New Jimi Hendrix Album Exclusively Available At NPR For Streaming

Earlier this evening, I saw on Facebook that Both Sides Of The Sky, the forthcoming posthumous album by Jimi Hendrix, is now available exclusively at NPR for streaming. I’m currently listening to the collection of tracks recorded in 1968 and 1969, and definitely like what I’m hearing. The first three tunes, Mannish Boy, Lover Man and Hear My Train A Coming, already were officially released over the past six weeks. I previously wrote about them here, here and here.

Based on what I’ve heard so far, I think the lead to NPR’s accompanying review hits the nail on the head: “At this point, some 47 years after Jimi Hendrix’s death, it’s probably unrealistic to expect that a set of deep-vault studio tracks can expand the guitarist’s legacy in any meaningful way. This no doubt dismays the Hendrix obsessives, who pine for the long-whispered-about radical experiments they believe Hendrix squirreled away in some Electric Ladyland broom closet. For the rest of us, the arrival of any sort of Hendrix material, especially if it’s captured in the studio, is a chance to be awed, all over again and in surprising ways, by this human’s freakish powers of musical persuasion.”

Thus far, my favorite tunes include Mannish Boy, $20 Fine (a Stephen Stills tune with him on vocals), Things I Used To Do (nice slide guitar shredder with Johnny Winter), Georgia Blues (slow blues featuring Lonnie Youngblood on saxophone) and the Joni Mitchell classic Woodstock, another song featuring Stills. While the last track is “missing” the magic vocal harmonies of Crosby, Still, Nash & Young, I still dig this version, which features Hendrix jamming on bass and superb organ work.

Both Sides Of The Sky is set for release on March 9.

Sources: Tom Moon, NPR: First Listen: Jimi Hendrix, ‘Both Sides Of The Sky’


Clips & Pix: Buddy Guy & B.B. King/Stay Around A Little Longer

Earlier this week, I spotted this great clip on the website of the B.B. King Blues Club & Grill in New York City, where I will be in mid-April to see Buddy Guy. Sadly, his partner in the recording B.B. King passed away in May 2015 at the age of 89. While it will be my second time for Guy, unfortunately, I never saw King.

Written by Tom Hambridge and Gary Nicholson, Stay Around A Little Longer was recorded for Guy’s 15th studio album Living Proof from October 2010. In addition, the tune appeared separately as a single just prior to the release of the record, which was produced by Hambridge who also played drums and percussion.

The moving lyrics are a dialogue between King and Guy, who express their gratitude for the life each has had and mutual appreciation. Admittedly, when I watched this clip the other day, I found myself tearing up a bit, especially at King’s line, When I’m pushing up daisies, don’t forget/You’re still my buddy. The soul that comes across in this song and these words is just beautiful – this is music at its finest!

Sources: B.B. King Blues Club & Grill website, Wikipedia, YouTube

Clips & Pix: R-E-S-P-E-C-T

There is perhaps no other vocalist like Aretha Franklin. Now in her mid-70s, the Queen of Soul still sounds terrific. The above clip of Respect was captured during a show last May at NYCB Theatre at Westbury in Westbury, N.Y.

Respect was written by Otis Redding, who also first recorded and released the tune in 1965. But it was Franklin’s version from 1967, which became a major hit and her signature song when it appeared in April that year as the second single from her 11th studio album I Never Loved A Man The Way I Love You.

Franklin is still performing, though in February 2017, she announced she would retire from touring at the end of last year. In August, Franklin told the Detroit Free Press she planned to open a nightclub where she would occasionally sing. Currently, her official website lists four scheduled shows for this year.

One of the gigs is coming up on March 25 at New Jersey Performing Arts Center in Newark. That’s way too close to my house not show her some r-e-s-p-e-c-t. Apparently, it was not too early to get tickets for what may be one of the last opportunities to see Franklin in the New York-New Jersey-Connecticut tri-state are. The show is almost sold out!

Sources: Wikipedia,, Detroit Free Press, YouTube

Clips & Pix: George Harrison/Taxman

I just returned from the movies where I watched Concert For George, a documentary about a fantastic George Harrison tribute show Eric Clapton and Jeff Lynne put together with Dhani Harrison and Olivia Harrison at the magnificent Royal Albert Hall in London on November 29, 2002. I could easily go on raving about it. For now all I want to say is, if you’re a fan of Harrison’s music, you should absolutely catch this film, which is available on DVD and is still on in certain select movie theaters. For listings you can check here.

With my mind still very much set on Harrison, undoubtedly because of the amazing documentary, I’m publishing my third and last post (promise!) to celebrate what would have been his 75th birthday today (February 25). The above clip of Taxman is from a concert in Japan in December 1991, which Harrison conducted as part of a joint tour with Eric Clapton. The tour was also documented with the double album Live In Japan that came out in July 1992.

Taxman is one of three Harrison compositions that appear on Revolver, The Beatles’ seventh studio album released in August 1966. His two other contributions for that record were Love You To and I Want To Tell You.

Sources: Concert For George official website, Wikipedia, YouTube

My Playlist: George Harrison

Today, George Harrison would have turned 75 years, so this felt like a great occasion to put together a commemorative piece and playlist. Harrison was born on February 25, 1943 in Liverpool, England. His father Harold Hargreaves Harrison was a bus conductor, while his mother Louise  (née French) was working as a shop assistant. He had three older siblings, two brothers (Harold and Peter) and one sister (Louise).

While growing up in Liverpool, Harrison developed an early interest in music and guitars. His father had reservations about his son’s plans to pursue a music career but still bought him an acoustic guitar in 1956. One of his dad’s friends taught Harrison a few songs. Not surprisingly soon thereafter, Harrison formed his first band with his brother Peter and a friend – a skiffle group inspired by Lonnie Donegan. In 1957 on the bus to his high school, Harrison had a chance encounter that started a life-changing path: Running into Paul McCartney. With their shared passion for music, the two hit if off pretty quickly.

McCartney, who had started playing with another young fellow called John Lennon in The Quarrymen, brought Harrison into the skiffle band in early 1958. By August 1960, the band had adopted rock & roll and following a few name changes evolved into The Beatles. Apart from Lennon, McCartney and Harrison, the initial lineup included Stuart Sutcliffe (bass) and Pete Best (drums). In August 1962, Ringo Starr joined on drums, after George Martin had complained to Brian Epstein about Best’s poor skills. Sutcliffe had left The Beatles a year earlier, which had prompted McCartney to switch from guitar to the bass. The classic line-up was finally in place!

The Beatles

In the early years, Lennon and McCartney dominated the band’s songwriting. While Harrison got his first credit for Don’t Bother Me on the second studio album With The Beatles from 1963, it wasn’t until Help! (1965) that he started asserting himself more as a writer. Help! featured his two compositions I Need You and You Like Me Too Much. Eventually, he introduced Indian influences and other ideas. The Beatles’ music wouldn’t have evolved the way it did, had it not been for Harrison.

Some of Harrison’s other song contributions during The Beatles period included If Needed Someone (Rubber Soul, 1965), Taxman (Revolver, 1966), Within You Without You (Sgt. Pepper’s Lonely Hearts Club Band), Blue Jay Way (Magical Mystery Tour, 1967), The Inner Light (non-album single, 1968), While My Guitar Gently Weeps (The Beatles, aka The White Album, 1968), It’s All Too Much (Yellow Submarine), Here Comes The Sun (Abbey Road) and I Me Mine (Let It Be).

Before The Beatles broke up in early 1970, Harrison had already released two solo records, Wonderwall Music and Electronic Sound, both of which were mostly instrumental. In November 1970, his first post-Beatles solo record appeared, the triple LP All Things Must Pass – a powerful statement that Harrison was finally free from all artistic restrictions!

Concert For Bangladesh

In 1971, responding to a request from his mentor Ravi Shankar, Harrison organized the Concert For Bangladesh to raise money for starving refugees in the war-ravaged country. In addition to him and Shankar, the charity event in New York’s Madison Square Garden on August 1st featured an impressive array of other artists, such as Eric Clapton, Ringo Starr, Leon Russell, Billy Preston and Bob Dylan. It attracted more than 40,000 visitors and raised close to $250,000 (about $1.55 million in today’s money), and essentially introduced the concept for Live Aid and other music charity events.

Between 1973 and 1987, Harrison released eight additional solo albums: Living In The Material World (1973), Dark Horse (1974), Extra Texture (Read All About It) (1975), Thirty Three & 1/3 (1976), George Harrison (1979), Somewhere In England (1981), Gone Troppo (1982) and Cloud Nine (1987). He could not complete his final album Brainwashed due to advanced cancer but left it with a guide for his son Dhani Harrison and his friend and music collaborator Jeff Lynne to complete. The record appeared in November 2002, one year after Harrison’s death.

The Traveling Wilburys

In 1988, Harrison co-founded The Traveling Wilburys, which also included Bob Dylan, Jeff Lynne, Roy Orbison and Tom Petty. The band released two albums, Traveling Wilburys Vol. 1 (1988) and Traveling Wilburys Vol. 3 (1990). The latter record did not include Orbison who had passed away in December 1988. Harrison’s discography also includes two live records, four compilation albums and four box sets. Time for some music clips!

Wah-Wah appears on All Things Must Pass, which is widely considered to be Harrison’s best solo album. It also became his most successful solo release, topping the charts in the US, UK, Canada, Australia and various other countries.

Here Comes The Sun is one of Harrison’s compositions from The Beatles period and one of my favorite tunes from the Abbey Road album. The following clip captures his live performance during the Concert For Bangladesh, together with Badfinger lead vocalist and guitarist Peter Ham.

The Lord Loves The One (That Loves The Lord) is from Harrison’s forth studio album Living In The Material World, which appeared in May 1973.

Dark Horse is the title track of Harrison’s fifth studio record from December 1974.

Crackerbox Palace appears on Thirty Three & 1/3, Harrison’s seventh studio album from November 1976. The tune, which features a slide guitar sound that had become a Harrison signature, was also released as the record’s second single in January 1977.

Blow Away is included on Harrison’s eponymous 8th studio album, which came out in February 1979. The song also appeared separately as the record’s lead single a few days ahead of its release.

Got My Mind Set On You, composed by American songwriter Rudy Clark, is from Cloud Nine. Released in November 1987 after a five-year hiatus from the music business, Harrison’s 11th studio album became a successful comeback, reaching no. 8 on the U.S. Billboard 200 and climbing to no. 10 on the UK Albums Chart. Got My Mind Set On You was also the record’s lead single and reached the top of the Billboard Hot 100.

Handle With Care is the opening track from Traveling Wilburys Vol. 1. The tune, which like all songs on the 1988 album is simply credited to Traveling Wilburys, features Harrison and Orbison on lead vocals. Here is the official video clip.

If I Needed Someone is one of my favorite Harrison compositions and Beatles tunes. It appears on the band’s sixth studio Rubber Soul, released in December 1965. The following clip is from Harrison’s 1992 Live In Japan album, which features Clapton and a terrific backing band.

I’d like to conclude this post and playlist with Any Road from Brainwashed, released in November 2002. Harrison’s final solo album took about 14 years to complete. After he had started work in 1988, things got delayed due to business problems with his former manager Denis O’Brien, his work with the Traveling Wilburys and Ravi Shankar, and his involvement in The Beatles Anthology albums. In 2001, Harrison underwent surgery for lung cancer and radiotherapy for cancer that had metastasized into his brain. He continued to work on the album as long as he could and left instructions for Dhani and Lynne to complete things. Harrison passed away at a friend’s house in Los Angeles on November 29, 2001. He was 58 years old.

Sources: Wikipedia, YouTube

Clips & Pix: Jimi Hendrix/Lover Man

This previously unreleased version of Lover Man by Jimi Hendrix is the third track from his upcoming posthumous album Both Sides Of The Sky, scheduled for release on March 9. According to Ultimate Classic Rock, Hendrix recorded this take of the blues rock tune in December 1969 with future Band Of Gypsys members Billy Cox (bass) and Buddy Miles (drums). This was less than a month before that band recorded their eponymous debut album, the last Hendrix studio record that appeared prior his death.

Written by Hendrix, Lover Man was modeled after Rock Me Baby by BB King, per Songfacts. Other versions of the tune can be heard on Valleys Of Neptune, a 2010 posthumous Hendrix album, the second of the trilogy that is concluded with Both Sides Of The Sky, as well as Isle Of Wright, a posthumous live album from 1971.

“Jimi loved the blues,” Eddie Kramer told Ultimate Classic Rock recently. “So did Billy, so did Buddy,” added Kramer, Hendrix’s recording engineer on all of his albums recorded during his lifetime and co-producer of the upcoming record. “Billy was always this wonderful counterpart. He did these fantastic runs, these lovely loping figures. Jimi was so happy to have that bouncy feeling beneath what he was doing. And you can’t have a record like this without the famous cement mixer. That’s what Mitch Mitchell used to say about Buddy — ‘He’s a bit of a cement mixer.’ No kidding. I mean, he was just the most amazing funk/R&B drummer, and I just love the way that Jimi’s solo just rips into that far-out distortion. It just shreds. I mean, that’s the ultimate shred solo.”

Sources: Ultimate Classic Rock, Songfacts, YouTube

Concert For George Premieres On Big Screen And Vinyl

Celebration of Harrison’s 75th birthday with premiere of 2002 commemorative concert in select movie theaters and special audio reissue

This Sunday, February 25 George Harrison would have turned 75 years. Sadly, he passed away from cancer on November 29, 2001 at the age of 58 – I can’t believe it’s been more than 16 years! Exactly one year after Harrison’s untimely death, a concert at the Royal Albert Hall in London celebrated his life and music. That commemorative event, which had been available on DVD and CD, is now being shown in select movie theaters nationwide and today for the first time appeared as a 4-LP vinyl box reissue. Here’s a nice clip of the unveiling of the box.

The concert was organized by Harrison’s widow Olivia and son Dhani. Longtime friends Eric Clapton and Jeff Lynne served as musical directors and performed during the show. Some of the other participating music artists included Paul McCartney, Ringo Starr, Tom Petty and The Heartbreakers, Billy Preston, guitarist Albert Lee, Procul Harum lead vocalist and pianist Gary Brooker, session musican Klaus Voorman and Dhani.

Before the above artists came on stage, Anoushka Shankar, the daughter of Harrison’s mentor Ravi Shankar, opened the event with a special composition by her father, presented together with a 16-piece orchestra of Indian musicians. Afterwards, surviving members of the Monty Python troupe performed comedy skits to acknowledge Harrison’s well-known sense of humor.

Following are a three clips from the concert. The first is a beautiful version of Harrison’s second song that appeared on a record by The BeatlesI Need You from Help!, performed by Petty and Heartbreakers.

The second clip is White Album gem While My Guitar Gently Weeps, featuring Clapton on lead vocals and guitar, backed by McCartney, Starr, Lee, Lynne and Dhani, among others. While it is probably impossible to beat the tune’s rendition and Prince solo performed during the 2004 Rock & Roll Hall of Fame induction show, it’s a pretty solid performance.

I also came across the following clip, showing Billy Preston singing My Sweet Lord, backed by the above other musicians. The tune was Harrison’s first big post-Beatles hit, which appeared on his solo debut album All Things Must Pass. Unfortunately, the quality of the video isn’t great but the audio is decent.

“We will always celebrate George’s birthday and this year we are releasing Concert for George in a very special package in memory of a special man,” Olivia said in a statement.

In addition to the vinyl set, the reissue is available in four other formats: 2-CD + 2-Blu-Rays Combo Pack, 2-CD + 2-DVD Combo Pack, 2-CD Pack and, I suppose for the true die-hard fans, as a limited Deluxe Box Set, including four 180-gram audiophile LPs, 2 CDs, 2 DVDs and 2 Blu-rays, a 12”x12” hard-bound 60-page book, plus a piece from the original hand-painted on-stage tapestry used as the backdrop at the Royal Albert Hall concert. The recording of the concert also premiered on music streaming services today.

The film that captured the concert was directed by David Leland and produced by Ray Cooper, Olivia Harrison and Jon Kamen. All profits from the sale of Concert for George products will go to The Material World Charitable Foundation, founded by George Harrison in 1973.

Sources: Wikipedia, Concert For George official website, Rolling Stone, YouTube