Good morning/good afternoon/good evening, wherever you are when reading this. It’s Sunday morning in my neck of the woods in lovely central New Jersey where you can always run into a confused deer or encounter a suicidal squirrel that jumps right before your moving vehicle. Why the hell am I saying this? Coz I just felt like it, plus how many times can you introduce a recurring feature that’s now in its 65th week?
Jean-Michel Jarre/Last Rendez Vous
Today, our music journey shall start in space with Jean-Michel Jarre, one of the pioneers of electronic, ambient and new-age music. The French composer who has been active since 1969 broke through with his third studio album Oxygène from December 1976. That record catapulted Jarre to the top of the French charts and the top 10 in various other European countries, including the UK (no. 2), Sweden (no. 3), The Netherlands (no. 4), Germany (no. 8), Norway (no. 9) and Austria (no. 10). Evidently, Europeans loved it, which in no small part was driven by the track Oxygène (Part IV) that subsequently became a single mirroring the album’s chart performance in Europe. Success was more moderate in the U.S. where the album peaked at no. 78 on the Billboard Hot 100 and Australia (no. 29) – still remarkable, given the genre! Last Rendez Vous is the closing track of Jarre’s eighth studio album Rendez-Vous, released in April 1986 – not quite as spacy as Oxygène but still very relaxing. That beautiful saxophone part was played by Pierre Gossez.
Drive-By Truckers/Gravity’s Gone
For the next tune, let’s travel to 2006 and pick up the speed with some great Southern rock by Drive-By Truckers. The group was formed in Athens, Ga. in 1996 by Patterson Hood (guitar, vocals, mandolin) and his longtime friend and musical partner Mike Cooley (guitar, vocals, banjo, harmonica). Both remain in the band’s current line-up, which also includes Jay Gonzalez (keyboards, guitar, accordion, saw, backing vocals), Matt Patton (bass, backing and lead vocals) and Brad “EZB” Morgan (drums). Drive-By Truckers helped launch the career of Jason Isbell who joined them at age 21 in 2001 and remained a member until April 2007. He recorded three albums with them, including A Blessing and a Curse, the group’s sixth record from April 2006. Here’s Gravity’s Gone, a great tune with a Stonesy vibe, written by Cooley. Since then, Drive-By Truckers have released seven additional studio albums, the most recent of which is The New OK from October 2020.
Todd Rundgren/I Saw the Light
When that song was served up to me by my streaming music provider the other day, I immediately decided to earmark it for a Sunday Six. The seductive power pop tune by Todd Rundgren reminds me of George Harrison. In fact, when I heard that slide guitar, I was near-100% sure this has to be Harrison. But, nope, the versatile Rundgren played all instruments and provided all vocals on this tune, which is the opener of his third album Something/Anything?. Released as a double-LP in February 1972, Something/Anything? became Rundgren’s commercial breakthrough as a solo artist. Peaking at no. 29 and no. 34 in the U.S. and Canada, respectively, Something/Anything? remains his most successful album to date. As of February 1975, it was certified gold by RIAA, based on 500,000 units sold. I Saw the Light also appeared separately as a single, reaching no. 16 on the U.S. Billboard Hot 100 and no. 15 in Canada. Elsewhere, it climbed to no. 21 in Australia and no. 36 in the UK. The album also featured Rundgren’s biggest hit single Hello It’s Me.
Leonard Cohen/Suzanne
Time to play some ’60s. And, nope, for a change, it’s not a rocker. I can’t quite recall when I heard Suzanne by Leonard Cohen for the first time – must have been in the ’70s. What I do still remember is this song drew me in immediately. Frankly, I’m not even sure I already understood a word of English at the time. But Cohen’s vocals, the beautiful melody and the sparse instrumentation did the trick. Penned by the Canadian poet, novelist and singer-songwriter, Suzanne was the opener of Cohen’s debut album Songs of Leonard Cohen, which appeared in December 1967. It would be the first of fifteen studio albums he recorded over a close to 50-year-recording career. Cohen passed away from leukemia in Los Angeles in November 2016 at the age of 82 years. Suzanne sounds just as powerful today as it did back then.
Soundgarden/Black Hole Sun
Our next stop is the ’90s. It surprises me time and again how little I seem to know about this decade where alternative rock and grunge were all the rage. Well, I’m happy to report I was aware of Black Hole Sun by Soundgarden. In fact, when that tune came out in May 1994, I was in my second year of grad school in the U.S., and it seemed to be everywhere. Unless you lived under a rock, there really was no way you’d miss it! Black Hole Sun, written by Chris Cornell, became the third single off Soundgarden’s fourth studio album that ironically was titled Superunknown. Topping the charts in the U.S., Canada, Australia and New Zealand, reaching the top 5 in the UK, Sweden and Norway, and making the top 20 in The Netherlands, Germany and Austria, Superunknown not only became the Seattle band’s breakthrough but also their most successful album. Even though Black Hole Sun doesn’t have what you would call a catchy melody in the traditional sense, it still can easily get stuck in your brain!
Goodbye June/Stand and Deliver
And once again it’s time to wrap up another six-track journey. For my last pick, I’d like to jump to the present and Goodbye June, an exciting band that has been around since 2005. I love their embrace of classic rock, so it’s not surprising I’ve featured the band several times since I first came across them in December 2021. Goodbye June are comprised of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. The group was formed in honor of Baker’s brother who died in a car accident in June 2005. In 2009, they relocated to Nashville where they gained a reputation for their fiery live shows. Three years later, the band’s debut album Nor the Wild Music Flow came out. Stand and Deliver is a track from Goodbye June’s fourth and most recent studio release See Where the Night Goes, which appeared on February 18. I can hear some great ’70s style rock in here like AC/DC, Led Zeppelin and Aerosmith – love it!
And, last but not least, here’s a Spotify playlist of today’s songs.
Sources: Wikipedia; YouTube; Spotify
I didn’t saw the video of “Black Hole Sun” for years. And it is still terrible. But the song is timeless great. I also like “Fell On Black Days” from the same album.
Yeah, I remember the grunge wave. After Nirvana there were/are Pearl Jam, Stone Temple Pilots, Alice in Chains and many more.
Leonard Cohen has a unique voice. I own a live album that I don’t want to put it away.
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Thanks, Sori. Somehow that ’90s alternative and grunge rock era largely bypassed me at the time. I was mostly focused on new music from artists I had started to follow in the late ’70s and ’80s. And, of course, the ’60s and ’70s, my two favorite decades in music!
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Oh, the 1990s were very interesting. Okay, it was MY decade to discover music 😉
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I think I’m slowly starting to realize it – I suppose better late than never! 🙂
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Hans got me into the Drive By Truckers…they are pretty much modern southern rock…they are really good and I love their sound.
Goodbye June sounds great…they are carrying the torch…
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Die Plattenfirma CBS warb Ende der 60er Jahre für das erste Album von Leonard Cohen mit der Frage: „Hatten Sie je das Gefühl, Sie müssten Schluss machen mit dem Leben?“
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Rundgren and Drive-By Truckers/Isbell are both among my favourites, so good choices!
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I don’t know this particular one by Jean Michel Jarre but I really like the one called Les Chants Magnetique, which I’m sure I spelled wrong but I think the title in English is Magnetic Fields or something like that. I have Oxygen and Equinox also, which are pretty good too. And also a really weird one that is some kind of concept album about Jacques Cousteau that has a bonus disc that’s an hour long ambient type thing . I didn’t like the album proper very much, but I love that bonus disc, which somebody told me was a really rare limited thing and that I was lucky to find it, especially since I bought it at the used CD store for about two or three bucks. One time I watched a concert DVD of his that was this big huge extravaganza with lasers and fireworks and all kinds of shit. I think it was at the Eiffel Tower for a French national holiday or something. It was so insane.
Suzanne by Leonard Cohen is the one song by him that I really love. There’s a lot of versions of it.
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Oh man, how I loved “I Saw the Light” back in the day, as Rundgren seemed to sing of a high school crush of mine. I still love the song.
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