A Blues & Soul Playlist That’s Cooking

Yesterday, my streaming music service suggested the enclosed great playlist of blues-oriented tunes. To be clear, this isn’t some hidden advertising. While I’ve acknowledged Apple Music on previous occasions as an inspiration for some of my posts, not all of their listening suggestions, which are supposed to reflect your previous music choices, are great; in fact, sometimes I find it outright bizarre what they serve up because I like genre X or have listened to artist Y. While overall their music selection algorithm works pretty well, there’s clearly some room left for improvement. I guess this proves algorithms, which also have started to be utilized in other creative fields like journalism, can never fully replace actual human beings, which is a good thing!

Here’s how Apple Music describes the playlist that features 26 songs: Blues is tradition, but it’s also evolution—the sound of hard times and healing, then and now. Filled with gritty, Howlin’ Wolf-style throwbacks, progressive hybrids, and sophisticated soul, this mix represents the best of the blues right now—with a few old favorites thrown in for balance. We regularly update these tunes, so if you hear something that rips you up or breaks you down (in that good way, of course), add it to your library.

Following I’d like to highlight a few of these tunes. I’m deliberately leaving out tracks I already featured in previous posts, such as Leave The Light On (Beth Hart), Too Cold To Cry (Lindsay Beaver) or Cognac (Buddy Guy with Jeff Beck and Keith Richards). But in case you haven’t listened to these songs and like blues and soul, you definitely should. On to some music clips!

Got To Go Where The Love Is, Van Morrison

Van Morrison may no longer release another Astral Weeks or Moondance, but at age 73, the Belfast Cowboy surely isn’t done yet with music. In fact, if anything, for the past two years, he seems to be on some sort of recording spree! Here’s Got To Go Where The Love Is, a great soulful Morrison tune from his most recent album The Prophet Speaks, his 40th studio release, which appeared last December.

We Made It, Cedric Burnside

Frankly, I had never heard of Cedric Burnside before. Wikipedia describes him as an American electric blues drummer, guitarist, singer and songwriter. He definitely has blues in his genes. Burnside is the son of blues drummer Calvin Jackson and grandson of blues singer, songwriter and guitarist R. L. Burnside. Since his 2006, he has released eight albums. We Made It is from his most recent record Benton County Relic that came out in September 2018. I really dig the rough sound and the energy of this tune.

Whipping Post, Nakia

Nakia, another name I hadn’t heard before, is a musician, singer-songwriter and actor from Austin, Texas. From his website: Before he was on “The Voice” [semi-finalist on the first season of the NBC singing competition], Nakia was a Blues Grifter. Named for the age-old concept of stealing from the greats, the Blues Grifters formed in 2010. In August 2018, Nakia released his latest album appropriately called Blues Grifter, a smoking hot compilation of blues covers. Instead of Double Trouble, which the Apple Music playlist features, I decided to highlight Nakia’s soulful take of Whipping Post. While taking an Allman Brothers Band classic and changing it up is a gutsy move, I like the outcome!

Home, Janiva Magness (featuring Cedric Burnside)

Janiva Magness is a blues, soul and Americana singer-songwriter from Detroit. Apparently, she has been an active artist since the 1980s. Between 1991 and February 2018, she has released 14 albums. In 2009, Magness became only the second woman after Koko Taylor named B.B. King Entertainer of the Year by the Blues Foundation. She has also received seven Blues Music Awards from the foundation and other accolades. Here’s Home, a powerful duo with the above noted Cedric Burnside. It appears on Magness’ most recent album Love Is An Army from February 2018.

Cry No More, Danielle Nicole

Another great soul-oriented tune is Cry No More by Danielle Nicole, a blues and soul musician from Kansas City, Mo. I previously included her in a post about ladies who excel at singing the blues. Written by Nicole, Cry No More is the title track from her last album, which was released in February 2018.

Here’s the entire playlist:

Leave the Light On (Live), Beth Hart

Got To Go Where The Love Is, Van Morrison

Too Cold To Cry, Lindsay Beaver

We Made It., Cedric Burnside

Double Trouble, Nakia

Another Mule, Elvin Bishop

Cognac (feat. Jeff Beck & Keith Richards), Buddy Guy

Revolution, Eric Lindell

Rock and Stick, Boz Scaggs

Ain’t Got Time For Hate, Shemekia Copeland

Shine Bright, Marcia Ball

Plastic Hamburgers, Fantastic Negrito

Soul Shake, Tommy Castro

Things Have Changed, Bettye LaVette

Home (feat. Cedric Burnside), Janiva Magness

Damn Your Eyes, Beth Hart & Joe Bonamassa

Blue No More (feat. James Bay), Buddy Guy

Upper Hermosa Mountain Blues, Casey Wickstrom

Sound of a Broken Man, Tinsley Ellis

When I Go, Ben Harper & Charlie Musselwhite

Come Together, Gary Clark Jr. & Junkie XL

I Want My Dog To Live Longer (The Greatest Wish), Curtis Salgado & Alan Hager

Cry No More, Danielle Nicole

The High Cost of Low Living, Nick Moss

Cannonball (feat. Fantastic Negrito) [Acoustic], ZZ Ward

We’re All In This Together (feat. Joe Bonamassa), Walter Trout

If you have access to Apple Music, you can find the playlist at https://itunes.apple.com/us/playlist/the-a-list-blues/pl.a9faca07cf8f47e19f1819b0f5a2e765

Sources: Apple Music, Wikipedia, Nakia website, YouTube

 

Van Morrison Teams Up With Joey DeFrancesco On New Jazz Album

After almost 60 years, Van the Man shows no signs of slowing down

Van Morrison has kept pretty busy over the past few years. Since September 2016, he has released four studio albums, the latest of which, You’re Driving Me Crazy, just appeared yesterday. Think about this for a moment, how many septuagenarian music artists do you know who are as productive as Van the Man? Of course, ultimately, it should be about quality, not quantity. After having listened to this new album, I have to say I really dig it!

So, how does Morrison’s 39th studio release compare to his other albums? Frankly, given my significant knowledge gaps about his music, I can’t give a fully informed answer. I certainly like Moondance better, but I’m not sure this comparison makes a lot of sense. Is it a good jazz record? That’s another tough question for me to answer, since I rarely listen to jazz. But while this isn’t Morrison’s first jazz album and jazz has been a key influence for his music over the decades, it’s safe to assume the Belfast Cowboy isn’t on the radar screen of most hard-core jazz fans.

Van Morrison & Joey DeFrancesco

Here’s the deal, as far as I’m concerned. After having listened to music for some 40 years and as a past hobby musician who still occasionally grabs a guitar, I’m confident enough to say I know good music when I hear it. To my ears, Morrison and his partner in crime Joey DeFrancesco delivered a beautiful record that is smooth and grooves nicely throughout. While recording the tracks live in the studio, they apparently also had a lot of fun – you can literally hear laughter during and after some of the songs!

The album’s 15 tunes feature a mix of reworked jazz and blues songs like Every Day I Have The Blues (Peter Chatman), The Things I Used To Do (Eddie Jones) and Miss Otis Regrets (Cole Porter), together with new takes of orignal Morrison tracks, such as All Saints Day (Hymns To The Silence, 1991), The Way Young Lovers Do (Astral Weeks, 1968) and Close Enough For Jazz (Too Long In Exile, 1993). Morrison shares writing credits for Evening Shadows with Bernard Stanley “Acker” Bill, an English clarinettist and vocalist  who passed away in November 2014. He first recorded the tune with Bill for his 2002 studio album Down The Road.

With DeFrancesco, Morrison selected a heavy hitter. Over a now 30-year professional career, the 47-year-old American jazz organist, trumpeter and vocalist has worked with the likes of Miles Davis, David Sanborn, John McLaughlin and Ray Charles. I love DeFrancesco’s playing on the album, especially his work on the Hammond organ. According to Rolling Stone, it was also DeFrancesco who put together the backing musicians for the recording sessions: Dan Wilson (guitar), Michael Ode (drums) and Troy Roberts (saxophone). I’d say the time has come for some music!

The record opens with Miss Otis Regrets, a relaxing jazz standard composed by Cole Porter in 1934. The piece is a testament to Morrison’s apparent appreciation of old jazz.

The Way Young Lovers Do takes Morrison back all the way to 1968 and his second studio album Astral Weeks, which I understand is widely considered to be one of his best records. I think this new version presents a nice slightly smoother take, though one certainly needs to consider the whooping 50 years that separate the two recordings.

Another great cover is The Things I Used To Do. Originally, this 12-bar blues tune was written by Eddie Jones, better known as Guitar Slim, and released in 1953. By the way, the producer was then-23-year-old Ray Charles. I like how Morrison and DeFrancesco give the tune a nice jazz feel that makes you want to snip your fingers. The tune is a great example of DeFrancesco’s ace work on the Hammond. I also dig Wilson’s guitar-playing.

Close Enough For Jazz originally was recorded by Morrison as an instrumental for Too Long In Exile, his 22nd studio record from 1993. This new version is a tick faster and more immportantly adds vocals, a nice take.

Everyday I Have The Blues is a blues standard by John Chatman, also known as Memphis Slim. The American blues pianist, singer and composer first recorded the tune in 1947. In addition to Morrison, many other artists covered the song, including B.B. King, Elmore James and Fleetwood Mac during their blues days with Peter Green.

The last track I’d like to highlight is Have I Told You Lately, a Morrison tune he first recorded as a ballad for his 19th studio album Avalon Sunset, which appeared in 1989. Admittedly, until now, I only had known the Rod Stewart version from his 1993 Unplugged…And Seated album. Morrison’s new take speeds up the original and gives it a jazz groove. The updated version also uses a female backup singer whose name I haven’t been able to find. But she surely sounds great, as do the Hammond and the horns.

This post wouldn’t be complete without some commentary from Van The Man himself. During a rare phone interview with The New York Times he said, “My thing is not talking about music. It’s about doing it. Other people talk about it, and they make a living talking about it. I make a living kind of singing it and playing it. If it feels right, and it’s the right kind of vibe, then you should just go with it.” Amen to that!

Sources: Wikipedia, Rolling Stone, The New York Times, YouTube