Happy Saturday and welcome to another installment of Best of What’s New. I found a lot on the new music front this week that I like. All featured tracks are on releases that came out yesterday (Sep 16). Here we go!
Cape Francis/Gospel of Broken Arms
Getting us started today is Cape Francis, the moniker of New York-based singer-songwriter Kevin Olken Henthorn. From his website: Kevin Olken Henthorn has spent the past half-decade crafting quiet but intricate bedroom pop, gradually expanding and contracting his sound over the years. After a previous band fell through, he began the Cape Francis project as a way to express his creative energy, forging a creative partnership with producer and engineer Ariel Loh. After his third record, the reverb-drenched, winding Plateaus, Henthorn wanted to strip back, creating songs he could play by himself without requiring a full band. Writing during a lengthy early-pandemic move to Silver Lake with his partner, what started out as a back-to-basics record gradually became quietly ambitious, as Henthorn challenged himself to write more directly. The result is Don’t Let Your Heart Walk Away, his fourth and latest album. Here’s Gospel of Broken Arms.
Death Cab for Cutie/Here to Forever
Death Cab for Cutie are an American indie rock band formed in Bellingham, Wash. in 1997. Originally a solo project by Ben Gibbard (vocals, guitar, piano), Death Cab for Cutie expanded into a full band after he had released a demo, You Can Play These Songs with Chords, which became popular. Gibbard subsequently recruited Chris Walla (guitar), Nick Harmer (bass) and Nathan Good (drums). They signed with Barsuk Records and released their debut album Something About Airplanes in August 1998. Five years later, Death Cab for Cutie received broad recognition in the U.S. for their fifth studio album Plans, which peaked at no. 4 on the Billboard 200 and was nominated for two Grammys. In February 2008, it received Platinum certification, making it the band’s best-selling album to date. This brings me to Here to Forever, a tune from Death Cab’s 10th and new album Asphalt Meadows. The song was co-written by Gibbard and Zac Rae (keyboard, guitar). Harmer and Dave Depper (guitar, keyboards, backing vocals) complete the group’s current lineup. Catchy tune!
The Beths/When You Know You Know
On to New Zealand indie pop rock band The Beths who have been around since 2014. From their Apple Music profile: Fronted by their main songwriter, Elizabeth Stokes, New Zealand indie rock group the Beths combine energized guitar riffs, melodic hooks, and harmonized backing vocals in their impulsive, distinctly self-depreciating music. Having already won fans as a live act, the band released their first album, Future Me Hates Me, in 2018. The Beths’ 2021 live album Auckland, New Zealand, 2020 featured earworms from the debut and follow-up Jump Rope Gazers. Their third long-player, 2022’s anxious Expert in a Dying Field, was completed in a Los Angeles studio during tour. From that album, which is their latest, here’s When You Know You Know. Great tune, which in addition to Strokes (vocals, rhythm guitar) is credited to the band’s three other members Jonathan Pearce (lead guitar, vocals), Benjamin Sinclair (bass, vocals) and Tristan Deck (drums).
The Mars Volta/Backlight Shine
El Paso, Texas progressive rock band The Mars Volta came together in 2001. From their AllMusic bio: Picking up the pieces from At the Drive-In, Cedric Bixler-Zavala and Omar Rodriguez-Lopez formed the Mars Volta and wasted little time branching out into elements of hardcore, prog, psychedelic rock, and avant-jazz and funk. As the ever-evolving Mars Volta, they immediately impressed with 2003’s gold-certified Deloused in the Comatorium for Universal. It eschewed conventional logic to push themselves in new artistic directions, while 2005’s Frances the Mute revealed a willingness to use concepts to underscore a provocative musical approach. Fast-forward 17 years to the present and the band’s new eponymous album, their seventh and first in 10 years! Check out Backlight Shine, an intriguing tune written by Rodríguez-López.
Starcrawler/Runaway
Starcrawler are a punk rock band from Los Angeles, founded in 2015. Their current members include Arrow de Wilde (lead vocals), Henri Cash (guitar), Bill Cash (pedal steel guitar, an unexpected instrument for a punk band – CMM), Tim Franco (bass) and Seth Carolina (drums). AllMusic characterizes their sound as “somewhere between the punk/hard rock of fellow L.A. natives the Runaways and the shock tactics of legendary metal band Black Sabbath.” AllMusic also notes “crunchy guitars, melodies that boast a bit of glam-influenced swagger (even when they’re in a minor key), and a heavy rhythmic stomp” to describe the band’s sound. Starcrawler who released their eponymous debut album in January 2018 are now out with their third studio project She Said. Let’s check out Runaway – I would call this punk with a tasty dose of pop!
Ringo Starr/Free Your Soul (feat. Dave Koz and José Antonio Rodriguez)
Wrapping up this week’s new music revue is a man who needs no introduction. Ringo Starr, who in July turned 82, has been on a remarkable roll, having released a full album and three EPs since October 2019, including his latest, aptly called EP3. One of the four tracks is called Free Your Soul. From a July 29 press release: Written by Ringo Starr and Bruce Sugar, the soothing, rhythmic sound of “Free Your Soul” transports the listener to an island beach on a clear warm night under a full moon. With Ringo on vocals, drums and handclaps, the song also features Dave Koz on tenor sax and José Antonio Rodriguez on nylon guitar, Nathan East on bass, Bruce Sugar on keyboards, percussion and horn arrangement, and Billy Valentine, Zelma Davis and Maiya Sykes providing backing vocals. When you’re Ringo Starr, I suppose you don’t have much if any problem finding a little help from some great friends. I can hear some of Sade’s Smooth Operator in this relaxing tune, especially in the beginning – to be clear, it’s meant to be a compliment!
This post wouldn’t be complete without a Spotify playlist of the above and a few additional tracks.
Sources: Wikipedia; Cape Francis website; Apple Music; AllMusic; Ringo Starr website; YouTube; Spotify
First off…Ringo is making up for lost time when he didn’t release anything way back…it seems like he releases an album quite often now!
Graham introduced me to The Beths and I’ve always kept up with them after that. I like them a lot.
I like Cape Francis’s song also… The Death Cab for Cutie Video is awesome and pretty much is so true everywhere right now.
The Starcrawler song is a cool power pop song to me.
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It was a good week in new music, at least in my little world that is heavily influenced by the ‘60s and ‘70s.😀
And Ringo? You know how I feel about him!❤️
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Oh yes…I’m not complaining about Ringo…it just seems he is releasing them left and right and that is a great thing!
Great selection this week!
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Cool! Like Max said, Ringo’s making up for lost time & it’s good to see (and hear). Mars Volta…there’s a blast from the past. I bought a compilation CD a long time back that had a song on it by them that I liked- can’t even remember what it was- but hadn’t really even heard the name for years now.
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Expect of course for Ringo, once again all artists are new to me. It’s nice to see that even with my frame of reference I can still find new music each week, which sufficiently speaks to me!
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Great to see The Beths – one of the best guitar bands in the world right now. Nothing very original, but some very good playing, and Stokes’ dead-pan personality is very NZ.
I’m interested to check out The Mars Volta album too. I liked their first couple. Haven’t checked in with Death Cab for years, but they have some great songs in the early 21st century.
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I had heard the name The Beths before but didn’t know any of their music. I’m currently listening to their live album they put out last year – sounds pretty good. Stokes’ voice reminds me a bit of Chrissie Hynde.
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Other than Ringo and Death Cab for Cutie – both of whose songs I really like – I was not familiar with the other acts you feature either. The Cape Francis song is beautiful and ethereal, and the vocal harmonies on The Beths song are really nice. It’s interesting that a progressive act like Mars Volta would hail from a place like El Paso, but there’s no rhyme nor reason as to where some artists and bands get their creativity and inspiration. I’ve seen them featured on quite a few blogs in the past few days thanks to their new album release. The Starcrawler song is pretty good too.
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