Best of What’s New

A selection of newly released music that caught my attention

This week’s Best of What’s New installment brings another nice mix of great new music. From country to blues to soul to singer-songwriter style, it’s all there. Or how about a Boston-based band with a very unique sound they describe as Americana funk? Or a neo soul collaboration’s beautiful cover of a well-known Tracy Chapman tune? I hope I’ve sufficiently whetted your appetite to read on!

Ray Wylie Hubbard/Bad Trick (featuring Ringo Starr, Don Was, Joe Walsh & Chris Robinson)

While Ray Wylie Hubbard has been active for more than 50 years, I don’t believe I had heard of him before, but I simply couldn’t skip a tune featuring Ringo Starr and Joe Walsh among the guests! Hubbard’s online bio states he is the secret handshake amongst those who know, which to me suggests he may not exactly be a household name. Hubbard was born in Soper, OK on November 13, 1946. Beginning in 1965, during semester breaks from his studies at the University of North Texas, he spent the summers in Red River, N.M., where he started playing music in a folk trio called Three Faces West. During that time period, he wrote a tune with the lovely title Up Against the Wall, Redneck Mother, which was first recorded by country artist Jerry Jeff Walker in 1973. It helped Hubbard sign with Warner Bros. Records and release his debut Ray Wylie Hubbard and the Cowboy Twinkies in 1976. Seventeen additional country, folk and blues-oriented albums have since appeared. This includes Co-Starring, which came out on July 10 and features the above tune, which was co-written by Hubbard and his wife Judy. Hubbard told Apple Music he had met Ringo about five or six years ago. When Ringo learned about Hubbard’s new album, not only did he offer to play drums on Bad Trick but also ask his brother-in-law Joe Walsh and Don Was to join on guitar and bass, respectively. The fourth guest is Black Crowes co-founder and lead vocalist Chris Robinson. Check out the fun video!

Black Pumas/Fast Car

Based on sampling a few tunes, Black Puma sound like a really cool, relatively new band. According to Apple Music, it’s a collaboration between producer and multi-instrumentalist Adrian Quesada and singer-songwriter Eric Burton, who fuse cinematic neo-soul, light psychedelia, and a touch of urban grit. No matter how you characterize their music, it simply sounds great. Quesada and Burton joined forces in 2018 and released their eponymous debut album in June 2019. Their latest single Fast Car is a cover of the Tracy Chapman tune that appeared on her eponymous debut record in April 1988. I’ve loved that tune from the very first time I heard it when it came out. Things around Chapman seem to have been quiet for a long time. Perhaps this great remake will help bring her back on the radar screens of folks who dig but have forgotten about her.

Twisted Pine/Don’t Come Over Tonight

Don’t Come Over Tonight is a track from Right Now, the forthcoming sophomore album by Twisted Pine, a Boston-based band with a unique sound that’s hard to describe. Here’s how a short bio from their web site puts it: Praised by NPR for their “upbeat, poppy vibe; energetic, driving rhythms; and virtuosic solos,” Twisted Pine will release their sophomore full-length Right Now on August 14, 2020 (Signature Sounds). Exploring a sound they call Americana funk, Twisted Pine takes traditional music in exhilarating directions. Bassist Chris Sartori writes, “This album is easier to feel than describe. We’re rooted in bluegrass, continually inspired by explorers like Bela Fleck, Jerry Douglas, and Sierra Hull. Right Now takes this heritage into a new dimension. Our bluegrass is jazzy, our indie folk is poppy, our grooves are funky.” Twisted Pine [Kathleen Parks, fiddle; Dan Bui, mandolin; Chris Sartori, bass; Anh Phung, flute] grooves with fearless improvisation and intricate arrangements. The band has been around since 2013. Their eponymous debut album appeared in July 2017, followed by the EP Dreams in January 2019. Don’t Come Over Tonight was written by Parks. It’s quite unusual, yet pretty cool, in my opinion. These guys are virtuoso musicians and great vocalists. Check it out!

Ruston Kelly/Rubber

Ruston Kelly is a 31-year-old singer-songwriter who was born in Georgetown, S.C. and grew up in Wyoming, Ohio. He got into music at a young age and, according to Wikipedia, had a full album in high school with songs like “Bluebird” and “I’m Leavin’”. After signing a publishing deal with BMG Nashville in 2013, he co-wrote the song Nashville Without You Tim McGraw recorded for his studio album Two Lanes of Freedom, which appeared in February that year. In 2017, Kelly released his debut EP Halloween. His first full-length album Dying Star came out the following year. Released on June 10, Rubber is a track from Kelly’s forthcoming sophomore album Shape & Destroy scheduled for August 28. In October 2017, he married singer-songwriter Kacey Musgraves, who as reported by Rolling Stone also performs on the album. Apparently, they since filed for divorce.

Mick Hayes/Autumn Romance

Mick Hayes is another great sounding artist with relatively little publicly available information, even though the blues guitarist and vocalist has a website and a Facebook page – I just don’t get it! At least his website links to various reviews of his most recent album My Claim to Fame, which was recorded at the legendary FAME Studio in Muscle Shoals, Ala., appeared on May 29 and includes the above tune. According to American Blues Scene, Hayes’ love affair with Muscle Shoals began when he was a young man growing up in upstate New York, where he would browse record shops with wall to wall music from Ray Charles to Aretha Franklin to Duane Allman to Wilson Pickett and Solomon Burke.  Rock and Blues Muse notes Hayes and his band have spent the last decade playing up to 200 festival and club gigs a year and have opened for Duke Robillard, Samantha Fish, and Delbert McClinton. AllMusic also lists a 2016 album, Segue, by Mick Hayes Band. The cool thing about My Claim to Fame is that not only did Hayes record it at FAME but, as American Blues Scene pointed out, he also worked with studio musicians who recorded with artists like Ray Charles, Etta James and B.B. King. Oh, and Hayes co-produced the record with John Gifford III, who assisted with engineering Gregg Allman’s final studio album Southern Blood – sounds like the stars truly aligned for Hayes!

Sources: Wikipedia; Ray Wylie Hubbard website; Twisted Pines website; Rolling Stone; American Blues Scene; Rock & Blues Muse; YouTube

12 thoughts on “Best of What’s New”

  1. I like the first 3 selections. Good stuff! If you do new music as a feature, here are a couple of new good musical artists to check out: Fran and Billy Strings (two separate groups.)

    Liked by 1 person

    1. Thanks, I’ll check them out!

      Until as recently as last year, I essentially had given up on new music – in large part because there is so much great stuff from the ’60s and ’70s (my favorite decades, generally speaking) I’ve yet to explore!

      When I started “Best of What’s New” in March, I wasn’t sure whether I would find enough newly released music I sufficiently like to make this a weekly series. But once I started, I realized it’s still is pretty to find some decent new music out there.

      Liked by 1 person

    1. I had not been aware of Hubbard before. Based on my current limited insights, it seems he has largely been flying under the radar screen. His website characterizes this album as his “first-ever high profile label release.”

      In any case, I’m planning to further explore him – one more to add to the growing life!😀

      Liked by 1 person

  2. BTW…I listened to the Reverberations this past week at work…I really like them.

    I never heard of Ray Wylie Hubbard either…sounds great though. Love his voice.

    I really like Mick Hayes…sounds like he walked out of 1977 in some ways…love the “sound” of it.

    Twisted Pine is hard to describe…I want to say kinda 90s sounding because of her voice… but its not quite.

    All of them sound good though…not a bad one in the bunch.

    Liked by 1 person

    1. I’m definitely planning to take a closer look at Hubbard and Hayes. I love the fact Hayes recorded that album at FAME studies with some of the musicians that backed the likes of Etta James, B.B. King and Ray Charles. Apparently, they also used some vintage recording equipment. Given Hayes’ apparent love of the Muscle Shoals, cutting this album there must have been a heck of a thrill ride!

      Liked by 1 person

      1. That is why I like the sound that Hayes got so much. Many people are going back to that vintage equipment. I think you can use both together. That vintage stuff gives it a warm sound.

        Liked by 1 person

      2. Christian one good sign is…Nashville has some studios with full 60s and 70s recording consoles…it’s a great trend! I hope it continues to be THE sound instead of “retro”…at least a mixture.

        Liked by 1 person

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