Can you believe we’ve reached the first Sunday in December? Soon those who celebrate will be saying ‘Merry Christmas’ before we all kiss this dreadful second pandemic year goodbye – fuck COVID! Sorry, usually I don’t swear, but I just needed to get this off my chest! On a more upbeat note, this also means it’s time to embark on another music journey. How do you like that transition? And, yes, I’ve put together another eclectic set of six tunes. Come on, hop on board and fugetabout the stupid virus, at least for some time!
Glenn Miller and his Orchestra/Moonlight Serenade
I’d like to start with a timeless jazz classic that takes us back all the way to 1939. When for some reason, Moonlight Serenade randomly came to my mind the other day, I immediately decided the beautiful swing ballad by Glenn Miller would make for a great Sunday Six opener. According to Songfacts, the tune’s origins date back to 1935 and a song titled As I Lay Me Down to Weep, with music by Miller and lyrics by Eddie Heyman. The tune wasn’t recorded at the time, but in 1938, the music became the theme of Miller’s radio broadcasts on NBC. The following year, when Miller who by then had his own band recorded a song called Sunrise Serenade, publisher Robbins Music suggested that he pair it with Moonlight Serenade to make it a theme. Moonlight Serenade was the original As I Lay Me Down to Weep with different lyrics. Miller kept the title but decided to record the music only – smart decision! When it appeared in May 1939, Moonlight Serenade became an immediate sensation and Miller’s signature song. And here we are, 82 years later!
Meat Loaf/Bat Out of Hell
In case Moonlight Serenade put you in a sleepy mood it’s time to wake up, as we jump to October 1977. Bat Out of Hell is the title of the debut album by Michael Lee Aday known as Meat Loaf. The album was produced by Todd Rundgren and written by Jim Steinman. It was based on the musical Neverland, a futuristic rock version of Peter Pan Steinman had written in 1974. Wikipedia notes the album’s musical style reflected Steinman’s fondness of Richard Wagner, Phil Spector, Bruce Springsteen and The Who. Not only did Bat Out of Hell become one of the best-selling records of all time, but it also marked the start of a successful long-term collaboration between Aday and Steinman. Sadly, Steinman passed away at the age of 73 in April this year. Meat Loaf’s most recent studio album Braver Than We Are dates back to December 2016. He was sidelined by back surgeries thereafter. But just last month on his Facebook, he announced a new album for 2022. Even though Bat Out of Hell like pretty much all Meat Loaf songs I’ve heard is a massive production, it’s just an incredible tune.
Percy Sledge/When a Man Loves a Woman
After Meat Loaf’s rock inferno let’s slow things down again with a beautiful soul ballad by Percy Sledge. Co-written by Calvin Lewis and Andrew Wright, When a Man Loves a Woman was first recorded by the R&B, soul and gospel singer and released in March 1966. The tune hit no. 1 in the U.S. on both the mainstream Billboard Hot 100 and the Hot Rhythm & Blues Singles charts. The title track of Sledge’s debut album also topped the charts in Canada and reached no. 4 in the UK. When a Man Loves a Woman became his signature song. I just don’t get tired of this tune, which is one of my favorite ballads.
Kenny Wayne Shepherd/Blue On Black
My next pick is by Kenny Wayne Shepherd. Southern rock-flavored Blue On Black was included on the then-20-year-old blues rock guitarist and singer-songwriter’s sophomore album Trouble Is… from October 1997. It was his first record that appeared under the Kenny Wayne Shepherd Band moniker. Blue On Black, co-written by Shepherd, Mark Selby and Tia Sillers, became his most successful U.S. chart hit to date, topping the Mainstream Rock chart and reaching no. 78 on the Billboard Hot 100. In contrast, Shepherd’s records have enjoyed huge success on the Top Blues Albums chart, where eight of the nine albums he has released thus far hit no. 1. Shepherd is only 44 years old, so we can hopefully look forward to many more years of great music from him.
The Romantics/Talking in Your Sleep
I can hear the secrets that you keep/When you’re talking in your sleep…I always liked the lyrics of this song by The Romantics. The catchy pop rocker from September 1983 became the biggest hit of the American new wave band that was founded in Detroit in 1977. Credited to all of the group’s five members – Coz Canler (lead guitar, vocals), Wally Palmar (lead vocals, rhythm guitar, harmonica), Pete Solley (keyboards), Mike Skill (bass, rhythm guitar, backing vocals) and Jimmy Marinos (drums, lead vocals, percussion) – Talking in Your Sleep was the lead single off their fourth studio album In Heat that appeared at the same time. Luckily for the talkative dreamer, she only has sweet things to say about her lover who lies right next to her in bed. The song topped the U.S. Billboard Hot 100 and the charts in Canada. It also became a top 30 hit in various other countries, including Australia (no. 14), Germany (no. 18), The Netherlands (no. 24) and Switzerland (no. 20). The Romantics remain active to this day, with Palmar, Sill and Cole being part of the present four-piece that since 1994 has also included Brad Elvis (drums, percussion). How many other bands can you name that have been around for some 44 years with their initial line-up largely intact?
Neil Young/The Painter
And once again we’ve reached the final stop of our Sunday music time travel. Why pick a seemingly arbitrary Neil Young tune? Why not! In fact, that’s kind of the point of The Sunday Six. Anything goes anytime as long as I dig it. The Painter is the opening track of Young’s 26th studio album Prairie Wind that appeared in September 2005. The record’s acoustic-oriented sound is reminiscent of Harvest Moon (1992) and Harvest (1972), which are both among my favorite Neil Young albums. While Prairie Wind doesn’t quite match the two aforementioned records, it still became one of Young’s most successful albums in the later stage of his remarkable 58-year-and-counting career. Like all other tunes on the album, The Painter was written by Young. BTW, speaking of his longevity, Young is coming out with a new album, Barn, on December 10, which he recorded with his longtime backing band Crazy Horse.
* This post has been updated to reflect that Blue On Black was co-written by Kenny Wayne Shepherd, Mark Selby and Tia Sillers, not Shepherd, Danny Tate and Sillers, as had been stated initially.
Source: Wikipedia; Songfacts; Discogs; YouTube
Another Sunday Six of great diversity– that Meatloaf debut album seems to have a life of its own.
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Thanks, Hans. Yep, that Bat Out of Hell album is one rock inferno theater. Usually, I’m not fond of very heavy productions, but in this case it works for me. And the songs are just great!
Apparently, Meat Loaf who had been sidelined for several years because of terrible back issues, is planning some sort of comeback with a new album next year. I guess we’ll have to see how much gas is left in the tank.
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This post caught my attention because when I read the name of Kenny Wayne Shepherd I always think of Mark Selby. And I was disappointed to read that Selby was not mentioned. He also co-wrote “Blue On Black”.
I had the luck to see Mark Selby live. And I love his albums “More Storms Comin'” and “Nine Pound Hammer”.
Tia Sillers is his widow. Selby died in 2017 due to cancer.
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Thanks for pointing out that error, Sori. You’re right!
Wikipedia tricked me. I’ve updated the post to give Mark Shelby credit. I hate when music artists don’t get their due credit.
Thanks again and have a great evening! 🙂
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It’s alright.
For my blogposts I often have to check and check again. Sometimes the edits happen in the last few seconds before I publish my posts.
And sometimes you can’t avoid these mistakes…
Have a good week at work!
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Nice to be back and listening to the Sunday Six. Now I work online jigsaw puzzles while listening. Another good group of tunes, Christian.
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Thanks, Lisa!😀
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You’re welcome, Christian.
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Glen Miller was a nice surprise Christian!
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For some reason, I remembered “Moonlight Serenade” the other day. When I did, I thought it would make for a good opener. It’s such a beautiful melody. It reminds me of old movies.
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I can see that…I like that music once in a while.
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Prairie Wind is a really good late career album from Young – not as good as his best stuff from the 1970s, but well worth hearing.
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Neil ending the set is perfect.
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I just love the man, but I’m biased. I should also add this doesn’t mean I dig each and every song Neil has released. He can be impulsive about his music, and the results clearly vary. That being said, his upcoming album with Crazy Horse looks pretty intriguing, based on the three tracks that already have been released!
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Pretty consistent and I love him with Crazy Horse.
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