The Sunday Six

Celebrating music with six random songs at a time

It’s hard to believe another Sunday is upon us – I feel I just wrote the previous installment of The Sunday Six! For first-time visitors, the idea of this recurring feature is to celebrate different genres of music from different decades, six tunes at a time. Without further ado, let’s jump right in!

Julian Lage/Boo’s Blues

I’d like to start where I left off yesterday’s Best of What’s New: Julian Lage, an American jazz guitarist and composer who released his solo debut album in March 2009. I first came across Lage’s music on Friday in connection with his new album Squint and immediately fell in love with his guitar tone! Borrowing from yesterday’s post, according to his Apple Music profileLage has been widely acclaimed as one of the most prodigious guitarists of his generation. The New York-based musician boasts a long resume as a desired sideman with artists as diverse as Gary Burton, Taylor Eigsti, John Zorn, Nels Cline, Chris Eldridge, Eric Harland, and Fred Hersch, to name just a few. Equally important is his reputation as a soloist and bandleader. He is equally versed in jazz, classical, pop, and show tunes, and has spent more than a decade searching through the myriad strains of American musical history via an impeccable technique and a gift for freely associating between styles, tempos, keys, and textures that adds to his limitless improvisational spirit. Here’s another track from Lage’s new album, which also features bassist Jorge Roeder and drummer Dave King: Boo’s Blues. Beautiful music for a Sunday morning!

The Jimi Hendrix Experience/One Rainy Wish

I trust Jimi Hendrix doesn’t need an introduction. One Rainy Wish is a tune from the second album by the Jimi Hendrix Experience, Axis: Bold as Love, which first appeared in the UK in December 1967, followed by release in the US the following month. The song wasn’t on my radar until my streaming music provider served it up as a listening suggestion the other day. Also known as Golden Rose, One Rainy Wish was written by Hendrix and recorded in October 1967 at Olympic Sound Studios in London, together with Noel Redding (bass) and Mitch Mitchell (drums). Based on the lyrics, the song was inspired by a dream Hendrix had. Quoting the Hendrix biography Jimi Hendrix: Electric Gypsy, Wikipedia notes the song is “creak[ing] with radical harmonies and rhythmic concepts, not least the fact that the verse is in 3/4 time while the chorus is in 4/4.” Songfacts adds Hendrix used an octavia, an effects pedal that reproduces the input signal from a guitar eight notes higher in pitch, mixing it with the original note and adding distortion. The octavia had been designed for Hendrix by Roger Mayer, a then-21-year-old electric engineer wunderkind. One Rainy Day Wish also became the B-side to the U.S. single Up From the Skies, which was released in February 1968, the only single from the album.

Bob Dylan/Series of Dreams

This next selection of the Bob Dylan tune Series of Dreams is a bit out of left field. Initially, I had planned to feature Angelina, a song I had come across recently and immediately thought would make a great pick for The Sunday Six. Dylan first released Angelina in March 1991 on his 3-CD box set The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991. However, I couldn’t find a YouTube clip, something that rarely happens. This bummer prompted me to check whether other songs from this box set are available on YouTube and led to Series of Dreams. Dylan first recorded the tune in March 1989 for his 26th studio album Oh Mercy that was released in September of the same year. But Series of Dreams was ultimately omitted from the album. The version that ended up on the box set is a remix of the original with overdubs added in January 1991. Dylan also included an alternate take of the song on The Bootleg Series Vol. 8: Tell Tale Signs: Rare and Unreleased 1989-2006. While finding Series of Dreams was entirely circumstantial, I’m quite happy with it, so farewell, Angelina! 🙂

Joni Mitchell/This Flight Tonight

The first time I heard This Flight Tonight was the cover by Scottish rock band Nazareth, which must have been in the late ’70s on the radio back in Germany. I had no idea then that this tune was penned by Joni Mitchell. Another prominent example is Woodstock, which I first heard by Crosby, Stills, Nash & Young on the Déjà Vu album and simply assumed it was their song. I was very young back then! Anyway, Mitchell recorded This Flight Tonight for her widely renowned fourth studio album Blue, which was released in June 1971. The song tells of her regrets as she leaves her lover on a flight and wishes to return. The entire album, which Mitchell made after her breakup with Graham Nash and during her relationship with James Taylor, revolves around different aspects of relationships. While I always liked Mitchell’s songs, it took me a while to get used to her voice, which I felt was very high, especially on her earlier songs.

Tracy Chapman/Fast Car

I still remember when Tracy Chapman’s eponymous debut album came out in April 1988. Two songs from it, Talkin’ ’bout a Revolution and Fast Car, were very popular on the radio back in Germany. The combination of Chapman’s powerful voice, great lyrics and the relative simplicity of her songs blew me away, and I got the CD immediately. To this day, I believe it’s incredible. Chapman has since released seven additional studio albums. Her most recent, Our Bright Future, dates back to November 2008. There is also a Greatest Hits compilation that came out in November 2015. While Chapman has not been active for many years, she has not officially retired from music. In fact, last November, the night before the U.S. Presidential election, she made a rare TV appearance on Late Night with Seth Myers with a clip of her performing Talkin’ ‘about a Revolution and asking Americans to vote. Here’s a short related clip from Rolling Stone. While all of Chapman’s albums charted in the U.S. and numerous other countries, her debut remains her most successful. It topped the charts in the U.S., Canada, Australia and various European countries, including the UK and Germany. Here’s Fast Car. I absolutely love this song and hope eventually we will hear more from Tracy Chapman. She’s only 57 years old!

Green Day/Boulevard of Broken Dreams

This Sunday Six installment has been heavy on singer-songwriters, so I’d like to wrap it up with some rock from the present century: Boulevard of Broken Dreams by Green Day. Yes, that track from the band’s seventh studio album American Idiot from September 2004 certainly hasn’t suffered from under-exposure. And while I generally don’t follow Green Day, it’s one catchy tune I still dig. The song’s lyrics were written by lead vocalist Billie Joe Armstrong, with the music being credited to the entire band. Perhaps, not surprisingly Boulevard of Broken Dreams became Green Day’s biggest mainstream hit in America, climbing to no. 2 on the Billboard Hot 100 and raking up U.S. sales of over 2 million copies as of 2010. By 2009, the tune had sold more than 5 million copies worldwide, making it the ninth-highest selling single of the 2000-2009 decade. Green Day are rocking on to this day. Since American Idiot, they have released six additional studio albums, most recently in February 2020. According to their website, Green Day are also scheduled to kick off an eight-week, 22-date U.S. tour in Dallas on July 24.

Sources: Wikipedia; Songfacts; Green Day website; YouTube

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Best of What’s New

A selection of newly released music that caught my attention

After having compiled this weekly recurring feature for about nine months, I’ve developed a pretty good methodology to find new music. As more frequent visitors of the blog know, the madness doesn’t include the mainstream charts. Sometimes it’s pretty easy, other times it requires more work. This week fell into the latter category. I’m still quite happy with this new installment that features various flavors of rock, including alternative, kickass classic, indie and country.

Glom/Merit

Glom from Brooklyn, New York are a classic alt-rock inspired, fuzzy alt-rock act, according to their profile on Bandcamp. Based on this interview with Two Story Melody from March 2019, it sounds like while members of Glom have been friends and played together in various bands since their early high school years, the group only formed in 2017. Bandcamp lists Sean Dunnevant (guitar, bass, vocals), Peter Beiser (guitar, piano, vocals), Sahil Ansari (guitar, drums, percussion, synthesizer), Jonathan Crandall (synthesizer, piano, percussion), Jonathan Harwood (percussion) and Jordan Wolfe (drums, percussion, synthesizer). Merit, written by Dunnevant, is the title track of Glom’s new album released yesterday (Dec 4). It’s a quite catchy tune. Based on sampling a few other tracks on the album, these guys seem to have a knack for melodies that are easy on the ears.

Greta Van Fleet/Age of Machine

Age of Machine is the second single from Greta Van Fleet’s next album. When the kick-ass rocker appeared yesterday, the Michigan band also revealed their second full-length studio release will come out on April 16, 2021 and be titled The Battle at Garden’s Gate, Spin reported. “There was a lot of self-evolution happening during the writing of this album that was prompted by experiences I had, experiences we all had, so a lot of contemplation occurred,” explained vocalist Josh Kiszka.  “It’s reflecting a lot of the world that we’ve seen, and I think that it’s reflecting a lot of personal truth,” observed guitarist Jake Kiszka. “I suppose that everything has changed except what got us here in the first place,” added Sam Kiszka, the third of the Kiszka brothers and bassist of the band that also includes drummer Danny Wagner. Greta Van Fleet’s classic rock orientation has generated lots of excitement and, as you’d expect, some criticism over its Led Zeppelin-influenced sound. I think the new single provides more evidence that Greta Van Fleet have evolved in finding their own unique style. Really looking forward to hearing more from that album!

Juniper/Angelina

Juniper are an indie rock band from the Boston area. They were formed in the spring of 2017 by Scott Johnson, Ahren Shreeve and Alejandro Marin. In September that year, they released their eponymous debut EP. Another EP, For the First Time, came out one year later. On their website, Juniper describe their sound as “unique” with “diverse influences of alternative rock, folk, R&B and bedroom pop” – the latter being yet another genre I had not heard of before. Currently, they are working on their debut album. Meanwhile, here’s their new single Angelina. And, nope, the lovely young woman in the video isn’t Angelina.

The Wild Feathers/My Truth

Let’s wrap it up with The Wild Feathers, a country rock band founded in 2010 in Nashville, Tenn. According to a bio on AllMusic, they prefer the term “American” over Americana when describing their sound, which falls somewhere between the earnest, neo-Southern rock of the Black Crowes, the bluesy swagger of the Black Keys, and the wide-open-road country-rock of the Eagles. The band’s current lineup features founding members Ricky Young (guitar, vocals), Taylor Burns (guitar, vocals) and Joel King (bass, vocals), as well as Ben Dumas (drums). The Wild Feathers began touring frequently in 2013, playing with artists like Bob Dylan, Willie Nelson and ZZ Ward. Their eponymous debut album appeared in August 2013. My Truth is a new original song from the band’s most recent fourth album Medium Rarities, which according to a review in Glide Magazine is a collection of covers, demos, B-sides and a handful of new tunes. My Truth is a great track co-written by King, Young and country singer-songwriter Brett James.

Sources: Wikipedia; Bandcamp; Two Story Melody; Spin; Juniper website; Juniper Facebook page; AllMusic; Glide Magazine; YouTube