Time for another installment of my oldest and most infrequent recurrent feature on the blog, which looks at events that happened on a specific date throughout music history. Not sure why the series keeps falling by the wayside, given how enjoyable I find it to see what comes up. Today’s date is, well, today’s date: December 1. As always, these posts reflect my music taste and, as such, aren’t meant to be a full accounting of events on a specific date.
1957: Let’s start with one of the great early classic rock & roll stars: Buddy Holly. On this date 65 years ago, Holly and The Crickets appeared on The Ed Sullivan Show to perform their first two big hits, That’ll Be the Day and Peggy Sue, which had been released as singles in May 1957 and September 1957, respectively. The former tune was penned by Holly and Crickets drummer Jerry Allison, while the latter was a co-write by Allison and producer Norman Petty. The songs also appeared on the albums The “Chirping” Crickets (November 1957) and Buddy Holly (February 1958), respectively. Here’s Peggy Sue. Texas boys, do it! Man, I love that song!
1964: The Who performed their first of 22 Tuesday night shows at The Marquee Club in London. Each gig earned them £50 (approximately $1,065 today). Other artists and bands who played the prominent music venue in the ’60s included Jimi Hendrix, David Bowie, Cream, Jethro Tull, Yes and Pink Floyd, among many others.
1969: The final edition of The Beatles Book, a fan magazine aka Beatles Monthly, was published. From The Beatles Bible: The Beatles Book had been published each month since August 1963 until this, the 77th and final issue. Published on 1 December 1969, the last edition included a leader column from editor Sean O’Mahoney, writing as Johnny Dean, in which he criticised The Beatles for encouraging drug experimentation among their fans. O’Mahoney took the decision to cease publication after it became obvious that The Beatles were unlikely to continue recording. However, it was revived in May 1976 with reissues of the original 77 editions, along with new content. The second run ended with issue 321 in January 2003. The image below shows the cover of edition no. 34 from May 1966.
1971:John Lennon released his Christmas and Vietnam war protest song Happy Xmas (War Is Over) in the U.S. Billed as John & Yoko/Plastic Ono Band, the tune featured the Harlem Community Choir. It followed more than two years of peace activism Lennon and Yoko Ono had started with their bed-ins in March and May 1969. The song’s release was preceded by an international multimedia campaign that looked ahead of its time. It primarily included rented billboard space in 12 major cities around the world, displaying black & white posters declaring WAR IS OVER! If You Want It – Happy Christmas from John & Yoko. Unlike in the U.S. where the single enjoyed moderate chart success, it peaked at no. 4 in the UK on the Official Singles Chart after its release there in November 1972. Between December 1972 and February 1973, the song also entered the top 10 in Australia, Belgium, Denmark, France, Ireland, the Netherlands, Norway and Singapore.
1973: Carpenters were on top of the world and mainstream charts in the U.S., Canada and Australia with a tune appropriately titled Top of the World. Co-written by Richard Carpenter and John Bettis, the song first appeared on their fourth studio album A Song for You from June 1972. Initially, Carpenters intended the track to be an album cut only but changed their mind after country singer Lynn Anderson had released a cover that reached no. 2 on the country chart. It turned out to be a smart decision. Top of the World became the duo’s second of three no. 1 singles, following (They Long to Be) Close to You and preceding Please Mr. Postman.
Sources: Wikipedia; This Day In Music; The Beatles Bible; Songfacts Music History Calendar; YouTube
Celebrating music with six random tracks at a time
Happy Sunday! After another busy week on other fronts, I’m ready to time-travel to explore different flavors of the music world. Hope you’ll join me!
The Horace Silver Quartet/Serenade to a Soul Sister
Today’s journey starts in June 1968. This month saw some notable new music releases by artists like Aretha Franklin (Aretha Now), Iron Butterfly (In-A-Gadda-Da-Vida) and Pink Floyd (A Saucerful of Secrets). And Serenade to a Soul Sister, a studio album by The Horace Silver Quartet. The group was formed in 1956 by jazz pianist Horace Silver after he had left The Jazz Messengers which had co-founded with drummer Art Blakey in the early 1950s. The Horace Silver Quartet became Silver’s long-term combo he led into the ’80s. He continued to release albums until 1998. In 2007 and passed away in June 2014 at the age of 85. Here’s the groovy title track of the aforementioned record, composed by Silver. He was backed by Charles Tolliver (trumpet), Stanley Turrentine (tenor saxophone), Bob Cranshaw (bass) and Mickey Roker (drums).
Matthew Sweet & Susanna Hoffs/Maggie Mae
Ever since I first listened to power pop artist Matthew Sweet’s collaborations with Susanna Hoffs, who is best-known as a co-founder of The Bangles, I was hooked by how well their vocals blend in their covers of ’60s, ’70s and ’80s songs. Here’s their version of Rod Stewart classic Maggie Mae, which Stewart co-wrote with Martin Quittenton and recorded for his studio album Every Picture Tells a Story. Sweet and Hoffs included the tune on Under the Covers, Vol. 2, their second of three collaborative efforts that appeared in July 2009. The album featured covers of ’70s songs. From a vocal perspective, admittedly, there are perhaps more compelling examples of the Sweet/Hoffs harmony singing, but I just love that Rod Stewart tune!
Leon Russell/A Song For You
Our next stop takes us to March 1970 and the solo debut album by Leon Russell. Over a 60-year career that started as a 14-year-old in 1956, Russell proved to be a versatile artist spanning multiple genres, including rock & roll, country, gospel, bluegrass, R&B, southern rock, blues rock, folk, surf and Tulsa Sound. A Song For You from his eponymous solo debut album that came out in March 1970 is one of his best-known compositions. It’s probably not a coincidence the soulful ballad is Russell’s most popular song on Spotify. In addition to singing and playing the piano, he also provided the tune’s tenor horn part. The album featured multiple notable guests, including George Harrison, Ringo Starr, Eric Clapton, Steve Winwood and most members of The Rolling Stones.
Sting/The Soul Cages
Ever since my wife and I recently considered seeing Sting who is currently on the road, the ex-Police frontman has been on my mind. I was going to pick a track off Ten Summoner’s Tales, my favorite solo album by the British artist but then decided to select the title track from predecessor The Soul Cages. Sting’s third full-length solo effort from January 1991 was a concept album focused on the death of his father. It helped him overcome a prolonged period of writer’s block he had developed after his dad’s passing in 1987. I always dug the rock vibe of the title track, which also yielded Sting his first Grammy award in 1992, for Best Rock Song.
Bruce Hornsby and The Range/Mandolin Rain
During a recent interview, Bonnie Raitt revealed that Bruce Hornsby is her favorite artist, citing his versatility if I recall it correctly. I guess this planted a bug in my brain to feature a track from the album that brought Hornsby on my radar screen in April 1986: The Way It Is, the first with The Range, his backing band during his early recording career. And what a debut it was it was for the singer-songwriter and pianist who had been active since 1974. Led by the huge success of the title track, The Way It Is achieved multi-Platinum status and helped the band the Grammy Award for Best New Artist in 1987. I pretty much love every tune on that album. Here’s the beautiful Mandolin Rain, co-written by Bruce Hornsby and his brother John Hornsby.
Quaker City Night Hawks/Suit in the Back
And once again, we’ve reached the final stop of our little music excursion. In the past, I’ve repeatedly recognized examples of great music suggestions Apple Music had served up. This time the credit needs to go to Spotify. That streaming platform has what I find is an interesting feature where once you’ve listened to all songs in a playlist you created they continue playing music, selecting tunes they feel fit with your playlist. And that’s exactly how I came across this tune, Suit in the Back, by Quaker City Night Hawks. I had never heard of the Texas band combing southern rock, country and blues, who released their debut ¡Torquila Torquila! in May 2011. Suit in the Back, written by the band’s vocalist, songwriter and guitarist Sam Anderson, is from their most recent album QCNH released in March 2019. Quaker City Night Hawks, who also include David Matsler (vocals, guitar) and Aaron Haynes (drums), certainly look like a band worthwhile to further out.
Last but not least, here’s a Spotify playlist featuring the above tune. Hope you enjoyed this Sunday’s mini-trip.
Sources: Wikipedia; Quaker City Night Hawks website; YouTube; Spotify
A selection of newly released music that caught my attention
This week was a bit of a drag, so I’m not unhappy it’s over. Of course, this also means it’s time to take another look at newly released music. Between an unusual but great sounding bluesy country trio, gospel from an amazing singer who is primarily known as a backing vocalist, as well as some alternative and indie rock, I think I’ve put together a pretty solid collection of songs. Unless noted otherwise, all music appeared yesterday, April 9. Let’s get to it!
The Reverend Peyton’s Big Damn Band/Too Cool to Dance
The Reverend Peyton’s Big Damn Band (this has got to be one of the coolest band names!) are an American country blues trio from Brown County, Ind. and have been around since 2003. Their members include Josh “The Reverend” Peyton (guitar, lead vocals), his wife “Washboard” Breezy Peyton (washboard) and Max Senteney (drums). According to Apple Music, the band’s sound is characterized by thick, bass-heavy, blues-based guitar figures and growling vocals accompanied by muscular but minimal drumming and the metallic percussive scratch of a washboard (making them one of the first rock bands to regularly feature the latter instrument since Black Oak Arkansas). Their style is informed by rural blues, honky-tonk country, and the rebellious spirit of rock & roll, as Reverend Peyton’s raw and wiry guitar figures add texture to their straightforward melodies. To date, they have released 10 full-length albums and one EP. Too Cool to Dance is from their new album Dance Songs for Hard Times, which addresses the hopes and fears of life during this seemingly never-ending pandemic. But, as the band’s website notes, don’t expect to hear depressing music. “I like songs that sound happy but are actually very sad,” Peyton says. “I don’t know why it is, but I just do.” Well, he isn’t kidding – check this out!
Merry Clayton/A Song For You
American soul and gospel singer Merry Clayton, who began her recording career in 1962, is best known for providing killer backing vocals on Gimme Shelter, the 1969 tune by The Rolling Stones. Moreover, Clayton sang backing vocals on Lynyrd Skynyrd’s Sweet Home Alabama and recorded with Elvis Presley, The Supremes, Ray Charles, Joe Cocker, Linda Ronstadt and Carole King, among others. In addition, Clayton was a member of Charles’ vocal backing group The Raelettes from 1966-1968. In 1963, her solo debut single When the Doorbell Rings appeared. Clayton has also released various solo albums since 1970. In the ’80s, she did some acting as well. A Song for You, which was written by Leon Russell and included on his eponymous debut solo album from March 1970, is a track from Clayton’s new album Beautiful Scars. She first covered the tune on her eponymous third solo album released in 1971. This may be an old tune and “only” a cover, but I just love Clayton’s singing!
The Natvral/New Moon
According to his Bandcamp profile, The Natvral is the new project of Kip Berman, who previously founded American indie rock band The Pains of Being Pure at Heart and was their main songwriter. Between 2009 and 2017, the New York group released four studio albums. As reported by Paste, in November 2019, Berman announced the band had dissolved and that he intended to focus on his new project The Natvral. Well, he did, and the result is Tethers, Berman’s debut album under his new name, which came out on April 2nd. Call me crazy, I seem to hear some Bob Dylan in this tune! Regardless, it sounds great to me!
Major Murphy/In the Meantime
Let wrap things up with Major Murphy, an indie rock from Grand Rapids, Mich. According to their artist profile on Apple Music, they were formed in 2015 behind the songwriting of singer/multi-instrumentalist Jacob Bullard. Jacki Warren (synth, bass, vocals) and Brian Voortman (drums) rounded out the lineup. A home-recorded debut EP called Future Release was issued by Winspear later in 2015, and the trio soon committed to performing live regularly and went on their first tours. Winspear released the follow-up EP On & Off Again in July 2017. That November, Major Murphy previewed a more vibrant sound with “Mary,” the lead track off their full-length debut. Recorded mostly live in the studio with producer/mixer Mike Bridavsky, No. 1 arrived on Winspear in March 2018. That same year, Chad Houseman joined Major Murphy on guitar, keyboards and percussion. He is on the band’s new sophomore album Access, which came out on April 2nd. Here’s In the Meantime, written by Bullard. It’s a catchy tune that has a bit of a Tom Petty vibe.
Sources: Wikipedia; Apple Music; The Reverend Peyton’s Big Damn Band website; YouTube
When it comes to vocal groups, I can’t think of a more compelling example than The Temptations. Their perfect multi-part harmonies have impressed me from the very first moment I heard them sometime during my early teenage years. I was reminded of The Temptations’ mighty singing while listening to a Christmas playlist yesterday that includes their beautiful rendition of Silent Night. Since I’m a huge fan of great harmony vocals, I decided a tribute post was an order.
The story of The Temptations began in Detroit in 1960 when members of two other vocal bands formed a group called The Elgins: Otis Williams, Elbridge “Al” Bryant and Melvin Franklin of Otis Williams & the Distants, and Eddie Kendricks and Paul Williams who came from a group called The Primes. Following an audition in March 1961, an impressed Berry Gordy signed the group to Motown imprint Miracle Records. However, there was one problem. The name Elgins was already taken by another band. According to Wikipedia, Miracle Records employee Billy Mitchell, songwriter Mickey Stevenson, Otis Williams and Paul Williams came up with the idea to call the group The Temptations.
In April 1961, the group released their debut single Oh, Mother of Mine. Co-written by Otis Williams and Mickey Stevenson, who also produced the track, the tune was not successful. Neither were the following seven singles The Temptations released. In January 1964, Al Bryant was replaced by David Ruffin, marking the start of “The Classic Five” era that would turn the group into superstars. In the meantime, Smokey Robinson had become their producer, and it was one of his tunes that became the group’s first no. 1 on both the Billboard Hot 100 and the Hot R&B Singles charts: My Girl, released in December 1964. Every time I hear that song, I got sunshine, no matter how cloudy my day may be. By the way, that cool bass intro is played by the amazing James Jamerson. Feel free to snip and groove along!
While it would take The Temptations another four and a half years before scoring their second double no. 1 on the Hot 100 and Hot R&B Singles charts, they released plenty of other hits in the meantime, many of which topped the Hot R&B Singles. Here’s one of my favorites: Get Ready, another tune written and produced by Smokey Robinson. I was going to feature an audio clip of the track but couldn’t resist using the below footage instead, which was captured during a TV appearance in 1966. The song appeared in February that year. Even though none of the singing and music are live, just watching the dance choreography of these guys and the female backing dancers is priceless!
And then the era of The Classic Five came to an end after success and fame apparently had gotten to David Ruffin’s head. His behavior led to friction with the other members of the group, and The Temptations ended up firing him on June 27, 1968. The very next day, he was replaced by Dennis Edwards, a former member of The Contours. The new line-up became what some called the group’s “second classic line-up.” But more changes were in store.
Norman Whitfield took over as producer, and The Temptations started adopting a more edgy sound, influenced by contemporaries like Sly & The Family Stone and Funkadelic. The group’s four-year psychedelic soul period kicked off with their ninth studio album Cloud Nine from February 1969. The record climbed to no. 4 on the Billboard 200 and brought the group their first Grammy Award in the category Best Rhythm & Blues Group Performance, Vocal or Instrumental. Here’s Run Away Child, Running Wild, a co-write by Norman Whitfield and Barrett Strong. A shorter version of the tune was also released separately as a single and became another no. 1 on the Hot R&B Singles chart. Here’s the full album version. That’s one hell of a hot funky tune!
Even though The Temptations had come a long way from their oftentimes romantic songs that marked their early years, the group did not entirely abandon sweet ballads. Here’s one of the most beautiful in my opinion, released in January 1971: Just My Imagination (Running Away With Me). Evidently, the public liked it as well. The song became the group’s third and last to top both the Hot 100 and Hot R&B Singles charts. Interestingly, it was written by the same guys who penned Runaway Child, Running Wild. Perhaps appropriately, the track also appeared on an album called Sky’s The Limit. Damn, these guys could harmonize – it’s pure perfection and actually no imagination!
Writing about The Temptations’ psychedelic soul era wouldn’t be complete without including another epic tune: Papa Was A Rollin’ Stone, another Whitfield-Barrett gem. Initially, it was recorded and released as a single in May 1972 by another Motown act called The Undisputed Truth – something I had not known until I did some research for this post. While their original is pretty cool, I still prefer The Temptations’ version. Interestingly, it hit no. 1 on the Billboard Hot 100 but “only” peaked at no. 5 on the Hot R&B Singles chart. Here it is in its full 12-minute glory!
By the time of the release of 1990 in December 1973, The Temptations had become tired of psychedelic soul and wanted to move back to their more upbeat style and lyrics of the ’60s. The album turned out to be the final record produced by Whitfield. January 1975 saw the release of the group’s next studio album A Song For You. Wikipedia lists a hodge-podge of producers, including Berry Gordy, Jeffrey Bowen, James Anthony Carmichael, Suzy Wendy Ikeda, Clayton Ivey and Terry Woodford. The record was the group’s last to top the Billboard Hot R&B LPs chart. It also featured their two last no. 1 singles on the Hot R&B Singles chart, Happy People and Shakey Ground. Here’s the latter, a nice groovy tune co-written by Jeffrey Bowen, Alphonso Boyd and Funkadelic guitarist Eddie Hazel, who also played lead guitar on the track.
Following A Song For You, success dried up. After the release of The Temptations Do The Temptations in August 1976, the group left Motown and signed with Atlantic Records. That didn’t change their trajectory, and after two albums, they returned to Motown in 1980. Two years later, they reunited with co-founder Eddie Kendricks and “Classic Five” era member David Ruffin for a tour, during which they recorded a studio album appropriately titled Reunion. Released in April 1982, the record marked a comeback of sorts, peaking at no. 2 on the Hot R&B LPs and a respectable no. 37 on the Billboard 200. Here’s opener Standing On The Top, a funk tune written and produced by Rick James, who also contributed vocals and clavinet.
While success has largely eluded them since Reunion, The Temptations have released 17 additional studio albums. The most recent, All The Time, appeared in 2018. Here’s Stay With Me, a cover of the beautiful pop soul tune by English songwriter and vocalist Sam Smith. In fact, when I heard this version for the first time, I thought it was Smith together with The Temptations, but apparently it’s not. The tune is credited to Smith, James Napier and William Phillips, as well as Tom Petty and Jeff Lynne, following a legal settlement. After the song’s release, Petty’s published had noticed a similarity to I Won’t Back Down and reached out to Smith’s team.
Altogether, The Temptations have had an impressive 14 chart-toppers on the Hot R&B LPs, including eight in a row between March 1965 and February 1969 – I suspect this must be a record. The group also scored 14 no. 1 hits on the Hot R&B Singles chart and topped the Hot 100 chart four times. In 1989, The Temptations (Dennis Edwards, Melvin Franklin, Eddie Kendricks, David Ruffin, Otis Williams and Paul Williams) were inducted into the Rock and Roll Hall of Fame. Rolling Stone has ranked them at no. 68 on their list of 100 Greatest Artists of All Time.
The Temptations are active to this day, with Otis Williams remaining as the only original founding member. The other current line-up includes Ron Tyson (since 1983), Terry Weeks (since 1997) and Willie Green (since 2016). Next year, the group will embark on a tour through the U.S., U.K. and Germany to celebrate their 60th anniversary. This includes two dates in May in my area. My wife and I saw The Temptations once in the early 2000s at The Apollo in New York City, together with The Four Tops. We both remember it as a great show, so we’re thinking to catch them again. The current tour schedule is here.