Best of What’s New

A selection of newly released music that caught my attention

Welcome to the first Best of What’s New installment of this year’s fall season. While summer is now officially over and temperatures have started to drop, especially at night, the weather is still decent in my neck of the woods. That’s good since in an about hour I’ll be off to a 10-hour open-air music festival. So without any further ado, let’s take a fresh look at new music releases.

The Wonder Years/Doors I Painted Shut

My first pick this week are American pop punk band The Wonder Years, formed in Lansdale, Pa. in July 2005. After the release of two relatively unknown EPs they split with two other bands, The Wonder Years signed with No Sleep Records in 2007 and recorded their first full-length album Get Stoked on It! Initial U.S. chart success came with their sophomore release The Upsides, which climbed to no. 42 on the Independent Albums chart. Their most successful album to date, No Closer to Heaven from September 2015, reached no. 12 in the U.S. on the Billboard 200 and also charted in the UK and Australia at no. 46 and no. 59, respectively. The band’s current line-up features co-founders Matt Brasch (rhythm guitar, vocals, percussion), Dan Campbell (lead vocals, ukulele), Casey Cavaliere (lead guitar, backing vocals), Josh Martin (bass, synthesizer, backing vocals) and Mike Kennedy (drums, percussion), along with Nick Steinborn (keyboards, piano, guitar, backing vocals, percussion). Doors I Painted Shut, credited to all members, is the opener of the band’s seventh and new studio album The Hum Goes on Forever. Nice tune!

Nikki Lane/Good Enough

Next up is Nikki Lane, a Nashville-based country singer-songwriter. From her AllMusic bio: A singer and songwriter who mixes the honky tonk atmosphere of vintage country with the clever bite of indie rock, Nikki Lane is a barroom siren whose music is tough, witty, and bold, inhabiting Nashville archetypes while upending them at the same time. Lane’s songs walk a fine line between sincerity and irony, but the passion and effectiveness of her vocals keeps her from sounding like a put-on, and her melodies mix rootsy twang and rock & roll edge with confidence. Lane introduced her talent with the 2011 debut Walk of Shame and added a soulful edge with 2014’s All or Nothin’ and 2017’s Highway Queen. With 2022’s Denim & Diamonds, she eased back on her country accents and added harder rock energy to her mix. From that last album, which is her latest, here’s Good Enough, penned by Lane.

The Black Angels/El Jardin

Psychedelic rock band The Black Angels were formed in Austin, Texas in May 2004. From their Apple Music profile: The sultry neo-psychedelic sound of the Black Angels came together in spring 2004. Hailing from Austin, Texas, Stephanie Bailey (drums), Christian Bland (guitar), Alex Maas (vocals), Jennifer Raines (organ), and Nathan Ryan (bass) took their name from a Velvet Underground classic, “The Black Angel’s Death Song.” The band’s self-titled debut EP was released in late 2005. After a string of North American dates in winter 2006, the Black Angels readied themselves for a performance at the annual South by Southwest Music Conference in March. Their full-length album, Passover, hit stores that April. Fast forward 16 years until September 16 and Wilderness of Mirrors, the sixth studio album by The Black Angeles. In addition to Maas, Bland and Bailey, the group’s current line-up includes Jake Garcia (guitar) and Ramiro Verdooren (keyboards, percussion, bass, guitar). Here’s El Jardin, credited to the band and producer Brett Orrison. Pretty catchy psych rock – check it out!

Jimmy Carpenter/Barefootin’

I’d like to wrap up this week’s music revue with some great soulful blues by Las Vegas-based singer-songwriter and saxophonist Jimmy Carpenter. Here’s some background from his website: Jimmy Carpenter, saxophonist, singer-songwriter, and arranger, began his musical journey over 35 years ago. In the ’80s, he toured the east coast with the renegade blues band, The Alka-Phonics, in the ’90s with the blues-rock band The Believers, with whom he learned about the music business. Over the years, Jimmy has toured internationally with Tinsley Ellis, Jimmy Thackery, Walter Wolfman Washington, Eric Lindell, and others. In 2012 Jimmy joined Mike Zito, his long-time friend and musical cohort, and recorded and toured as a member of Mike Zito and the Wheel. In addition to touring nationally & internationally, Jimmy has written, arranged and recorded the horns for many artists, and has gained a reputation as a master Blues, Rock-n-Roll and R&B saxophonist. Carpenter has also released various solo albums. His latest, a covers album titled The Louisiana Record, appeared on September 16. Let’s check out Carpenter’s great rendition of Barefootin’, a tune written and first recorded by R&B singer Robert Parker in 1966, his sole hit.

This post wouldn’t be complete with a Spotify playlist of the above and a few additional tunes by the featured artists.

Sources: Wikipedia; AllMusic; Apple Music; Jimmy Carpenter website; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another installment of The Sunday Six. After a two-week hiatus, it’s nice to get back into the blogging groove again. At the same time, taking a break wasn’t a bad thing, especially in this case where I used some of the time for a long-sought vacation in Germany to see some family and friends again. Following is a small collage of photos from my visit.

From top left clockwise: Karlsruhe Palace; village of Buschhoven, in which I grew up; Frankfurt/Main; and Königstein, a health spa in the Taunus region close to Frankfurt

Time to get to some music. Three of the picks are inspired by my recent visit to Germany.

Sonny Rollins/In a Sentimental Mood

Our journey today starts with beautiful music by American tenor saxophone great Sonny Rollins, who is widely recognized as one of the most important and influential jazz musicians. Over an incredible 70-year-plus career, Rollins has recorded more than 60 albums as a leader and appeared on many additional records as a sideman. He has played with the likes of Charlie ParkerMiles DavisDizzy Gillespie,  Thelonious MonkMax Roach and Modern Jazz Quartet. In a Sentimental Mood, composed by Duke Ellington, Manny Kurtz and Irving Mills, is among Rollins’ earliest recordings as a leader. It appeared on a 1956 compilation album, Sonny Rollins with the Modern Jazz Quartet. On this particular tune, he was backed by John Lewis (piano), Milt Jackson (vibraphone), Percy Heath (bass) and Kenny Clarke (drums). My kind of music to ease into a Sunday morning.

Wolf Maahn/Irgendwo in Deutschland

Next, we jump to 1984 and the first German-language song featured in The Sunday Six: Irgendwo in Deutschland (somewhere in Germany), the title track of the third studio album by German rock artist Wolf Maahn. The singer-songwriter, actor and producer, who was born in Berlin in 1955 and grew up in Munich, initially started his music career in 1976 as a founding member of the Food Band. Mixing soul, jazz, pop and rock, this group sang in English. Wolf Maahn’s “German language music career” kicked off in the early ’80s with the studio album Deserteure. He gained broad national popularity in the mid ’80s, starting with the Irgendwo in Deutschland album. I listened to that song in my rental car on the day I arrived in Germany. That’s when I decided I would feature it in a Sunday Six.

Arthur Conley/Sweet Soul Music

I’m in the mood for some soul and the other day I remembered a tune I’ve always loved, loved: Sweet Soul Music, a big U.S. hit for Arthur Conley in 1967, climbing to no. 2 on the Billboard Hot 100. In the UK, it peaked at no. 7 on the Official Singles Chart. The song, which also became the title track of an album Conley released the same year, was co-written by him and Otis Redding – and Sam Cooke. It’s a version of Cooke’s Yeah Man, a tune that appeared on Cooke’s first posthumous studio album Shake from January 1965. Initially, they didn’t give him any credit. Cooke’s estate eventually sued Conley and Redding and received songwriting credit and a settlement.

Del Amitri/Always the Last to Know

During my visit to Germany, I met my former bandmate and longtime music buddy who always gives me great trip listening tips. The next two picks are inspired by him. First, he reminded me of Scottish alternative rock band Del Amitri, who were formed in Glasgow in 1980. During their initial run until 2002, they released six studio albums and two compilations. Since the band reemerged from hiatus in 2013, it looks like they have mainly been a touring act. Only one live record, one compilation and one studio album have since appeared. Always the Last to Know takes us back to their third studio album Change Everything released in June 1992. Written by Justin Currie (vocals, guitar, piano), who remains with Del Amitri to this day, the tune also became the album’s lead single in April 1992 – a nice melodic pop rock tune!

The Sadies/Stop and Start

This next pick is from the new album by Canadian band The Sadies, Colder Streams, released on July 22. From their AllMusic bio: One of the most accomplished bands to emerge from the North American indie and roots rock scene, the Sadies are an eclectic group founded by brothers Dallas Good and Travis Good, who crafted a distinctive sound, absorbing influences from traditional country, surf music, and garage rock, and blending them into something unique with their estimable instrumental skills. The band’s best work emphasized mood as much as melody, and they were open to collaboration with artists they respected, cutting albums with Neko Case, John Doe, Gord Downie, and Andre Williams. Here’s Stop and Start, credited to all four members of the band at the time of the recording. Sadly, Dallas Good died unexpectedly on February 17, 2022, at the age of 48 from a recently detected heart condition.

The Knack/My Sharona

And once again, we’ve reached the final stop of yet another Sunday Six. Let’s wrap up with a fun tune by Los Angeles power pop band The Knack: My Sharona, their first single that became an international sensation, topping the charts in the U.S., Canada and Australia, peaking at no. 3 in New Zealand and reaching the top 10 in the UK, Switzerland, Spain and Italy. The song’s huge popularity also propelled the band’s debut album Get the Knack to no. 1 in the U.S., Canada and Australia – a level of success the band never managed to replicate. After their third album, they split for the first time in mid-1982. The Knack had a few reunions thereafter until their permanent end in February 2010, following the death of the band’s lead vocalist and guitarist Doug Fieger from cancer at the age of 57.

Here’s a playlist of the above tunes. Hope there’s something there you like.

Sources: Wikipedia; YouTube; Spotify