Another Turkey Day Brings Another Rock & Roll Radio Marathon

I’m not much of a radio guy, not even in the car, where despite having access to Sirius XM,¬†I prefer listening to music from my streaming provider most of the time. An exception for the past few years has been a massive four and a half-day countdown of songs New York classic radio station Q104.3 does around each Thanksgiving. Ingeniously, they call it the Top 1043 Classic Rock Songs of All Time.

To come up with the list, the station asks listeners to submit their top 10 songs in no particular order, which each counting as one vote. They then tally the submissions, determine the 1043 songs with the most votes, and play all of them in one shot, starting with the tune that got the least votes. The only interruption happens at noon on Thanksgiving, when they play Arlo Guthrie classic Alice’s Restaurant in its entire 18 minutes plus. The whole thing lasts from 1:00 pm ET on Wednesday prior to Thanksgiving until sometime on Sunday evening after the holiday!

Q104.3 Countdown

This year marks the 19th annual annual countdown. Wow, that’s what I call devotion – and smart marketing/audience engagement! Remarkably, each year Led Zeppelin’s Stairway to Heaven has been the most popular song. And while the station does not reveal actual vote totals, the hosts have said in the past the tune has always won by many votes.

Don’t get me wrong, I dig Stairway – big time. In fact, if I could only choose one rock song, it probably would be that Zep classic, even though The Beatles generally remain my all-time favorite band. There are other tunes that usually make the top 10, such as Hey Jude and Queen’s Bohemian Rhapsody. Again, there’s nothing wrong with these songs and I like them as well.

But the recurrence of the above tracks makes the countdown predictable. To me this means it’s not as much fun as it could be. As I noted before, I think it’s time to shake things up a bit. Following is the set of tunes I submitted. I almost would have forgotten about it and literally did so at 3:00 am this morning when I went to the bathroom and remembered – okay, call me a loony! Here are my choices in no particular order.

Of course, it’s unlikely my selections will change much if anything. On the other hand it’s like elections. If everybody thought they couldn’t impact the outcome, nobody would vote. And that would indeed guarantee that nothing would ever change! So here’s to hoping for a new number one this year. How about Hey Jude?ūüėÜ

Sources: Q104.3 website; Wikipedia; YouTube

 

 

 

Clips & Pix: The Who/Won’t Get Fooled Again

I just read about The Who’s new single I Don’t Wanna Get Wise from their upcoming album Who set for release on December 6. And while it’s not a bad song, I decided to hold writing about it until the album’s release and instead post the above killer clip of Won’t Get Fooled Again.

According to¬†Universal entertainment website uDiscovermusic, where I spotted this amazing footage, it’s one of two videos The Who released remastered in high quality leading up to their new album. It was filmed on May 25, 1978 at England’s Shepperton Studios, about 20 miles southwest of London, for the closing sequence of the band’s rockumentary The Kids Are Alright. It turned out to be the last live performance of Keith Moon¬†who passed away on September 7 that year.

The band’s energy is through the roof. Pete Townshend is working his Gibson Les Paul and the stage like a madman. Roger Daltrey is equally animated, jumping around and spinning his microphone. Meanwhile,¬†The Ox John Entwistle¬†essentially remains motionless as usual, running his thunderfingers across the fretboard of his bass. And Moon, while physically changed from his earlier years with the band, is still fiercely banging his drums.

Written by¬†Townshend, Won’t Get Fooled Again first appeared in June 1971 as the lead single to The Who’s fifth studio album Who’s Next, released in August of the same year. I think uDiscovermusic may be right to call the above¬†The Who’s definitive performance of the song. It nicely illustrates their power as a live band.

Sources: uDiscovermusic; YouTube

What I’ve Been Listening To: Booker T./Note By Note

I guess I really should consider subscribing to a music magazine. The thing is, based on what I’ve seen, these publications mostly write about contemporary stuff that rarely interests me. If anyone has a great recommendation, please let me know. Why am I bringing it up? Because here’s another recently released album I completely missed. And while it only includes two new songs, I was immediately hooked when I started listening to the music a couple of days ago: Note By Note by Booker T. Yep, I’m talking about the man from Stax house band Booker T. & the M.G.’s.

To start with, I think Booker T.’s love of music isn’t only obvious but also truly infectious. That’s why I dig the man! Witnessing him in action playing the keys of his Hammond B3 frequently gives me goosebumps. In case you haven’t watched it yet, check out Booker T.’s demo of the iconic organ I previously covered here. If you’re a music lover and curious about exploring instruments, tell me how you can not feel like wanting to have a friggin’¬†Hammond and, in case you don’t know how to play keyboards, figuring out yourself how to create these magic sounds or take lessons after watching this – heck, if I could afford it, I would even put a B3 in my living room as a beautiful piece of furniture!

Booker T

By the way, Booker T.¬†has something else I admire: The man is a¬†multi-instrumentalist. Two instruments (guitar, electric bass) was all I could handle to learn many moons ago and, frankly, while I guess I was on okay player when I was at my best, I was far away from mastery! According to Wikipedia, apart from his signature Hammond B3, Booker T. also knows how to play¬†the oboe,¬†saxophone,¬†trombone and double bass. And let’s not forget about the piano, though one could say that’s perhaps less of a surprise, considering the organ, despite the significant differences between those two instruments. In fact, as you can learn from the above noted clip, it was the piano and lessons Booker T. took as a child with his teacher in Memphis, Tenn., which led him to discover the mighty¬†Hammond. Great story, by the way, and one of various anecdotes he tells during the demo. Have I whetted your appetite to watch? ūüôā

Released on November 1, Note By Note is a companion album to Booker T.’s memoir Time Is Tight, which was published by Little, Brown and Company and appeared on October 29. According to a press release, Note By Note celebrates and revisits a number of integral musical moments throughout Jones‚Äô life – from playing with Mahalia Jackson at age 12, to his pivotal role as bandleader, performer and songwriter at Stax, to his focus on production through his work with Willie Nelson and Carlos Santana. The tracks largely mirror the chapter titles of the book. The memoir certainly sounds intriguing, and you can check out a review in The New York Times here. In this post,¬†I’d like to focus on the music, so let’s get to it!

Booker T. 2

While I didn’t see any clips on YouTube, luckily, the album is available on Soundcloud. Here’s¬†the excellent opener¬†Cause I Love You, the first single released by Carla Thomas in 1960, a duet with her father Rufus Thomas, who also wrote the lyrics of the song. It also featured her brother Marvell Thomas on keyboards and, yes, you perhaps guessed it, Booker T. A 16-year-old high school student at the time, he played the tune’s opening notes on a borrowed barritone saxophone – his very first studio recording! The single was released by Satellite Records, which eventually became the legendary Stax Records. The cover on this album features Evvie McKinney and Joshua Ledet, two young talented vocalists who sound smoking hot!

While it’s very well known, I simply could not leave out Born Under A Bad Sign, the blues classic first recorded by Albert King at Stax in May 1967, and co-written by Booker T. and William Bell. It’s the only¬†track on the album, featuring Booker T. on lead vocals. That’s a bit of a pity, in my opinion, since he has a quite soulful voice. Check it out! By the way, that nice guitar work comes from Booker T.’s son Ted Jones.

Another tune I have to call out is Precious Lord. Written by the Reverend Thomas A. Dorsey, the gospel tune¬†was recorded by Mahalia Jackson in March 1956 and became her signature song. The original complete title was Take My Hand, Precious Lord. As noted above, Booker T. got to perform with the famous gospel¬†singer as a child – it’s not hard to see how that must have made a lasting impression on a 12-year-old! Check out the album’s powerful version featuring vocalist Sharlotte Gibson. Her voice together with the sparing instrumentation led by Booker T.’s Hammond is just beautiful! It makes me want to do a post to gospel music – so many powerful tunes in that genre!

So how about some Otis Redding? Ask and you shall receive! These Arms of Mine was written by Redding and initially released as his first single for Stax in October 1962. The song was also included on his debut album Pain In My Heat that appeared in March 1964. Redding, of course, was one of many Stax recording artists who were backed by Booker T. and the M.G.’s. This cover of the slow-tempo soul tune, which includes a piano part that reminds me a bit of Fats Domino, features Ty Taylor, another great vocalist who hails from New Jersey and is the leader of a soul rock band called¬†Vintage Trouble.¬†

Next up: Havana Moon, a song written by Chuck Berry and first released in November 1956 as the B-side to his single You Can’t Catch Me. The tune also became the title track of a 1983 studio album by Carlos Santana, who appropriately gave it more of a Latin feel. That recording featured Booker T. The take on Note By Note¬†is much closer to the Santana version than Berry’s original. In fact, Ted Jones’ guitar work is reminiscent of Santana – nicely done!

The last track I’d like to highlight is Maybe I Need Saving, one of the album’s two new tracks; the second one is called Paralyzed. Both were co-written by¬†Ted Jones¬†and feature him on vocals.¬†I could not find information on who else was involved in writing these songs. At first, I was a little surprised about their inclusion on the album. Sure, Ted is Booker’s T.’s son, which is an obvious connection. But initially, I felt the more contemporary sound of these tracks created a bit of a disconnect to the other, older tunes. Yet, after fter having listened a few times, I actually think they are worthy tunes. Maybe I Need Saving has¬†a nice bluesy touch, which once again features great guitar work by Ted, who has impressive guitar chops, and yet another illustration of¬†Booker T.’s¬†beautiful¬†Hammond.

In addition to Ted Jones, Booker T.’s backing musicians on Note By Note include Steve Ferrone on drums (Average White Band, Tom Petty) and his longtime bandmate Melvin Brannon on bass. Booker T. is currently on the road to support the book and the record. Had I known about all of this a week earlier, perhaps I could have seen him at Le Poisson Rouge, a live music venue in New York City’s Greenwich Village – definitely a missed opportunity! Unfortunately, any of his remaining gigs are nowhere close to my location and include Salt Lake City (tonight), Phoenix (Jan. 8 & 9), Tucson (Jan. 10) and Nashville (Jan. 16). The schedule of all outstanding currently scheduled shows is here.

But not all may be lost. Booker T., who less than two weeks ago turned 75, is aging admirably and seems to be in decent health. So there still could be an opportunity for me to see the man – I would definitely love to, and preferably so at a small venue. Maybe he’ll read this and add some dates to his current tour that are within reasonable geographic reach! ūüôā

Sources: Wikipedia; Shoe Fire Media press release; New York Times; Booker T. website; Soundcloud

Clips & Pix: Joe Walsh/Rocky Mountain Way

Today, Joe Walsh turned 72 years old. So I thought it would be appropriate to post some music from one of my favorite rock guitarists and came across the above great clip of Rocky Mountain Way.

Apparently, the footage was captured in 2012 during an appearance on Live from Daryl’s House, a web series-turned TV show featuring Daryl Hall, his backing band and great guests like Walsh. It’s just fun to watch these top-notch musicians in action.

Co-written by Walsh and the members of his then-band Barnstorm (Joe Vitale, Kenny Passarelli and Rocke Grace), Rocky Mountain Way was included on the band’s second album The Smoker You Drink, the Player You Get released in June 1973. You wouldn’t know from looking at the sleeve. The band’s record company decided to market the album as a¬†Joe Walsh record.

If you feel like reading more about Walsh and his music, you can do so here.

Sources: Wikipedia; YouTube

Clips & Pix: Carole King/Believe In Humanity

And I thought I had known Carole King pretty well! Yes, I had been aware of her versatility as a songwriter, especially during the ’60s with her husband Gerry Goffin. But I had not been quite prepared for the above tune, Believe In Humanity, from¬†Live At Montreux 1973, which came out in September. This great live album captures a 1973 show at the Montreux Pavillon¬†in Switzerland, conducted as part of the Montreux Jazz Festival.

I don’t recall having heard King as soul and funk-oriented as on this track. This is really cool! I figured some readers who may know her primarily from the iconic and very different¬†Tapestry album, may be surprised as well.

Undoubtedly, much of Believe In Humanity’s groove has do do with King’s 11-piece backing band that featured six horn and woodwind players, among others. Originally, Believe In Humanity appeared on her fifth solo album Fantasy¬†from June 1973, a record I had hardly known. Oh, well, now I do!

According to King’s website, the material from Fantasy¬†“was, at the time, untested.¬† To up the stakes, almost everything about the new music broke with Carole’s past.¬† This was her first attempt at a song cycle, a format which purposely blurs the songs into an unbroken piece, starting and ending with two distinct versions of the title track.”

Sources: Wikipedia; Carole King website; YouTube

 

“Live Rust” At 40 Remains Free Of Corrosion

Anniversary of Neil Young’s iconic live album occurs just in wake of his 74th birthday

On November 14, 1979, Neil Young and Crazy Horse released Live Rust, which was my introduction¬†to Young.¬†I heard this live album for the first time as a 13 or 14-year-old back in Germany, after my best friend had gotten it as a double LP. With Young’s 74th birthday (November 12) and the 40th anniversary of Live Rust¬†being just around the corner, I thought this would be a opportune moment to celebrate one of my favorite live albums by one of my longtime favorite music artists.

Before getting to this, I have to give credit where credit is due.¬†This post was inspired by a great “Life Rust” show I saw Friday night at a local Jersey theatre. Decade, a top notch band around Neil Young tribute artist John Hathaway, played the album in its entirety and recreated scences from the companion movie Rust Never Sleeps¬†– it was a pretty cool experience! For more on Decade¬†and their upcoming gigs, you can check out their Facebook page. I also got a sample clip from the above show at the end of the post.

Neil Young & Crazy Horse_Live Rust 2

Live Rust captured footage from various concerts Neil Young and Crazy Horse played in the fall of 1978 during their Rust Never Sleeps tour. Venues included Cow Palace, Daly City, Calif.; Boston Garden, Boston; Civic Center, St. Paul, Minn.; Chicago Stadium, Chicago; and McNichols Arena, Denver. Weirdly, the album features a stage announcement recorded at Woodstock following the start of a rainstorm. Young had performed at the festival as part of Crosby, Stills, Nash & Young.

The companion film Rust Never Sleeps¬†captured the band’s October 22, 1978 concert at Cow Palace. It was released on July 2, 1979 by Young under¬†the pseudonym “Bernard Shakey.” There is also an album with the same title, which appeared ahead of the movie on June 22. While it is based on material¬†recorded at¬†Boarding House in San Francisco, the record is not a true live album, in my opinion. In addition to added overdubs, most audience noise was removed later in the studio. Time for some music from Live Rust!

I’d like to kick it off with Sugar Mountain, which like most tracks on the album was written by Young. He composed the tune on his 19th birthday (November 12, 1964) in a hotel room in Ontario after a gig with¬†The Squires, one of his first bands. The song was initially released in February 1969 as the B-side to Young’s single The Loner.

The acoustic My My, Hey Hey (Out of the Blue) and its grungy counterpart Hey Hey, My My (Into the Black) are among the many highlights on Live Rust. Both tunes were co-written by Young and Jeff Blackburn¬†and first appeared on the Rust Never Sleeps album. Here’s the acoustic take.

Moving on to the record’s rock section, Powderfinger¬†is one of my favorite electric songs by Young. Like My My, Hey Hey (Out of the Blue) and Hey Hey, My My (Into the Black), the tune was intially released as part of the Rust Never Sleeps¬†album.

Like a Hurricane is another electric tune by Young I’ve always dug. It was first included on his eighth studio album American Stars ‘n Bars from May 1977.

As noted above, the last clip for this post shall belong to Decade and their rendition of Tonight’s The Night, the final track on Live Rust. Young first recorded the tune as the title song to his sixth studio album. It’s a tribute to first Crazy Horse guitarist Danny Whitten and Bruce Berry, a Young roadie. Both died from heroin overdoses.

Neil Young is still highly productive and going strong. My thoughts on his most recent album Colorado are here.

Sources: Wikipedia; Ultimate Classic Rock; YouTube