The Sunday Six

Celebrating music with six random songs at a time

By now it’s safe to assume more frequent visitors know what’s about to happen. To new readers, The Sunday Six is all about enjoying the diversity and beauty of music. I make a deliberate effort to feature different music genres including some I don’t listen to frequently. While the resulting picks, therefore, can appear to be random, these posts don’t capture the first six tunes that come to my mind. At the end of the day, anything goes as long as it speaks to me.

George Benson/Breezin’

Kicking is off is some groovy guitar pop jazz by George Benson. Benson started to play the guitar as an eight-year-old, following the ukulele he had picked up a year earlier. Incredibly, he already recorded by the age of 9, which means his career now stands at a whooping 57 years and counting! He gained initial popularity in the 1960s, performing together with jazz organist Jack McDuff. Starting with the 1963 live album Brother Jack McDuff Live!, Benson appeared on various McDuff records. In 1964, he released his debut as a bandleader, The New Boss Guitar of George Benson, which featured McDuff on piano and organ. In the ’70s, Benson started to venture beyond jazz into pop and R&B. Breezin’ from May 1976 is a good example. Not only did it top Billboard’s jazz chart, but it also climbed to no. 1 on the R&B and mainstream charts. Here’s the title track, written by Bobby Womack who also originally recorded it in December 1970, together with Hungarian jazz guitar great Gábor Szabó. It appeared on Szabó’s 1971 album High Contrast. Here’s Benson’s version. The smooth and happy sound are perfect for a Sunday morning!

Steely Dan/Home at Last

Let’s stay in pop jazzy lane for a bit longer with Steely Dan, one of my all-time favorite bands. I trust Messrs. Donald Fagen and Walter Becker, who first met in 1967 as students at Bard College in Annandale-on-Hudson, N.Y. and quickly bonded over their mutual admiration for jazz and other music, don’t need much of an introduction. By the time they met guitarist Denny Dias in the summer of 1970, they already had written a good amount of original music. Steely Dan’s  first lineup was assembled in December 1971, after Becker, Fagen and Dias had moved to Los Angeles. The additional members included Jeff “Skunk” Baxter  (guitar), Jim Hodder (drums) and David Palmer (vocals). Earlier, Gary Katz, a staff producer at ABC Records, had hired Becker and Fagen as staff songwriters. It was also Katz who signed the Dan to the label. By the time their sixth and, in my opinion, best album Aja appeared in September 1977, Steely Dan had become a studio project by Fagen and Becker who surrounded themselves with a changing cast of top-notch session musicians and other artists. In this case, the latter included Larry Carlton (guitar), Chuck Rainey (bass), Jim Keltner (drums) and Michael McDonald (backing vocals), among others. Here’s Home at Last, which like all other tracks on the album was co-written by Fagen and Becker. In addition to them, the track featured Carlton (though the solo was played by Becker who oftentimes left lead guitar responsibilities to a session guitarist like Carlton), Rainey (bass), Victor Feldman (vibraphone), Bernard Purdie (drums), Timothy B. Schmit (backing vocals), and of course an amazing horn section, including Jim Horn (what an appropriate name!), Bill Perkins, Plas Johnson, Jackie Kelso, Chuck Findley, Lou McCreary and Dick Hyde.

The Temptations/Papa Was a Rollin’ Stone

Time to start switching up things with a dose of ’70s funk and psychedelic soul, don’t you agree? Papa Was a Rollin’ Stone by The Temptations is one of the coolest tunes I can think of in this context. Co-written by Motown’s Norman Whitfield and Barrett Strong, the song was first released as a single in May 1972 by the label’s recording act The Undisputed Truth. While the original to which you can listen here is pretty good as well, it’s the great rendition by The Temptations I heard first and have come to love! They recorded an 11-minute-plus take for their studio album All Directions from July 1972. In September that year, The Temptations also released a 6:54-minute single version of the song. While it still was a pretty long edit for a single, it yielded the group their second no. 1 on the Billboard Hot 100 in the ’70s. It would also be their last no. 1 hit on the U.S. mainstream chart. By the time Papa Was a Rollin’ Stone appeared, the group already had seen various changes and only featured two members of the classic line-up: Otis Williams (baritone) and Melvin Franklin (bass). The other members were Dennis Edwards (tenor), Damon Harris (tenor) and Richard Street (second tenor). Amazingly, The Temptations still exist after some 60 years (not counting the group’s predecessors), with 79-year-old Otis Williams remaining as the only original member. I have tickets to see them together with The Four Tops in early November – keeping fingers crossed! Meanwhile, here’s Papa Was a Rollin’ Stone, of course, the mighty album version, coz I don’t do things half ass here! 🙂

Peter Gabriel/Don’t Give Up (feat. Kate Bush)

Let’s go to a different decade with another artist I’ve come to dig, which in no small part was due to this album: Peter Gabriel and So, his fifth studio release from May 1986. It’s probably Gabriel’s most mainstream-oriented album. Much of the former Genesis lead vocalist’s other solo work has been more of an acquired taste. I also didn’t pay much attention after his follow-on Us that appeared in September 1992. Fueled by the hit single Sledgehammer, which topped the mainstream charts in the U.S. and Canada, peaked at no. 3 in Australia and New Zealand, and reached the top 10 in Germany and various other European countries, So became Gabriel’s best-selling solo album. I did catch him during the supporting tour in Cologne, Germany, and still have fond memories of that gig. Here’s Don’t Give Up, a haunting duet with Kate Bush. Inspired by U.S. Depression era photos from the 1930s Gabriel had seen, he applied the theme to the difficult economic conditions in Margaret Thatcher’s mid-1980s England. While the tune is a bit of a Debbie Downer, I find it extremely powerful. You can literally picture the lyrics as a movie. I also think the vocals alternating between Gabriel and Bush work perfectly.

The Turtles/Happy Together

I suppose after the previous tune, we all could need some cheering up. A song that always puts me in a good mood is Happy Together by The Turtles. Plus, it broadens our little musical journey to include the ’60s, one of my favorite decades in music. The Turtles started performing under that name in 1965. Their original members, Howard Kaylan (lead vocals, keyboards), Mark Volman (backing vocals, guitar, percussion), Al Nichol (lead guitar, keyboards, backing vocals), Jim Tucker (rhythm guitar, backing vocals), Chuck Portz (bass) and Don Murray (drums), had all played together in a surf rock-oriented band called The Crossfires. That group turned into The Tyrtles, a folk rock outfit, before becoming The Turtles and adopting more of a sunshine pop style. The band’s initial run lasted until 1970. Vollman and Kaylan subsequently launched pop duo Flo & Eddie and released a series of records between 1972 and 2009. In 1983, Vollman and Kaylan legally regained the use of the name The Turtles and started touring as The Turtles…Featuring Flo and Eddie. Instead of seeking to reunite with their former bandmates, Vollman and Kaylan relied on other musicians. The group remains active in this fashion to this day. Their website lists a poster for a Happy Together Tour 2021 “this summer,” though currently, no gigs are posted. Happy Together was the title track of the band’s third studio album from April 1967. Co-written by Alan Gordon and Garry Bonner, the infectious tune became The Turtles’ biggest hit, topping the Billboard Hot 100, climbing to no. 2 in Canada, and reaching no. 12 in the UK, marking their first charting single there.

Simple Minds/Stand by Love

I can’t believe it’s already time to wrap up this latest installment of The Sunday Six. For this last tune, I decided to pick a song from the early ’90s: Stand by Love by Simple Minds. While I wouldn’t call myself a fan of the Scottish new wave and pop rock band and don’t follow them closely, I generally enjoy their music. I also got to see them live once in Stuttgart, Germany in the early ’90s and remember it as a good show. Simple Minds emerged in late 1977 from the remains of short-lived punk band Johnny & The Self-Abusers. By late 1978, the band’s first stable line-up was in place, featuring Jim Kerr (lead vocals), Charlie Burchill (guitar), Mick MacNeil (keyboards), Derek Forbes (bass) and Brian McGee (drums). That formation recorded Simple Minds’ debut album Life in a Day released in April 1979. Their fifth studio album New Gold Dream (81–82–83–84) was the first to bring more significant commercial success in the UK and Europe. This was followed by a series of additional successful albums that appeared between 1984 and 1995, which included the band’s biggest hits, such as Don’t You (Forget About Me), Alive and Kicking, Belfast Child and Let There Be Love. Today, more than 40 years after their formation, Simple Minds are still around, with Kerr and Burchill remaining part of the current line-up. Here’s Stand by Love, co-written by Burchill and Kerr, from the band’s ninth studio album Real Life that came out in April 1991. This is quite a catchy tune. I also dig the backing vocals by what sounds like gospel choir, which become more prominent as the song progresses.

Sources: Wikipedia; The Turtles…Featuring Flo and Eddie website; YouTube

What I’ve Been Listening to: Savoy Brown/Street Corner Talking

What do you do when you’re in the mood for some great blues rock? You get some! And so I did with Street Corner Talking by Britain’s Savoy Brown released in September 1971. As it oftentimes goes with these types of posts, I got the idea to listen to their seventh studio album after my streaming music provider had served up Tell Mama, the record’s dynamite opener.

Savoy Brown – btw, what a cool name! – have been around for a bit. ‘How long’, you might wonder. How about more than 55 years! Not surprisingly, their line-up has changed many times over the decades, though the founder is still around and going strongly. Before getting to the album, a bit of history is in order. The following background is taken from the band’s bio on their website.

Savoy Brown was formed in 1965 by guitarist Kim Simmonds in London, England. Simmonds has been the group’s guiding hand from the first singles released in 1966 through the band’s newest effort, their forty-first album “Ain’t Done Yet” [released in August 2020. At the time, I featured one of the album’s tunes in a Best of What’s New installment]

Energetic blues has been the calling card of the band from the beginning. Blues Rock became the catch-all phrase in the late 1960s to describe the band’s music along with that of contemporaries including Cream, Fleetwood Mac, and Jimi Hendrix

...Through the 1960s, 1970s and 1980’s songs such as “I’m Tired”, “Train to Nowhere”, “Tell Mama” and “Lay Back In The Arms Of Someone” became Hot 100 entries. Two of the band’s albums in the 1970s, “Looking In” and “Hellbound Train”, appeared on the Billboard Top Forty charts…Along the way, Savoy Brown has toured continuously, making it one of the longest running blues rock bands in existence. Through the years, the band has headlined concerts at many prestigious venues including Carnegie Hall, the Fillmore East, the Fillmore West, and London’s prestigious Royal Albert Hall...

…Former [Savoy Brown] members, having cut their teeth under Simmonds’ leadership, have gone on to complete their careers with other bands. Among others, these include singer Dave Walker with Fleetwood Mac and Black Sabbath, Bill Bruford with King Crimson, Andy Pyle with the Kinks and Paul Raymond with UFO… Three other band alumni – Lonesome Dave Peverett, Roger Earl, and Tony Stevens, went on to become the founding members of the multi-platinum act Foghat. Sounds a bit like John Mayall to me!

Kim Simmonds (guitar, vocals), who has lived in the U.S. since 1980, remains the only original member of Savoy Brown’s current line-up. The other core members include Pat DeSalvo (bass, backing vocals) and Garnet Grimm (drums). Both have been with the band since 2009. With that, let’s get to some music!

I’d like to kick it off with the song that inspired the post. Tell Mama, the first track on the album, was co-written by Simmonds and Paul Raymond, the band’s keyboarder at the time. Just a great catchy rocker with some cool slide guitar action.

Taking on The Temptations perhaps is a near-impossible task, but I have to say I really dig where Savoy Brown took I Can’t Get Next to You. Co-written by Motown songwriters Norman Whitfield and Barrett Strong, this psychedelic soul gem was first released by The Temptations as a single in July 1969. It also appeared on their 11th studio album Puzzle People that came out in September of the same year. Check out how nicely Savoy Brown’s version of the tune is shuffling along. I also dig the keyboard work.

Time Does Tell is another great track. It was written by Simmonds. Andy Sylvester’s bass work gives this tune a great groove. I also like Simmonds’ guitar solo that starts at about 2:42 minutes. Damn, this is really cool – don’t take it from me, give it a listen!

Here’s the title track, another song Simmonds wrote. I can hear some Cream in that guitar riff. And that’s never a bad thing!

I’d like to wrap things up with another nice cover: Willie Dixon’s Wang Dang Doodle. Dixon wrote that tune in 1960, and it was first released by Howlin’ Wolf in 1961. Haven’t we all felt like hanging out with automatic slim, razor totin’ jim, butcher knife totin’ annie and fast talkin’ fanny to pitch a wang dang doodle all night long? 🙂

This is the first album by Savoy Brown I’ve explored in greater depth, and I really dig it – can you tell? 🙂 This certainly wants me to listen to more from this band. Any tips are welcome!

Sources: Wikipedia; Savoy Brown website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

I could have called this latest installment of the recurring feature best of what’s new in blues. If you’re a more frequent visitor of the blog, you may have read this sentiment before: In my opinion, unlike classic rock, the blues remains as vibrant as ever. And this, my friends, makes me a very happy camper!

Are you ready for some good ole’ blues, featuring three veterans and three younger female artists? Ready or not, here we go! Coz, to creatively borrow from the American blues artist who was known as Little Milton, hey, hey, the blues is alright, alright (alright), alright (alright) every day and night.

Joe Louis Walker/Blues Comin’ On

How can you go wrong with a guy named Joe Louis Walker and a tune called Blues Comin’ On? From his web bio: Joe Louis Walker, a Blues Hall of Fame inductee and four-time Blues Music Award winner celebrates a career that exceeds a half a century…A true powerhouse guitar virtuoso, unique singer and prolific songwriter, he has toured extensively throughout his career, performed at the world’s most renowned music festivals, and earned a legion of dedicated fans…Born on December 25, 1949 in San Francisco, at age 14, he took up the guitar. Just two years later, he was a known quantity on the Bay Area music scene, playing blues with an occasional foray into psychedelic rock. For a while, he roomed with Mike Bloomfield, who introduced him to Jimi Hendrix and the Grateful Dead. Okay, I have to say I feel a bit ignorant that I don’t recall having heard of this blues veteran before who released his debut Cold Is the Night in 1986. Blues Comin’ On, which features Eric Gales and Dion DiMucci, is the title track of his most recent 26th album that was released on June 5. Dion co-wrote the tune with Mike Aquilina and included his own version on his Blues With Friends album, which interestingly also came out on June 5.

Dion/Bam Bang Boom

Obviously, I couldn’t ignore the above noted Blues With Friends by “The Wanderer” Dion, who after a 63-year career is still marching strong. With those friends including the likes of Jeff Beck, Billy Gibbons, Sonny Landreth, Brian Setzer, Joe Louis Walker and Bruce Springsteen, this surely looks like a killer album! Dion has been active since 1957 and is turning 81 years on July 18 – holy cow, how many other artists can you name with such a long career! And, boy, does he still sound great! “Great songs, great guitarists. What more do you need?” is how Dion confidently summed up the record in a statement. Here’s Bam Bang Boom featuring Billy Gibbons. “Billy Gibbons was a joy to work with on this,” noted Dion in the same statement. “There’s nobody like him.” This surely sounds sweet – damn!

Gina Sicilia/Love Me Madly

Gina Sicilia is a 35-year-old singer-songwriter hailing from Newtown, Pa. Characterizing her music as blues, roots, Americana, soul and R&B, Wikipedia notes Sicilia began singing at 6 years old performing at local talent shows and by the age of 12 she began writing songs. At 14 years old she became interested in blues and classic soul music and decided to pursue singing in that genre. Sicilia’s debut album Allow Me to Confess came out in 2007. She has since released eight additional albums. Love Me Madly is her most recent, which appeared on May 29. Here’s the soulful title track, co-written by her and the album’s producer Cody Dickinson. He is also a member of North Mississippi Allstars, a Southern blues rock band he formed together with his brother Luther Dickinson. I really dig Sicilia’s vocals. Gosh, I can hear some Anita Baker in here!

Dani Wilde/Brave

Here’s another female performer with a compelling voice: 34-year-old Dani Wilde from the village of Hullavington, England. Well, whatever they may have in their water there, it doesn’t seem to damage the vocal chords! According to her website, Over the past 10 years Blues and Country singer-songwriter Dani Wilde has performed at thousands of venues and festivals across Europe, America, Canada and Africa; from the main stage at London’s Royal Albert Hall, to the slum communities of Kenya, to Times Square – New York City…In September 2015, Wilde was awarded ‘Best Female Vocalist” at the British Blues Awards. Wilde has released four studio solo albums to date, starting with Heal My Blues in 2008. Written by Wilde and released on May 6, Brave his her latest single. The tune is dedicated to healthcare professionals and other essential workers around the globe. “I wanted to maintain the organic raw emotion of the blues whilst also taking inspiration from traditional popular song arrangements,” Wilde told Blues Matters. “I love how artists like Patty GriffinPaul Simon and John Mayer take the blues but fuse it with Americana and popular song to create something beautiful.”

Eliza Neals/Black Crow Moan

From her website: Eliza Neals is a prolific songwriter, confident producer, arranger, bandleader, pianist, and one-of-a-kind live performer…Eliza’s history of performing/opening for legendary musicians goes back many years from Detroit’s songwriting godfather Barrett Strong to George Clinton, The Four TopsKenny OlsonMike ZitoTommy CastroWalter TroutPoppa ChubbyAlbert CastigliaMicki Free, Victor Wainwright and recently Blues Foundation HOF man Joe Louis Walker. Kind of ironical – until today, I had not been aware of Walker, and now he seems to be everywhere. I suppose this only confirms my prior ignorance! Black Crow Moan is the title track of Neals’ most recent studio album that was released on April 6; if I interpret it correctly, it’s her seventh. And, yes, you guessed it correctly, the tune features Walker – okay, keep rubbing it in my face!

Mick Clarke/Snappin’ at Your Heel

Let’s wrap things up with another blues veteran: British blues guitarist Mick Clarke, who began his career in 1968 as co-founder of blues rock band Killing Floor. They recorded two albums until their break-up in mid-1972. In 2002, the original line-up reunited. The band remains active with Clarke and Bill Thorndycraft (vocals, harmonica) as original members. During the ’70s, Clarke was also involved in two other bands, Salt and Ramrod, before forming The Mick Clarke Band in the early ’80s. His first solo album Looking For Trouble came out in 1986. Snappin’ at Your Heel is from Clarke’s most recent album Big Wheel released on April 17.

Sources: Wikipedia; Joe Louis Walker website; Dion DiMucci website; Gina Sicilia website; Blues Matters; Eliza Neals website; Mick Clarke website; YouTube

Multi-Part Harmonies And Seductive Grooves – The Magic Of The Temptations

When it comes to vocal groups, I can’t think of a more compelling example than The Temptations. Their perfect multi-part harmonies have impressed me from the very first moment I heard them sometime during my early teenage years. I was reminded of The Temptations’ mighty singing while listening to a Christmas playlist yesterday that includes their beautiful rendition of Silent Night. Since I’m a huge fan of great harmony vocals, I decided a tribute post was an order.

The story of The Temptations began in Detroit in 1960 when members of two other vocal bands formed a group called The Elgins: Otis Williams, Elbridge “Al” Bryant and Melvin Franklin of Otis Williams & the Distants, and Eddie Kendricks and Paul Williams who came from a group called The Primes. Following an audition in March 1961, an impressed Berry Gordy signed the group to Motown imprint Miracle Records. However, there was one problem. The name Elgins was already taken by another band. According to Wikipedia, Miracle Records employee Billy Mitchell, songwriter Mickey Stevenson, Otis Williams and Paul Williams came up with the idea to call the group The Temptations.

In April 1961, the group released their debut single Oh, Mother of Mine. Co-written by Otis Williams and Mickey Stevenson, who also produced the track, the tune was not successful. Neither were the following seven singles The Temptations released. In January 1964, Al Bryant was replaced by David Ruffin, marking the start of “The Classic Five” era that would turn the group into superstars. In the meantime, Smokey Robinson had become their producer, and it was one of his tunes that became the group’s first no. 1 on both the Billboard Hot 100 and the Hot R&B Singles charts: My Girl, released in December 1964. Every time I hear that song, I got sunshine, no matter how cloudy my day may be. By the way, that cool bass intro is played by the amazing James Jamerson. Feel free to snip and groove along!

While it would take The Temptations another four and a half years before scoring their second double no. 1 on the Hot 100 and Hot R&B Singles charts, they released plenty of other hits in the meantime, many of which topped the Hot R&B Singles. Here’s one of my favorites: Get Ready, another tune written and produced by Smokey Robinson. I was going to feature an audio clip of the track but couldn’t resist using the below footage instead, which was captured during a TV appearance in 1966. The song appeared in February that year. Even though none of the singing and music are live, just watching the dance choreography of these guys and the female backing dancers is priceless!

And then the era of The Classic Five came to an end after success and fame apparently had gotten to David Ruffin’s head. His behavior led to friction with the other members of the group, and The Temptations ended up firing him on June 27, 1968. The very next day, he was replaced by Dennis Edwards, a former member of The Contours. The new line-up became what some called the group’s “second classic line-up.” But more changes were in store.

Norman Whitfield took over as producer, and The Temptations started adopting a more edgy sound, influenced by contemporaries like Sly & The Family Stone and Funkadelic. The group’s four-year psychedelic soul period kicked off with their ninth studio album Cloud Nine from February 1969. The record climbed to no. 4 on the Billboard 200 and brought the group their first Grammy Award in the category Best Rhythm & Blues Group Performance, Vocal or Instrumental. Here’s Run Away Child, Running Wild, a co-write by Norman Whitfield and Barrett Strong. A shorter version of the tune was also released separately as a single and became another no. 1 on the Hot R&B Singles chart. Here’s the full album version. That’s one hell of a hot funky tune!

Even though The Temptations had come a long way from their oftentimes romantic songs that marked their early years, the group did not entirely abandon sweet ballads. Here’s one of the most beautiful in my opinion, released in January 1971: Just My Imagination (Running Away With Me). Evidently, the public liked it as well. The song became the group’s third and last to top both the Hot 100 and Hot R&B Singles charts. Interestingly, it was written by the same guys who penned Runaway Child, Running Wild. Perhaps appropriately, the track also appeared on an album called Sky’s The Limit. Damn, these guys could harmonize – it’s pure perfection and actually no imagination!

Writing about The Temptations’ psychedelic soul era wouldn’t be complete without including another epic tune: Papa Was A Rollin’ Stone, another Whitfield-Barrett gem. Initially, it was recorded and released as a single in May 1972 by another Motown act called The Undisputed Truth – something I had not known until I did some research for this post. While their original is pretty cool, I still prefer The Temptations’ version. Interestingly, it hit no. 1 on the Billboard Hot 100 but “only” peaked at no. 5 on the Hot R&B Singles chart. Here it is in its full 12-minute glory!

By the time of the release of 1990 in December 1973, The Temptations had become tired of psychedelic soul and wanted to move back to their more upbeat style and lyrics of the ’60s. The album turned out to be the final record produced by Whitfield. January 1975 saw the release of the group’s next studio album A Song For You. Wikipedia lists a hodge-podge of producers, including Berry Gordy, Jeffrey Bowen, James Anthony Carmichael, Suzy Wendy Ikeda, Clayton Ivey and Terry Woodford. The record was the group’s last to top the Billboard Hot R&B LPs chart. It also featured their two last no. 1 singles on the Hot R&B Singles chart, Happy People and Shakey Ground. Here’s the latter, a nice groovy tune co-written by Jeffrey Bowen, Alphonso Boyd and Funkadelic guitarist Eddie Hazel, who also played lead guitar on the track.

Following A Song For You, success dried up. After the release of The Temptations Do The Temptations in August 1976, the group left Motown and signed with Atlantic Records. That didn’t change their trajectory, and after two albums, they returned to Motown in 1980. Two years later, they reunited with co-founder Eddie Kendricks and “Classic Five” era member David Ruffin for a tour, during which they recorded a studio album appropriately titled Reunion. Released in April 1982, the record marked a comeback of sorts, peaking at no. 2 on the Hot R&B LPs and a respectable no. 37 on the Billboard 200. Here’s opener Standing On The Top, a funk tune written and produced by Rick James, who also contributed vocals and clavinet.

While success has largely eluded them since Reunion, The Temptations have released 17 additional studio albums. The most recent, All The Time, appeared in 2018. Here’s Stay With Me, a cover of the beautiful pop soul tune by English songwriter and vocalist Sam Smith. In fact, when I heard this version for the first time, I thought it was Smith together with The Temptations, but apparently it’s not. The tune is credited to Smith, James Napier and William Phillips, as well as Tom Petty and Jeff Lynne, following a legal settlement. After the song’s release, Petty’s published had noticed a similarity to I Won’t Back Down and reached out to Smith’s team.

Altogether, The Temptations have had an impressive 14 chart-toppers on the Hot R&B LPs, including eight in a row between March 1965 and February 1969 – I suspect this must be a record. The group also scored 14 no. 1 hits on the Hot R&B Singles chart and topped the Hot 100 chart four times. In 1989, The Temptations (Dennis Edwards, Melvin Franklin, Eddie Kendricks, David Ruffin, Otis Williams and Paul Williams) were inducted into the Rock and Roll Hall of Fame. Rolling Stone has ranked them at no. 68 on their list of 100 Greatest Artists of All Time.

The Temptations are active to this day, with Otis Williams remaining as the only original founding member. The other current line-up includes Ron Tyson (since 1983), Terry Weeks (since 1997) and Willie Green (since 2016). Next year, the group will embark on a tour through the U.S., U.K. and Germany to celebrate their 60th anniversary. This includes two dates in May in my area. My wife and I saw The Temptations once in the early 2000s at The Apollo in New York City, together with The Four Tops. We both remember it as a great show, so we’re thinking to catch them again. The current tour schedule is here.

Sources: Wikipedia; Temptations website; YouTube

What’s My Name…Ringo!

Starr’s new album is full of energy and features impressive friends

Last Friday, Ringo Starr released What’s My Name, his 20th studio album. After having listened to it a few times, I’m quite excited about the record. Admittedly, as a huge fan of The Beatles, I may not be entirely objective here – so be it! I said it before and I say it again: While Ringo isn’t the greatest vocalist and songwriter and perhaps even not the most sophisticated drummer, he is one of the coolest musicians in my book. I just dig the man who at age 79 remains pretty vibrant and just delivered what may be his best work in many years.

Appearing on UMe, What’s My Name was produced by Starr, with longtime collaborator Bruce Sugar handling recording and mixing. The album was recorded at Ringo’s home studio known as Roccabella West. “I don’t want to be in an old-fashioned recording studio anymore, really,” Starr pointed out on his website. “I’ve had enough of the big glass wall and the separation.  We are all together in here, whoever I invite over. This is the smallest club in town. And I love it, being at home, being able to say hi to Barb [referring to his wife, actress Barbara Bach], it’s just been good for me and the music.”

Ringo Starr

The album features an impressive array of other artists, including Paul McCartney, Joe Walsh, Edgar Winter, Dave Stewart, Benmont Tench, Steve Lukather, Nathan East, Colin Hay, Richard Page, Warren Ham, Windy Wagner and Kari Kimmel, among others. Most of the songs on this record are collaborations between Ringo and others. Let’s get to some music!

Previously, I already featured the album’s nice title track, so here I’d like to kick things off with the opener Gotta Get Up to Get Down. The nice mid-tempo rocker was co-written by Starr and his brother-in-law and guitarist extraordinaire Joe Walsh. In addition to Ringo (drums, vocals) and Walsh (guitar, vocals), the tune features Edgar Winter (clavinet, synthesizer, vocals), Nathan East (bass), Bruce Sugar (synthesizer) and backing vocalists Richard Page, Warren Ham, Windy Wagner and Kari Kimmel.

The most remarkable song on the album is Ringo’s version of Grow Old With Me, one of the last tunes written by John Lennon. It was recorded as a demo in Bermuda in 1980 and later appeared on his first posthumous album Milk And Honey from January 1984. The inspiration for Ringo to cover the song came during an encounter with Jack Douglas, the producer of Double Fantasy, the 1980 studio album by Lennon and Yoko Ono, and the last released by Lennon during his lifetime. “Jack asked if I ever heard The Bermuda Tapes, John’s demos from that time,” Ringo recalled. “And I had never heard all this. The idea that John was talking about me in that time before he died, well, I’m an emotional person. And I just loved this song.”

“I sang it the best that I could,” Ringo went on. “I do well up when I think of John this deeply. And I’ve done my best. We’ve done our best. The other good thing is that I really wanted Paul [McCartney] to play on it, and he said yes. Paul came over and he played bass and sings a little bit on this with me. So John’s on it in a way. I’m on it and Paul’s on it. It’s not a publicity stunt. This is just what I wanted. And the strings that Jack [Douglas] arranged for this track, if you really listen, they do one line from “Here Comes The Sun.” So in a way, it’s the four of us.” Apart from Ringo (drums, vocals) and McCartney (bass, backing vocals), the recording features Walsh (guitar); Jim Cox (piano); Rhea Fowler and Bianca McClure (violin); Lauren Baba (viola); Isaiah Gage (cello); and Allison Lovejoy (accordion).

Another nice track on this album is Magic, which was co-written by Starr and Steve Lukather.  “I wrote that with Steve Lukather, who is magic,” commented Ringo. “I made a mistake of telling Steve, “You’re my last best friend,” and so that how we’re live now. And he’s a beautiful guy. He sometimes puts out a hard shell, but he is so soulful. We work well together. And he’s even better when he’s not playing a thousand notes a minute – which he can. He’s the man. I love the man. Don’t tell him. Sometimes Steve’s so happy playing with me, I say, “You’re having too much fun.” In addition to Ringo (drums, percussion, vocals) and Lukather (guitar, piano), other musicians on the recording include John Pierce (bass), Bruce Sugar (synthesizer), as well as Richard Page, Warren Ham, Windy Wagner and Kari Kimmel on backing vocals.

Money (That’s What I Want) is the second cover on the album. I always liked this tune, which was co-written by Berry Gordy and Janie Bradford. Initially recorded by Barrett Strong in 1959, it became the first hit for Motown. In addition to Ringo, the song has been covered by many other artists including The Beatles in 1963. This latest cover features Starr (drums, percussion, vocals), Lukather (guitar), East (bass), Sugar (piano, organ, synthesizer), as well as Maxine Waters and Julia Waters on backing vocals.

The last track I’d like to highlight is Better Days written by songwriter Sam Hollander. “He [Hollander] had written a song out of things I said in an interview in Rolling Stone,” noted Starr. “I loved the sentiment of it – he had one verse about spending too much time in hospitals, but I didn’t want to even sing that verse – the pity verse. Sam came over and I put the vocals on, and said, `You produce this one,’ but Sam said, “Well, you’re going to do drums.” So, I went in and played it through twice.” I like two takes. And he took “Better Days” away and did it.” Performing on Better Days are Starr (drums, percussion, vocals), Grant Michaels (piano), Peter Levin (organ), Kaveh Rastegar (bass), Pete Min (guitar), James King (horns), as well as Zelma Davis and Garen Gueyikian (backing vocals).

The last word shall belong to Ringo. “When I was a teenager, my mom always said, “Son, you’re at your happiest when you’re playing.” And it’s still true to this day. I’m blessed. I had a dream back when I was thirteen, and just last night I played with all my friends at the Greek, and I’ve been putting together All-Starr bands for 30 years. And it’s still a thrill.” Well said. And it shows!

Sources: Wikipedia, Ringo Starr website, YouTube

Vocals In Perfect Harmony

I dig vocals. Great vocals. Especially multi-part harmony singing. Big time! As some visitors of the blog know, that’s why I sometimes can get a bit impatient when it comes to instrumentals. Don’t get me wrong, listing to such music can be very enjoyable. But after a while, I tend to start missing vocals. This gave me the idea to put together a post about tunes featuring great harmony singing.

Admittedly, this is a somewhat random list. I didn’t want to overthink it. Let’s kick it off with The Beach Boys. While I generally wouldn’t call myself a huge fan of their music, much of which sounds quite repetitive to my ears, especially their early tunes, I’ve always loved how these guys could harmonize. One example I like in particular is In My Room. Credited to music genius Brian Wilson and Gary Usher, an early outside collaborator, the track was included on the band’s third studio album Surfer Girl from September 1963. It also appeared separately as a single in October that year.

One of the first bands that comes to my mind when thinking about harmony vocals are Crosby, Stills, Nash & Young. Boy, when they get into it, they sound like they came from some other planet. Here’s Carry On, the opener to CSNY’s amazing second studio record Déjà Vu. Stephen Stills wrote this song. Harmony singing doesn’t get much better than that, in my humble opinion!

Perhaps the next choice may surprise you: Huey Lewis and the News. Say what? While undoubtedly that band primarily was known for slick pop rock and hits like I Want A Drug and The Power Of Love, these guys could also sing. Don’t believe me? Check out their a cappella version of It’s Alright  – and, yes, have a good time! The song was first recorded in 1963 by The Impressions and written by the great Curtis Mayfield. Huey Lewis and the News recorded their a cappella cover in 1993 for a tribute album to Mayfield titled People Get Ready: A Tribute to Curtis Mayfield. No matter how you feel about Lewis, this take is just awesome!

Speaking of Curtis Mayfield and The Impressions, why don’t we throw in one of their other tunes and a clip of them performing it: People Get Ready. I’ve said it before and I’m not ashamed to say it again, sometimes music really moves me. And, yes, it can bring me to tears, depending on my mood. This is one of these tunes, which was the title tack of the band’s fourth studio album released in February 1965. It’s another composition by Mayfield.

A band I dig for both their music and their singing are the Eagles. One of the best illustrations of their vocal power I can think of is Seven Bridges Road. What I hadn’t known until now is that it’s not an Eagles tune, which for some reason I had always assumed. Nope, it was actually written by American country singer Steve Young in 1969. He also recorded it that year for his debut album Rock Salt & Nails. The Eagles version, which became the most popular cover of the song, was inspired by Iain Matthews’ take of the tune he recorded for his 1973 album Valley Hi. I realize, it’s a bit of a convoluted background story, but you have to give credit where credit is due. This finally brings me to the Eagles’ cover, which they recorded for their Eagles Live album from November 1980. It just sounds breathtaking!

If you looked at the image on top of the post, you already may guess what’s coming next – and last: The Temptations. I think to say that harmony singing doesn’t get better than that is not an overstatement. Their multi-part harmonies ranging from very low to very high are simply insane. Here’s Just My Imagination (Running Away With Me).  And, no, this is not an illusion, though it sounds heavenly – is that a real word? In any case, co-written by Motown songwriters Norman Whitfield and Barrett Strong and produced by Whitfield, the song first appeared as a single in January 1971. The tune was also included on the The Temptations’ 14th studio album Sky’s The Limit from April 1971. It became their third no. 1 in the U.S.

I realize there are many more songs I could have included. Feel free to let me know which tunes featuring harmony singing you like.

Sources: Wikipedia, YouTube