Best of What’s New

A selection of newly released music that caught my attention

Lately, I feel I sound like a broken record. Yet another busy week is coming to an end, which once again didn’t leave me with an opportunity to blog. Finally, I was able to carve out some time to take a look at newly-released music.

This Best of What’s New installment features different flavors of rock and some indie pop. Two of the artists are relatively young and were unknown to me, while the two remaining songs come from famous acts. One is a post-mortem, previously unreleased cover of a Bob Dylan tune by an artist who sadly passed away in January 2016. The other one is going to knock off your socks if you’re into early ’70s rock.

Lande Hekt/Undone

Lande Hekt is a founding member of British punk and indie rock band Muncie Girls, which was formed in 2010 in Exeter, England. Their debut album From Caplan To Belsize appeared in March 2016, followed by sophomore Fixed Ideals in August 2018. Undone is a song from Hekt’s solo debut cheerfully titled Going to Hell, which was released today (January 22). Like all of the 10 other tracks, the tune was written by Hekt. According to a review on Bandcamp Daily, she played all instruments herself except for the percussion. The album has a bare-bones homemade feel to it, which is part of what drew me in.

Pearl Charles/Imposter

Pearl Charles is a singer-songwriter from Los Angeles. According to her artist profile on Apple Music, she has a knack for writing melodic, low-key indie pop with a jangling country tone. After coming up through the Los Angeles lo-fi and garage scenes, she made her full-length debut in 2018 with Sleepless Dreamer, a finely crafted slice of warm country-pop. She followed it up three years later with Magic Mirror. A lifelong musician, the L.A. native first gained exposure as one-half of lo-fi Americana duo the Driftwood Singers, who released a pair of EPs and one full-length in 2012. A stint playing drums for garage pop act the Blank Tapes introduced her to the crew at Burger Records, who offered to release her first solo effort, a 2015 self-titled EP. Imposter, written by Charles, is a catchy tune from her new album Magic Mirror released on January 15. I’m definitely curious to hear more of her music.

David Bowie/Tryin’ to Get to Heaven

This previously unreleased cover of Bob Dylan’s Tryin’ to Get to Heaven appeared as a single on January 8, which would have been David Bowie’s 74th birthday. As reported by NME, Bowie who died from liver cancer in January 2016 just two days after his 69th birthday, recorded this version in 1989 while working on LiveAndWell.com, a limited edition live album that first came out in November 1999. On January 15, it was re-released as part of the Brilliant Live Adventures series of six concert albums. Originally, Dylan recorded Tryin’ to Get to Heaven for his 30th studio album Time Out of Mind from September 1997.

The Black Crowes/Charming Mess

On January 9, The Black Crowes announced a 30th-anniversary re-issue of their excellent debut album Shake Your Money Maker, which features Charming Mess, a previously unreleased and “recently unearthed” song. The reissue, which includes 4LP Super Deluxe, 3CD Super Deluxe, 2CD, Standard CD & LP, streaming and download formats (jeez, they’re not kiddin’ around here!), is set for release on February 26. Co-written by the band’s founding members Christopher Robinson and his brother Richard S. Robinson, Charming Mess feels like taking a trip back to the early ’70s and listening to a Faces tune – just awesome! After a hiatus from 2002 to 2005 and a breakup in January 2015, The Black Crowes reunited in November 2019 for a planned tour to celebrate the 30th anniversary of their debut album. The rest is COVID! Now it appears the tour is set to kick off in Tampa, Fla. on June 25. They’re scheduled to play in my neck of the woods in mid-July – man, that should be a cool show and definitely something I’d consider, depending on where things are with the pandemic.

Sources: Wikipedia; Bandcamp Daily; Apple Music; NME; The Black Crowes website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

As another eventful week is drawing to a close, the time has come again to venture into the world of newly released music. This latest Best of What’s New installment features great power pop, indie pop rock and art pop from the U.S. and rock from the U.K.

While two of these acts are well established and have been around for many years, all are new to me. Broadening my music universe by “discovering” artists and bands is a key reason why I enjoy writing the series. All of the featured songs were just released yesterday. Let’s get going!

Matthew Sweet/Stars Explode

Matthew Sweet is a singer-songwriter who played in various bands during the ’80s and was part of the vibrant local music scene in Athens, Ga., before gaining traction as a solo artist in the ’90s. According to his profile on Apple Music, he skillfully navigates the line between the power pop underground and the mainstream end of alternative rock. Matthew Sweet was a master of potent pop tunes and catchy melodic hooks, but he also knew how to make his songs rock, and his inspired use of incisive guitar work gave his songs an edge that was fresh and satisfying. Sweet spent most of the ’80s in the background, performing with the groups Oh-OK and Buzz of Delight, playing in Lloyd Cole’s backing band, and releasing a pair of overlooked solo albums (1986’s Inside and 1989’s Earth) as he honed his skills. His this solo album Girlfriend from October 1991 brought him commercial breakthrough. Between 2006 and 2013, Sweet collaborated on a series of cover albums (Under the Covers Vol. 1 – Vol. 3) with Susanna Hoffs of The Bangles. Stars Explode, written by Sweet, is from his 15th studio album Catspaw. It illustrates he hasn’t lost his ability to write catchy power pop tunes that nicely rock. Sounds like Sweet is right up my alley, so I’m planning to further explore his music.

Beach Bunny/Good Girls (Don’t Get Used)

Beach Bunny are an indie pop rock band formed in Chicago in 2015. The group started as a solo project by vocalist and guitarist Lili Trifilio who released her debut EP Animalism in 2015. Following the third EP Crybaby in 2017, Beach Bunny became a full-fledged four-piece group. In addition to Trifilio (vocals, guitar), their current lineup features Matt Henkels (guitar), Anthony Vaccaro (bass) and Jon Alvarado (drums). Beach Bunny’s first full-length studio album Honeymoon appeared in February 2020. Good Girls (Don’t Get Used) is the opener of the group’s latest EP Blame Game. Like the three other tracks on the EP, the song is credited to Lili Trifilio and Beach Bunny. The catchy track reminds me a bit of some early Taylor Swift tunes I’ve heard.

You Me At Six/Beautiful Way

You Me At Six are an English rock band formed in 2004 in the greater London area. Apple Music notes post-hardcore and alt-rock influences in their music. I don’t know the band and take this at face value. After two self-released EPs in 2006 and 2007, their debut album Take Off Your Colours came out in October 2008. It peaked at no. 25 on the British albums chart and yielded two UK award nominations. Their fourth album Cavalier Youth from January 2014 topped the UK and Scottish albums charts and also made the Billboard 200, reaching no. 124. The band’s current core lineup consists of co-founding members Josh Franceschi (lead vocals), Chris Miller (lead guitar), Max Helyer (rhythm guitar, backing vocals) and Matthew Barnes (bass, backing vocals), as well as Daniel Flint (drums) who has been with the group since 2007. Beautiful Way, credited to all members of the band, is from You Me At Six’s seventh studio album Suckapunch. The track’s guitar part drew me in – it definitely has something!

Midnight Sister/Foxes

Rounding out today’s new music collection is the duo of Juliana Giraffe and Ari Balouzian, professionally known as Midnight Sister. A profile on Apple Music describes their style as art pop with a cinematic flair…Both natives of the San Fernando Valley [Calif.] and graduates of the same high school a few years apart, they met when Balouzian, a classically trained musician, wrote the score for a short film scripted by Giraffe and her sister, a friend of Balouzian’s. When he followed up by sending some instrumental music to Giraffe, and she returned it with vocals, they liked the results and decided to keep working together. Midnight Sister was Balouzian’s first pop project aside from doing arrangements for Tobias Jesso, Jr. and Alex Izenberg, and Giraffe’s first musical endeavor. Their full-length debut album Saturn Over Sunset appeared in 2017. Foxes is a track from their sophomore release Painting the Roses. It’s an intriguing tune with portions that sound Beatle-esque.

Sources: Wikipedia; Apple Music; YouTube

Best of What’s New

A selection of newly released music that caught my attention

After the unprecedented events we witnessed in this country earlier this week, it feels somewhat surreal to blog about something completely unrelated. At the same time, the fact new music keeps coming out is reassuring to me. In fact, music has always had a degree of healing power during challenging times and provided a welcome distraction. While ignoring reality can be dangerous, I believe occasionally escaping from it is a good thing to clear your mind and gather strength.

I’m very excited about this week’s Best of What’s New installment, which features indie and country singer-songwriters, a young incredibly talented vintage soul vocalist who knocked my socks off and…well, you’ll need to continue reading to find out yourself. All of this great music was just released yesterday (January 8).

Denison Witmer/River of Music

Dension Witmer is a singer-songwriter from Lancaster, Pa. According to his artist profile on Apple Music, Tagged by many music journalists as one of the most likely songwriters to fill the void left by Elliott Smith in the acoustic indie singer/songwriter movement, [he] catalogs the experiences of young adulthood in almost painfully honest detail. With a soft and sensitive voice that perfectly matches his laid-back 1970s California pop production and subtly expressive guitar work, he has gone from writing in his journal to becoming an intimate of like-minded artists like Damien Jurado and Pedro the Lion over the span of a few albums. Growing up in Lancaster, PA, Witmer picked up the guitar at the age of 16 and was soon showing enough promise to draw the interest of the Innocence Mission’s Don Peris. As Peris became Witmer’s musical mentor, he would oversee and play guitar and keyboard on his apprentice’s first recordings, 2000’s River Bends EP and the much-heralded Safe Away. Here’s the great River of Music, a track from Witmer’s new EP American Foursquare (Simplified). It surely feels good listening to his soothing voice and beautiful guitar-playing. And the lyrics about the power of music perfectly illustrate what I wrote in the intro of this post.

Morgan Wallen/Livin’ the Dream

Country music singer-songwriter Morgan Wallen, who hails from the tiny Tennessee town of Sneedville (about 250 miles east of Nashville), first gained some prominence as a contestant on season 6 of The Voice in 2014. While Wallen didn’t make it to the final, his stint eventually led to a deal with Panacea Records and his debut EP Stand Alone from August 2015. Wallen switched to Big Loud Records thereafter and released his first full-length studio album If I Know Me in April 2018. Livin’ the Dream is a track from his sophomore release Dangerous: The Double Album. This double album features a hefty 30 tunes, many prominent country songwriters and a guest appearance by Chris Stapleton. Livin’ the Dream, a tale about life as a “rock star,” was co-written by Wallen, Ben Burgess, Jacob Durrett and Michael Wilson Hardy, aka Hardy.

Barry Gibb/To Love Somebody

Yep, that’s Barry Gibb, formerly of the Bee Gees. I recently covered them in a four-part series here (part 1), here (part 2), here (part 3) and here (part 4). All I’d like to say in this post is if you think the Bee Gees were just a disco band, I’d encourage to take a closer look at their music or read my series. Was it necessary for Gibb, the group’s only surviving member, to come out with Greenfields: The Gibb Brothers’ Songbook, Vol 1., an album of newly recorded versions of mostly famous Bee Gees songs? Probably not – on the other hand, why not! The Bee Gees’ catalog is full with well crafted songs. Co-written by Barry Gibb and Robin Gibb, To Love Somebody is among my favorite early Bee Gees tunes. It initially appeared on Bee Gees’ 1st, the group’s first internationally released full-length studio album that was released in July 1967 in the UK and appeared the following month in the U.S. The newly recorded version features Jay Buchanan, lead vocalist of American rock band Rival Sons. The album also includes many other guests, mostly from country music, a favorite genre of Barry’s, such as Little Big Town, Dolly Parton and Sheryl Crow. Be cynical about it, if you like. I dig and stand behind these songs and the Bee Gees!

Aaron Frazer/ If I Got It (Your Love Brought It)

According to his website, Aaron Frazer is a Brooklyn-based, Baltimore-raised songwriter [who] first came into the international spotlight as multi-instrumentalist and co-lead singer for Durand Jones & The Indications. He penned some of the group’s most notable tracks, including ‘Morning In America,’ and sang lead on ‘Is It Any Wonder?’ – the latter an instant sweet soul classic anchored by Aaron’s falsetto, which caught the ear of producer and Black Keys guitarist Dan Auerbach…Soft-spoken with the look of a slightly disaffected 1950s matinee idol, Aaron Frazer possesses a unique voice that’s both contemporary and timeless. His higher register conveys a wide emotional palate and a progressive worldview in the tradition of musical masterminds like Curtis Mayfield. While Aaron’s stirring falsetto and thoughtful songwriting have made him established in the world of revival soul music, he refuses to be pigeonholed. That falsetto is in beautiful action on If I Got It (Your Love Brought It), a tune from Aaron’s debut album Introducing…, which was produced by Auerbach. The song was co-written by Frazer, Auerbach and David Ferguson. So good! check it out!

Sources: Wikipedia; Apple Music; Aaron Frazer website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Welcome to the first installment of Best of What’s New for 2021. Hope everybody had a great and safe transition into the new year. I don’t you how you feel, but I’ve already forgotten 2020 – I wish, but well, not quite. In any case, good riddance and hopefully on to a better year!

I’m kicking off the year with three lesser known bands/artists and something new by a band that had their heyday in the ’70s: Badfinger. Yep, you read that correctly, though there are some caveats. It’s really Joey Molland, the only surviving member from their classic line-up who with a little help from some friends has come out with newly recorded versions of Badfinger tunes. Are you ready? Let’s get to it!

The Dirty Nil/Done with Drugs

Yes, as hard as it’s to believe, there are actually some new music releases dated January 1st, though based on Apple Music, I could only find a handful. One is from The Dirty Nil, a Canadian alternative rock band from Hamilton, Ontario. They were formed in 2006 after their members Luke Bentham (vocals, guitar), Ross Miller (bass) and Kyle Fisher (drums) had started playing together in high school. The band’s debut single Fuckin’ Up Young in 2011 was followed by a series of additional singles and EPs before they released their first full-length studio album High Power in 2016. In 2017, The Dirty Nil won the Canadian Juno Award for Breakthrough Group of the Year. Done with Drugs is from their new album out today cheerfully titled Fuck Art. The song “is actually my commentary on people’s interaction with social media and posting all their resolutions and stuff on the internet, which I just find fascinating…rather than just making life decisions by themselves and being private about it,” Bentham told Apple Music. The band, which combines punk and grunge music with relatively catchy melodies, reminds me a bit of Green Day.

Jarod Clemons and The Late Nights/Ramblewood Parkway

Ramblewood Parkway, a great blues rocker, is the new single by Jarod Clemons and The Late Nights, which was released on December 25. I’ve written before about this New Jersey rock band led by singer-songwriter and guitarist Jarod Clemons, the youngest son of the late Clarence Clemons, the amazing saxophone player of Bruce Springsteen’s E Street Band. Founded in June 2019, the band also includes Zach Tyler (guitar, backing vocals), Stephen Verdi (keyboards), Alex Fuhring (bass) and John DiNunzio (drums/percussion).

Henry Nowhere/Sad Songs

Henry Nowhere couldn’t have chosen a better stage name, since background information on him is nowhere to be found. Neither his Facebook page nor his Soundcloud include a profile. I’m sorry but I really don’t get it, especially in this day and age! After a bit of detective work, I came across this Billboard story, which provided some clues. Born Henry Moser, he used to be the touring bassist for Day Wave, an Oakland, Calif. indie rock project formed by musician Jackson Phillips in 2015. In September 2018, Nowhere struck out by himself with an EP, Not Going Back. Again, the title appears to have been appropriate, since Nowhere evidently has continued his solo career and released what appears to be his second EP on December 18: Think About Me. Which definitely would be easier with more of an online presence! Anyway, here’s Sad Songs.

Badfinger featuring Sonny Landreth/Suitcase

Joey Molland, the only surviving member from Badfinger’s classic line-up, has been pretty busy lately. Apart from releasing Be True to Yourself in mid October, his first new solo album in 10 years, Molland has teamed up with different guest artists to put out new versions of various Badfinger songs this year, all released under the Badfinger name. The most recent example is a great remake of Suitcase featuring Sonny Landreth on slide guitar, which appeared December 8. Written by Molland, Suitcase originally was included on Badfinger’s fourth studio album Straight Up, which was first released in the U.S. in December 1971. Other previous newly recorded Badfinger tunes include Midnight Caller (with The Legendary Pink Dots – October 26), Come and Get It (with Rick Wakeman – September 29), Day After Day (with Ian Anderson and Terry Reid – July 30) and Baby Blue (with Matthew Sweet – May 28).

Sources: Wikipedia; Facebook; Billboard; Apple Music; YouTube

Best of What’s New

A selection of newly released music that caught my attention

New music never stops, even on Christmas. I almost would have forgotten today is Friday, meaning it’s time again for Best of What’s New. BTW, this is the 40th installment of the recurring feature. Let’s get to it!

Eddie Vedder/Matter of Time

Matter of Time is the title track of a new solo EP released by Eddie Vedder today. Initially, the Pearl Jam frontman had put out the tune as a single on November 18. The EP features four additional tracks, including a cover of Bruce Springsteen’s Growin’ Up. As reported by Blabbermouth.net, Vedder premiered Matter of Time and Say Hi, another tune from the EP, during Venture Into Cures, a digital event presented by EB Research Partnership. Co-founded by Vedder and his wife Jill, the non-profit organization funds research for epidermolysis bullosa, a group of devastating and life-threatening skin disorders that affect children from birth. I salute music artists taking on such noble causes. It’s also quite a powerful tune and video clip!

Slaughter Beach, Dog/Are You There

The first thing that struck me about Slaughter Beach, Dog is “Slaughter Beach, Dog.” Who comes up with such a weird name? It turns out singer-songwriter Jake Ewald, who initially started this indie rock outfit in 2014 as a side project to Modern Baseball, his then primary indie rock band from Philadelphia. In October 2017, Ewald confirmed Modern Baseball is on indefinite hiatus. Slaughter Beach, Dog has since become his main focus. In addition to Ewald (vocals, guitar), the group’s regular line-up also features Nick Harris (guitar), Ian Farmer (bass) and Zack Robbins (drums). Slaughter Beach, Dog put out their debut album Welcome in 2016. Since Modern Baseball’s hiatus, three other albums have appeared, including At the Moonbase released December 24. According to this review in Consequence of Sound, Ewald wrote and recorded the album alone at his house and recording studio. Here’s the opener Are You There.

CMON/Blue-ray Saturday

CMON is a project by Josh Da Costa and Jamen Whitelock who initially started Regal Degal in 2009, a band Apple Music noted dabbled in everything from distorted synth punk to repetitive Krautrock-styled jamming over the next several years. After Regal Degal disbanded, Da Costa and Whitelock formed CMON and released their eponymous EP in 2018. According to Apple Music, The duo kept some of the textural atmospheres of their previous band but leaned heavily into programmed rhythm and disco-pop grooves on their 2020 debut Confusing Mix of Nations. Blue-ray Saturday is CMON’s new single that appeared December 10. The melodic mid-tempo tune doesn’t sound at all like disco-pop. If anything, the melody of the laid-back tune reminds me a bit of Bob Dylan’s Like a Rolling Stone. In any case, I like the feel of it. Plus, it’s quite catchy!

Sea Girls/This Is The End

Sea Girls are an indie rock band from England I first featured in an August Best of What’s New installment. They were founded in London in 2015 and include Henry Camamile (vocals, guitar), Rory Young (lead guitar), Andrew Noswad (bass) and Oli Khan (drums). Following their June 2017 debut single Call Me Out and a series of additional self-released singles and three EPs, the band secured a deal with Polydor Records in 2019 and released their full-length debut album Open Up Your Head on August 14 this year. This Is The End is their new single that came out on December 4. Back in August, I called the band’s guitar-driven sound catchy. I still stand behind that statement. The title also makes the song an appropriate choice to wrap up this installment.

Sources: Wikipedia; Blabbermouth.net; Consequence of Sound; Apple Music; YouTube

Best of What’s New

A selection of newly released music that caught my attention

While McCartney III kept me busy yesterday, Paul McCartney’s new album wasn’t the only great new music. Ringo Starr also released a new single. I wonder how many times has it happened before that two ex-Beatles come out with new music during the same week! But wait, there’s more.

How about an indie rock band from LA and a young R&B artist and producer from South Korea? Or a prolific Australian rock band I had never heard of before, which apparently is considered to be one of the most genre-hopping bands of all time.

Last but not least, this latest Best of What’s New installment also features a longtime New Jersey singer-songwriter and musician, who is perhaps best known for having performed the music of Steely Dan for more than 26 years, faithfully capturing the vocals of Donald Fagen.

The Wrecks/Static

The Wrecks are a band from the Los Angeles area, which was formed in 2016. Apple Music’s profile describes their music as exuberant, melodic, emo- and punk-influenced indie rock. The group found early success with their 2016 breakout single, “Favorite Liar,” and after a pair of EPs signed to the Big Noise label for their 2020 full-length Infinitely Ordinary. Hailing from Thousand Oaks, California, singer/guitarist Nick Anderson, guitarist Nick Schmidt, guitarist Westen Weiss, bassist Aaron Kelley, and drummer Billy Nally had barely formed when they chanced on the opportunity for a few covert days in a local studio. In just three hectic days, they recorded their 2016 debut EP, We Are the Wrecks, which featured the catchy single “Favorite Liar.” The song picked up steam online and helped the Wrecks land some key gigs opening for Paramore and the Struts along with festival slots at Lollapalooza and BottleRock. A second EP, Panic Vertigo, arrived in 2018, followed in 2020 by the Wrecks’ first LP, Infinitely Ordinary, on the Big Noise imprint. Static, co-written by Anderson and Schmidt, is the title track of The Wrecks’ new EP, which appeared yesterday. Admittedly, it falls outside my core wheelhouse, but my pop ear can’t deny it’s catchy.

Mike Caputo/Maya Lee

Unless you’ve read my blog for a long time, you probably haven’t heard of New Jersey singer-songwriter and musician Mike Caputo. Mike has been active for over 50 years. According to a bio on his website, A vocalist who plays keyboards and drums, Mike was signed to ABC Dunhill records at 15 years old after playing the Cafe Wha? in NYC in 1967. From that point he performed as a lead vocalist and either drummer, or keyboardist in a variety of local bands in the club circuit. Performing 5 to 6 nights a week playing Pop, Progressive, Jazz, R&B, Funk and his own Original Compositions, led him to more studio experience at Private Stock Records in the 70’s...Mike is also a published writer who wrote lyrics and melody for “A Question Of  Time” by B.J. Thomas from the album “Once I Loved” and “Manhattan Blue” for Rich Cecere’e Big Band. For the past more than 26 years, he has performed the music of Steely Dan, faithfully capturing the voice of Donald Fagen. His current project Good Stuff also features music of Gino Vannelli, Stevie Wonder and Sting, all artists who influenced him. Mike’s also a dear friend, and I’ve been to many of his shows. This doesn’t mean I’m featuring Maya Lee, a song he recently wrote, to do him a favor. In fact, he has no idea what’s coming at him! 🙂 When I saw this tune on Facebook the other day, I immediately dug it. It’s got a great smooth pop jazzy sound – and, yes, I can definitely hear some Donald Fagen/Steely Dan in here. I also really like the bass and guitar work, provided by Scott Hogan and Don Regan, respectively, who are also members of Good Stuff.

Ringo Starr/Here’s to the Nights

It turns out Paul McCartney wasn’t the only ex-Beatle who was busy working on new music during the pandemic. His former band mate Ringo Starr released Here’s to the Nights on Wednesday (December 16), the lead single from his forthcoming EP Zoom In scheduled for March 19, 2021. An announcement on his website notes, As this crazy year comes to a close, Ringo is offering a song of peace, love and friendship – “Here’s To The Nights” available today as a single…Written by Diane Warren, Ringo is joined by his friends, some longtime and some new, including: Paul McCartney, Joe Walsh, Corinne Bailey Rae, Eric Burton (Black Pumas), Sheryl Crow, FINNEAS, Dave Grohl, Ben Harper, Lenny Kravitz, Jenny Lewis, Steve Lukather, Chris Stapleton and Yola. Of course, I can see cynics dismissing this as an aging pop star getting a little help from celebrity musician friends. While it’s coming out just prior to the holidays, I don’t think this is about making a quick buck. Instead, I fully buy Ringo’s statement: “This is the kind of song we all want to sing along to, and it was so great how many wonderful musicians joined in. I wanted it out in time for New Years because it feels like a good song to end a tough year on. So here’s to the nights we won’t remember and the friends we won’t forget – and I am wishing everyone peace and love for 2021.”

Miso/Let It Go

Here’s another selection that’s not the kind of music I usually listen to, but there’s just something about Miso, a 28-year-old R&B artist and producer from South Korea. According to a mini bio on last.fm, Miso lived in England during her childhood. Her songs are characterized by a very peculiar modern and soft beat. Her name has often been associated with artists like DEAN and she has worked with CRUSH too – no idea who these artists are. Let It Go, for which Miso wrote both the music and lyrics, is from her new EP Metanoia released December 14. I guess it’s mostly her voice that drew me in. And check out that cool bassline! This tune definitely has something.

King Gizzard & The Lizard Wizard/If Not Now, Then When?

King Gizzard & The Lizard Wizard (what a name!) are an Australian rock band founded in 2010 in Melbourne. Initially, they started as a group of friends jamming together until a mutual friend asked them to play at a show – sounds like the rest is history. The current line-up features Stu Mackenzie (vocals, guitar, bass, keyboards, flute), Ambrose Kenny-Smith (vocals, harmonica, keyboards), Cook Craig (guitar, bass, vocals), Joey Walker (guitar, bass, keyboards, vocals), Lucas Harwood (bass, keyboards) and Michael “Cavs” Cavanagh (drums, percussion). Their profile on Apple Music notes they have built a reputation as one of the most prolific and adventurous genre-hopping bands of all time. Their debut studio album 12 Bar Bruise appeared in September 2012. And, yes, this band has been pretty prolific indeed ever since, releasing 15 additional studio albums, six live albums, two EPs, one compilation and more than 40 singles. If Not Now, Then When? is their latest single that came out on December 10. This is just a cool tune. The groove and the falsetto vocals remind me a bit of Prince. Check it out!

Sources: Wikipedia; Apple Music; Ringo Starr website; last.fm; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Another week flew by that was pretty busy, which hardly left any opportunity to focus on music. And even as I’m writing this on a Saturday, I feel pressed for time. While this sucks it’s a minor inconvenience in the grand scheme of things, so I don’t want to wine too much about it.

Perhaps it’s not a coincidence the music in this latest Best of What’s New installment is on the quiet side – no crunchy rockers or the kind of smoking hot blues I dig this week. I still like what I found and hope so will folks who read this. All of these tracks are on releases that appeared yesterday (December 11).

David Nail/Roach Motel

Let’s kick it off with David Nail, a Nashville-based country singer-songwriter who was born and grew up in Kennett, Mo. In 2002, he recorded an eponymous album that generated a charting country single, Memphis, but due to staff changes at his then-label Universal Music Group Nashville, the record never appeared. His first released album became the appropriately titled I’m About to Come Alive in August 2009. After putting out three more solo albums, Nail formed David Nail & The Well Ravens in July 2018, an independent project with longtime colleagues Jason Hall and Andrew Petroff. They independently released the album Only This And Nothing More in September 2018. Roach Motel is from Nail’s new solo EP Bootheel. To me, this tune has a Bruce Springsteen feel, which is what drew me in right away.

Helios/Never Will You Be Without

It’s safe to assume ambient music isn’t everybody’s cup of tea. I like it on occasion, especially when I’m in the mood to relax. Behind Helios is composer and multi-instrumentalist Keith Kenniff, who according to his Apple Music profile is also known for his neo-classical work as Goldmund. His recordings as Helios typically mix moody synthesizer textures and slow, glitchy beats with fragile melodies played on pianos, guitars, and other acoustic instruments. After establishing the Helios sound and gaining a cult following for his early releases, particularly 2006’s Eingya, Kenniff became an in-demand composer for film, television, and advertising. He remained prolific, regularly issuing albums as both Helios and Goldmund, in addition to making shoegaze/indie pop along with his wife, Hollie Kenniff, as Mint Julep…Keith Kenniff was raised in rural Pennsylvania, where he learned to play drums, guitar, and bass. He began playing piano while studying percussion at the Berklee College of Music in Boston, and began recording music as Helios in 2001. Never Will You Be Without is a track from the new album Domicile, Kenniff’s 12th released as Healios.

Taylor Swift/champagne problems

Taylor Swift needs no further introduction. While I’ve always respected Swift for being an artist who writes her own songs and also is a musician and liked some of her early tunes, I haven’t closely followed her. In part that’s because some of her more recent releases I’ve heard sound too much like contemporary mainstream. Regardless how you feel about her, there’s no question Swift who only turns 31 tomorrow is a very talented and accomplished artist. I mean, who am I to judge her in the first place? Plus, champagne problems, a tune from Swift’s new album evermore, sounds very different from the aforementioned mainstream pop. Apple Music characterizes it as “cozy home-studio vibes for more bare soles arrangements and bare-soul lyrics, casually intimate and narratively rich.” Wow, that’s many words I couldn’t have come up with myself, which is why I also could never make it as a music critic! However you want to describe it, I just like champagne problems, which was co-written by Swift and William Bowery, and that’s good enough for me to feature the tune here. Admittedly, it does make me curious to take a closer look at the rest of the album.

Randall King/Around Forever

Randall King is a country singer-songwriter from Lubbock, Texas, and an artist I probably would have ignored as recently as 5-10 years ago when I pretty much didn’t listen to country music. Well, I guess things have changed since then. Blame it in part on John Mellencamp, an artist I’ve loved for many years, and his transition from straight heartland rock to roots/Americana/country-oriented music. Another factor is the evolution of the country genre itself where you have massive crossover action. According to his Apple Music artist profile, King has an ear for steel guitar and the genre’s classic Americana roots. Inspired by country legend George Strait, King released his debut EP, Another Bullet, in 2016. He collaborated with Americana group Flatland Cavalry in 2016, singing a duet with frontman Cleto Cordero on the honky-tonk rocker “Hard Livin’ Illene.”His first album, 2018’s self-produced Randall King, was a major breakthrough, debuting in the Top 10 on iTunes’ Top Country Albums chart. Around Forever, written by King together with singer-songwriters Josh Miller and Will Bundy, is a tune from King’s new EP Leanna.

Sources: Wikipedia; Apple Music; YouTube

Best of What’s New

A selection of newly released music that caught my attention

After having compiled this weekly recurring feature for about nine months, I’ve developed a pretty good methodology to find new music. As more frequent visitors of the blog know, the madness doesn’t include the mainstream charts. Sometimes it’s pretty easy, other times it requires more work. This week fell into the latter category. I’m still quite happy with this new installment that features various flavors of rock, including alternative, kickass classic, indie and country.

Glom/Merit

Glom from Brooklyn, New York are a classic alt-rock inspired, fuzzy alt-rock act, according to their profile on Bandcamp. Based on this interview with Two Story Melody from March 2019, it sounds like while members of Glom have been friends and played together in various bands since their early high school years, the group only formed in 2017. Bandcamp lists Sean Dunnevant (guitar, bass, vocals), Peter Beiser (guitar, piano, vocals), Sahil Ansari (guitar, drums, percussion, synthesizer), Jonathan Crandall (synthesizer, piano, percussion), Jonathan Harwood (percussion) and Jordan Wolfe (drums, percussion, synthesizer). Merit, written by Dunnevant, is the title track of Glom’s new album released yesterday (Dec 4). It’s a quite catchy tune. Based on sampling a few other tracks on the album, these guys seem to have a knack for melodies that are easy on the ears.

Greta Van Fleet/Age of Machine

Age of Machine is the second single from Greta Van Fleet’s next album. When the kick-ass rocker appeared yesterday, the Michigan band also revealed their second full-length studio release will come out on April 16, 2021 and be titled The Battle at Garden’s Gate, Spin reported. “There was a lot of self-evolution happening during the writing of this album that was prompted by experiences I had, experiences we all had, so a lot of contemplation occurred,” explained vocalist Josh Kiszka.  “It’s reflecting a lot of the world that we’ve seen, and I think that it’s reflecting a lot of personal truth,” observed guitarist Jake Kiszka. “I suppose that everything has changed except what got us here in the first place,” added Sam Kiszka, the third of the Kiszka brothers and bassist of the band that also includes drummer Danny Wagner. Greta Van Fleet’s classic rock orientation has generated lots of excitement and, as you’d expect, some criticism over its Led Zeppelin-influenced sound. I think the new single provides more evidence that Greta Van Fleet have evolved in finding their own unique style. Really looking forward to hearing more from that album!

Juniper/Angelina

Juniper are an indie rock band from the Boston area. They were formed in the spring of 2017 by Scott Johnson, Ahren Shreeve and Alejandro Marin. In September that year, they released their eponymous debut EP. Another EP, For the First Time, came out one year later. On their website, Juniper describe their sound as “unique” with “diverse influences of alternative rock, folk, R&B and bedroom pop” – the latter being yet another genre I had not heard of before. Currently, they are working on their debut album. Meanwhile, here’s their new single Angelina. And, nope, the lovely young woman in the video isn’t Angelina.

The Wild Feathers/My Truth

Let’s wrap it up with The Wild Feathers, a country rock band founded in 2010 in Nashville, Tenn. According to a bio on AllMusic, they prefer the term “American” over Americana when describing their sound, which falls somewhere between the earnest, neo-Southern rock of the Black Crowes, the bluesy swagger of the Black Keys, and the wide-open-road country-rock of the Eagles. The band’s current lineup features founding members Ricky Young (guitar, vocals), Taylor Burns (guitar, vocals) and Joel King (bass, vocals), as well as Ben Dumas (drums). The Wild Feathers began touring frequently in 2013, playing with artists like Bob Dylan, Willie Nelson and ZZ Ward. Their eponymous debut album appeared in August 2013. My Truth is a new original song from the band’s most recent fourth album Medium Rarities, which according to a review in Glide Magazine is a collection of covers, demos, B-sides and a handful of new tunes. My Truth is a great track co-written by King, Young and country singer-songwriter Brett James.

Sources: Wikipedia; Bandcamp; Two Story Melody; Spin; Juniper website; Juniper Facebook page; AllMusic; Glide Magazine; YouTube

Best of What’s New

A selection of newly released music that caught my attention

It’s hard to believe another week has flown by. I’m happy to present my latest picks of newly released music. This time, the collection features red dirt country (yes, apparently that’s a music genre), a beautiful melodic acoustic tune by a New York rock band, an indie rock artist from New Zealand, a longtime singer-songwriter taking on an iconic Steely Dan tune, as well as an artist who has been associated with various genres like new wave, post-punk, R&B, rap and indie rock – or is it perhaps music folks trying to slap a label on him? Let’s get to it!

Zach Bryan/Quiet, Heavy Dreams

Zach Bryan is a young singer-songwriter hailing from Oklahoma. An artist profile on Apple Music calls him a plaintive, quivering country troubadour indebted to the literary side of Red Dirt Country. According to Wikipedia, red dirt is a music genre named after the color of soil found in Oklahoma, which includes elements of Americana, folk, alt-country and a few other genres. Soon after receiving his first guitar as a 14-year-old, Bryan learned how to play and started writing songs. Later he followed in the footsteps of his family and enlisted in the Navy. But he didn’t give up music, and during a break in Jacksonville, Fla., Bryan and his friends spontaneously decided to record some tunes that would become his 2019 debut album DeAnn. Encouraged by a favorable reception among red dirt fans, he recorded his follow-on Elisabeth that appeared in May this year. Quiet, Heavy Dreams is the title track of Bryan’s new EP released today (November 27). His voice and the bare bones approach drew me in.

Bayside/Light Me Up

Bayside are a rock band named after the neighborhood in Queens, New York, where they were founded in October 2000 by lead vocalist Anthony Raneri and his childhood friend Mike Kozak (drums). Kozak left the following year to form his own group. Bayside released their debut album Sirens and Condolences in January 2004. The eponymous sophomore album from August 2005 was the band’s first to chart in the U.S., peaking at no. 153 on the Billboard 200. They have since released six additional full-length albums. Their catalog also features a live album and 10 EPs. The band’s line-up has changed various times over the years and currently includes Jack O’Shea (lead guitar, backing vocals), Nick Ghanbarian (bass, backing vocals) and Chris Guglielmo (drums, percussion), along with Raneri, the only remaining original member. Light Me Up is a single credited to all members of the band, released on November 20. It’s from Bayside’s upcoming 11th EP Acoustic Volume Three, which is scheduled for December 11. Check out the melodic sound of this tune and the harmony singing – love it!

KennyHoopla/Estella (feat. Travis Barker)

KennyHoopla is a 23-year-old Milwaukee-based singer-songwriter who was born as Kenneth La’ron in Cleveland. According to his Apple Music artist profile, he emerged out of the midwestern underground in the latter years of the 2010s with a series of buzz-worthy singles that merged aspects of new wave, post-punk, and R&B...Hoopla began making music at a young age, influenced by acts like Funeral Suits, Passion Pit, and the Drums…His early tracks were loosely labeled rap, though his dark-toned, guitar-based songs and aching contemplative vocals had more in common with indie rock and alt-R&B. He gained traction both regionally and online with 2017’s “Waves//” single and its 2018 follow-up, “Sickness.” Admittedly, I had never of heard of these tunes or KennyHoopla before. With so many genres flying around in the above profile, it also appears to be tricky to characterize his music. I’ve said it before and say it again: It all comes down to whether music speaks to you, not the genre. And there’s something about Hoopla’s new single Estella, which came out on November 20, featuring Travis Barker, drummer of American pop rock band Blink-182. At just under two minutes, it could almost be a contemporary version of a Ramones tune.

Emily Edrosa/Drinking During the Day

Emily Edrosa is a singer-songwriter and multi-instrumentalist from Auckland, New Zealand. According to a bio on the website of her record label Park The Van, Edrosa had fronted New Zealand indie rock band Street Chant for 10 years before she decided to relocate to Los Angeles in 2016 and start over. While living there, she continued to work on songs that ended up on her new solo record Another Wave Is Coming released November 20. Edrosa wrote the parts for all instruments. Except for the drums, which were provided by Bosh Rothman (U.S.) and New Zealand peers Alex Freer and Liz Stokes, she also played all instruments by herself. A review of the album in No Depression notes Edrosa recently returned to New Zealand. Here’s Drinking During the Day. Check out the neat transition from mid tempo to a slower pace starting at around 2:24 minutes with a somewhat Beatle-esque guitar part – pretty cool!

Bill Callahan/Deacon Blues (feat. Bill Mackay)

Let me preface this last clip by saying that Steely Dan are one of my all-time favorite bands and their album Aja from September 1977 is music perfection to my ears. As such, I think covering Deacon Blues, one of the album’s tracks that also happens to be my favorite Dan tune, does take a good deal of self-confidence. American singer-songwriter and guitarist Bill Callahan, who has been around for three decades, not only decided to take on the challenge but turn the jazz pop-oriented original co-written by Donald Fagen and Walter Becker into a stripped back acoustic version. In addition to Callahan, this cover only features composer and guitarist Bill MacKay and Bonnie “Prince” Billy, the adopted artist name of American singer-songwriter Joseph Will Oldham. With no horns and most other instruments that are on Steely Dan’s original and Callahan’s voice sounding much closer to Yusuf/Cat Stevens than Donald Fagen, this is quite different. I imagine not all Dan fans may be with me here, but I think Callahan did an amazing job, making an iconic tune truly his own.

Sources: Wikipedia; Apple Music; Park The Van website; No Depression; YouTube

Best of What’s New

A selection of newly released music that caught my attention

My weekly quest to uncover new music continues. This latest Best of What’s New installment features another diverse collection of music genres/styles, all of which was released yesterday (November 20). It includes country rock, grungy pop punk, alternative and, yes, more African-rooted music. Let’s kick it off with the latter.

Ausecuma Beats/Yelena

Ausecuma Beats is named after the countries/ geographic regions of their members: Australia, Senegambia, Cuba and Mali. According to their profile on Bandcamp, they are more than just a band, they are a philosophy. Led by master djembe player [an African drum], Boubacar Gaye [from Senegal], the nine-strong ensemble, demonstrate artists coming together based on an idea – the idea of place, of transplanting cultural heritage into a contemporary city. Ausecuma Beats is people from all corners of the world finding themselves together in new environments, as a community. Their website also calls out the following additional members: Yusupha Ngum (lead vocals; from Gambia); Rodolfo Hechavarria, known as “Panga” (congas; Cuba); Ed Crocker (drums; Australia); Bassidi Koné (balafon, an African wooden xylophone-like instrument; Mali); and Adam Halliwell (electric guitar; Australia). While I haven’t been able to find when the band was formed, the tune Yelena appears on their eponymous debut album. This is music radiating joy with an infectious groove. I take this any day, especially during these unreal times we are currently witnessing!

Ward Davis/Ain’t Gonna be Today

Ward Davis, originally hailing from Monticello, Ark., is a country singer-songwriter who has been based in Nashville since 2000. According to his artist profile on Apple Music, Davis first gained attention in Nashville as a songwriter, placing songs on albums by Trace Adkins, Wade Hayes, Merle Haggard & Willie Nelson, and Cody Jinks. The latter was a pivotal connection for Davis. After he co-wrote three songs for Jinks’ 2018 album Lifers, Jinks chose to go out on tour with the like-minded Davis, thereby raising the profile of this practitioner of lean, literary neo-outlaw country...Davis spent his first decade attempting to fit into the commercial confines of Nashville, but success took a while to materialize. His first break arrived in 2011, when he placed “My Kind of Crowd” on Premium Country from David Adam Byrnes. In 2014, he released an EP, No Bridges. His debut album 15 Years in a 10 Year Town followed in 2015. Ain’t Gonna be Today is the opener of Davis’ sophomore album Black Cats and Crows. Co-written by Davis and Kendell Marvel, the country rocker features nice harmony guitar and pedal steel action.

I Am the Avalanche/Better Days

I Am the Avalanche are a punk rock band from Brooklyn, N.Y., founded in 2004. ‘Fugetaboutit’, used to be my kneejerk reaction when it comes to punk. But over the years, I’ve come to realize not all punk is created equal, and there’s actually some I like to listen to, at least occasionally. Since I rarely can lose my pop instinct entirely, a tune generally needs to have some melody to appeal, not just be noise. Based on their new studio album Dive, I Am the Avalanche seems to fit the bill. The band features Vinnie Caruana (lead vocals, guitar), Brandon Swanson (guitar), Michael Ireland (guitar), Kellen Robson (bass) and Brett “The Ratt” Romnes (drums). Their eponymous studio debut came out in September 2005. Better Days, co-written by Ireland and Caruana, is the opener of the new album, the band’s fourth studio album. The grungy pop rocker reminds me a bit of Green Day.

Anna McClellan/Feel You

According to her Facebook page, Anna McClellan began performing original songs in her hometown of Omaha, NE at the age of seventeen and has been actively recording and touring ever since. Her debut, Fire Flames [2015], earned her an opening slot on a Frankie Cosmos tour. Through the doors that tour opened, McClellan eventually met Father/Daughter Records which led to the release of her second full-length record, Yes and No, in 2018. After a stint in NYC, several subsequent tours and meandering, Anna returned to Omaha and recorded I saw first light, her latest effort for Father/Daughter. The album was recorded over two weeks with a multitude of local cohorts, and it documents Anna’s journey from the Midwest to the east coast and back again, probing both the roots of her creative impetus and her ongoing commitment to social issues. Here’s Feel You from McClellan’s new album I Saw First Light.

Sources: Wikipedia; Bandcamp; Ausecuma Beats website; Apple Music; Facebook; YouTube