The Sunday Six

Celebrating music with six random songs at a time

This is the inaugural post of a new feature I spontaneously decided introduce to the blog. The Sunday Six is going to present random collections of six songs I like. They can be new or old and include different types of genres. In fact, I hope these posts are going to be eclectic and at least occasionally also venture beyond my core wheelhouse. The determining factor is going to be, well, me and what music comes to my mind when writing these posts.

The introduction of a new feature may come as a surprise, especially to more regular visitors of the blog, who probably recall my repeated comments about lack of time to focus on blogging, particularly over the past several weeks. Since this is unlikely going to change anytime soon, unlike the weekly recurring Best of What’s New, I think The Sunday Six is going to appear less frequently. With that being said, let’s get to the inaugural installment.

Matthew Sweet & Susanna Hoffs/And Your Bird Can Sing

Folks who read my most recent installment of Best of What’s New may have picked up I’m quite excited about my “discovery” of Matthew Sweet – well, better late than never! I totally love this cover of And Your Bird Can Sing, which Sweet recorded with Susanna Hoffs of The Bangles for Under the Covers, Vol. 1. While they didn’t reinvent the tune, I think the voices of Sweet and Hoffs perfectly blend. Released in April 2006, it’s their first of four collaboration albums that celebrate music they both love. Vol. 1 mostly focuses on ’60s tunes. Given they are fans of The Beatles, the inclusion of a Fab Four tune isn’t a shock. I also like they selected what I would consider to be a deep cut. Mainly written by John Lennon and credited to him and Paul McCartney, And Your Bird Can Sing was recorded for the UK version of the Revolver album from August 1966. In the U.S., it was included on Yesterday and Today, a record that became infamous for its original cover showing The Beatles in white coats with decapitated baby dolls and pieces of raw meat – yikes!

Travis/Waving at the Window

I really dig this mellow pop tune and think it’s perfect for a Sunday. Until yesterday, I had never heard of Travis, a Scottish rock band founded in 1990 in Glasgow. Written by their lead singer Fran Healy (a guy), Waving at the Window is the opener from Travis’ most recent album 10 Songs that was released in October 2020. The pick of this song isn’t as random as it may look. Yesterday’s start of my Matthew Sweet exploration led to Suzanna Hoffs and my curiosity what she’s been up to. It turned out Hoffs appeared as a guest on one of the other tracks on 10 Songs.

Van Morrison/Moondance

Since I “chatted” with Max from PowerPop about his post on Van Morrison tune Astral Weeks earlier today, my favorite Morrison album Moondance has been on my mind. So here’s the title track to get it out of my system! I just totally dig the laid back and jazzy feel of Morrison’s third studio record from January 1970. Like all tracks on the album, Moondance was written by him.

Bob Seger & The Silver Bullet Band/Turn the Page

This one you can blame on Cincinnati Babyhead, who earlier today posted on Bob Seger’s album Against the Wind. You see where I’m going with this feature – blaming others! 🙂 Turn the Page, one of my favorite Seger songs, was first recorded for the amazing Live Bullet album released by Bob Seger & The Silver Bullet Band in April 1976. It features terrific sax work by Alto Reed, who sadly passed away from colon cancer on December 30, 2020 at the age of 72 years. According to the clip description, this is the official video. While like Live Bullet it was captured at Cobo Hall in Detroit in 1975, based on Seger’s announcement, I think the take on the video is different from the album. According to setlist.fm, Seger and his longtime backing band played two back-to-back dates at Cobo (September 4 and 5, 1975), so I assume the take of Turn the Page in the video was captured from “the other show,” i.e., the one that’s not on the album. Are you still with me? 🙂

Sting/Fields of Gold

Fields of Gold is another beautiful and mellow tune that’s just perfect for a Sunday. It also happens to be one of my favorite tunes by Sting. The ex-Police frontman wrote and recorded this gem for his third solo album Ten Summoner’s Tales from March 1993, which I’d probably consider to be his Mount Rushmore as a solo artist.

Cream/White Room

Let’s wrap up this inaugural installment with a bang: Cream and White Room, from their amazing reunion live album Royal Albert Hall London May 2-3-5-6, 2005, which came out in October 2005. So good! Written by the amazing Jack Bruce with lyrics by British poet Pete Brown, White Room first appeared on Cream’s third album Wheels of Fire from August 1968. It was the opener of the first record on this majestic double-LP.

Sources: Wikipedia; setlist.fm; YouTube

In Appreciation Of The Saxophonist

A list of some of my favorite saxophone players and solos

Music instruments have always fascinated me. I also have a deep appreciation of musicians who master their gear. Oftentimes, I wish I would have learned more than just the guitar and the bass. For those who know me and regular readers of the blog, none of this should come as a big surprise. I’ve written a bunch of posts on some of the gear I admire, from guitars like the Fender Stratocaster, Gibson Les Paul and Rickenbacker 360/12, to keyboards like the Hammond B3, as well as some of my favorite drummers and bassists. One the coolest instruments I haven’t touched yet is the saxophone.

Let me address the big caveat to this right away: Since I know next to nothing about jazz, this post focuses on genres that are in my wheelhouse: rock, blues and pop. While many of the saxophonists I highlight come from the jazz world, it’s still safe to assume I’m missing some outstanding players. On the other hand, where would I even start, if I broadened the scope to jazz? With that being out of the way, following is a list of some of favorite saxophonists and sax solos.

Raphael Ravenscroft

I imagine just like most readers, I had never heard of this British saxophonist until I realized he was associated with a 70s pop song featuring one of the most epic sax solos: Baker Street by Gerry Rafferty. The breathtaking performance put Ravenscroft on the map. He went on to work with other top artists like Marvin Gaye (In Our Lifetime, 1981), Robert Plant (Pictures At Eleven, 1982) and Pink Floyd (The Final Cut, 1983). Ravenscroft died from a suspected heart attack in October 2014 at the age of 60. According to a BBC News story, he didn’t think highly of the solo that made him famous, saying, “I’m irritated because it’s out of tune…Yeah it’s flat. By enough of a degree that it irritates me at best.” The same article also noted that Ravenscroft “was reportedly paid only £27 for the session with a cheque that bounced while the song is said to have earned Rafferty £80,000 a year in royalties.”

Wayne Shorter

The American jazz saxophonist and composer, who started his career in the late ’50s, played in Miles Davis’ Second Great Quintet in the 1960s and co-founded the jazz fusion band Weather Report in 1971. Shorter has recorded over 20 albums as a bandleader and played as a sideman on countless other jazz records. He also contributed to artists outside the jazz realm, including Joni Mitchell, Don Henley and Steely Dan. For the latter, he performed a beautiful extended tenor sax solo for Aja, the title track of their 1977 gem.

Clarence Clemons

The American saxophonist, musician and actor was best known for his longtime association with Bruce Springsteen. From 1972 to his death in June 2011 at age 69, Clemons was a member of the E Street Band, where he played the tenor saxophone. He also released several solo albums and played with other artists, including Aretha Franklin, Twisted Sister, Grateful Dead and Ringo Starr and the All-Star Band. But it was undoubtedly the E Street Band where he left his biggest mark, providing great sax parts for Springsteen gems like Thunder Road, The Promised Land and The Ties That Bind. One of my favorite Clemons moments is his solo on Bobby Jean from the Born In The U.S.A. album. What could capture “The Big Man” better than a live performance? This clip is from a 1985 concert in Paris, France.

Curtis Amy

The American West Coast jazz musician was primarily known for his work as a tenor and soprano saxophonist. Among others, Amy served as the musical director of Ray Charles’ orchestra for three years in the mid-60s. He also led his own bands and recorded under his own name. Outside the jazz arena, he worked as a session musician for artists like The Doors (Touch Me, The Soft Parade, 1969), Marvin Gaye, Smokey Robinson and Carole King (Tapestry, 1971). One of the tunes on King’s masterpiece is the ballad Way Over Yonder, which features one of the most beautiful sax solos in pop I know of.

Dick Parry

The English saxophonist, who started his professional career in 1964, has worked as a session musician with many artists. A friend of David Gilmour, Parry is best known for his work with Pink Floyd, appearing on their albums The Dark Side Of The Moon (1973), Wish You Were Here (1975), Division Bell (1994) and Pulse (1995). He also worked with Procol Harum guitarist Mick Grabham (Mick The Lad, 1972), John Entwistle (Mad Dog, 1975) and Rory Gallagher (Jinx, 1982), among others. One of Parry’s signature sax solos for Pink Floyd appeared on Money. Here’s a great clip recorded during the band’s 1994 Division Bell tour.

Ronnie Ross

Albert Ronald “Ronnie” Ross was a British jazz baritone saxophonist. He started his professional career in the 1950s with the tenor saxophone, playing with jazz musicians Tony Kinsey, Ted Heath and Don Rendell. It was during his tenure with the latter that he switched to the baritone sax. Outside his jazz engagements during the 60s, Ross gave saxophone lessons to a young dude called David Bowie and played tenor sax on Savoy Truffle, a track from The Beatles’ White Album. In the 70s, his most memorable non-jazz appearance was his baritone sax solo at the end of the Lou Reed song Walk On The Wild Side. I actually always thought the solo on that tune from Reed’s 1972 record Transformer was played by Bowie. Instead, he co-produced the track and album with Mick Ronson. According to Wikipedia, Bowie also played acoustic guitar on the recording.

Walter Parazaider

The American saxophonist was a founding member of Chicago and played with the band for 51 years until earlier this year when he officially retired due to a heart condition. In addition to the saxophone, Parazider also mastered the flute, clarinet, piccolo and oboe. Here is a clip of Saturday In The Park and 25 Or 6 To 4 from Chicago’s great 2016 Rock & Roll Hall of Fame induction performance, which features Parazaider on saxophone.

Alto Reed

Thomas Neal Cartmell, known as Alto Reed, is an American saxophonist who has been a member of The Silver Bullet Band since it was founded by Bob Seger in the mid-70s. He has toured with Seger and the band for 40-plus years, starting with ‘Live’ Bullet in 1976. Reed has also performed with many other bands and musicians like Foghat, Grand Funk Railroad, Little Feat, The Blues Brothers and George Thorogood. Among his signature performances for Seger are the saxophone solo in Old Times Rock And Roll and the introduction to Turn The Page. Here’s a great live clip of Turn The Page from 2014.

Junior Walker

Autry DeWalt Mixon Jr., known by his stage name Junior Walker or Jr. Walker, was an American singer and saxophonist whose 40-year career started in the mid-1950s with his own band called the Jumping Jacks. In 1964, Jr. Walker & The All Stars were signed by Motown. They became one of the company’s signature acts, scoring hits with songs like Shotgun, (I’m A) Roadrunner, Shake And Fingerpop and remakes of Motown tunes Come See About Me and How Sweet It Is (To Be Loved By You). While Walker continued to record with the band and solo during the 70s and into the early 80s, one of his most memorable performances resulted from his guest performance on Foreigner’s 1981 album 4. His saxophone solo on Urgent is one of the most blistering in pop rock. Walker died from cancer in November 1995 at the age of 64.

Bobby Keys

No list of saxophonists who have played with rock and blues artists would be complete without Bobby Keys. From the mid-1950s until his death in December 2014, this American saxophonist appeared on hundreds of recordings as a member of horn sections and was a touring musician. He worked with some of the biggest names, such as The Rolling Stones, Lynyrd Skynyrd, George Harrison, John Lennon, Eric Clapton and Joe Cocker. Some of these artists’ songs that featured Keys include Don’t Ask Me No Questions (Lynyrd Skynyrd, Second Helping, 1974), Whatever Gets You Thru The Night (John Lennon, Walls And Bridges, 1974) and Slunky (Eric Clapton, Eric Clapton, 1970). But he is best remembered for his sax part on Brown Sugar from the Stones’ 1971 studio album Sticky Fingers.

Sources: Wikipedia, BBC News, YouTube