What I’ve Been Listening to: Uriah Heep/Salisbury

The other day, fellow blogger Darren from Darren’s music blog wrote about recent solo releases from members of Uriah Heep. This reminded me how my journey with the British rock band began as a teenager back in Germany in the late ’70s/early ’80s. I’m pretty sure it must have been the rock ballad Lady in Black, a big hit in Germany, which caught my initial attention. I also recall receiving a gift from a friend, a music cassette titled The Rock Album, which included Free Me, another popular Uriah Heep tune in Germany. Since I preferred Lady in Black, I ended up buying Salisbury, the album that included the tune. I own that vinyl copy to this day.

The origins of Uriah Heep date back to 1967 when Mick Box, then a 19-year-old guitarist, founded a cover band called Hogwash. After David Garrick joined, who later changed his last name to Byron, Box formed a songwriting partnership with him and established a new band called Spice, which focused on original songs. In 1969, Spice became Uriah Heep, named after the fictional character in the 1850 Charles Dickens novel David Copperfield.

Uriah Heep in December 1970

In addition to Box (guitars, backing vocals) and Byron (vocals), the group’s initial line-up included Ken Hensley (keyboards, synthesizers, guitars, vocals), Paul Newton (bass, backing vocals) and Alex Napier (drums). That formation recorded the band’s 1970 debut album …Very ‘Eavy …Very ‘Umble. By the time Uriah Heep went into the studio for their sophomore album, Salisbury, Napier had been replaced by Keith Baker – the first of numerous line-up changes throughout the group’s 50-plus-year history.

Interestingly, Salisbury appeared first in the U.S. in January 1971 before it was released in the UK the following month. Unlike the group’s first album that credited the music to most members of the band, Salisbury saw the emergence of Hensley as a key songwriter, with half the tracks attributed solely to him. Let’s get to some music! This review is based on the album’s UK/European edition.

Here’s the opener Bird of Prey. First included on the U.S. version of Uriah Heep’s debut album, it’s the only track credited to four members of the group: Box, Byron, Hensley and Newton. As you listen to the powerful rocker, you can literally picture the rumbling tank on the front cover of the album. I’m a bit surprised Bird of Prey wasn’t released as a single. Nevertheless, it has become one of Heep’s most popular tunes, at least among their fans.

After the furious opener, things slow down on The Park, a ballad and one of three tracks solely written by Hensley. I realize Byron’s high vocals may be an acquired taste, especially for first-time listeners. Interestingly, I never had a problem with it, though I can see why some folks might consider his singing to be a bit weird. It’s certainly quite distinct!

Side A closes with the above-mentioned Lady in Black. The tune, another song penned by Hensley alone, also appeared separately as a single in June 1971. Remarkably, it didn’t chart in the UK. Elsewhere, it climbed to no. 5 in Germany, no. 6 in Switzerland and no. 16 in Finland. Based on Wikipedia’s chart overview, this lack of success in the UK seems to be pretty consistent when it comes to the band’s singles.

Side B only includes two tracks: High Priestess, the third tune solely penned by Hensley that also became a U.S. single in January 1971, and the title track. Here’s the latter, co-written by Box, Byron and Hensley. And, yep, it’s a massive, largely instrumental prog-rock type tune featuring a 24-piece orchestra.

Salisbury was produced by Gerry Bron who also produced or co-produced Heep’s other 12 albums released during the band’s first 10 years of their recording career, including Conquest from February 1980. Salisbury was most successful in Finland where it peaked at no. 3. Elsewhere, it reached no. 19 in Australia, no. 31 in Germany, no. 47 in Japan and no. 103 in the U.S. Uriah Heep’s first chart entry in the UK would have to wait until Look at Yourself, their third studio album that came out in September 1971.

To date, Uriah Heep have released 24 studio albums, most recently Living the Dream from September 2018. According to Wikipedia, numerous other acts have identified the British rock band as an influence, including Iron Maiden, Queen, Accept, Dio, Krokus and Demons & Wizards, among others.

In November 2021, Mick Box, Heep’s only remaining original member, told heavy metal and hard rock news website Blabbermouth.net they had finished recording sessions for a new album. “And it’s over in L.A. now being mixed,” he added. “So a new album is on the horizon.” Details have yet to be revealed.

Meanwhile, Uriah Heep announced a “mammoth European tour, a delayed celebration of their 50th anniversary. The 61 dates will span 28 countries. Current shows are listed here.

Sources: Wikipedia; Blabbermouth.net; Uriah Heep website; YouTube; Spotify

Germans Who Rock In German

Germany may be much better known internationally for engineering and beer than music, but there is much more to the latter than the Scorpions

In some ways, this post is a bit of a remake of my previous thoughts on German rock music. Obviously, what I said last October remains true today. Other than the Scorpions, one of my favorite bands, electronic music pioneers Kraftwerk and perhaps heavy metal formation Accept, there aren’t any other German rock music artists I can think of, who have a significant following beyond German-speaking countries.

Undoubtedly, one of the key reasons is the fact that many German rock bands are singing in German. Some go further and sing in dialects spoken in their native regions. This may make it tough even for other Germans to understand their lyrics – not exactly a recipe for international fame!

Following is a song selection from German-singing rock bands, including some of my favorite acts from the Deutsch Rock genre. The caveat is most of these artists are “old guys,” who do not well represent what’s in the German charts these days, which I honestly don’t even know. But, I’ve said it before and I’ll say it again: Old guys rock! 🙂

Wolfgang Niedeckens BAP

Niedeckens BAP, formerly known simply as BAP, probably remains my favorite German rock band. They perform their songs in the dialect spoken in the town of Cologne, Niedecken’s home town. A huge fan of Bob Dylan and Bruce Springsteen (and friends with the Boss!), Niedecken is the mastermind of the band, which was founded in 1976. During its 40-plus-year history, BAP have seen various changes in its lineup. Niedecken remains the only original member. Here’s a clip of Halv Su Wild, the title song from BAP’s 17th studio album released in 2011.

Wolf Maahn

This singer-songwriter, actor and producer initially started his music career in 1976 as a founding member of the Food Band. Mixing soul, jazz, pop and rock, this group sang in English. Wolf Maahn’s “German language music career” kicked off in the early ’80s with the studio album Deserteure. He gained broad national popularity in the mid ’80s, starting with the 1984 record Irgendwo in Deutschland. The studio album included Fieber, one of his best known songs. Here’s a clip

Marius Müller-Westernhagen

Westernhagen started his professional career as a 14-year-old actor in 1962, before he became interested in music during the second half of the ’60s. He continued acting and music, though his early recording efforts were largely unsuccessful. That changed in 1978, when Marius Müller-Westernhagen released his fourth studio album Mit Pfefferminz Bin Ich Dein Prinz. The record’s title song remains one of his best known tunes. His latest, 19th studio album Alphatier appeared in 2014. Westernhagen continues to be one of Germany’s most popular music artists. Here’s a clip of a killer live version of Pfefferminz.

Udo Lindenberg

In addition to being a rock musician, Udo Lindenberg also is a writer and painter, making him one of the most versatile German music artists. He first hit the music scene in the early 1960s, when he was 15 years old and played as a drummer in bars in the German town of Düsseldorf. In 1968, Lindenberg went to Hamburg and joined the City Preachers, Germany’s first folk-rock band. In 1969, he left and co-founded the jazz-rock formation Free Orbit. They released an album in 1970, Lindenberg’s first studio recording. Only one year later, his enponymous solo album appeared. It would take another two years before Lindenberg achieved commercial breakthrough success with Alles Klar Auf Der Andrea Doria, his third solo album. He continues to record and perform to this day, still going strong at age 71. In 2008, Lindenberg had a major comeback with Stark Wie Zwei, his 35th studio release. Here’s a great clip of a live performance of Mein Ding, one of the tunes from his comeback release.

Herbert Grönemeyer

Grönemeyer is another long-time German multi-talent, who in addition to being a singer-songwriter is also a producer and actor. While some of his music is rock-oriented, overall, I would describe his style as pop. After his acting role in the acclaimed 1981 motion picture Das Boot, which also became an international success, Herbert Grönemeyer increasingly focused on music. His big national breakthrough as a music artist came in 1994 with his fifth studio album Bochum. One of my favorite Grönemeyer tunes, Vollmond, is on 1988’s Ö, his seventh studio release. Grönemeyer has since recorded seven additional studio records, the latest being Dauernd Jetzt, which appeared in Nov 2014. Here’s a clip of a live performance of Vollmond. Grönemeyer’s voice sounds a bit strained, but it’s still cool.

Brings

Brings are another act from Cologne, singing their songs in the local dialect. They started out as a great rock band in the early ’90s before they drastically changed their style to pop/”Schlager” in the early 2000s. This change, which I find quite unfortunate from a music perspective, brought the band new popularity. They’ve since become a mainstay during the Cologne Carnival, a longtime tradition of the city that culminates with a week-long street festival where people go out masqueraded. Here’s a clip of Nix För Lau from the band’s second studio album Kasalla, which appeared in 1992.

Tocotronic

Founded in 1993, Tocotronic is an indie rock band from the northern German town of Hamburg. Admittedly, I know very little about their music, but there is one tune I’ve liked from the first moment I heard it. It’s called Gegen Den Strich and was included on the band’s seventh studio album, Pure Vernunft Darf Niemals Siegen (2005). Tocotronic have since released four additional studio records, the most recent of which (Tocotronic, aka Rotes Album) appeared in 2015. Here’s a clip of Gegen Den Strich. The sound reminds me a bit of The Church and their great 1988 album Starfish.

Spider Murphy Gang

Named after the gangster Spider Murphy in Elvis Presley’s Jailhouse Rock, this band from the Bavarian town of Munich became known with classic rock & roll style songs performed in their native Bavarian dialect. The Spider Murphy Gang started out in 1977, covering top 40 rock & roll tunes from Presley, Chuck Berry and other classic rock & roll performers. In 1980, they recorded their German debut album Rock’n’Roll Schuah. The follow-up Dolce Vita brought them national acclaim, fueled by the tune Skandal Im Sperrbezirk, which became a staple of the so-called Neue Deutsche Welle (German New Wave). While the Spider Murphy Gang have had numerous changes in their lineup and haven’t recorded any new music since 2002, they continue to perform and are celebrating their 40th anniversary this year. Here’s a clip of an extended live performance of Schickeria, a tune from Dolce Vita.

Revolverheld

This rock band was founded in Hamburg in 2002. Initially, they were known as Manga  before they changed their name to Tsunamikiller in the autumn of 2004. Following the devastating tsunami in Thailand in December that year, the band changed its name to Revolverheld. Like Tocotronic, I’m not well familiar with their music. The tune I’d like to highlight is Freunde Bleiben from their eponymous debut album in 2005. Here’s a clip.

L.S.E.

Named after the first letters of each member’s last name, Rolf Lammers, Arno Steffen and Tommy Engel, L.S.E. are yet another band from Cologne, which was founded in 1992. Like BAP and Brings, they sing in the local dialect. During their active period between 1992 and 1996, the band recorded three studio albums. While they haven’t made any new music since 1996, L.S.E. haven’t officially dissolved and still perform occasionally. One of my favorite tunes by this versatile band is the title song of their debut album Für Et Hätz Un Jäjen D’r Kopp, which was released in 1992. Here’s a great live version together with German comedienne, TV actress and frankly multi-talent  Carolin Kebekus, captured in September 2014.

Sources: Wikipedia, YouTube