Machine Head by Deep Purple remains my most favorite hard rock album of all time, and I also like some of the English rockers’ other music, especially from their early period. But when I read a couple of weeks ago Deep Purple were coming out with an all-covers album, I wasn’t sure what to expect. Well, Turning to Crime has since appeared (November 26). Did we need renditions of great tunes like Cream’s White Room or Shapes of Things by The Yardbirds? Not really. Is it fun when Deep Purple plays them? Hell yes! In fact, I included their great cover of White Room in my last Best of What’s New installment.
Of course, I can see cynics say when a group of mostly septuagenarians releases a collection of covers or a Christmas album for that matter, they either ran out of ideas or are trying to make a quick buck or both. Well, to start with, good luck with making money these days by selling albums unless you’re perhaps Adele! Plus, in Deep Purple’s case, there are two other explanations: COVID-19 (sigh!), which didn’t allow the band to go on the road and left them idle, and the fact they always write original music together in the studio – again something they couldn’t do because of this dreadful pandemic.
“The whole idea came about during the lockdown,” long-time band member and bassist Roger Glover told music journalist and Forbes contributor Jim Ryan. “We didn’t want to twiddle our thumbs or anything…And we couldn’t write songs. Because we don’t write songs for Purple. We just jam together. That’s where the songs are born really – coming out of the jams. But we’ve got to be together to jam. So we couldn’t write. Well, we’ll let other people do the writing. We’ll cover songs. Then all we’ve got to do is perform it.”
Glover further noted each of the group’s five members came up with ideas for covers, with producer Bob Ezrin acting as “our kind of conductor.” Ezrin also worked with Deep Purple on their previous three albums. Eventually, they had a list of about 50 tunes, from which 12 were selected via vote. “But we weren’t just covering them straight,” Glover said. “We wanted to add something to them, Purpleize them if you like.”
Let’s take a closer look. Here’s Rockin’ Pneumonia and the Boogie Woogie Flu. How about that title! Co-written by Johnny Vincent and Huey Smith, the tune was first recorded in 1957 by Smith who was known as Huey ‘Piano’ Smith. It may not be Smoke On the Water, but damn, that boogie-woogie piano by the group’s keyboarder Don Airey surely smokes, as do the horns. Deep Purple lead vocalist Ian Gillan is in fine shape as well and is joined by Ezra on backing vocals.
How about some Peter Green era Fleetwood Mac? Oh Well. That’s actually the title of the song written by Green and first released as a non-album single in September 1969. Steve Morse, a solid guitarist and at age 67 the youngest current member of Deep Purple, does a great job. In fact, I just have to say this, the entire band kicks ass. Check it out!
Next up: Bob Dylan’s Watching the River Flow, a blues-rock tune the maestro penned and recorded in March 1971, and released as a single in June that year. Produced by Leon Russell, it was also included on the compilation Bob Dylan’s Greatest Hits Vol. II from November 1971.
Let the Good Times Roll sounds like a good description of Deep Purple when they were recording this album, even though they weren’t physically together. It’s also the title of a jump blues co-written by Sam Theard and Fleecie Moore, and recorded by American saxophonist Louis Jordan and His Tympany Five in 1946. Hearing a hard rock band swing like this is certainly something unusual!
Let’s do one more. How about a dose of New Orleans-flavored R&B? Here’s a great rendition of Little Feat’s Dixie Chicken. Co-written by Lowell George and Fred Martin, the tune is the title track of the band’s third studio album from January 1973 and one of their most beloved songs. Did you ever expect to hear that track from Deep Purple? An intriguing pick and another remarkable cover.
While Turning to Crime is Deep Purple first all-covers album, the concept of recording songs written by other artists actually goes back to the group’s beginnings, so to some extent, they’ve come full circle. “We’ve covered songs before of course,” Glover told Ryan. ““Hush” [written by Joe South, Purple’s first single – CMM] was a cover [so were their next three singles, Neil Diamond’s Kentucky Woman, Ike & Tina Turner’s River Deep – Mountain High and The Beatles Help! – CMM]. But doing an album of covers with the intent of messing with them and having a bit of fun with them is very new to us.”
Turning to Crime, Deep Purple’s 22nd studio effort, was released just 15 months after predecessor Whoosh! from August 2020. This Ultimate Classic Rock review noted it’s the band’s fastest turnaround since the mid-’70s. That’s when they released their 10th studio album Come Taste the Band. What’s much more intriguing to me is the remarkable versatility and great musicianship Deep Purple demonstrate on the album – certainly no crime committed here! You also get a sense they had a great time putting together these covers, even though for the most part each member recorded their parts remotely.
Sources: Wikipedia; Forbes; Ultimate Classic Rock; YouTube
6 thoughts on “Deep Purple Demonstrate Cover Albums Can Be Fun”
The vocals sound pretty good, right?
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Overall, I would agree. Obviously, Ian Gillan’s voice has changed, but for the most part, it’s working well with the songs they picked.
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Oh Well was made for them…Ian did great in all of the vocals. Dixie Chicken…that was the one that threw me but they did it well!
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“Dixie Chicken” and “Let the Good Times Roll” were real surprises to me. I also think you’re right about “Oh Well”!
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This sounds like it could be good. Considering that I think that their best record was a cover. I mean Hush of course. And some cover albums I really like. Plus, they certainly picked some great songs to cover. And strangely, most of these have been covered already in versions that I think were better than the originals. For instance, David Bowie’s Shapes of Things was even better than The Yardbirds, also the Johnny Rivers cover of Rockin’Pneumonia is a classic itself. And Harry Nilsson cover of Let the Good Times Roll is the best cover of that song too. All those are the definitive versions in my opinion, so who knows? And who wouldn’t want to hear covers of Watching the River Flow and White room. I sure would. I’m hoping this sounds like the way Vanilla Fudge used to cover songs. Kind of like a thick heavy metal , and they were great. I can’t wait to see what the other songs are on this album.
Been listening to and enjoying this one. Plus spreading the word. Thanks for the nudge. I love covers and DP is hitting the mark with this one.