What I’ve Been Listening To: Bonnie Raitt/Slipstream

I think Slipstream is one of the gems in Bonnie Raitt’s close to 40-year recording career. I hadn’t heard the album in a while until this morning. Afterwards, I spontaneously decided to cover it.

Raitt is one of my favorite music artists, and I’ve written about her before. If you’re curious about her background, you can read more here. In this post, I’d like to focus on the music from Slipstream, Raitt’s 16th studio album released in April 2012. It came seven years after the predecessor Souls Alike, the last album for her longtime record company Capitol Records. The album is the first issued on her independent label Redwing Records, which she launched in 2011.

Slipstream kicks off strongly with the groovy Used To Rule A World. The tune also became one of two tracks that appeared separately as a single. It was written by singer-songwriter and session multi-instrumentalist Randall Bramblett. In addition to Raitt, he has played with the likes of Gregg Allman, Robbie Robertson and Steve Winwood. Apart from Raitt’s funky guitar, I particularly dig the Hammond B3 part performed by Mike Finnegan. He’s another session musician with an impressive resume, including Jimi Hendrix, Joe Cocker, Buddy Guy, Etta James and Crosby, Stills and Nash, to name some.

Right Down The Line, the second single off the album, is a nice cover of a tune by Gerry Rafferty. The Scottish singer-songwriter included it on his sophomore album City To City from January 1978. That record is best known for the mega hit Baker Street, which makes me want to listen to the song and other music from Rafferty. I haven’t done that in a long time either – could become a separate blog topic in the future!

Down To You is another tune for which Bramblett got a credit. The other co-writers are George Marinelli, who also plays guitar, as well as Raitt who wrote the lyrics – her only credit on the album. But if you interpret songs, sing and play slide guitar like Raitt, I think it becomes a minor detail whether or not you actually write the songs. Marinelli, a founding member of Bruce Hornsby and The Range, has been part of Raitt’s band since 1993.

Raitt slows things down on Not Cause I Wanted To, a ballad about the breakup of a relationship. I wonder whether the tune, which was co-written by Al Anderson and Bonnie Bishop, has some autobiographic connection. According to Wikipedia, Raitt’s marriage to actor Michael O’Keefe ended in divorce in late 1999, apparently because their careers caused them to spend much time apart.

The last tune I’d like to call out is Standing In The Doorway, another track on the quieter side. It was written by Bob Dylan, who included it on this 30th studio album Time Out Of Mind from September 1997. Interestingly, Slipstream also features another Dylan cover from the same record, Million Miles. When covering songs, Raitt oftentimes makes them her own, but in this case, she chose to stay closely to the original – in any case, a beautiful take!

Slipstream entered the Billboard 200 at no. 6, making it Raitt’s highest-charting album in the U.S. in 18 years since 1994’s chart-topper Longing In Their Hearts. She also won Best Americana Album for Slipstream at the 2013 Grammy Awards.

Sources: Wikipedia, Bonnie Raitt website, YouTube

10 thoughts on “What I’ve Been Listening To: Bonnie Raitt/Slipstream”

  1. Vielleicht fehlt hier der ganz gross vorgetragene Song, wie auf ihren beiden erfolgreichsten Alben „Nick Of Time“ (1989) und „Luck Of The Draw“ (1991), dennoch ist es schön von Bonnie ein vitales Lebenszeichen zu hören. Hier spielt eine perfekte Band, die jeden Ton musizieren kann und die Gastmusiker sind auf identischem Niveau.

    Liked by 1 person

    1. Von den Bonnie Raitt Scheiben, die ich kenne, ist “Nick Of Time” mein Lieblingsalbum. Obwohl im Vergleich dazu “Slipstream” keine großen Hits enthält, war es interessanterweise trotzdem eines von Raitts erfolgreichsten Alben, welches ihr u.a. einen Grammy brachte.

      Letztlich kommt es allerdings weniger auf solche Auszeichnungen und kommerziellen Erfolg, sondern auf die Musik an. Und die ist wie Du selber angedeutet hast auf hohem Niveau präsentiert, so wie man dies von Bonnie Raitt seit langem gewohnt ist. Solides Musikhandwerk ist ja ihr Markenzeichen.

      Liked by 1 person

      1. Bonnie Raitt hat für mich auch im Alter nichts von ihrer Faszination verloren. Sie ist keine stilprägende aber eine ausserordentlich talentierte Musikerin. Sie beherrscht alle gängigen Delta-Techniken wie Fingerstyle, Open-Tunings, Slide, Walkin’ Blues usw. in perfekter Weise. Wenn Miss Raitt mit ihren sparsamen und geschmackvollen Bottlenecktönen die Gitarre zum Heulen bringt, erinnert sie immer noch an ihren Mentor Mississippi Fred McDowell.

        Liked by 1 person

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