My Playlist: The Boss

Before getting to The Boss, I’d like to acknowledge the untimely death of Eddie Money who passed away yesterday (Sep. 13) at the age of 70 from complications from heart valve surgery in a Los Angeles hospital, only three weeks after he had revealed his diagnosis of stage 4 esophageal cancer. The first thing that came to my mind when I saw the news was his 1986 studio album Can’t Hold Back. I got it on CD at the time, primarily because of Take Me Home Tonight, a nice pop rock tune I dig to this day. I always liked his vocals. In my view, Money deserves more than a paragraph, so I’m planning to do a post on him in the near future.

Turning to Bruce Springsteen, I feel I never really need a particular reason to write about The Boss. As frequent visitors know, I’ve done so numerous times on these pages since I’ve started the blog in June 2016. It ain’t rocket science and all comes down to this: I just love Springsteen – his music, his lyrics, his down-to-earth personality, his amazing live shows. He’s the total package! I’ve been fortunate to see him twice over the past 30 years or so – undoubtedly, these concerts will stay with me forever. I think at least when it comes to live music, Springsteen truly is in a league of his own. Name another notch present day artist who plays 3 to 4-hour shows with seemingly endless energy – pretty remarkable at any age, but even more so for a guy who is about to turn 70!

Bruce Springsteen

To be clear, while music is both my passion and my therapy that more than once has helped me keep my shit together, I’m a fan, not a fanatic – not even when it comes to my all-time favorite band The Beatles. A phenomenon like Beatlemania actually scares me more than anything else. Had John Lennon or Paul McCartney asked their audience to go out and kill somebody, sadly, I have no doubt some lunatic would have acted on that. Obviously, this didn’t happen. My point here is that out of control fandom isn’t healthy, neither for fans nor music artists. With that being said, I still like to celebrate music artists I dig. But similar to drinking alcohol or driving, let’s do so in a responsible way!

The reason why Springsteen has been on my mind for the past few days is his upcoming 70th birthday on September 23rd. Obviously, countless pieces have been written about The Boss. In fact, Springsteen himself released his acclaimed autobiography Born To Run in September 2016. As such, there is really is no need for yet another write-up about his life! Instead, I’d like to focus on Springsteen’s music with a playlist of songs, which I haven’t featured in the blog before. This means leaving out gems like Born To Run, Tenth Avenue Freeze-Out and Bobby Jean, to name a few of my all-time favorite Springsteen tunes. Of course, the good news is The Boss has a mighty catalog to choose from, so let’s get to it in chronological order.

I’d like to kick things off with a track that according to Songfacts was one of the tunes that convinced Columbia Records to sign Springsteen in 1972: Growin’ Up. The lyrics about adolescence were inspired by his own troubles in school and frequent quarrels with his old man during his teenage ages. The track was included on Springsteen’s debut album Greetings From Asbury Park, N.J., which appeared in January 1973. One of the things I learned when researching this post was that David Bowie recorded a version of the song in 1974 during the sessions for his Diamond Dogs studio album, featuring Ronnie Wood on lead guitar. While it’s actually pretty cool, apparently the take wasn’t released until 1990, when it was included as a bonus track on a reissue of Bowie’s Pin Ups album.

Of course, there’s no way I can leave out my favorite Springsteen record from this playlist: Born To Run, a pivotal album for The Boss, who at that time badly needed a commercially viable record. Well, he hit the mark, and the rest is history. In addition to the title track, the album includes other classics like Thunder Road, Tenth Avenue Freeze-Out, Jungleland and the tune I’d like to feature here: Backstreets. According to Songfacts, Springsteen told Rolling Stone in 2016 the song is about “Just youth, the beach, the night, friendships, the feeling of being an outcast and kind of living far away from things in this little outpost in New Jersey. It’s also about a place of personal refuge. It wasn’t a specific relationship or anything that brought the song into being.”

The River has become one of my other favorite Springsteen records. I listened intensely to his fifth studio album from October 1980, leading up to my second and most recent Springsteen gig I saw in August 2016 during The River Tour – ironically, only to realize that by the time The Boss hit New Jersey’s MetLife Stadium, the setlist hardly included any tracks from the record. Here’s Ramrod, a great garage rocker! Come on, come on, come on little sugar, Dance with your daddy and we’ll go ramroddin’ tonight…

Another album I can’t skip is the one that brought Springsteen on my radar screen back in Germany in the ’80s: Born In The U.S.A. Obviously, it did the same for millions of other folks around the world. With hits like the title track, Dancing In The Dark and I’m On Fire, it became Springsteen’s most commercially successful release and one of the highest selling records of all time. Here is one of the few tunes I believe were not released as a single: Downbound Train. The Boss first recorded this song as an acoustic demo in May 1982 during the sessions for his Nebraska album, along with several other tracks that ended up on Born In The U.S.A.

For the next selection, I’m jumping to the early ’90s: Lucky Town, Springsteen’s 10th studio album that was released at the end of March 1992, simultaneously with Human Touch. I still remember I bought both on CD at the same time. Here is the opener Better Days, which also became the lead single released 10 days ahead of the album. “With a young son and about to get married (for the last time) I was feelin’ like a happy guy who has his rough days rather than vice versa,” commented Springsteen, according to Songfacts. It’s a fairly simple track with a straightforward chord progression, but I just love the sound.

An important album in Springsteen’s catalog is The Rising from July 2002. Not only did it mark his first record in seven years, it also was the first with the E Street Band since Born In The U.S.A. Hitting the right mood in the aftermath of 9/11, the album debuted at no. 1 on the Billboard 200, selling more than 500,000 copies in just the first week. While not all the tracks dealt directly with the terrorist attacks, here’s one that did: Into The Fire, a dedication to the firefighters who were lost that day: The sky was falling and streaked with blood/I heard you calling me, then you disappeared into the dust/Up the stairs, into the fire/Up the stairs, into the fire/I need your kiss, but love and duty called you someplace higher/Somewhere up the stairs/Into the fire…

In January 2009, Springsteen released his 16th studio album Working On A Dream. “Towards the end of recording Magic [his preceding studio record from September 2007], excited by the return to pop production sounds, I continued writing,” Springsteen stated about the album. “When my friend producer Brendan O’Brien heard the new songs, he said, ‘Let’s keep going.’ Over the course of the next year, that’s just what we did, recording with the E Street Band during the breaks on last year’s tour. I hope ‘Working on a Dream’ has caught the energy of the band fresh off the road from some of the most exciting shows we’ve ever done. All the songs were written quickly, we usually used one of our first few takes, and we all had a blast making this one from beginning to end.” Here’s the official video for the title track.

I’d like to conclude this playlist with Springsteen’s latest record Western Stars, which appeared in June this year. It’s his first album of solo material since Devils & Dust from April 2005. While I don’t dislike the record, I have to admit I’m still getting used to both Springsteen’s singing and the sometimes lush sound – not many edges here. Here’s Tucson Train, the tale of a construction worker who left San Francisco and a difficult relationship to start a new life in Arizona, only for him and his woman to realize they miss each other, so she’s coming there to see him again.

Sources: Wikipedia, Songfacts, YouTube

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Christian’s Fourth of July Rock Playlist

While I never need a reason to listen to great music, I certainly don’t mind the idea to combine it with a special occasion. Today happens to be the Fourth of July, which undoubtedly means many folks will be hanging out with family and friends, eat burgers and other barbecued foods, and watch some fireworks. Perhaps with the exception of the latter, all of these activities are much more fun with music, in my humble and completely unbiased opinion.

Before we get to the enclosed playlist, I wanted to express my hope that all people celebrating Independence Day remember this country was built by immigrants, based on the principles of life, liberty and the pursuit of happiness, not hate, division and walls. And that’s all I have to say about that, to borrow a line from one of my all-time favorite motion pictures. Time to get to some music!

How to organize a playlist of random rock tunes I found in my music library? Well, how about alphabetically and kicking if off with some Abba? Just kidding! Here’s AC/DC with It’s A Long Way To The Top (If You Wanna Rock ‘n’ Roll. Co-written by Angus Young, Malcolm Young and Bon Scott, the track first appeared as a single in December 1975 and also became the opener to High Voltage, the Aussie rockers’ first internationally released album in April 1976. I suppose many people never looked at bagpipes the same way again. While the visual is a bit blurred, I just couldn’t resist to post the video version of the tune. Fasten your seat belts and let’s go!

What comes after “a”? Well, d’uh, “b”! Though don’t worry, I won’t go through the entire alphabet. But I didn’t want to skip Blue Öyster CultCities On Flame With Rock With Rock And Roll is from their eponymous debut album released in January 1972. I’ve always dug that song, which is credited to Albert Bouchard, Donald “Buck Dharma” Roeser and Sandy Pearlman. It also became the band’s first single.

I’m skipping “c” and jump ahead to “d”. It didn’t take long to figure which band to feature: Deep Purple.  I just love these guys and still believe they’re the ultimate hard rock band. And while Highway Star or Smoke On The Water may have been more obvious choices, I felt like going with Speed King, the opener to their fourth studio album Deep Purple In Rock from June 1970. Like all tracks on the record, the tune was credited to all members of the band at the time: Ritchie BlackmoreIan GillanRoger GloverJon Lord and Ian Paice – their best line-up, in my opinion.

Before Gary Moore started to focus on the blues, the Northern Irish guitarist was more of a straight rocker and in this case a hard rocker. Victims Of The Future is the title track of his fourth studio album that came out in December 1983. It was co-written by Moore, Neil Carter, Ian Paice and Neil Murray – and, yep, that’s Deep Purple drummer Ian Paice, which I didn’t know either until I read up on the tune. Once it kicks into high gear at around the one-minute mark, the track literally feels like fireworks going off!

Okay, I thought a rock playlist has to have some Jimi Hendrix. Given the occasion, Star Spangled Banner it is. And since this year marks the 50th anniversary of Woodstock, here’s Jimi’s legendary rendition from the festival.

Next up is a choice you may find a bit surprising: Carry On Wayward Son by Kansas. In my book, this tune off their fourth studio album Leftoverture from October 1976 features one of the coolest rock guitar riffs I know. Written by Kerry Livgren, the track also became the record’s lead single in November that year.

We’re up to “l” and that means Led Zeppelin. With so many great tunes from this band, the choice was tough. Whole Lotta Love is one hell of a song that includes one of the best Jimmy Page riffs, in my opinion. In addition to all members of the band, the opener to Led Zeppelin II is co-credited to Willie Dixon, since Zep “adapted” parts of Dixon’s 1962 tune You Need Love. Unfortunately, they didn’t give any love to Dixon when the album came out in October 1969. It took a lawsuit and settlement in 1985 to make this happen – not the only example where Zep obviously stole material from other artists. Maybe I’m a bit naive here, but I never got why they engaged in this kind of BS! Proper attribution wouldn’t have diminished them as one of rock’s greatest bands.

Rainbow, the band founded by Ritchie Blackmore in 1975, may not match Deep Purple, but they released some great music, especially during the initial phase with powerhouse lead vocalist Ronnie James Dio. Following is their best known tune, Long Live Rock ‘n’ Roll, the title track to the band’s third studio album from April 1978. Dio wrote all lyrics on the record, his last with Rainbow. Most of the music including for this song was penned by him and Blackmore.

As somebody who grew up in Germany, I felt I had to acknowledge what’s probably the most successful German rock band internationally: Scorpions. While I acknowledge their music has varied quite a bit over the decades, these guys have released some kickass rock. Here’s Loving You Sunday Morning, the opener to Lovedrive. According to Wikipedia, the band’s sixth studio album from January 1979 “cemented the “Scorpions formula” of hard rock songs combined with melodic ballads.” Lead vocalist Klaus Meine and drummer Herman Rarebell co-wrote the tune’s lyrics, while guitarist Rudolf Schenker came up with the music. Scorpions continue to rock to this day, more than 40 years on, with Meine and Schenker still being part of their line-up – amazing!

We’re up to the tenth and last tune. Let’s finish it with some early Van Halen, when they were still great: Runnin’ With The Devil, off their eponymous studio debut in February 1978. Like most of the record’s tracks, the song is credited to all members of the band at the time:  Eddie Van HalenAlex Van HalenDavid Lee Roth and Michael Anthony.

And that’s a wrap. Hope everybody who is celebrating it has a great Fourth of July. And please be safe and don’t do anything silly, such as drinking and driving!

Sources: Wikipedia, YouTube

My Playlist: Joe Walsh

Once asked about Joe Walsh, Eric Clapton said, “I don’t listen to many records, but I listen to his.” Or how about Jimmy Page? “I’ve loved his style since the early James Gang,” noting his “tremendous feel” for the guitar. And, as Walsh’s bio on his website adds, this praise from two of the greatest guitar icons on the planet came even before he joined the Eagles, my introduction to Walsh. I still get goosebumps to this day when listening to the solo with Don Felder on Hotel California, one of the most epic moments in rock music. Do I really need more reasons to justify a Walsh playlist?

Joe Fidler Walsh was born in Wichita, Kan. on November 20, 1947. His mother was an avid piano player who brought music into the family’s humble home before Joe was old enough to discover rock n’ roll on the radio. Though he had played guitar in a high school cover band and a popular Kent, Ohio bar band while in college, Joe really came into his own in 1968, when he joined the Cleveland-based James Gang. In March 1969, they released their debut Yer’ Album, which became a staple on FM radio. The sophomore James Gang Rides Again from July 1970, included Funk #49, which despite initial moderate success has become a rock classic.

In 1972, Walsh left James Gang, finding the band’s trio format too constraining only to form another trio later that year, Barnstorm. In addition to Walsh (guitar, keyboards), the band included his college buddy Joe Vitale (drums, flute, keyboards) and Kenny Passarelli (bass). Their record company decided to market their albums as Joe Walsh solo records, which eventually became a source of increasing frustration for Walsh and one of the reasons Barnstorm disbanded.

Eagles 1977
Eagles in 1977 (from left): Don Henley, Joe Walsh, Randy Meisner, Glenn Frey and Don Felder

In December 1974, Walsh released his first true solo album So What, which featured contributions from Don Henley, Glenn Frey and Randy Meisner of the Eagles, the band Walsh joined the following year to replace founding member Bernie Leadon. Walsh appeared on the Eagles’ studio albums Hotel California (December 1976), The Long Run (September 1979) and Long Road Out Of Eden (October 2007). He was part of the band’s reunion in 1994 and remains a member to this day. In addition to his various band projects, Walsh has also released 12 solo studio albums (including two Barnstorm records) and a live album to date. Time for some music.

What better tune to kick things off than the above mentioned Funk #49, a kick ass rocker co-written by Walsh and fellow James Gang members Jim Fox (drums, vocals, percussion, keyboards) and Dale Peters (bass, vocals, guitars, keyboards, percussion). “I came up with the basic guitar lick,” Walsh said according to Songfacts quoting the book The Guitar Greats. “It was a real good example of how we put things together, bearing in mind that it was a three piece group, and I don’t think that there was any overdubbing. The only thing we really added was the percussion middle part, which the three of us actually played, putting some parts on top of the drums, but that’s the three piece James Gang, and that’s the energy and kind of the symmetry we were all about.”

Rocky Mountain Way appeared on Barnstorm’s second album The Smoker You Drink, The Player You Get, which as previously noted was marketed as Walsh’s second solo record. The song is credited to Walsh, Vitale, Passarelli and Rocke Grace, who had joined the band as a keyboarder. One of the best known Walsh tunes, the track peaked at no. 23 on the Billboard Hot 100.

Next up: Welcome To The Club, the opener to So What, Walsh’s first true solo album from December 1974. This is another nice rocker!

For the aforementioned reasons, I was very tempted to include the title track from Hotel California in this playlist. Instead, I decided to feature Life In The Fast Lane, my second favorite tune from the Eagles’ fifth studio album that appeared in December 1976. Walsh came up with the signature guitar riff, while Henley and Frey co-wrote the lyrics. The song became the record’s third single, reaching no. 11 on the Billboard Hot 100.

In-between Hotel California and the next Eagles album The Long Run, Walsh released another solo record in May 1978. But Seriously, Folks… includes his most successful solo hit: Life’s Been Good. Here’s the full close to 9-minute album version of the hilarious take on the excesses rock stardom. It also appeared as a 4 1/2-minute single, which climbed to no. 12 on the Billboard Hot 100.

In The City is a tune co-written by Walsh and Barry De Vorzon from The Long Run, which appeared in September 1979 and was the Eagles’ final studio album until 2007’s Long Road Out Of Eden. It is one of the few Eagles tunes on which Walsh is also handling lead vocals. He had first recorded the song in 1979 for the soundtrack of the motion picture The Warriors.

In March 1981, Walsh released his next solo album, There Goes The Neighborhood. It featured a smoother sound and would become his final commercial and critical success for more than 25 years. Here’s Rivers (Of The Hidden Funk), a track Walsh originally had co-written with Don Felder for the Eagles’ The Long Run album that didn’t make the record. Felder appeared as a guest on talk box guitar.

After five additional solo albums that were not well received, Walsh took a 20-year break before resurfacing in June 2012 with Analog Man, his most recent solo effort. Co-produced by Jeff Lynne, the album features an impressive array of guests, who in addition to Lynne include Ringo Starr, Graham Nash, David Crosby and Little Richard, along with former Barnstorm members Kenny Passarelli and Joe Vitale, and former James Gang members Jim Fox and Dale Peters. In a May 2012 interview with The Huffington Post (now called HuffPost), Walsh said about Lynne, “Gradually, we worked on some stuff and checked out some of his stuff too. It ended up that he really helped me finish it up and ended up producing. He really put his stamp on my music and took it in a direction I never would have gone, and I’m really grateful to him.” The album reached no. 12 on the Billboard 200. Here’s the title track co-written by Walsh, Drew Hester and Gannin Arnold

To say Joe Walsh has had an eventful life would be an understatement. In addition to a 50-plus-year professional career, he has been married five times. His current wife is Marjorie Bach, sister of Barbara Bach and sister-in-law of Ringo Starr. Walsh battled alcohol and drug addiction for much of his early career but has been sober since 1995. In 1998, Walsh was inducted into the Rock and Roll Hall of Fame as a member of the Eagles. He is currently touring with the band in Europe. Starting in late September, they are playing three gigs at the MGM Grand Garden Arena in Las Vegas, during which they will perform Hotel California in its entirety, the band’s only scheduled dates in North America so far this year.

Sources: Wikipedia, Joe Walsh website, Songfacts, HuffPost, YouTube

I Can Go For That (Yes Can Do)

A Hall & Oates playlist of soulful tunes

Much of my blog focuses on rock, blues and soul, so I imagine some of the more regular visitors may be surprised to see a post about Hall & Oates. Well, in addition to the aforementioned genres, I also listen to pop, though not as often as I used to. Two recent events put Hall & Oates back on my radar screen, where they essentially had not been much since the ’80s.

Earlier this year, my wife said she wanted to see the duo during their upcoming U.S. tour. Since our music tastes are different and she usually doesn’t accompany me to concerts I visit, I felt somewhat obliged to buy two tickets. A few weeks thereafter, a guitarist I know well told me he thinks Hall & Oates are the best blue-eyed soul act – certainly a bold statement. Both of these events inspired this post.

Daryl Hall (born Daryl Franklin Hohl on October 11, 1946 in Pottstown, Pa.) and John Oates (born John William Oates on April 7, 1948 in New York City) first met in Philadelphia in 1967 during a musical competition where they were each leading their own band. After realizing they dug the same music and were both students at Philly’s Temple University, they ended up spending time together and sharing apartments. In 1970, they also decided to work worth together professionally and formed a musical duo.

Hall & Oates 1976
John Oates (left) and Daryl Hall in 1976

Hall & Oates got their first contract with Atlantic Records and released their debut album Whole Oats in November 1972.  After their first three records, which weren’t very successful, they switched to RCA Records. Their eponymous fourth album, the first with the new label, yielded their first U.S. top 10 single Sara Smile, which climbed to no. 4 on the Billboard Hot 100 in June 1976. They have since released 14 additional studio albums, the most recent of which, Home For Christmas, appeared in October 2006.

The duo’s most successful period were the ’80s with a series of platinum and multi-platinum albums and hits like Kiss On My List, Private Eyes, I Can’t Go For That (No Can Do) and Maneater. Their catalog also includes 12 live and numerous compilation records.  With an estimated 40 million albums sold, Hall & Oates are the best-selling music duo in history. In April 2014, they were inducted into the Rock & Roll Hall of Fame. They are also in the Songwriters Hall of Fame and rank at no. 18 on Billboard’s Greatest of All Time Hot 100 Artists. Time for some music!

While back in the ’80s I mostly listened to Hall & Oates’ straight pop tunes, including the above mentioned hits, these days I’m more fond of their soul oriented tracks. My preference is clearly reflected in the following song choices. I’d like to kick things off with Fall In Philadelphia, written by Hall and included on the duo’s 1972 studio debut.

She’s Gone is another nice song with a soul vibe. Credited to both musicians, it first appeared on their sophomore album Abandoned Luncheonette released in November 1973. When the track was first released as a single in February 1974, it was popular in the Philly market but didn’t gain much traction nationally. She’s Gone ended up becoming a national hit when Atlantic Records re-released the single in 1976, peaking at no. 7 on the Billboard Hot 100. At the time, Hall & Oates had already switched to RCA Records and had just scored a top 10 success with Sara Smile. Clearly, Atlantic’s decision to make a quick buck off their former contracted artists paid off handsomely – we call it riding the gravy train!

In January 1977, Hall & Oates released Rich Girl as a single from their fifth studio album Bigger Than Both Of Us. It’s another co-write, and it became their first of six no. 1 hits on the Billboard Hot 100.

With the arrival of the ’80s, Hall & Oates adopted a more straight pop-oriented sound, which brought them their most commercially successful decade. Their ninth studio album Voices from July 1980 became their first platinum record, fueled by the hits Kiss On My List and You Make My Dreams. Here’s Every Time You Go Away, written by Daryl Hall. Similar to She’s Gone, it would take a few more years before the song became a major hit. In this case, it was a cover by English vocalist Paul Young, released in February 1985, which hit the top 10 in various countries, including the U.S. (no. 1), Ireland (no. 2), Norway (no. 2) and the U.K. (no. 4).

In 1985, Hall & Oates performed at New York’s storied Apollo Theater. According to Something Else!, when the duo was invited to play there, they immediately had the idea to ask The Temptations to join them and reached out to Eddie Kendrick and David Ruffin. “David and Eddie were always friends of mine,” Hall told WATD. “So, I called Eddie and asked if he wanted to come on stage — and they hadn’t really worked together that much. At that time, they weren’t working together. It was sort of a reunion for them, and a reunion for them and me. It was one of those serendipitous, amazing moments in life where full circles come around — where my origins met my present. It’s really hard to describe.” Here’s their take of Stax classic When Something Is Wrong With My Baby. Co-written by Isaac Hayes and David Porter, the song was first recorded and released by Sam & Dave in 1967 – my kind of soul tune I can go for (yes can do)!

For the last track in this post, I’m jumping to Hall & Oates’ 14th studio album Change Of Season from March 1990. It features a nice cover of another Stax recording, Starting All Over Again. Written by Phillip Mitchell, the tune was released by Mel & Tim as a single in June 1972. It was the title track of their second studio album that appeared in July that year. Hall & Oates also released their cover as a single. It peaked at no. 10 on the Billboard Adult Contemporary Chart and no. 14 on the Canadian charts. It did not chart on the Billboard Hot 100 or in the charts of any other countries. That’s unfortunate. Personally, I take that cover any day over their smash ’80s hits like Maneater or Private Eyes, but I guess I’m out of touch, though hopefully not out of time! 🙂

Frankly, until my wife told me about their upcoming U.S. tour in August and September, I wasn’t even aware Hall & Oates are still performing together. I only knew about Daryl Hall and his online and TV series Live from Daryl’s House. Well, it turns out that while Hall & Oates haven’t released a new studio album since October 2006, they have been touring quite actively over the past few years. And why not?

Their current schedule for this year shows dates all the way until the end of September. After a series of gigs in Europe and South America, Hall & Oates start the U.S. leg of their tour in Canandaigua, N.Y. on August 15 – never heard of this place before, which is about 30 miles southeast of Rochester and actually looks quite lovely, based on Google photos! Some of the other dates include Madison, Wis (Aug 25), Atlantic City, N.J. (Aug 30), Allentown, Pa. (Sep 1) – the show for which I got tickets, and Reno, Nev. (Sep 12). The last currently listed show is on Sep 28 in Thackerville, OK.

Sources: Wikipedia, Something Else!, Hall & Oates website, YouTube

Great Covers Tom Petty Style

American Girl, Refugee, You Got Lucky, Runnin’ Down A Dream, BreakdownFree Fallin’, Southern AccentsMary Jane’s Last Dance, The Last DJ – there are countless great songs written by Tom Petty. In addition to that, Petty has also performed many fantastic covers, especially during his concerts. With The Heartbreakers, he had one hell of a backing band. I was reminded of that earlier today, when I came across and listened to an EP titled Bad Girl Boogie, which apparently was exclusively released on Amazon.com in June 2010 as a bonus CD to the DVD Live At The Olympic: The Last DJ. This triggered the idea of putting together a post focused on covers played by Tom Petty and the Heartbreakers.

I’d like to start things off with what I believe was the first cover I ever heard from Tom Petty: Needles And Pins, a song I’ve always dug. It was included on Pack Up The Plantation: Live!, the first official live album by Tom Petty and the Heartbreakers,  which appeared in November 1985. Written by Jack Nitzsche and Sonny Bono, the tune was first released by Jackie DeShannon in April 1963. In January 1964, The Searchers turned it into a no. 1 hit single in the U.K. In the U.S., it performed strongly as well, peaking at no. 13 on the Billboard Hot 100. Petty’s great rendition features Stevie Nicks on backing vocals.

Next up: Green Onions, simply one of the coolest instrumentals I know. It appears on The Live Anothology, a live box set and true treasure trove released in November 2009. The tune was initially written by Booker T. Jones and recorded by Booker T. & The M.G.’s in 1962 in a largely improvised fashion while waiting to back another artist in the studio. It became the title track of the Stax house band’s debut album from October 1962 and their signature tune. According to the liner notes, the Heartbreakers’ killer take was recorded during a February 6, 1997 gig at The Fillmore in San Francisco.

Here’s I’m Crying from the above mentioned bonus CD to the Live At The Olympic DVD. The concert was recorded on October 16, 2002 at the Grand Olympic Auditorium in Los Angeles. Written by Eric Burden and Alan Price, this great tune by The Animals first appeared as the B-side to the Australian version of their 1964 single Boom Boom, a cover of the John Lee Hooker tune. I’m Crying was also included on their second U.S. studio album The Animals On Tour.

Another intriguing cover appearing on The Live Anthology is Goldfinger – yep, that would be the title track of the classic 1964 James Bond motion picture! Composed by John Barry, with lyrics co-written by Leslie Bricusse and Anthony Newley, it’s one of the greatest movie songs I know. Presumably because it would have been hard to capture the amazing vocal by Shirley Bassey, Tom Petty and the Heartbreakers played the track as a cool Shadows-style instrumental. Mike Campbell is doing an outstanding job that I assume made Hank Marvin proud, if he heard it. Like Green Onions, Goldfinger was captured at The Fillmore in San Francisco, except it was a different date: January 31, 1997.

The last cover I’d like to highlight in this post also appears on the above Bad Girl Boogie EP/bonus CD: The Chuck Berry classic Carol, first released as a single in August 1958. It also appeared on Berry’s first compilation album Chuck Berry Is On Top from July 1959. This take features more awesome guitar work by Campbell and some kickass honky piano by Benmont Tench – great gosh a’ mighty, to borrow from another talented gentleman and piano player called Richard Wayne Penniman, better known as Little Richard.

Sources: Wikipedia, YouTube

When Bs Should Have Been As

While I suspect most folks can tell an anecdote where they feel a teacher or professor did them wrong, you probably figured this post isn’t about academic grades, though it is somewhat related to grading. I’m talking about the good old-fashioned single from the last Century. Yep, it’s hard to believe that in the age of online streaming and digital downloads there was once was a time when music artists would release singles on vinyl and people would actually buy them!

The most common format of the vinyl single was the 7-inch 45 rpm, which according to Wikipedia was introduced by RCA Victor in March 1949 as a more durable and higher-fidelity replacement for 78 rpm shellac discs. Historically, singles had an A-side and a B-side, and placing a song on the A-side implied it was better than the tune on the flip side. In December 1965, The Beatles disrupted this tradition when they released the first so-called double-A side: We Can Work It Out and Day Tripper. The 70s saw yet another type called double-B, where you had one song on the A-side and two tunes on the B-side. Also known as maxi singles, the initial format was 7 inches and, starting from the mid-70s, 12 inches.

Do singles even matter you might ask. At the end of the day, it’s all music, so who cares how it’s called. Well, I guess I’m a bit of a music nerd, so I get excited about it. That being said, I never got much into buying 45 rpms myself. In retrospect, that’s a good thing, since the handful I ended up were all pretty awful.  Three I can still remember include I Was Made For Loving You (Kiss), Heart of Glass (Blondie) and How Could This Go Wrong (Exile) – indeed, how could things have gone so wrong? Well, to my defense it was the disco era and, perhaps more significantly, I was like 12 or 13 years old and slightly less mature!:-)

Before I go any further with this post, I have to give credit where credit is due. The initial inspiration for the topic came from a story on Ultimate Classic Rock about B-sides that became big hits. Then I also remembered that fellow blogger Aphoristic Album Reviews has a recurring feature called Great B-sides. Both together made me curious to do some research and there you have it: a playlist of tunes that initially were released as B-sides, which in my opinion would have deserved an A-side placement or perhaps double-A side status. This doesn’t necessarily mean I feel the corresponding A-sides were inferior. With that being said, let’s get to it!

What better artist to kick off a rock playlist than with Mr. Rock & Roll, Chuck Berry. In September 1956, he released Brown Eyed Handsome Man, a single from his debut album After School Session. The B-side was Too Much Monkey Business, which I personally prefer over the A-side. Both tunes were written by Berry. Like many of his songs, Too Much Monkey Business was widely covered by others like The Beatles, The Kinks and The Yardbirds. Naming them all would be, well, too much monkey business!

Another 1950s artist I dig is Buddy Holly, a true rock & roll and guitar pioneer who during his short recording career released such amazing music. Here’s Not Fade Away, the B-side to Oh, Boy!, a single that appeared in October 1957 under the name of Holly’s band The Crickets. Not Fade Away was credited to Charles Hardin, Holly’s real name, and Norman Petty. In February 1964, The Rolling Stones released a great cover of the tune, their first U.S. single and one of their first hits.

In November 1964, Them fronted by 19-year-old Van Morrison released a cover of Baby, Please Don’t Go, a traditional that had first been popularized by delta blues artist Big Joe Williams in 1935. While Them’s take was a great rendition, it was the B-side, Morrison’s Gloria, which became the band’s first hit, peaking at no. 10 on the British singles charts. Following the song’s big success, apparently, Gloria was re-released as a single in 1965, with the garage rocker getting its well-deserved A-side placement. G.L.O.R.I.A., Gloria, G.L.O.R.I.A., Gloria – love this tune!

Another great B-side is I’ll Feel A Lot Better by The Byrds, which they put on the flip side of their second single All I Really Want To Do from June 1965. It was written by founding member Gene Clark, the band’s main writer of original songs between 1964 and early 1966. Like the Bob Dylan tune All I Really Want To Do, I’ll Feel A Lot Better appeared on The Byrds’ debut album Mr. Tambourine Man. I’m a huge fan of Roger McGuinn’s Rickenbacker jingle-jangle guitar sound. Another reason I’ve always liked The Byrds is because of their great harmony singing. It’s the kind of true music craftsmanship you hardly hear any longer these days.

My next selection won’t come as a shock to frequent readers of the blog: I’m The Walrus by The Beatles. Other than the fact that The Fab Four are my all-time favorite band, there’s another valid reason I included them in this playlist. You can file this one under ‘what were they thinking relegating the tune to the B-side and giving the A-side to Hello Goodbye.’ Hello? According to The Beatles Bible, not only was John Lennon’s push to make Walrus the A-side overturned by Paul McCartney and George Martin, who both felt Hello Goodbye would be more commercially successful, but it created real resentment from Lennon. And frankly who can blame him! After the band’s breakup, he complained “I got sick and tired of being Paul’s backup band.” Yes, Hello Goodbye ended up peaking at no. 1 but also as one of the worst Beatles singles!

Next up: Born On The Bayou by Creedence Clearwater Revival, the B-side to Proud Mary, a single released in January 1969. Unlike the previous case, I think this is a great example of two killer tunes that are each A-side material. Written by John Fogerty, both songs appeared on CCR’s second studio album Bayou Country that also came out in January 1969.

In October 1969, Led Zeppelin issued Led Zeppelin II, only nine months after their debut, and one of their best albums, in my opinion. The opening track Whole Lotta Love was released as a single in November that year. The B-side was Living Loving Maid (She’s Just A Woman). It may not be quite on par with Whole Lotta Love, but it sure as heck is an excellent tune with a great riff. The song was co-written by Jimmy Page and Robert Plant.

The Needle And The Damage Done is one of my favorite songs from one of my all-time favorite artists: Neil Young. It became the B-side to Old Man, which Young released as a single in April 1972 off Harvest, his excellent fourth studio album that had appeared in February that year.

Also in April 1972, David Bowie came out with Starman, the lead single from The Rise and Fall of Ziggy Stardust and the Spiders from Mars, his fifth studio album and my favorite Bowie record. The B-side was Suffragette City, a kick-ass glam rocker. Like all tracks on Ziggy Stardust, it was written by Bowie.

Of course, this playlist wouldn’t be complete without featuring a tune from one of my other all-time favorite bands, The Rolling Stones. I decided to go with When The Whip Comes Down, the B-side to Beast Of Burden, which was released as a single in September 1978. As usually co-written by Mick Jagger and Keith Richards, both tunes appeared on Some Girls, the Stones’ 14th British and 16th U.S. studio album from June that year. That’s according to Wikipedia – I didn’t count them myself!

Sources: Wikipedia, Ultimate Classic Rock, Radio X, Smooth Radio, Forgotten Hits, The Beatles Bible, YouTube

Ladies Singing The Blues And Killing It – An Encore

Last October, I wrote about five outstanding female blues artists who may not be top of mind when thinking about the genre. I was reminded of this recently when fellow blogger Music Enthusiast included British blues rock guitarist Joanne Shaw Taylor in one of his “New Music Revues” and during a discussion noted an increasing number of female guitarists nowadays, especially blues. This inspired me to do some more digging on female blues artists to see who else is out there. Here are three additional dynamite ladies singing the blues. They are also great guitarists. And none of them is from the U.S.

Dani Wilde

Dani Wilde (left in above picture) is a 33-year-old blues and country singer-songwriter from Hullavington, a village in Southwest England. In 2007, she signed with German independent record label Ruf Records and released her debut album Heal My Blues in January 2008. Six additional records featuring Wilde have since appeared, the most recent being Live At Brighton Road from June 2017. According to her website, Blues Blast Magazine called Wilde “a modern day British blues phenomenon” and the album “a treat for the ear and the eyes.” Over the past 10 years, Wilde has performed across Europe, America, Canada and Africa and shared tickets with artists like Johnny Winter, Robben Ford, Bobby Womack and Taj Mahal. Here’s Don’t Quit Me Baby from the above live album, a tune written by Wilde.

Ana Popović

Ana Popović (middle in above picture) is a blues guitarist and singer from Serbia, who was born in Belgrade in May 1976 (then Yugoslavia). According to Popović’s website, her father, a guitar and bass player with an impressive blues and soul collection, always invited friends for nightly jam sessions. Popović started playing guitar as a 15-year-old and four years later formed the band Hush. In 1998, she recorded her first album with Hush, Hometown. Shortly thereafter, Popović went to The Netherlands and started to study jazz guitar. The following year, she formed the Ana Popović Band there and decided to terminate her studies after signing a deal with Ruf Records. BTW, that label seems to do a great job with signing new blues artists. In early 2001, Popović’s solo debut Hush! came out. She has since released 10 additional albums. Popović and her six-piece band have shared stages with B.B. King, Buddy Guy, Jeff Beck and Joe Bonamassa, among others. Here’s a great funky tune called Like It On Top, the title track from her latest album, which appeared last September and was co-produced by her and Keb’ Mo’. Co-written by the two, the track features Robben Ford on guitar.

Eliana Cargnelutti

Eliana Cargnelutti (right in above picture) is a 29-year-old guitarist and singer from Udine, Italy. According to her website, she graduated in jazz guitar at the conservatory “G. Frescobaldi” in Ferrara…is the new hope of Italian rock blues…and one of the rare real front women of the Italian scene.  She plays a flavor of rock blues with a bit of everything in between: electric funk, mixed with pop and jazzy instrumentals, raw rock, tight blues grooves, illuminated by her skills as an electric guitarist. In addition to various Italian blues artists, Cargnelutti has played with American artists like John Craig (guitarist of Ike & Tina Turner), Peter Stroud (guitarist of Sheryl Crow) and the Joe Pitts Band. To date she has released two solo albums: Love Affairs (November 2013) and Electric Woman (January 2015). She also appeared together with Sadie Johnson and Heather Crosse on Girls With Guitars, a record and tour project by yes, you guessed it right: Ruf Records. Here’s I’m A Woman, an original tune from Electric Woman – mamma mia!

With all this great music, I can’t help but think about Etta James’ line The blues is my business, and business is good. Still, when it comes to female blues artists, I feel they still don’t get the limelight they deserve. But with labels like Ruf Records and kick-ass artists such as the above, things seem to be changing.

Sources: Wikipedia, Dani Wilde website, Ana Popović website, Eliana Cargnelutti website, YouTube