What I’ve Been Listening To: Gov’t Mule/Dark Side Of The Mule

What’s a Pink Floyd fan to do these days when they want to experience the band’s amazing music live? With the death of keyboarder Rick Wright in 2008 and their final studio album The Endless River from November 2014, Floyd’s officially gone. Yes, Roger Waters is currently on an extended Us + Them world tour. And, yes, David Gilmour released Live At Pompeii last September, which included Floyd material, and told Ultimate Classic Rock around that time that he’s planning a new album, which probably also means more touring. Still, it’s not the same!

Well, as the “king of the cover band” (Music Enthusiast’s previous kind words, not mine!) – one option I can highly recommend is Floyd tribute band Echoes. I saw these guys last year at the great Rock The Farm annual festival and wrote about it here. A second option I didn’t fully appreciate until recently is Gov’t Mule – yep, the southern rock jam band founded by Allman Brothers’ members Warren Haynes (guitar) and Allen Woody (bass) in 1994 to keep busy while the Brothers were off. Both ended up leaving the band to fully focus on Mule, though Haynes returned in 2000 and stayed with the Brothers until their final show in 2014. Woody passed away in 2000.

Gov't Mule 2018
Gov’t Mule’s current lineup (left to right): Danny Louis (keyboards), Matt Abts (drums), Jorgen Carlsson (bass) and Warren Haynes (guitar)

Haynes and Woody both were fond of 1960s power trios, such as Cream and The Jimi Hendrix Experience. Mule also digs many other artists like Neil Young, Free, Traffic, Little Feat and, well, Pink Floyd. What’s interesting to me is that with so much own material Mule has released over the years, they frequently have covered songs of the aforementioned artists during their sets. To date their homage to Pink Floyd certainly represents the climax in that regard. I know of no other such high caliber musicians who put together an entire set of covers from a band they obviously admire.

Dark Side Of The Mule (love that title!), which was released in December 2014 as a CD and deluxe CD/DVD set, was recorded during a three-hour gig at the Orpheum Theatre in Boston on Halloween 2008. While the standard CD edition only features the Floyd portion of the show, the enhanced deluxe version also includes original material Mule performed that night. Unlike the title suggests, their Pink Floyd set goes far beyond the Dark Side Of The Moon album. Time to get to some music!

The first tune I’d like to highlight is what I would call more of a deep cut: Fearless. Co-written by Gilmour and Waters, it appeared on Pink Floyd’s sixth studio album Meddle, released in October 1971. Haynes does a particularly nice job here, both in terms of his guitar work and the vocals.

Pigs On The Wing, Pt. 2 was written by Waters and included on Animals as the closer of that record from January 1977, Floyd’s 10th studio release. I think Mule’s version of the tune illustrates what’s also true for the entire set – while they stayed pretty close to the original tracks, they didn’t copy them 100%, which I find quite okay. After all, unlike Echoes, Mule is not a Floyd tribute band.

Shine On You Crazy Diamond (Parts I-V) is one of the tunes where Mule takes a bit more artistic freedom, especially Haynes. While I really dig Gilmour’s guitar parts on the original, I have to say I also like what Haynes is playing here. The opener of Wish You Were Here, Floyd’s ninth studio effort from September 1975, was credited to Gilmour, Wright and Waters. It remains one of my all-time favorite Floyd tracks after having listened to the band for some 40 years.

Next up: Time from the epic Dark Side Of The Moon, my favorite Pink Floyd album, which appeared in March 1973. The song was credited to all members of the band, which apart from Gilmour, Waters and Wright also included drummer Nick Mason. BTW, one of the backing vocalists Mule had, Durga McBroom, also consistently served in that capacity during Floyd’s live shows starting from November 1987, as well as on The Division Bell and The Endless River studio records.

Another track I’d like to call out is Comfortably Numb, one of my favorite tunes from 1979’s The Wall album. Co-written by Waters and Gilmour, it’s one of the relatively few songs that are not solely credited to Waters who clearly was the dominant force on the record. Again, Haynes does a great job, both vocally and playing Gilmour’s guitar parts.

The last song I’d like to highlight is the title track from the Wish You Were Here album.  No Pink Floyd set would be complete without the song, which was yet another Waters-Gilmour co-write.

To date, Mule only played one additional Floyd set, which was during the Mountain Jam music festival in June 2015. But a third Dark Side Of The Mule performance is coming up. In March, the band announced that they are joining forces with The Avett Brothers for six co-headlining summer open air gigs. The dates include Jones Beach Theater, Wantagh, N.Y. (Jul 12); PNC Bank Arts Center, Holmdel, N.J. (Jul 13); Xfinity Center, Mansfield, Mass. (Jul 14); Ruoff Home Mortgage Music Center, Noblesville, Ind. (Aug 23); Hollywood Casino Amphitheatre, Tinley Park, IL (Aug 24); and DTE Energy Music Theatre, Clarkston, MI (Aug 25).

One of these shows is happening right in my backyard. Based on Ticketmaster, prices look relatively reasonable. Plus, I’ve been to PNC Bank Arts Center many times and like this venue. All of these facts are impossible to ignore, so needless to say that I’m very tempted. Since I’m already seeing Steely Dan & The Doobie Brothers (July 7) and Neil Young solo (July 11), adding Mule would make this a pretty intense back-to-back music experience. But is there such a thing as too much rock & roll, and don’t make three a charm? We’ll see.

Sources: Wikipedia, Roger Waters official website, Ultimate Classic Rock, Echoes official website, Gov’t Mule official website, YouTube

Advertisements

Lynyrd Skynyrd Shines During Farewell Show In New Jersey

Skynyrd Nation celebration also features Atlanta Rhythm Section and Peter Wolf as special guests

When Johnny Van Zant asked the audience last night whether folks showed up because they are die-hard Lynyrd Skynyrd fans or because it’s their farewell tour, I answered ‘both’ to myself. While I’ve listened to Skynyrd for 20-plus years and like many of their songs, I wouldn’t call myself a die-hard fan. And, yes, part of my motivation to see these southern rockers at PNC Bank Arts Center in Holmdel, N.J. on Friday was the fact that this may well have been the last opportunity, if they indeed retire.

Recently, I read that Skynyrd added dates to extend their Last of the Street Survivors Farewell Tour. Maybe additional gigs will follow. Maybe it’ll turn into a Deep Purple-like “long goodbye tour.” Or maybe they’ll change their minds altogether, just like Scorpions did a few years go when the German rockers realized they couldn’t just decelerate from running at 200 mph to zero. Who knows.

Lynyrd Skynyrd Farewell Tour Poster

Compared to artists like The Rolling Stones, Paul McCartney, Neil Young and especially 81-year-old Buddy Guy, Skynyrd certainly has relatively young members – at age 68, guitarist Rickey Medlocke is the oldest. Gary Rossington, guitarist and the band’s only remaining co-founder, is 66. Johnny Van Zant, the younger brother of co-founder and initial lead vocalist, the late Ronnie Van Zant, is 58. The other members are still in their 50s as well. One thing was crystal clear to me last night: Lynyrd Skynyrd sounded absolutely fantastic! And maybe that’s the whole point of the early retirement plan – go out while they’re still on top of their game.

Before Skynyrd came on and set the stage on fire, there were three guests. I didn’t catch the name of the band that opened up the long evening but certainly recognized the artists who followed: Atlanta Rhythm Section and Peter Wolf, ex-vocalist of the J. Geils Band. They compensated for my disappointment when I realized that contrary to what I had read somewhere before, Bad Company, a band I would have loved to see, wasn’t among the special guests.

Atlanta Rhythm Section
Atlanta Rhythm Section

Frankly, I wasn’t even aware that ALR are still performing. Two of their current members, Rodney Justo (lead vocals) and Dean Daughtry (keyboards), have been around since the band’s formation in 1971, though in Justo’s case, it looks like were some breaks along the way. The remaining current line-up includes Steve Stone (guitar, harmonica, backing vocals), Justin Senker (bass), David Anderson (guitar, backing vocals) and Rodger Stephan (drums, backing vocals).

Except for Spooky and So Into You, I’m not well familiar with ALR’s songs but can confirm that in addition to these tunes, their set included Champagne Jam and Imaginary Lover, among others. Here’s a clip I took of my favorite ALR tune So Into You, a song I liked for its smoothness from the moment I heard it for the first time on the radio in Germany in the late 70s.

Next up was Peter Wolf. I was pretty pumped when I found out he was among the special guests last night. I’ve really come to like the J. Geils Band and ended up seeing them a few years ago. These guys truly were the ultimate party band. Wolf pretty much brought out that same swagger last night. He still has his distinct voice, charismatic stage presence and the occasional machine gun-like fast talking!

The set included a mix of J. Geils Band tunes, such as Homework, Give It To Me, Must Of Got Lost and Love Stinks, and songs from Wolf’s solo career like Wastin’ Time and Piece Of MindThe Midnight Travelers, which include Duke Levine (guitar), Kevin Barry (guitar), Marty Ballou (bass), Tom Arey (drums) and Tom West (keyboards), proved to be a top-notch backing band. Here’s my clip of Homework.

After Wolf and The Midnight Travelers had fired up the crowd with an energetic performance, it was time for the big enchilada. From the opening bars of Working For MCA till the last note of the epic Free Bird, Skynyrd made it clear they meant business and didn’t want to say farewell quietly. In addition to these tunes, their set included many other gems like What’s Your Name, That Smell, Saturday Night Special, Tuesday’s Gone, Simple Man, Call Me The Breeze and, of course, Sweet Home Alabama.

Below is my clip of What’s Your Name, one of my favorite Skynyrd tunes. Co-written by Rossington and Ronnie Van Zant, it appeared on their fifth studio album Street Survivors in October 1977 – released only three days prior to the devastating plane crash that killed Ronnie, Steve Gains (guitarist) and Steve’s sister Cassie Gains (backing vocalist), along with the pilot, co-pilot and the band’s assistant road manager. Incredibly, Rossington not only survived the crash, but eventually made a fully recovery despite breaking both arms, legs, wrists, ankles and his pelvis.

Another highlight of Skynyrd’s set to me was That Smell, also from the Street Survivors album, which was co-written by guitarist and founding member Allen Collins and Ronnie Van Zant. In particular, I dug the harmonizing guitar parts. Since my cell phone battery was starting to run low on juice, I didn’t capture the performance, so needed to rely on other footage I found on YouTube. Here’s a clip from a gig in Tampa last month. Obviously, it was taken from a location way closer to the stage where I was last night, and frankly it is much better than anything I could have recorded!

Another song I’d like to highlight is Call Me The Breeze. I’ve always liked that J.J. Cale tune and Skynyrd’s take of it. As they were playing it last night, they turned it into an homage to the Stones, Jimi Hendrix, Chuck Berry, Elvis Presley and many other music legends, displaying images of them on the main monitor behind the stage – I thought this was kind of cool. Apparently, Skynyrd didn’t do that during their concert back in March in Atlanta, where the following clip was recorded. But it’s great quality concert footage.

In light of my cell phone battery situation, it came down to a choice between capturing Sweet Home Alabama or the encore Free Bird. Given the extended length of the latter, I went for Alabama, which is also my favorite of the two. The opener to Skynyrd’s sophomore record Second Helping, released in April 1974, was co-written by Rossington, Van Zant and then-bassist Ed King. To me it hasn’t lost any of its appeal to this day!

Of course, making the above choice doesn’t mean skipping Free Bird in this  post, especially when there are great other clips on YouTube. The song, which was included on Skynyrd’s debut album Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd from August 1973, turned into an emotional commemoration of Ronnie Van Zant. Here’s a beautiful clip from the above Tampa show.

In addition to Van Zant, Medlocke and Rossington, Skynyrd’s current line-up features Michael Cartellone (drums), Mark Matejka (guitar), Peter Keys (keyboards) and Keith Christopher (bass). The touring band is complemented by backing vocalists Dale Krantz-Rossington (Gary’s wife) and Carol Chase. Skynyrd’s upcoming dates include Jones Beach Theatre, Wantagh, N.Y. tonight; Coastal Credit Union Music Park, Raleigh, N.C., June 29; and PNC Music Pavilion, Charlotte, N.C., June 30. Earlier this month,  Ultimate Classic Rock reported that the band announced 21 additional dates, which extend the current tour from early September all the way to December. Let’s hope there will be additional extensions.

Sources: Wikipedia, Setlist.com, Atlanta Rhythm Section official website, Ultimate Classic Rock, YouTube

British Invasion Returns In Full Force To Atlantic City

Beatles, Rolling Stones and Who tribute bands set stage on fire

The British Invasion may have stopped some 50 years ago, though it surely didn’t feel like it yesterday in Atlantic City. If anything, three outstanding tribute bands illustrated how the music continues to be alive and kicking to this day, and why the British rock and pop music wave of the ’60s is one of the best imports the U.S. has ever seen, except perhaps for German cars!:-)

This was my second year at the British Invasion Festival at the Golden Nugget Hotel & Casino in Atlantic City. I greatly enjoyed the free outdoor one-day event last June when I went there for the first time, so was it worth a two-hour drive to return? You betcha, baby – if anything, I felt it was even better than last year! Britain’s Finest, The Glimmer Twins and Who’s Next once again were in top shape.

Britain’s Finest

Britain’s Finest are one of the most intriguing tributes to The Beatles I know, and as a longtime Beatles fan, I’ve seen quite a few over the decades. Founded in Los Angeles in 2011, the band consists of Benny Chadwick (Paul McCartney), Ruben Amaya (John Lennon),  Robert Bielma (George Harrison) and Luis Renteria (Ringo Starr).

Like last year, they focused on the Beatles’ live period, playing songs, such as From My To You, I Want To Hold Your Hand, Can’t Buy Me Love, A Hard Day’s Night, Help and Twist And Shout. What distinguishes Britain’s Finest from other Fab Four tribute acts I’ve seen is that in addition to a faithful execution of the music, the four guys also resemble John, Paul, George and Ringo, and assume their on-stage personas. This time for a change, I took video myself. Here are clips of From Me To YouCan’t Buy Me Love and Twist And Shout.

To further check out Britain’s Finest and their scheduled shows, visit their website. Most of their upcoming gigs are on the West Coast – given the band is based in L.A., perhaps that’s not a big surprise. They’ll be back east for a series of gigs in Miami starting in early August. But I suppose New Jersey fans may have to wait until next June when they are planning to return to Atlantic City.

The Glimmer Twins

Unlike The Beatles, I actually don’t recall having seen a tribute act to The Rolling Stones. But frankly, except for the original, I doubt it can get better than The Glimmer Twins. This band from Philly is led by Keith Call (lead vocals, harp) and Bernie Bollendorf (guitar), who in an incredible way bring to life Mick Jagger and Keith Richards, respectively. They are backed by excellent musicians, including Michael Rubino (guitar), Bobbie Corea (drums), Rob Ekstedt (bass), Rocco Notte  (keyboards), Bobby Michaels (saxophone, flute) and amazing vocalist Valorie Steel.

The Glimmer Twins play Stones gems, such as Start Me Up, Dead Flowers, Sympathy For The Devil, Jumpin’ Jack Flash, Honky Tonk Women, Paint It Black and, of course, Satisfaction. Here are three the clips from their performance last night: opener Start Me UpJumpin’ Jack Flash and Honky Tonk Women. The latter prominently features Steel – that lady can sing!

The Glimmer Twins have a long schedule of summer shows in the tri-state area and beyond, including gigs in Tarrytown, N.Y. (June 22); Sea Isle City, N.J. (August 4); Manchester, Vt. (August 10); Bethlehem, Pa. (August 11); and Riverhead, N.Y. (August 18). For more about the band and their upcoming concerts, visit their website.

Who’s Next

This firecracker tribute to The Who was the perfect band to close out the night. Their members include Bill Canell as Pete Townshend, Dave McDonald as Roger Daltrey, Mike Conte as John Entwistle and Rich Savarese as Keith Moon. Similar to Britain’s Finest, not only do these four guys sound great, but the resemblance of each to their heroes is truly remarkable. The fact that none other than Messrs. Townshend and Daltrey acknowledged the band at a Who concert in May 2014 in Forest Hills, N.Y. speaks for itself.

Who’s Next play many of the tunes that come mind when you think of The Who: Baba O’Riley, Love Reign O’er Me, The Real Me, 5:15, Squeeze Box, Who Are You, Eminence Front, My Generation, and the list goes on and on. Below are clips of opener The Real Me/5:15 and Who Are You. I got really close for the second clip to better capture how meticulously each member plays and impersonates their part. Fortunately, they skip the destruction of equipment. As much as I can see the spectacle, watching Townshend smash his guitar always made me cringe. Instead, he should have given away the guitars to schools in underprivileged neighborhoods or something like that.

For more about Who’s Next, check out their website. At this time, it doesn’t list any upcoming shows, but I’m sure there will be more. The band already announced last night they are going to be back to Atlantic City for next year’s British Invasion Festival. While much can happen in a year, I have every intention to return as well!

Sources: Britainsfinestband.com, theglimmertwins.com, whosnexttribute.com, YouTube

“The Blues Is Alive And Well,” Sings Buddy Guy On New Release

After listening to the blues legend’s smoking hot 18h studio album, you actually believe the title

“Is your album wishful thinking or reality,” Billboard asked Buddy Guy about his new record. “Both,” replied Guy. “Truth is, I’m worried about the blues. When B.B. King was still alive, we had long talks about why, outside of satellite, the radio don’t play no blues. On the other hand, I got me some youngsters. My protégé Quinn Sullivan is 19, but I discovered him when he was 8. Cat named Kingfish Ingram from the [Mississippi] Delta, just out of high school, is also playing serious blues.” Frankly, the way Guy sings and plays guitar on his new album doesn’t make you feel he needs any young dude to keep the blues alive, since he won’t be going anywhere anytime soon.

The Blues Is Alive And Well, which appeared yesterday about three years after his last Grammy-awarded release Born To Play The Guitar, is nothing less but breathtaking. On his 18th studio album, the 81-year-old blues maestro sounds as great as ever. And with Mick Jagger, Keith Richards and Jeff Beck, he has some pretty cool guests. There is also 27-year-old English singer-songwriter and guitarist James Bay.

Buddy Guy, Mick Jagger, Keith Richards & Jeff Beck

Why the “Glimmer Twins” and Beck when Guy could have invited anyone to join him, asked Billboard. D’uh, why not? But Guy actually had answer that reflects his longtime sentiments. “Feel like I owed the British the respect they gave Muddy. In the ’60s, when our music was dying, the Stones and their English buddies woke up the world to the blues. They wouldn’t play if Muddy wasn’t on their show. They were shocked America was ignorant of the geniuses living right here in our own backyard. They saw where the gold was buried and they dug it up.”  Well, enough said for the upfront and time to get to some of that blues!

Frankly, I could highlight pretty much any of the record’s 15 tracks, since they are all terrific. Let’s kick if off with one called Guilty As Charged, which shuffles along nicely. According to Blues Blast Magazine, on this tune Guy is joined by producer and longtime collaborator Tom Hambridge (drums), Rob McNelley (rhythm guitar), Kevin MdKendree (keyboards) and Willie Weeks (bass). As also was the case on Guy’s more recent albums, Hambridge was also instrumental in the writing.

Cognac is one of the three tracks that had come out prior to the album. Featuring Richards and Beck, it’s definitely one of the album’s highlights. And even though I already wrote about it in my previous post, with these three dynamite guitarists trading solos, I just couldn’t resist including the song here as well – it’s just priceless!

Here’s the dynamite title track, which was co-written by Hambridge and Gary Nicholson. When I walked through the front door/I swear I heard the back door slam/I got a sneaky suspicion/You got another man/you’re doin’ me wrong, our love is dead and gone/But as far as I can tell/The blues is alive and well. One of tune’s distinct features are the great accents set by The Muscle Shoals Horns, including Charles Rose (trombone & horn arrangements), Steve Herrman (trumpet), Doug Moffet (tenor sax) and Jim Hoke (baritone sax) – gives me goose bumps!

Bad Day is another terrific mid-tempo blues shuffle that makes you want to grab a guitar and groove right along – not that I’m trying to imply that I could contribute anything meaningful here – just daydreaming a little! Blues Blast Magazine notes that the great blues harp fills are provided by Emil Justian, who once was the frontman for Matt “Guitar” Murphy’s band – good company!

On the next track I’d like to call out, Whiskey For Sale, things get funky – yeah, baby! I can hear a little bit of a Stevie Wonder groove in here. I can also picture James Brown shouting out a few ‘uh’s’ as you listen to the track. The beautiful backing vocals by Regina & Ann McCrary of the gospel music quartet The McCrary Sisters add a nice soul touch. I really dig that tune. Check it out!

The last track I’d like to highlight, You Did The Crime, is the song featuring Jagger. Intriguingly, you don’t hear him on vocals, but instead Jagger reminds us that he is a pretty decent blues harpist – something that was also vividly on display on Blue & Lonesome, the Stones’ all blues cover album from December 2016.

I’m really excited about this record – in fact, I predict it’s going to win Guy another Grammy in the blues category. I mean, seriously, how could you top this? In addition to being an ace guitarist, who still plays 150 shows a year, Guy once again shows us that music in order to be truly great needs one critical ingredient: the love to perform it!

Prompted by Billboard’s observation that throughout the album Guy’s joy seems to outweigh his worry about the future of the blues, he said: “Hell yes, the music is shot through with joy. Always has been. When I left the Louisiana farm on Sept. 27, 1957, for Chicago, I was looking for joy. And I found it. Joy went by the name of Muddy Waters, Sonny Boy [Williamson], Howlin’ Wolf. One thing those guys told me never left my mind: ‘Keep these blues, alive, Buddy. Don’t you ever let them die.'”

 

Sources: Wikipedia, Billboard, Blues Blast Magazine, YouTube

Buddy Guy To Release New Studio Album

“The Blues Is Alive And Well” features guest appearances from Mick Jagger, Keith Richards, Jeff Beck and James Bay

A Facebook post from Buddy Guy’s page I spotted earlier made my day, or I should better say my evening. The 81-year-old blues legend will release The Blues Is Alive And Well, his 18th studio album this Friday. With his late fellow artists B.B. King, Muddy Waters, Howlin’ Wolf and Junior Wells all having passed away, some may consider the title as optimistic, but when it comes to this record, the music surely is still cooking, based on the three tracks that are already out.

The album includes guest appearances by Mick Jagger, Keith Richards, Jeff Beck and James Bay, a 27-year-old English singer-songwriter and guitarist. Guy has known and been friends with Jagger, Richards and Beck for decades. While other black blues artists at times have resented that white guys took their material and oftentimes became more successful than they did, Guy has a different view. He appreciates many of these white artists, especially British blues rockers, since they helped popularize the blues among white audiences, which he feels has also benefited black artists like him.

Here’s a clip of the most recently released track from the forthcoming  album.  Cognac features Richards and Beck. I just love how Guy calls them out. Plus the music and his singing are awesome. Guy still has a great soulful voice!

The album was produced by Guy’s longtime collaborator Tom Hambridge, who has worked with him since his 14th studio album Skin Deep from July 2008. Like on previous records, Hambridge was also involved in the writing.

“Every time I go into the studio my hope is that I give my best and come out with something good enough to try to keep the blues alive,” Guy told music journalist and Forbes contributor Derek Scancarelli. “But that’s not the case always. I don’t even think the Stones made a hit every time they went into the studio.”Added Hambridge: “It’s an important piece of music that’s coming out. He puts his blood and sweat in this stuff. This is a statement about his life. This is everything he has.”

I surely look forward to listen to the entire album this Friday.

Sources: Wikipedia, Forbes.com, YouTube

Clips & Pix: Bruce Springsteen & The E Street Band/Born To Run and Dancing In The Dark

The other day, I was discussing Bruce Springsteen with fellow music blogger hotfox63 and one of his readers, who unfortunately had a bad sound experience with a show by The Boss in Germany. Yesterday, while cleaning my smartphone, I discovered the above clip I took from a gig Springsteen did with The E Street Band in late August 2016 during The River Tour.

I think this footage perfectly illustrates why Springsteen usually is such a compelling performer – because he visibly enjoys leaving it all on stage for his fans.  Yes, obviously, an artist needs some talent to be good, but what truly makes music exciting is genuine artist engagement, and Springsteen is all about that. I mean, just watch the guy – how can you not love that? It doesn’t even matter that the second tune in this medley, Dancing In The Dark, isn’t Springsteen’s strongest song, at least in my opinion.

Born To Run is the title track of Springsteen’s third studio album from August 1975, which was his commercial breakthrough. Dancing In The Dark is from Born In The U.S.A., his seventh and most successful studio record. The song was also one of seven tracks from the album, which were released as singles, and it became his highest charting hit on the Billboard Hot 100, peaking at no. 2.

Sources: Wikipedia, YouTube

What I’ve Been Listening To: Rick Barth/Hand Me Down Soul

A mix of rock and acoustic-oriented roots music on Jersey singer-songwriter’s studio debut

Rick Barth is another promising example that good music isn’t dead, just harder to find nowadays than say in the 60s and 70s where all you needed to do was to switch on the radio. FM radio definitely played an important role in the start of my music journey, along with my sister’s vinyl collection and my terrific guitar teacher. But back to Rick!

I met Rick last Sunday at Sarah Street Grill in Stroudsburg, Pa., while attending The Acoustic Singer-Songwriter Series. Organized by Rick, the event features a rotating lineup of New Jersey singer/songwriters and acoustic musicians. I was primarily there to see John Hathaway, a singer-songwriter from Asbury Park, N.J., who also fronts a great Neil Young tribute band called Decade. I’ve previously written about John, most recently here. John introduced me to Rick.

Rick Barth

In addition to organizing this great event, Rick is a Jersey singer-songwriter himself. In 2015, he released his studio debut Hand Me Down Soul. After having listened to the album a few times, I like what I’m hearing – a nice mix of rock and acoustic-oriented roots music, delivered with a slightly rugged voice. I can hear a little bit of Bruce Springsteen, John Mellencamp and Steve Earle here and there, who are all artists I dig. Interestingly, according to a previous review by Geoff Wilbur’s Music Blog, Rick started out his music career with hard rock and metal. He has certainly come a long way!

Hand Me Down With Soul kicks off with Wherever You Are, a nice mid-tempo rocker. Like all tracks except for one tune, the song was written by Rick, who also plays acoustic and electric guitars.

Another mid-tempo rock tune I like is Another Time With You.

The title track takes things slightly down a notch. In particular, I like Rick’s soulful vocal delivery of the tune.

I Love You (Now Go Away) is another standout to me. One of the country-oriented song’s defining features is the bluesy harmonica provided by Lou Tambone.

One of the all-acoustic songs on the record is Beautiful, an appropriate title. In addition to Rick’s vocals and acoustic guitar, the tune only features some organ by Jim Reeber in the background – really all that’s needed.

The last tune I’d like to call out is the album’s closer Invincible, another acoustic-oriented song. Rick co-wrote the lyrics with Darren Parker.

Hand Me Down was produced and engineered by Brian Csencsits at his studio Supreme Sound in Woodland Park, N.J. Apart from the above, other musicians on the record include Ralph Heiss (bass), Jeff Bridi (bass) and Mari Byrd (backing vocals on Good Old Days). Hand Me Down Soul is available on iTunes, Amazon.com and via Rick’s website.

Rick told me he is currently working on his next record. He joked he wants it be acoustic-oriented but that the folks who work with him keep suggesting to add drums and other instruments. According to his website, the album will be called Fade.

Sources: Rick Barth official website, Geoff Wilbur’s Music Blog, YouTube