What I’ve Been Listening to: The Paul Butterfield Blues Band/The Paul Butterfield Blues Band

While I don’t ever feel I need a specific reason to write about the blues, I can’t deny the timing of this post isn’t entirely coincidental. The other day, I watched a Q&A with Walter Trout that was streamed online, during which he answered questions fans had submitted. At some point, he talked about his influences and in this context noted The Paul Butterfield Blues Band and their eponymous debut album from October 1965. Well, evidently, Trout’s got great taste!

Frankly, I could have picked any tune from this record, which is just outstanding from the first to the last bar. So let’s kick it off with the opener Born in Chicago. It was written by blues, rock and folk singer-songwriter Nick Gravenites, who became best known as the lead vocalist for The Electric Flag and his work with Janis Joplin and Butterfield Blues Band guitarist Mike Bloomfield.

The Paul Butterfield Blues Band in 1966 (from left to right, front: Paul Butterfield (lead vocals, harmonica)& Billy Davenport (drums); back: Jerome Arnold (bass), Mike Bloomfield (guitar), Mark Naftalin (organ) & Elvin Bishop (guitar)

Apart from the great music, I’d like to call out the tune’s lyrics. These words could have been written in present-day America – something to think about as the country’s so-called leaders present alternate facts, while they pretend to celebrate the nation’s birthday with grandiose and thoughtless mass gatherings in the middle of a deadly pandemic!

I was born in Chicago 1941/I was was born in Chicago in 1941/Well, my father told me/”Son, you had better get a gun”/Well, my first friend went down/When I was 17 years old/Well, my first friend went down/When I was 17 years old/Well, there’s one thing I can say about that boy/He gotta go…

As frequent visitors of the blog know, I just dig vocals, so let’s shake things up a little with a great instrumental. Thank You Mr. Poobah was co-written by Bloomfield, Paul Butterfield and the band’s keyboarder Mark Naftalin. I love that tune’s groove fueled by Jerome Arnold’s walking bass and Sam Lay’s drum work. And there’s also Bloomfield’s masterful guitar-playing and Butterfield’s great harmonica work. Frankly – dare I say it – when the music is so nicely rockin’ and rollin’, who needs vocals! Yes, that just came from the guy who likes to wine about certain tracks, especially in prog rock, which seemingly have endless instrumental parts with no vocals! ūüôā

While it’s perhaps an obvious choice, I just couldn’t skip I Got My Mojo Working – what a killer rendition of the Muddy Waters tune that originally came out in April 1957! ‘Nuff said, here it is!

Let’s move on to another original, Our Love Is Drifting, co-written by Butterfield and the band’s second guitarist Elvin Bishop. It’s a great mid-tempo blues track. Butterfield’s singing, Bishop’s guitar work and Arnold’s bassline are the standouts to me in this tune.

I’d like to wrap up things with another blues classic: Mystery Train written by Junior Parker and produced by Sam Philips in 1953. Elvis Presley was the first among many other artists who covered the tune.

The Paul Butterfield Blues Band was the first of six albums Butterfield released under that name between 1965 and 1971. The band saw various line-up changes already starting with its sophomore album East-West from August 1966, which featured Billy Davenport on drums. Bloomfield who had tired of the band’s intense touring schedule left in 1967 to form The Electric Flag. Among others, that band included the above-noted Gravenites (rhythm guitar, vocals), Barry Goldberg (keyboards), Harvey Brooks (bass) and Buddy Miles (drums), who later became a member of Jimi Hendrix’s Band of Gypsies.

The Paul Butterfield Blues Band’s eponymous debut album essentially was ignored when it came out, at least from a chart perspective. It only climbed to number 123 on the Billboard 200. I’m also a bit surprised it merely ranked at no. 468 on Rolling Stone’s 2012 list of The 500 Greatest Albums of All Time. Well, it least they did include it, along with the following commentary: Where American white kids got the notion they could play the blues. This band had two kiler guitarists: Michael Bloomfield and Elvin Bishop. Jeez, there’s even a typo in there – what an embarrassment!

Sources: Wikipedia; Rolling Stone; YouTube

Guitar Gods Re-Experienced

Jimi Hendrix and Cream tribute bands Kiss The Sky and Heavy Cream recreate iconic rock history

Electric Ladyland and Wheels Of Fire¬†have their 50th anniversaries this year – wow, that’s hard to believe! The two albums were released on October 16 and August 9 in 1968 by The Jimi Hendrix Experience and Cream, respectively. What better way to celebrate the occasion than with an evening of great music capturing the amazing artists behind these iconic rock albums. And that’s exactly what I had a chance to do last night at Monmouth University Center for the Arts’ Pollak Theatre in West Long Branch, N.J. So, did I enjoy myself? You bet!

As some readers of the blog may recall, I posted about Jimi Hendrix tribute band Kiss The Sky and their amazing guitarist Jimi Bleu a month ago after I had seen an ad on Facebook. That’s when I also learned about last night’s gig and immediately decided to get a ticket. But before I get to Kiss The Sky, let’s start with Heavy Cream. And, as you probably guessed, it’s not what you may put on top of certain beverages, though the music they play surely as heck sounds sweet to me!

Kiss The Sky and Heavy Cream Poster

Heavy Cream is a tribute to the rock power trio of Jack Bruce, Eric Clapton and Ginger Baker. Cream were often called the world’s first successful “supergroup.” Frankly, I don’t care much about these labels. To me it all comes down to a simple question: Do I like the music? And when it comes to Cream, the answer is a clear ‘hell yes!’

While Heavy Cream are on Facebook and ReverbNation, there is relatively limited information on this band hailing from Philly. Their usual lineup includes Billy Thoden as Eric Clapton; Dion Paci as Jack Bruce; and Steve Iannetonnt as Ginger Baker. Last night JT Curtis and John Hummel filled in for Thoden and Iannetonnt, respectively.

Let’s get to some music. Due to light conditions and where I was seated, capturing the action on my smartphone was challenging, and at times the video footage is out of focus. But I still prefer using my clips to keep things more authentic. Overall, I think the came out pretty well. Here’s the opener of Heavy Cream’s set: White Room. Composed by Jack Bruce with lyrics by poet Pete Brown, the tune also is the first track on the Wheels Of Fire album. Note I moved to a better recording position for the other clips that follow.

In addition to tracks from Wheels Of Fire, Heavy Cream also played a few other songs, such as Badge and the set closer Sunshine Of Your Love. A Jack Bruce and Eric Clapton co-write with lyrics by Pete Brown, Sunshine Of Your Love appeared on Cream’s second studio album Disraeli Gears from November 1967.

After a short intermission, Kiss The Sky hit the stage. According to his online bio, Jimy Bleu met Jimi Hendrix in 1968 as a young teenager at¬†Warner/Reprise Records.¬†He also was a member of the official Hendrix fan club that managed to convince Hendrix to speak at an assembly at Bleu’s high school in New York City. How cool is that? The following year, Bleu attended Woodstock and got one of the guitar straps Hendrix used during his performance there. How mega-cool is that?

Bleu went on to attend Berklee College of Music, as Hendrix had recommended to him, and became a Columbia/Def Jam recording artist and accomplished session musician. He is a recognized Hendrix historian and even¬†produced and starred in his own off-Broadway play on the life of Jimi Hendrix. Watching Bleu last night, it was obvious how closely he has studied Hendrix and that he has paid tribute to his music for more than 45 years. Not only did he perfectly adopt Hendrix’s way to play¬†right-handed guitars turned upside down and restrung for left-hand playing, but also nailed stunts like playing with his teeth, playing guitar behind his back and pointing the instrument at the audience like a gun. Frankly, to me it really felt like the maestro himself had returned!

Jimy Bleu
Jimy Bleu in action

I would also like to acknowledge Bleu’s excellent backing musicians. Just like him they have plenty of experience and it simply shows. Members of The Experience tribute include bassist A.J. Hager as Noel Redding and drummer Ted Edwards as Mitch Mitchell. The Band of Gypsys tribute features Jay Powerz as Billy Cox (bass) and James Jaxon as Buddy Miles (drums).

Kiss The Sky played three sets. Kicking off their show was a recreation of The Jimi Hendrix Experience’s¬†appearance at the¬†Monterey International Pop Festival in June 1967. That legendary performance put them on the map in the U.S., which at the time already had gained popularity in the U.K. In fact, it was¬†Paul McCartney¬†who recommended the band to the organizers of the festival where they were introduced by The Rolling Stones’ co-founding member Brian Jones. Kiss The Sky also paid¬†homage to Band of Gypsys and the¬†Electric Ladyland album with two separate sets.

Here’s Foxey Lady from the Monterey Pop set. The song was written by Hendrix and first appeared on Are You Experienced, the debut album by the Jimi Hendrix Experience from May 1967.

Following are two other tunes from the Monterey Pop set, which was my favorite section of the show last night: Purple Haze and the closer Wild Thing. And while, yes, things got wild, I’m happy to report that no guitars were harmed in the process. As much as I understand showmanship, I always cringe when I see musicians destroy their instruments. Please don’t do that – instead,¬†give your equipment to some kid who wants to learn how to play but can’t afford the gear! Written by Hendrix, Purple Haze was the opener of the U.S. edition of the Are You Experienced album. Wild Thing is a tune written by American songwriter Chip Taylor, which was made popular by English garage rock band The Troggs.

Following the Monterey Pop set, Kiss The Sky played some tunes from Band of Gypsys. Here’s Machine Gun, a Hendrix Vietnam War protest jam from 1970. It appeared on their eponymous live album, their only Band of Gypys record released during Hendrix’s lifetime. It appeared in March 1970, six months prior to his death.

The last song I’d like to highlight is another iconic Hendrix composition,¬†Voodoo Child (Slight Return), the closer of the third set, which featured select tracks from Electric Ladyland.

While when it comes to tribute bands I generally care first and foremost how well they capture the music, I’d be amiss not to acknowledge how impressed I was with the close attention¬†Kiss The Sky¬†and Heavy Cream¬†paid to other aspects, including the Marshall stacks and other equipment they used, as well as the outfits they wore. In addition, Bleu’s visual resemblance to Hendrix is stunning. He looks like he could be his younger brother!

Based on their Facebook pages, Kiss The Sky and Heavy Cream¬†are taking their Guitar Gods 50th Anniversary Tour next to Sellersville, Pa. on December 19, where they will perform at Sellersville Theatre & Washington House Hotel & Restaurant. If you dig Jimi Hendrix and Cream and can get there, I’d highly recommend this show. Prior to this, Hendrix fans can also see¬†Kiss In The Sky¬†at Cafe WHA in New York City on November 26 and THS Shrine in Tulsa, Okla.

Note: This post was updated on March 23, 2019, after Heavy Cream manager Mike Gotch kindly got back to me to answer a couple of questions I had about the band’s lineup for the above gig.

Sources: Wikipedia; Heavy Cream Facebook and ReverbNation pages; Kiss The Sky Facebook and website; YouTube

Jimi Hendrix’s “Both Sides Of The Sky” Is Fully Released

Last album in trilogy of posthumous records

While I’m not a Jimi Hendrix expert, I don’t detect any no new revelations on Both Sides Of The Sky. In fact, if anything, I’d say it pretty much reflects what I’ve heard from Hendrix before. And that’s quite alright with me. After all, we’re talking about possibly the best rock guitarist who has ever walked the planet. So more of the same really means more of the same brilliance. In my book that’s not a reason to complain. Plus, I have to say, this album also provides a nice occasion to rediscover Hendrix.

The record, which was fully released yesterday (March 9), is the third in a trilogy of posthumous albums after Valleys Of Neptune (2010) and People, Hell and Angels (2013). It captures studio recordings Hendrix made between 1968 and 1970. All three albums were co-produced by Eddie Kramer, Hendrix’s go-to recording engineer for all records that appeared during his lifetime. The full release was preceded by three upfront singles: The Muddy Waters tune Mannish Boy, as well as the Hendrix compositions Hear My Train A Comin’ and Lover Man, which I covered in previous posts.

Here are clips of Mannish Boy, a nice take of the Waters classic, and Lover Man, which Hendrix modeled after B.B. King’s Rock Me Baby.

“He used the studio as a rehearsal place,” Kramer told NPR, commenting on the transitional period for Hendrix this collection from the vault captures. These recordings happened shortly after the final album by The Jimi Hendrix Experience¬†Electric Ladyland had appeared and before he would record his last and only album with¬†Band Of Gypsies at Fillmore East in January 1970. “Thank goodness that was happening because the tape was running, and he would bring in different musicians to try to figure out what he was gonna do with his musical direction.”

These different artists included Stephen Stills, Johnny Winter and saxophonist Lonnie Youngblood, who appear on different tracks of the album. The collaborations with Stills include his original tune $20 Fine and a great pre-Crosby, Stills, Nash & Young¬† recording of Joni Mitchell’s Woodstock.¬†Winter joins Hendrix on Things I Used To Do, a great electric slide guitar blues. Youngblood provides strong vocals and a killer saxophone solo on Georgia Blues. On that tune, I also dig what sounds like a Hammond in the background – no idea who was playing it. Unfortunately, I couldn’t find YouTube clips for any of these tunes, but the entire album is still available for free streaming on NPR here. It’s also on regular streaming platforms, including¬†Apple Music/iTunes and Spotify.

Eddie Kramer

“Sometimes, a song would take him nine months to bring to completion, and a lot of these songs are that,”¬†Kramer explained during the above NPR interview. “They are the takes prior to it being completed, which makes them very exciting.” The NPR segment further reported that according to Kramer, the Hendrix vault has pretty much been exhausted when it comes to unreleased studio recordings but still includes plenty of additional live material. Some 47 years after Hendrix’s death, one does indeed wonder how much unreleased material could possibly be left.

Asked whether working on Hendrix music is still meaningful to him, Kramer said, “Oh my goodness, yes, I love working on this stuff. I get so excited just putting the tapes up and hearing his voice. I wanna keep doing Jimi Hendrix for the rest of time.”

Sources: Wikipedia, NPR, YouTube