Best of What’s New

A selection of newly released music that caught my attention

What do a folk-oriented singer-songwriter from Sydney, an indie rock band from New York, a power pop group from Toronto, and a multi-instrumentalist and singer-songwriter from Melbourne have in common? The first and the last are from Australia. Moreover, all of of these artists released new music yesterday (February 19), and they are featured in my new installment of Best of What’s New.

Indigo Sparke/Colourblind

Indigo Sparke is a singer-songwriter from Sydney, Australia. According to a profile on the website of her record label Scared Bones Records, her parents, a jazz singer and a musician, named her after the Duke Ellington song “Mood Indigo,” and her childhood was spent serenaded by a rich soundtrack of Joni Mitchell and Neil Young. From a young age Indigo felt called to the stage, attending a performing arts high school, and followed it with three years in an acting school, working as an actress before embedding herself and heeding the call to the path of music. Indigo taught herself to play guitar in her early twenties. Over the next few years, she established herself on the Australian music scene, and released her EP Night Bloom in 2016. Indigo’s career continually bloomed, opening for Big Thief on the Australian dates of their 2017/2018 tour, and then was invited to play at South by Southwest 2019. Colourblind, written by Sparke, is the nice opener of her first full-fledged studio album Echo.

The Hold Steady/Lanyards

The Hold Steady are an indie rock band from Brooklyn, New York, formed in 2003. The current lineup includes co-founders Craig Finn (lead vocals, guitar), Tad Kubler (lead guitar, backing vocals) and Galen Polivka (bass), along with Steve Selvidge (rhythm guitar, backing vocals), Franz Nicolay (piano, keyboards, accordion, harmonica, backing vocals) and Bobby Drake (drums, percussion). Wikipedia notes the band is known for their “lyrically dense storytelling”, “classic rock influences” and “narrative-based songs [that] frequently address themes, such as drug addiction, religion and redemption, and often feature recurring characters within the city of Minneapolis.” The Hold Steady released their debut album Almost Killed Me in 2004. Boys and Girls in America, the band’s third album from October 2006, brought greater prominence. It was ranked no. 8 on Rolling Stone’s Best Albums of 2006 list. Lanyards, co-written by Finn and Kubler, is a track from The Hold Steady’s new album Open Door Policy, their eighth studio release. At first, I wasn’t too wild about Finn’s vocals, which oftentimes are more speaking than singing, but his style does work well with the songs.

Sam Coffey & The Iron Lungs/What This City Needs

Sam Coffey & The Iron Lungs are a power pop band from Canada. According to their Apple Music profile, Emerging out of Toronto’s punk scene, [the band is] a sextet of Ontario natives whose combined efforts result in a freewheeling, ’70s-indebted power pop sound. Originating out of Kitchener, Ontario, Coffey debuted the project in 2011 with the self-released Bedroom Rock EP, followed later that year by the band’s eponymous debut album. After a handful of D.I.Y. singles, they signed with California punk/garage indie Southpaw Records to release 2014’s Gates of Hell LP. Shows with Redd Kross, Flamin Groovies, and the Black Lips followed as their reputation grew throughout North America. Eschewing some of their more lo-fi leanings, they worked with producer Alex Bonenfant (METZ, Crystal Castles) in 2017, releasing their self-titled third full-length, this time via American indie Burger Records and Canadian punk staple Dine Alone Records. Here’s What This City Needs, a nice rocker from the band’s new and fourth studio album Real One.

Tash Sultana/Coma

Let’s wrap up this Best of What’s New installment with another artist from down under: Tash Sultana, a singer-songwriter and multi-instrumentalist from Melbourne. According to her website, she is an explosive global producer and artist who has commanded attention world wide since homemade videos went viral on YouTube. ‘Tash’ was soon selling out major arenas, a string of sold out world tours and headlining the world’s biggest festivals – no mean feat for an artist who just a year before was recording songs on a go pro in a bedroom back in 2016. Since Tash’s grandfather gifted a guitar at the age of three, the artist developed a love for self teaching an array of different instruments…Tash plays over 12 instruments (guitar, bass, drums/ percussion, piano/ keyboard/ synth/ Oud, trumpet, saxophone, flutes, Pan pipes, Sitar, harmonica, beat production) with guitar as their main love, a self trained vocal range spanning 6 octaves (From C2-A7 on piano) and a live show that needs to be seen to be believed. The one-person powerhouse started out playing open mic nights at age 13 with the help of a fake ID. Soon to finish school with the reluctance to get a ‘real’ job, took to the streets to busk every day of the week on Melbournes famous Bourke St back in 2009-2015. Coma is a tune from Sultana’s new sophomore album Terra Firma.

Sources: Wikipedia; Sacred Bones Records website; Apple Music; Tash Sultana website; YouTube

12 thoughts on “Best of What’s New”

  1. I liked everything here but you’re much more given to the female singer/songwriter than I am. That first one has a chord progression that sounds like 4 Non Blondes’ “What’s Up.” That rocker you did = Sam Coffey – was pretty punk. I guess a band called Iron Lungs was inevitable. Somebody in the blogosphere turned me on to the Hold Steady a while back. I dug them but never really followed up. I kinda dig his voice. Fits the music like Lou Reed’s flat, nasally monotone fits Velvet Underground.

    Liked by 1 person

    1. I oftentimes find myself in a similar boat. After “discovering” new artist through this feature, I oftentimes don’t follow up, at least not to the extent I would like to. There’s just not enough time!

      BTW, now that you mentioned it, yep, that first tune defintely has a chord progression that sounds like 4 Non Blondes’ “What’s Up”!

      Like

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