebody else to do the same. Usually, I don’t participate in these types of chain activities, so initially, I ignored it. But since it was a close relative, who had nominated me, and music is my passion after all, I decided to go along. The exercise of identifying the 10 records inspired this post.

Because I found it impossible to limit myself to just 10 albums, I decided to narrow the field to only those records I started listening to as a teenager and in my early 20s. This explains why some of my favorite artists like The Allman Brothers Band, Buddy Guy and even The Rolling Stones are “missing.” It was only later that I started exploring them and many other artists I like today in greater detail. Without further ado, here is the list in no particular order, together with one song from each album.

As frequent readers of the blog know, I’m a huge fan of The Beatles. Sgt. Pepper’s Lonely Hearts Club Band, their 8th studio album from May 1967, is my favorite among their records.

The Beatles_Sgt. Pepper

Here’s the great closer A Day In The Life, which except for the middle section was mainly written by John Lennon, though as usually was credited to him and Paul McCartney.

Tapestry by Carole King was one of the earliest albums I listened to when I was 10 years old or so. Back then, I didn’t understand the lyrics but liked the music. Today, I dig the record for both the music and the lyrics. There is a timeless beauty in King’s tunes, and to me Tapestry is perhaps the ultimate singer-songwriter record.

carole-king-tapestry

There are so many great songs on this gem from February 1971, so it’s hard to chose one. Here’s Way Over Yonder. King’s soulful singing and the saxophone solo are two of the tune’s features I’ve always liked.

The Eagles’ Hotel California is an album I’ve owned on vinyl since I guess the early ’80s. It was released in December 1976 as the band’s fifth studio record.

Eagles_Hotel California

Here’s a live version of the epic title song, which is included in the album’s 40th anniversary deluxe edition that appeared in November last year. The tune was co-written by Don Felder, Don Henley and Glenn Frey. The distinct extended guitar interplay at the end featured Felder and Joe Walsh. This tune just never gets boring!

It was the Born In The U.S.A. album from June 1984, which put Bruce Springsteen on my radar screen.

Bruce Springsteen_Born In The USA

Here’s Bobby Jean, one of the album’s few tunes that wasn’t also released separately as a single. On this one, I particularly love the saxophone solo by Clarence Clemons, who was such an ace player.

Deep Purple to this day remains my first choice when it comes to hard rock, and Machine Head from March 1972 is the crown jewel in their catalog. The band’s sixth studio album featured their best line-up that included Ian Gillan (vocals), Ritchie Blackmore (guitar), Jon Lord (keyboards), Roger Glover (bass) and Ian Paice (drums, percussion).

Deep Purple_Machine Head

Here’s Pictures Of Home, which like all tracks on the album were credited to all members of the band. In addition to Lord’s great keyboard work, one of the tune’s characteristic features is a cool bass solo by Glover (starting at 3:40 minutes).

My introduction to John Mellencamp was Scaregrow, his eighth studio album from August 1995, but it was the follow-up record The Lonesome Jubilee, released in August 1987, that turned me into a fan.

John Mellencamp_The Lonesome Jubilee

Here is the great opener Paper In Fire, which also became the album’s lead single. Like all tunes except one, it was written by Mellencamp.

While it was pretty clear to me that a Pink Floyd album needed to be among my longtime top 10 records, the decision which one to pick wasn’t easy. I decided to go with The Dark Side Of The Moon but also could have gone with Wish You Were Here. I started listening to both albums at around the same time during the second half of the ’70s.

Pink Floyd_The Dark Side Of The Moon

I’ve chosen to highlight The Great Gig In The Sky. I’ve always liked the incredible part by vocalist Clare Torry.

I believe the first Steely Dan song I ever heard was Do It Again on the radio. By the time I got to Aja, I already knew the band’s debut record Can’t Buy A Thrill and, because of Rikki Don’t Lose That Number, their third album Pretzel Logic. While I liked both of these records, the Aja album from September 1977 became my favorite, after a good friend had brought it to my attention.

Steely Dan_Aja

Here is Deacon Blues, which also was released separately as the album’s second single. Like all tunes on the record, it was co-written by Walter Becker and Donald Fagen.

I was hooked to Live Rust the very first time I listened to it. Neil Young’s album from November 1979 pretty much is a live compilation of his greatest ’70s hits.

Neil Young_Live Rust

My, My, Hey, Hey (Out Of The Blue) is among the record’s highlights. The song was co-written by Young and Jeff Blackburn.

Led Zeppelin wasn’t exactly love at first sight. My first exposure was Led Zeppelin IV, the band’s fourth studio album from November 1971. I bought the record because of Stairway To Heaven.

Led Zeppelin_Led Zeppelin IV

I had listened to Stairway on the radio where they always faded it out before the heavy rock section at the end of the tune. I still remember the shock when I listened to the song in its entirety for the first time. I had just started taking classic guitar lessons and was very much into acoustic guitar. I simply couldn’t understand how Zep could have “ruined” this beautiful song by giving it a heavy metal ending. Well, today it is exactly because of its build why this track has become one of my favorite tunes. But instead of Stairway, I’d like to finish this post with Going To California, a beautiful acoustic ballad co-written by Jimmy Page and Robert Plant.

Sources: Wikipedia, YouTube