Musings of the Past

The Hardware: Rickenbacker 360/12

Time to take another trip down memory lane. In June 2017, this blog reached its one-year mark. I had recently introduced a new feature titled “The Hardware.” In a nutshell, the idea was to write about iconic music gear in rock, take a look at the technology without going overboard, and feature some of the artists who played the corresponding piece of equipment.

Among my all-time favorite instruments are Rickenbacker guitars, especially 12-string versions, even though I never owned one. I’ve always loved their distinct jangly sound. And, who knows, one of these days I might be crazy enough to get one, even though my guitar skills have become terribly rusty, and the electric guitar and I never became good friends. I suppose it can be tricky when you take classical guitar lessons and then try to apply what you learned to the electric.

Anyway, the following post first appeared on CMM on June 24, 2017. It has been slightly edited for style. I also added a Spotify playlist.

The Hardware: Rickenbacker 360/12

The “jangling” sound of the legendary 12-string guitar had a huge impact on 60s rock

Perhaps no other ’60s band is more closely associated with the chiming sound of the Rickenbacker 360/12 12-string electric guitar than The Byrds. The first time I distinctly noticed its beautiful sound must have been on Mr. Tambourine Man, though the musician who put the 360/12 initially on the map was not Roger McGuinn but George Harrison in early 1964.

Founded in 1931 as Ro-Pat-In Corporation by Swiss immigrant Adolph Rickenbacher and George Beauchamp, later named Electro String and eventually Rickenbacker, the company became a pioneer in electric musical instruments. It was the world’s first manufacturer of electric guitars. Initially, the company made electric Hawaiian guitars before starting to produce a large range of electric and bass guitars.

In 1963, Rickenbacker created the first 12-string electric guitar. In early 1964, Frances C. Hall, who had bought the company in the 1940s, met with The Beatles in New York during their first U.S. tour to show different models to them. John Lennon checked out a 360/12 but thought it would be better suited for Harrison, who was sick and didn’t attend the meeting. When Harrison eventually saw the guitar, he liked it right away. His use of the instrument in the motion picture A Hard Day’s Night would give Rickenbacker electric guitars an enormous boost in popularity.

And then, there was of course McGuinn who introduced The Byrds’ chiming signature guitar sound to the music world on the band’s 1965 debut album Mr. Tambourine Man. Coming from a folk tradition and using a 12-string  Rickenbacker, McGuinn essentially created folk-rock, a new genre at the time.

Asked during an interview with how he came up with the jingle-jangle sound, McGuinn explained, “It was a natural process. It wasn’t like we popped it out of the oven fully grown. I was playing folk music and we played a lot of fingerpicking stuff…And when I heard the Rickenbacker 12-string guitar in the movie A Hard Days Night, that’s where I first got the idea to use that [in my music]. And it made a difference in the sound. It was a much cleaner and bigger and fuller sound.” How about a little demo from the maestro on his Roger McGuinn limited edition Rickenbacker 12-string – isn’t that sound absolutely magical?

As for his preference for the Rickenbacker, McGuinn said, “it sounds different from any other 12-string on the market. I have a Fender 12-string and it sounds completely different even though I put Rickenbacker pickups on it. Maybe it’s the wood or the dimensions of the wood or the semi-hollow-body construction. It could be a lot of different things. But it’s got a distinctive sound. Also they do something different with the stringing. Normal 12-string guitars have an octave string and then the low string. Rickenbacker does it backwards. They have the low string first and then the octave. So the last thing you hear kind of rings out. It’s like you’re picking backwards.”

One of the 360/12’s defining features is the headstock and the way the 12 tuners are grouped in top- and side-mounted pairs. Like on a standard guitar, there are three tuners mounted on each side, with the tuner posts projecting out from the face of the headstock. In addition, three tuners are attached to the side of the headstock, with the tuner knobs pointing toward the rear of the headstock. This design allows the headstock to have the same size as a headstock of a standard six-string, which in turn avoids the head-heavy feel other 12-string guitars tend to have. Are you still with me? 🙂

Another distinct feature of the 360/12 is the string set-up. In a conventional 12-string, the high (octave) string is the first in each pair of strings. On the 360/12, the octave string is the second in each pair. Together with the semi-hollow body design, this string set-up creates the guitar’s signature sound.

“Straight away I liked that you knew exactly which string was which,” Harrison said, according to a recent story in Guitar World, adding with other 12-string guitars, “you spend hours trying to tune it.” I’ve never owned a 12-string, but the idea to tune the string pairs in exact octaves and relative to each other sounds pretty challenging to me, especially without a guitar tuner!

Not surprisingly, the Rickenbacker 360/12 became a very popular guitar. Following are some clips that prominently feature this beautiful instrument:

The Byrds/Mr. Tambourine Man

The Beatles/A Hard Day’s Night

Tom Petty and the Heartbreakers/The Waiting

The Byrds/Turn! Turn! Turn!

Okay, this is the second update to this post, so I hope the third version will make a charm! A dear friend brought to my attention this awesome take of If I Needed Someone, one of my all-time favorite Beatles songs, from McGuinn – sounds a bit like So You Want to be a Rock ‘n’ Roll Star meeting Harrison! I have to admit, I almost like it better than the original!

– End –

Following is a Spotify playlist including the above tunes and some others, allegedly featuring a Rickenbacker 360/12. In some cases, it’s definitely more obvious than in others.

Sources: Wikipedia; Guitar World;; YouTube; Spotify

13 thoughts on “Musings of the Past”

  1. I have a Danelectro 12 string and that is the way I setup my strings… I didn’t know other people use the high first…I never knew that. I would LOVE to have one. I can’t complain because my Danelectro sounds pretty close because it was overhauled before I got it to sound like a Rick… but it’s not all the way there though…you only get a complete Rick sound from a Rick.
    I’ve read where compression was used on Roger’s guitar…don’t know if that is true.

    Love this post!

    Liked by 1 person

    1. I envy you, Max. I’m sure your Danelectro 12-string sounds pretty cool.

      My long-time music buddy from Germany owned a Rickenbacker 360/12 at some point but ended up selling it. He has big hands and found it challenging to play. 🙂

      Surprisingly, that Ricki also had some quality issues. For some reason, it developed what looked like hairline cracks in the paint.

      Liked by 1 person

      1. I don’t care if it would be the most challenging…I would have it just to look at it lol. I’ve played a Lennon model before…you sure have to get use to it…it was different beccause it was so small.
        The basses are the opposite…the strings are far apart.

        Liked by 1 person

      2. Once again Max you said something that could have come straight out of my mouth. I’d be happy to have 360/12 just to look at it. 🙂

        I could probably also manage a few simple chords. Keeping this beauty in tune could be more of a challenge!

        Liked by 1 person

      3. That’s great. It drives me crazy when guitars don’t stay in tune.

        I have a Squire Stratocaster. Kind of looks cool, like “Blackie”, but pretty much everything else with it sucks. I guess you get what you pay for! 🙂

        Liked by 1 person

      4. Yea at first we had cheaper guitars and they didn’t stay…that is when we found out why more expensive guitars were more expensive.

        I like Squires… you can replace the bridge and things and they scream…plus they stay in tune.

        Liked by 1 person

  2. How interesting . I never would have known that all those songs had it. Get Off of My Cloud??? It must be that part that I love so much that keeps repeating non-stop through the whole song, and which I always wished was a little louder cuz sometimes it sounds buried. And I wish it came through louder and was just more up-front cuz I love it and it’s so catchy.

    Liked by 1 person

    1. In some cases like “Mr. Tambourine Man” and “The Waiting” the use of the Rickenbacker is much more obvious than in others like “Get Off Of My Cloud” or “I Get Around”. Frankly, I had not been aware of the two latter either until I did some research.

      Liked by 1 person

  3. Yeah I don’t know which guitar is which unless somebody tells me because I’m not a musician so I don’t recognize different ones when I hear them. Is that a picture of a Rickenbacker up there? Cuz I always thought a 12-string guitar was the kind that has two necks on it. I guess not. What is the kind with two necks called? It’s not a 12-string guitar? Or is it just a different kind?

    Liked by 1 person

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