The Hump Day Picker-Upper

Cheering you up for a dreadful Wednesday, one song at a time

For those of us taking care of business during the regular workweek, I guess it’s safe to assume we’ve all felt that dreadful Wednesday blues. Sometimes, that middle point of the workweek can be a true drag. But help is on the way!

Today, the music doctor recommends a blue sky, a particularly attractive proposition if you live in an area where you recently had snow skies: Mr. Blue Sky by the Electric Light Orchestra is a great fit.

Written by Jeff Lynne, Mr. Blue Sky is the closer of Side three of ELO’s seventh studio album Out of the Blue, which appeared as a double-LP in October 1977. It’s the fourth tune in a suite of songs titled Concerto for a Rainy Day.

Songfacts notes, On a BBC Radio interview, ELO leader Jeff Lynne talked about how he came up with this song after he locked himself away in a Swiss chalet attempting to write ELO’s follow-up to A New World Record. “It was dark and misty for two weeks, and I didn’t come up with a thing. Suddenly the sun shone and it was, ‘Wow, look at those beautiful Alps.’ I wrote ‘Mr. Blue Sky’ and 13 other songs in the next two weeks.”

Mr. Blue Sky is by far the most streamed ELO tune on Spotify with 627.34 million streams. By comparison, the band’s next most frequently streamed track is Don’t Bring Me Down (180.78 million), the song that first brought the band on my radar screen in 1979.

Here’s a bit more from Songfacts: Jeff Lynne was quite pleased with this song. “It captured what my vision of ELO was all about,” he said. “All the bits that come in and out, the backing vocals, the cellos sliding, all the little naughty bits, the sound effects, everything is exactly what I imagined ELO to be.” (quoted in Hi-Fi News & Record Review, 2014) Here’s the official video.

Mr. Blue Sky was also released separately as Out of the Blue’s second single, first in January 1978 in the UK, followed by the U.S. in June of the same year. It had the most chart success in the U.K. and in The Netherlands where it climbed no. 6 and no. 8, respectively.

In the U.S., the single peaked at a more moderate no. 35 on the Billboard Hot 100. It still reached 3x Platinum certification by the Recording Industry Association of America as of April 26, 2021, making it ELO’s top-selling single in the U.S.

Happy Hump Day, and always remember George Harrison’s wise words: All things must pass!

Sources: Wikipedia; Songfacts; RIAA website; YouTube

Rock the Farm Triumphantly Returns to Jersey Shore

Ten-hour open air festival for great cause features top-notch music tribute acts

After taking a break last year due to this seemingly never-ending pandemic, Rock the Farm 2021 had felt a long time coming – especially the weeks leading up to it! Yesterday (September 25), the wait was finally over. The annual event in Seaside Heights, N.J., organized by the CFC Loud n Clear Foundation, combines music performed by outstanding tribute bands with raising funds and awareness for programs that support individuals and families struggling with addiction. CFC’s efforts aim to fill the gap after clinical treatment, a period when staying sober and remaining on track can be particularly challenging. You can read more about this nonprofit organization and their important work here.

Rock the Farm 2021 marked the seventh time the festival took place. As in years past, the line-up of tribute acts was impressive: One Fine Tapestry (Carole King), Coo Coo Cachoo (Simon & Garfunkel), Walk This Way (Aerosmith), Decade (Neil Young), The Traveling Milburys (The Traveling Wilburys), Guns 4 Roses (Guns N’ Roses), TUSK (Fleetwood Mac) and Tramps Like Us (Bruce Springsteen).

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Just imagine for a moment these would have been the real acts. Apart from being non-affordable for most music fans, obviously, it wouldn’t have been possible to have all these artists appear at the same festival. Creating a unique music experience is a key idea behind Rock the Farm! And it’s definitely part of what makes it so much fun to attend!

Following are some highlights from the 10-hour music marathon that took place on two stages next to each other. I’m going in chronological order, featuring one clip per tribute act that are all from New Jersey except when noted otherwise.

One Fine Tapestry/I Feel the Earth Move

As in years past, One Fine Tapestry, a tribute to Carole King, kicked off Rock the Farm. At the core of this act are Gerard Barros and Diane Barros, a versatile husband and wife duo performing a variety of different tribute shows. Yesterday, they were backed by a full band. Here’s I Feel the Earth Move, a tune from King’s Tapestry album that appeared in February 1971 – one of the many gems celebrating their 50th anniversary this year!

Coo Coo Cachoo/Mrs. Robinson

Coo Coo Cachoo are Thomas Johnston and Ed Jankiewicz, who have been performing Simon & Garfunkel songs since they met in high school close to 50 years ago – that’s just remarkable! Here’s their set opener Mrs. Robinson. Written by Paul Simon, the tune was included on Simon & Garfunkel’s fourth studio album Bookends from April 1968. It also became the record’s lead single and, of course, was part of the soundtrack for the romantic comedy drama The Graduate released in December 1967.

Walk This Way/Love in an Elevator

Walk This Way are a Dallas, Texas-based tribute to Aerosmith, featuring Ian Latimer as Steven Tyler (vocals), David Semans as Joe Perry (guitar, backing vocals), Chris Bender as Tom Hamilton (bass), Martin Turney as Joey Kramer (drums), Eamonn Gallagher as Brad Whitford (guitar) and Chris Loehrlein as Russ Irwin (keyboards). They opened their set with Love in an Elevator, a track co-written by Perry and Tyler, and included on Aerosmith’s 10th studio album Pump that appeared in September 1989. It also became the record’s second single.

Decade/Almost Cut My Hair

Decade are a band around Neil Young tribute artist John Hathaway (guitar, vocals), who has performed with different line-ups over the years. Yesterday’s backing band included Gordon Bunker Strout (guitar, backing vocals), Joseph Napolitano (pedal steel guitar), Billy Siegel (keyboards), John Perry (bass), Bob Giunco (drums) and Pam McCoy (backing vocals). In addition to Young songs, they also throw in a few tunes by Crosby, Stills, Nash & Young, such as this great rendition of Almost Cut My Hair featuring Pam McCoy on lead vocals. Penned by David Crosby, the song is from the Déjà Vu album, the first CSN record with Neil Young, released in March 1970.

The Traveling Milburys/Telephone Line

Traveling Wilburys tribute act The Traveling Milburys feature Nelson Milbury as George Harrison, Lefty Milbury as Roy Orbison, Charlie T. Milbury as Tom Petty, Otis Milbury as Jeff Lynne and Lucky Milbury as Bob Dylan. Also part of this Canadian band are Rick Hyatt (keyboards), Mike Berardelli (bass) and Danny Sandwell (drums). Apart from Wilburys songs, the group plays many tunes from the individual artists that made up the Wilburys. Here’s Telephone Line, a track written by Lynne from ELO’s sixth studio album A New World Record that came out in September 1976.

Guns 4 Roses/Sweet Child o’ Mine

Guns 4 Roses, another Dallas-based band, are a tribute to Guns N’ Roses. Their members are Laz as Axl Rose (lead vocals), Eamonn as Slash (guitar), Chris as Duff McKagan (bass), David as Dizzy Reed (keyboards), Martin as Steven Adler (drums) and Chris as Izzy Stradlin (guitar). Here’s Sweet Child o’ Mine from Guns N’ Roses’ debut album Appetite for Destruction released in July 1987. The tune, which also became the record’s third single, was credited to the entire band. These guys were truly rockin’ the farm!

TUSK/You Make Loving Fun

TUSK are a tribute band focused on the pop rock period of Fleetwood Mac. The group includes Kathy Phillips as Stevie Nicks (vocals), Kim Williams as  Christine McVie (keyboards, vocals), Scott McDonald as Lindsey Buckingham (guitar, vocals), Randy Artiglere as John McVie (bass) and Tom Nelson as Mick Fleetwood (drums). Their harmony singing is just incredible! Here’s You Make Loving Fun written by Christine McVie and from the Rumours album that appeared in February 1977. It also became the record’s fourth and final single.

Tramps Like Us/Tenth Avenue Freeze-Out

Closing out Rock the Farm 2021 was music by The Boss performed by longtime Bruce Springsteen tribute Tramps Like Us – great way to end a 10-hour music marathon! Formed in 1990, the band features front man Mark Salore as Bruce Springsteen (vocals, guitar), together with Jon Malatino (acoustic guitar, percussion, backing vocals), Ken Hope (piano, organ, keyboards, backing vocals), Tom LaRocca (saxophone, keyboards, guitar, backing vocals), Scott Bennert (bass, backing vocals) and Marty Matelli (drums, percussion). Here’s Tenth Avenue Freeze-Out, one of my favorite tunes from Born to Run, Springsteen’s third studio album from August 1975.

This was my fourth Rock the Farm in a row. While except for The Traveling Milburys I had seen all other tribute acts at previous Rock the Farm and/or other concerts, this event truly has been a gift that keeps on giving. Admittedly, my decision to attend this year did not come as easily as in the past, given COVID-19. After all, I had stayed away from most music events over the summer. Rock the Farm was the one I simply didn’t want to miss!

Sources: Wikipedia; CFC Loud n Clear Foundation website; One Fine Tapestry website; Coo Coo Cachoo Facebook page; Walk This Way website; Decade Facebook page; Traveling Milburys website; Guns 4 Roses website; TUSK website; Tramps Like Us website; YouTube

On This Day in Rock & Roll History: December 30

Before this year and decade are finally over, I thought why not throw in another installment of this recurring feature. For first-time visitors, the idea of these posts is simple: Look what happened on a specific date in rock throughout the decades. Admittedly, it’s a rather arbitrary way to cover music history. Moreover, these posts reflect events I find interesting and are not supposed to be comprehensive summaries. Usually, the selections are heavily focused on the ’60s and ’70s, which generally are my favorite music decades. This time, I’m also throwing in two birthdays. With that being said, let’s get to it!

1928: Ellas McDaniel (born Ellas Otha Bates), the American artist who became known as Bo Diddley, was born in the tiny city of McComb, Miss. When he was six years old, the McDaniel family who had adopted him from his mother, moved to Chicago, where the boy studied the trombone and the violin before taking up the guitar. Initially, he played on street corners with friends. By 1951, he had secured a regular gig at Chicago South Side’s 708 Club. In April 1955, then already known as Bo Diddley, he released his namesake tune featuring his signature Bo Diddley beat. Diddley, who passed away on June 2, 2008, influenced many artists, such as early rock & rollers Buddy Holly and Elvis Presley, as well as The Beatles and The Rolling Stones. Here’s Bo Diddley, his only tune to top the Billboard Hot R&B chart.

1947: Jeffrey (Jeff) Lynne was born in the Birmingham suburb of Erdington, England. Jeff got his first (acoustic) guitar as a child from his father Philip Lynne. In 1963, he formed his first band, The Rockin’ Hellcats – that’s when bands still had fun names! Three years later, Jeff joined Birmingham rock group The Idle Race as lead guitarist, keyboarder and vocalist, and played on their first two albums. While the band developed a cult following, it did not achieve commercial success. In 1970, Lynne’s friend Roy Wood invited him to join The Move, the band that eventually morphed into Electric Light Orchestra. After a successful run that lasted 11 albums and 15 years, ELO disbanded in 1986. In 2000, Lynne revived ELO, but until 2013, they mostly released re-issues and played occasional mini-reunions. Since 2014, the band essentially has been a Jeff Lynne project billed as Jeff Lynne’s ELO and released two albums. Lynne also was a co-founder of Traveling Wilburys. In addition to producing for “his” bands, Lynne produced for many other artists, such as Dave Edmunds, Tom Petty, George Harrison, Paul McCartney and Joe Walsh. Here’s Livin’ Thing from ELO’s sixth studio album A New World Record, released in July 1976. Like most ELO tunes, the song was written by Lynne who turned 72 years today. Happy birthday!

1967: For the 15th time, The Beatles stood at no. 1 on the Billboard Hot 100, this time with Hello, Goodbye. Written by Paul McCartney, the tune was released as a non-album single in November 1967, backed by I’m The Walrus. According to Songfacts, John Lennon wasn’t fond of the tune, calling it “three minutes of contradictions and meaningless juxtapositions.” Apparently, he was also mad that his song I’m The Walrus was relegated to the B-side. While Hello, Goodbye has nice harmony singing and a cool bassline, I have to say I’m with Lennon here. The lyrics are silly and the much stronger I’m The Walrus would have deserved to be an A-side release.

1973: Jim Croce topped the Billboard Hot 100 with Time In A Bottle, his second and last no. 1 hit. Sadly, he didn’t get a chance to witness this milestone. On September 20, 1973, Croce was killed in a plane crash during a tour while taking off from Natchitoches, La.  He was en route to Sherman, Texas for his next scheduled gig at Austin College. All of the other five people who were on board of the chartered Beechcraft E18S died as well. Time In A Bottle was the third single off Croce’s third studio album You Don’t Mess Around With Jim, which had come out in April 1972. The poetic love song is a timeless gem!

1974: Bob Dylan recorded the take of Tangled Up In Blue that ended up on his 1975 album Blood On The Tracks while visiting his brother David for the holidays in Minnesota. Written in the summer of 1974, the tune deals with personal matters Dylan was going through at the time, including his failing marriage to his first wife Sara Dylan (born Shirley Marlin Noznisky). Dylan had first recorded the song with producer Phil Ramone in New York but not released it. During the session that generated the album version, Dylan asked Kevin Odegard, a local singer and guitarist who had been brought in to support the recording, what he thought about the song. Odegard suggested changing the key from G and A. Dylan gave it a try and apparently was satisfied with the outcome. Odegard never received any credit on the record but graciously said the experience was instrumental in launching his own successful music career.

Sources: Wikipedia; This Day In Music; Songfacts; This Day In Rock; YouTube