Great Covers, B.r.u.c.e. Style

Over his nearly 50-year recording career, Bruce Springsteen has amassed an enormous catalog. He could easily fill up his 3 to 4-hour shows he routinely plays with just his own songs and still not even perform half of the tunes he has written over the decades. Yet The Boss has always liked to mix up his sets with covers. Why? I think it’s because Springsteen loves great music and to honor the artists behind it.

The latest reminder is The Live Series: Songs Under Cover Vol. 2, a new album released on March 5 as part of Springsteen’s ongoing series of concert releases. It’s available via digital download at https://live.brucespringsteen.net and on music streaming services. With The E Street Band, Springsteen has the perfect group of road-tested warriors to back him. Just like Tom Petty’s Heartbreakers used to do, these guys can play anything. The new album triggered the idea to do a post on covers, B.r.u.c.e. style.

In the Midnight Hour

I couldn’t think of a better tune to kick things off than with a Stax gem. Here’s Springsteen’s version of In the Midnight Hour. Apparently, this was captured at Nassau Veterans Coliseum on Long Island, N.Y. in 1980 during The River Tour. Written by Wilson Pickett and Steve Cropper, the song was first recorded by Pickett, one of my favorite Stax artists, and appeared in June 1965. It also became the title track of Pickett’s second studio album that appeared in the same year.

Who’ll Stop the Rain

Who’ll Stop the Rain is one of my long-time favorite tunes by Creedence Clearwater Revival. Written by John Fogerty, the track was included on the band’s fifth studio album Cosmo’s Factory from July 1970. It’s one of the covers included on Springstreen’s new live release. This was recorded at London’s Wembley Arena in June 1981. Great version. I love the sax work by “The Big Man” Clarence Clemons – just wish his solo would have been longer!

Sweet Soul Music

Here’s an amazing version of Sweet Soul Music, another soul classic. Co-written by Sam Cooke, Arthur Conley and Otis Redding, the tune was recorded at FAME Studios in Muscle Shoals, Ala., and first released by Conley in 1967. Bruce Springsteen & The E Street Band were on fire that night in Stockholm, Sweden in July 1988. It was around the same time I saw Springsteen first in Frankfurt, Germany. I will never forget that show. Springsteen and the E Street Band belted out one cover after the other for more than one hour. Technically, I guess this was the encore. If I recall it correctly, they also played Sweet Soul Music in addition to gems like In the Midnight Hour, Land of a Thousand Dances and Shout. It was just unbelievable!

Highway 61 Revisited

Bob Dylan’s Highway 61 Revisited is another highlight from Springsteen’s latest live release. For this rendition at Shrine Auditorium in Los Angeles in December 1990, Springsteen got a little help from his friends Jackson Browne and Bonnie Raitt. It really doesn’t get much better! Written by Dylan, Highway 61 Revisited became the title track of his sixth studio album from August 1965. Check this out – this is to die for!

Twist & Shout/La Bamba

This fantastic medley of Twist & Shout and La Bamba was captured during the Human Rights Now! Tour, a series of 20 benefit concerts conducted in 1988 to raise awareness of Amnesty International during the year of the 40th anniversary of the Universal Declaration of Human Rights. Twist & Shout, co-written by Bert Berns and Phil Medley, was first recorded and released by American R&B vocal group The Top Notes in 1961. La Bamba, a Mexican folk song, became broadly popular in 1968 through the amazing rendition by Ritchie Valens – one of the artists who died in that plane crash near Mason City, Iowa in the early morning hours of February 3, 1959, together with Buddy Holly.

Rockin’ All Over the World

Let’s wrap up this post with another John Fogerty classic that became the title track for Status Quo’s 10th studio album from November 1977, and a huge hit for the British boogie rockers. Fogerty originally recorded Rockin’ All Over the World for his self-titled sophomore solo album that came out in September 1975. Bruce and the boys played the song during a gig at Olympiastadion in Helsinki, Finland in July 2012. As Springsteen said, “let’s do it right – alright!” Man, would I have loved to be there!

Source: Wikipedia; YouTube

10 thoughts on “Great Covers, B.r.u.c.e. Style”

  1. Nice post! During my 14 concerts I attended I often thought “Why a cover? He has lots of his own songs…” but then it’s so great to see and hear him play the tunes. My best ones are the acoustic “Who’ll Stop The Rain” in Munich on 26th May 2013 and several “Seven Nights To Rock”.

    Liked by 1 person

  2. Love this post…he has great choices in covers. I love Rocking All Over The World. I’ve searched these out before…He always does them justice or he wouldn’t do them.
    This is one I’ve listened to and learned the song from this

    Liked by 1 person

    1. Thanks, Max, agree Springsteen’s cover selections are great. “Suspicious Minds”, which happens to be one of my favorite Elvis songs, is another great example – thanks for sharing!

      I have to say listening to Springsteen’s cover renditions is as much fun as listening to his originals. The E Street Band are the perfect backing band since these guys can play anything!

      Liked by 1 person

      1. Yes they are just as much fun as the orginal! I like his Brown Eyed Girl also… He does some of the same ones I picked out with our band…

        The E Street Band…with all due respect to the Heartbreakers are the best backup band you could have.

        Liked by 1 person

  3. Good choices. Although that said, never been a big fan of “Rockin’ All Over the World.” Two favorites of mine – the Detroit Medley which just kills. And “Trapped” which I mentioned to Tony in the UK in reference to his poor, tired monarchy. Do you know it? Jimmy Cliff tune.

    Liked by 1 person

      1. Thanks, great! It turns out I did know it but had no idea it was a Jimmy Cliff tune. I’m currently listening to the original – doesn’t have anything to do with reggae and also sounds pretty cool.

        Here’s another one. No falsetto vocals but pretty groovy – it’s got a Blaxploitation vibe!

        Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s