Another Saturday calls for another Best of What’s New. This latest installment of my weekly music revue is coming together at the last minute, and it’s got six instead of the usual four picks, so let’s get to it right away. Unless noted otherwise, all featured tunes were released yesterday (March 18).
The Dream Syndicate/Where I’ll Stand
Starting us off today are The Dream Syndicate, an alternative rock band from Los Angeles, founded in 1981. Their Apple Music profile calls them one of the most celebrated bands to come out of the Los Angeles “Paisley Underground” scene of the ’80s, adding, A hit on the college rock circuit, they never made it through to the mainstream. Until the group’s break-up in 1989, they released four studio albums. Since the band’s reunion in 2012, four additional albums have appeared, the first of which only came out in 2017. The Dream Syndicate’s current line-up includes original member Steve Wynn (lead vocals, guitar), along with Jason Victor (guitar, backing vocals), Mark Walton (bass) and Dennis Duck (drums). Where I’ll Stand, released on March 8 and written by Wynn, is the lead single of the band’s upcoming studio album Ultraviolet Battle Hymns and True Confessions, scheduled for June 10.
Midlake/Bethel Woods
Midlake are a folk rock group from Denton, Texas, who have been around since 1999. According to their Apple Music profile, the band was formed by a group of musicians who had attended the North Texas School of Music. They were signed to Simon Raymonde’s Bella Union label in the U.K., leading to European concerts and their first full-length album, 2004’s Bamnan and Slivercork. For their next LP, Midlake changed gears and moved away from the psychedelic leanings of their debut toward a more ’70s-influenced sound. Released in 2006, The Trials of Van Occupanther was a critical success, resulting in bigger sales and an enhanced reputation for subsequent recordings like 2010’s The Courage of Others. A key lineup change followed in 2012 when frontman Tim Smith departed and long-time guitarist Eric Pulido stepped into his place on lead vocals. 2013’s Antiphon was their first record without Smith. Fast-forward to Midlake’s new album For the Sake of Bethel Woods, which appeared after an extended hiatus and is their first since the aforementioned Antiphon. Here’s Bethel Woods, credited to all of the band’s current members who in addition to Pulido include Jesse Chandler, Joey McClellan, McKenzie Smith and Eric Nichelson.
Oso Oso/Father Tracy
Oso Oso are a rock band from Long Beach, N.Y. around singer-songwriter and guitarist Jade Lilitri (Jonathan Dimitri), the group’s only permanent member. Here’s more from Apple Music: Originally Oso Oso was solely the work of Lilitri, who wrote and released an EP, 2014’s Osoosooso, and an album, 2015’s Real Stories of True People, Who Kind of Look Like Monsters…, through Soft Speak Records. Wanting to embark on more ambitious tours, Lilitri enlisted a full band to join him, including the addition of Aaron Wims on drums. Subsequently, the band took part in the recording of The Yunahon Mixtape in 2017 and sophomore full-length album Basking in the Glow in 2019, the latter of which saw release through Triple Crown Records. This brings me to Sore Thumb, Oso Oso’s fourth and latest album. Here’s Father Tracy, which like all other tunes was written or co-written by Dimitri.
Hailey Whitters/Raised
Hailey Whitters is a country artist who originally hails from Shueyville, Iowa. Here’s more from her website: On her 2020 breakthrough album The Dream, the singer-songwriter wrote about escaping her hometown of Shueyville, Iowa, to pursue stardom in Nashville. It was a fantasy record at first, full of far-off plans, hopes, and dreams. But it soon became Hailey’s reality — she signed a label deal with Big Loud/Songs & Daughters, went on tour with Luke Combs and Midland, and made her first of many appearances on the Grand Ole Opry...In the midst of that whirlwind, Hailey found herself reconnecting with her Midwestern roots. Shueyville was always in the back of her mind and the memories she made there — getting her first kiss; partying in the cornfields; gathering for Sunday supper — started to shape her writing. Over the past two years, she channeled those memories into her new album, Raised. Following is the title track.
Mavis Staples & Levon Helm/You Got to Move
I trust R&B and gospel vocalist Mavis Staples, who initially became known in the 1950s as a member of gospel, soul and R&B family group The Staple Singers, doesn’t need much of an introduction. Fellow blogger Lisa from Tao Talk featured her the other day as part of her ongoing Women Music March 2022 series. As reported by Pitchfork, on March 15, Staples announced a forthcoming live album that was recorded in 2011 with Levon Helm, former drummer and vocalist of The Band. Captured at Helm’s studio in Woodstock, N.Y., Carry Me Home is among the final recordings by Helm who passed away from throat cancer in April 2012 at the age of 71. The announcement of the album, which is slated for May 20, coincided with the release of a great single, You Got to Move. Staples, now 82, remains active and has a busy touring schedule ahead of her throughout the entire year. What an amazing lady! And check out that great clip with Helm.
Neil Young & The Restless/Cocaine Eyes
I leave you with another goodie by “an old hand.” Neil Young has announced a new box set titled Neil Young Official Release Series Discs 13, 14, 20 & 21. Continuing the chronological re-releasing of his official releases, remastered where analog tapes exist, the decade-spanning box set includes Hawks & Doves (1980), Re•ac•tor (1981), This Note’s for You (1988) and the Eldorado EP (1989), a 5 track mini-album, previously only released on CD in Australia and Japan. The EP features two tracks not available on any other album and different versions of three songs that appeared on the Freedom album. Here’s one of the two tracks, Cocaine Eyes, a classic blistering grungy Neil Young rocker.
Following is a Spotify playlist of the above tunes and a few others sans Neil Young who recently pulled his music from the platform.
Sources: Wikipedia; Apple Music; Hailey Whitters website; Pitchfork, Mavis Staples website; Neil Young Archives website; YouTube; Spotify
Hey, groovy on the new release of Mavis and Levon. Thanks for the nod, Christian 🙂 That track sounds wonderful. I feel it in my bones.
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Thanks, Lisa, my pleasure. That tune made me so happy, even though if you’re a stickler you could say, ‘That’s not new music,’ given it was recorded in 2011. Well, it didn’t come out until now! 🙂
I also love that Neil Young tune – classic Neil! 🙂
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Mavis and Levon… it gets no better… period.
I like the Paisley Underground scene… a lot… some great bands were in that… the Bangles being the breakout… Green on Red we’re great as well.
Oh Uncle Neil is always great to hear.
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Thanks, Max. When I saw the Mavis/Levon and Neil tunes, I had to include them, even though technically, it’s not new material. Between the three of them, there’re better than all the others combined!😀
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Yea I have to admit they are! I did like the Dream Syndicate… I think I did a post on an 80s song of theirs.
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I like them all, especially “Bethel Woods” by Midlake. Their kind of melodic folk-rock – which has lots of alternative and shoegaze influences – really appeals to me.
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Thanks, Jeff. Among the four artists who are new to me, Midlake are my early favorites. I’m also curious to hear more by The Dream Syndicate. Obviously, Mavis Staple and Neil Young are right up my alley!
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That’s a strong collection this week. I like Dream Syndicate and think Steve Wynn’s solo album Here Come The Miracles is one of the great unheralded albums of the 21st century. I like Midlake’s earlier stuff a lot too.
I used to own a physical copy of Eldorado, where Cocaine Eyes is drawn from. Only 5,000 copies were printed. It’s weird it didn’t make Freedom, because it’s good.
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Thanks, Graham. Jeff (Eclectic Music Lover) also called out Midlake, so I guess I should check them out further. I also appreciate you flagged Steve Wynn and The Dream Syndicate – more artists to add to the list! 🙂
Last but not least, I have to agree “Cocaine Eyes” would have been a great addition to “Freedom”. Neil can be pretty impulsive – who knows, maybe there was something at the time that bugged him about the tune.
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I think there was some abandoned project called Times Square, and Freedom and Eldorado came out of that.
By the way, have my posts been showing in your reader? I’ve had a few issues recently – as a semi-regular commentator, you’re a good person to ask whether you’ve been seeing them. No worries if you haven’t had time to comment/or not interested in the things I’ve been posting recently, just wanted to check.
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Neil is notorious about abandoning projects, oftentimes at the last minute! 🙂
Regarding your posts, there seems to be something funny going on. I do recall seeing an email notification for your post about the 10 Best Eagles songs, which I wanted to read. However, it didn’t show up in my reader, and I admittedly pay more attention to the reader than my email.
Come to think of it further, it seems I haven’t seen any of your posts in my reader in a long time. Usually, I learn about them via email. If I don’t read the actual post soon, sadly, I can forget about it. I certainly don’t do that on purpose, since I reall enjoy your blog!
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Thank you – that makes sense – I had the impression that people who use the emails were getting them, but that I’m not showing up in the reader.
Is it OK is I share your feedback with WordPress support?
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Good selections although on the country one I just cannot get past the singing. And it’s no surprise I gravitate to the classics. The Helm/Staples thing is great. Stones did “You Got To Move” on Sticky Fingers as you doubtless know. The Neil Young is him in fine “Not Harvest” mode.
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