Another Posthumous Album Highlights Some of Tom Petty’s Most Productive Years

“Angel Dream” is reconfigured and remastered 25th anniversary version of 1996 “She’s the One” soundtrack album

While I would call myself a Tom Petty fan and dearly miss him, I’m mostly familiar with his catalog until 1994. Except for his final album with the Heartbreakers, Hypnotic Eye, my knowledge gets spotty when it comes to anything Petty released after his second solo album Wildflowers, alone or together with his longtime band. Among the latter was the August 1996 soundtrack Songs and Music from the Motion Picture “She’s the One”. That changed over the past few days with Angel Dream, a reconfigured and remastered 25th anniversary edition released on July 2. Listening to the anniversary issue not only led me to check out the original, but also to discover Tom Petty music I really like.

Officially titled Angel Dream (Songs and Music from the Motion Picture “She’s the One”), the latest Tom Petty posthumous release is being characterized as a “reimagined reissue.” This 25th anniversary edition keeps eight tunes of the original album, eliminates seven and adds four previously unreleased songs. As such, I’m okay with the characterization. But I can also see how some music fans like hotfox63 view the “reimagined reissue” label as a cynical marketing gimmick. Whatever the main motives behind a reissue may be, I think there can be no doubt that money is always part of the equation. Notably, Petty was involved in working on the mixes for Angel Dream with his longtime engineer and co-producer Ryan Ulate prior to his untimely death in October 2017.

I’d like to start this review with Angel Dream (No. 2), the album’s beautiful opener, a tune that also appeared on the original edition. During a recent interview on SiriusXM’s Tom Petty Radio (channel 31), Heartbreakers co-founder and keyboarder Benmont Tench called it “one of the loveliest songs Tom ever wrote,” as transcribed in this Rock Cellar Magazine review. Essentially, Angel Dream (No. 2) bookends the album, with the second bookend being an instrumental reprise titled French Disconnection, one of the previously unreleased tracks.

Among the highlights of the original album and this reissue is Change the Locks, a tune written by Lucinda Williams, which she recorded for her 1988 eponymous third studio album under the slightly different title Changed the Locks. Petty’s cover is more straight rock than the more bluesy original. Nice!

One of Life’s Little Mysteries is among the previously unreleased tracks. The song’s jazzy groove reminds me a bit of Full Grown Body, a tune from the aforementioned Hypnotic Eye. The music certainly fits the lyrics. An excerpt: Go to work in the morning/Try to make a buck/Do everything you’re told/And you’re still outta luck/It’s one of life’s little mysteries…

Here’s another cool cover and previously unreleased track: Thirteen Days, a J.J. Cale tune included on his fifth studio album 5 that came out in August 1979. “We had a lot of fun playing that song live and it’s great to have a recording of it from the studio,” said Mike Campbell, ex-Heartbreakers guitarist, during the above SiriusXM interview. I can definitely see why!

The last song I’d like to call out is yet another previously unreleased tune: 105 Degrees, which also is the album’s lead single. I realize I already covered this song in my last Best of What’s New installment, but since it’s an early favorite, I simply couldn’t skip it. I just love how this tune is shuffling along!

“‘She’s The One’ was originally a great way to include some of the songs that didn’t make it on to Wildflowers, but it has its own thing to it, its own charm, and putting it out now in a restructured form makes for a sweet little treat,” Benmont further noted. “At the time in the studio, it was fun working as a band to improvise the scoring cues for the movie rather than playing to preset click tracks and a written score. And it was interesting to try to cut covers of others’ songs for a record, instead of learning covers just for live shows.”

Here’s another tidbit I learned about “She’s the One” when doing some research for this post. It’s only album by Tom Petty and the Heartbreakers that was recorded without an official drummer. The studio sessions happened following the departure of the band’s original drummer Stan Lynch. The album featured contributions from three other drummers: Curt Bisquera, Ringo Starr and Steve Ferrone. Ferrone, who had also played on Wildflowers, became the official drummer of the Heartbreakers shortly after “She’s the One” had been recorded.

Angel Dream (Songs and Music from the Motion Picture She's the One) CD – Tom  Petty
CD softpak with 12-page booklet.

“These songs are extremely special,” added Petty’s widow Dana Petty, who together with their two daughters Adria and Annakim manages the Tom Petty estate. “I am grateful this record is getting the recognition it deserves. The remix Ryan Ulyate did sounds amazing, and the unreleased gems are a lovely bonus. Annakim, Adria, and I took a lot of time finding artwork that reflects the mood of the album. I think we finally achieved that with Alia Penner’s work. It is surreal and beautiful, just like life during that time.”

Angel Dream, which appears on Warner Records and is available in CD and vinyl formats, as well as in digital music platforms, is the fifth posthumous Tom Petty album. It is also the third album with a connection to Wildflowers, widely considered to be one of Petty’s best records. October 2020 saw the release of Wildflowers & All the Rest. The super deluxe edition of that reissue, titled Finding Wildflowers, included a disc featuring alternate versions of Wildflowers’ 15 tracks, plus You Saw Me Comin’, a previously unreleased original song. That CD was released as a standalone under the title Finding Wildflowers (Alternate Versions) in April this year.

I will admit the standalone release does smack a bit like a money grab, since they could have offered it as a separate option when Wildflowers & All the Rest came out. Instead, they waited for six months. In the meantime, if fans wanted to own the alternate versions and that new song, they needed to buy the whole enchilada. I wonder how Tom Petty would have felt about that. After all, he once successfully battled his label MCA when they wanted to sell his then-latest record Damn the Torpedoes at a premium price of $9.98 instead of the usual list price of $8.98.

Sources: Wikipedia; Tom Petty website; Rock Cellar Magazine; YouTube

Best of What’s New

A selection of newly released music that caught my attention

After a week with record temperatures in my neck of the woods and other parts of the U.S., it looks like central New Jersey is getting a bit of a break for the weekend, though by Tuesday and Wednesday, the temperatures are supposed to hit the ’90s again. I can’t believe July has arrived. To me it feels like we’re already in the middle of summer. What does any of this have to do with newly released music? Nothing, so let’s get to this week’s Best of What’s New installment!

Tom Petty and the Heartbreakers/105 Degrees

Until I checked Apple Music for new releases this week, I had no idea about the “new” album by Tom Petty and the Heartbreakers. Released yesterday (July 2), Angel Dream: Songs From The Motion Picture “She’s The One“, is what Petty’s website called a “reimagined reissue” to honor the 25th anniversary of Songs and Music from the Motion Picture “She’s the One”, the band’s ninth studio album that originally appeared in August 1996. As reported by NME, the remixed and remastered reissue adds four previously unreleased tracks and includes an extended version of Supernatural Radio. It also removes several tunes from the Wildflowers sessions that were included in the Wildflowers & All the Rest collection from last year. Here’s the nice rocker 105 Degrees (I guess we just can’t escape the high temperatures! 🙂 ), one of the previously unreleased tracks written by Tom Petty and the album’s lead single.

Hurry/A Fake Idea

Hurry are an indie rock band from Philadelphia, originally started as a solo project by principal songwriter Matt Scottoline. According to his Apple Music profile, Scottoline, the bassist of Philly EMO band Everyone Everywhere, spent his free time writing and recording songs on his own, delving further into power pop and ’90s guitar rock than his main band ever did…In 2012, he released an eight-song self-titled record under the Hurry name, playing all the instruments himself. When Everyone Everywhere began to cut back on their schedule in the early 2010s, Scottoline decided to form an actual band, recruiting drummer Rob DeCarolis and a rotating cadre of friends on bass to play live shows. In addition to Scottoline and DeCarolis, the band’s current line-up includes DeCarolis’ brother Joe DeCarolis (bass) and Justin Fox (guitar). A Fake Idea is a melodic track from Hurry’s fourth and new studio album Fake Ideas that came out on June 25.

Joseph of Mercury/Pretenders

Joseph W. Salusbury, who performs as Joseph of Mercury, is a Canadian singer-songwriter and producer from Toronto. His profile on Apple Music notes he creates stylish, brooding pop that merges austere electronic habitats with emotive pop crooning. Initially making the rounds in 2013 under the name Joseph & the Mercurials, he scored a taste of success with the single “I Want What I Want.” Salusbury spent the next several years working behind the scenes, co-writing songs for artists like Majid Jordan and Illangelo, and racking up a number of production credits, all the while privately honing his own new material. Rebranded as Joseph of Mercury, he reemerged in February 2017 with “Without Words,” a song that unified his love of classic crooner pop and dreamy electronic-oriented production. Additional singles followed throughout the year, each building on this style. Pretenders is the opener of Mercury’s new EP Wave III released on June 25. Apparently, the groovy tune first appeared as a single on June 2019. Technically, this means it’s the EP that’s new, not the song, so I’m cheating a little bit here.

K.C. Jones/Beginnings and Ends

K.C. Jones is a singer-songwriter from Lafayette, La. According to her website, Jones’ influences include “everything from classic country to psychedelic rock to contemporary indie roots singer-songwriters.” Jones’ bio also acknowledges her love of late 60s/early 70s rock. Beginnings and Ends is the first track of Jones’ debut studio album Queen of the in Between, which came out on June 18. Her backing band is made up of musicians from the local Lafayette scene, featuring Chris Stafford (pedal steel, guitars, keys, vocals), Trey Boudreaux (bass) and Jim Kolacek (drums, percussion). The album was produced by Joel Savoy, a notable Cajun musician. Beginnings and Ends has a cool sound, which includes what the website calls a “signature psych-twang baritone guitar sound throughout, sprinklings of Hammond B3 organ, even fuzzed-out, garage rock-esque guitar lines” – I couldn’t have said it any better! 🙂

Sources: Wikipedia; Tom Petty website; NME; Apple Music; K.C. Jones website; YouTube