Best of What’s New

A selection of newly released music that caught my attention

After the unprecedented events we witnessed in this country earlier this week, it feels somewhat surreal to blog about something completely unrelated. At the same time, the fact new music keeps coming out is reassuring to me. In fact, music has always had a degree of healing power during challenging times and provided a welcome distraction. While ignoring reality can be dangerous, I believe occasionally escaping from it is a good thing to clear your mind and gather strength.

I’m very excited about this week’s Best of What’s New installment, which features indie and country singer-songwriters, a young incredibly talented vintage soul vocalist who knocked my socks off and…well, you’ll need to continue reading to find out yourself. All of this great music was just released yesterday (January 8).

Denison Witmer/River of Music

Dension Witmer is a singer-songwriter from Lancaster, Pa. According to his artist profile on Apple Music, Tagged by many music journalists as one of the most likely songwriters to fill the void left by Elliott Smith in the acoustic indie singer/songwriter movement, [he] catalogs the experiences of young adulthood in almost painfully honest detail. With a soft and sensitive voice that perfectly matches his laid-back 1970s California pop production and subtly expressive guitar work, he has gone from writing in his journal to becoming an intimate of like-minded artists like Damien Jurado and Pedro the Lion over the span of a few albums. Growing up in Lancaster, PA, Witmer picked up the guitar at the age of 16 and was soon showing enough promise to draw the interest of the Innocence Mission’s Don Peris. As Peris became Witmer’s musical mentor, he would oversee and play guitar and keyboard on his apprentice’s first recordings, 2000’s River Bends EP and the much-heralded Safe Away. Here’s the great River of Music, a track from Witmer’s new EP American Foursquare (Simplified). It surely feels good listening to his soothing voice and beautiful guitar-playing. And the lyrics about the power of music perfectly illustrate what I wrote in the intro of this post.

Morgan Wallen/Livin’ the Dream

Country music singer-songwriter Morgan Wallen, who hails from the tiny Tennessee town of Sneedville (about 250 miles east of Nashville), first gained some prominence as a contestant on season 6 of The Voice in 2014. While Wallen didn’t make it to the final, his stint eventually led to a deal with Panacea Records and his debut EP Stand Alone from August 2015. Wallen switched to Big Loud Records thereafter and released his first full-length studio album If I Know Me in April 2018. Livin’ the Dream is a track from his sophomore release Dangerous: The Double Album. This double album features a hefty 30 tunes, many prominent country songwriters and a guest appearance by Chris Stapleton. Livin’ the Dream, a tale about life as a “rock star,” was co-written by Wallen, Ben Burgess, Jacob Durrett and Michael Wilson Hardy, aka Hardy.

Barry Gibb/To Love Somebody

Yep, that’s Barry Gibb, formerly of the Bee Gees. I recently covered them in a four-part series here (part 1), here (part 2), here (part 3) and here (part 4). All I’d like to say in this post is if you think the Bee Gees were just a disco band, I’d encourage to take a closer look at their music or read my series. Was it necessary for Gibb, the group’s only surviving member, to come out with Greenfields: The Gibb Brothers’ Songbook, Vol 1., an album of newly recorded versions of mostly famous Bee Gees songs? Probably not – on the other hand, why not! The Bee Gees’ catalog is full with well crafted songs. Co-written by Barry Gibb and Robin Gibb, To Love Somebody is among my favorite early Bee Gees tunes. It initially appeared on Bee Gees’ 1st, the group’s first internationally released full-length studio album that was released in July 1967 in the UK and appeared the following month in the U.S. The newly recorded version features Jay Buchanan, lead vocalist of American rock band Rival Sons. The album also includes many other guests, mostly from country music, a favorite genre of Barry’s, such as Little Big Town, Dolly Parton and Sheryl Crow. Be cynical about it, if you like. I dig and stand behind these songs and the Bee Gees!

Aaron Frazer/ If I Got It (Your Love Brought It)

According to his website, Aaron Frazer is a Brooklyn-based, Baltimore-raised songwriter [who] first came into the international spotlight as multi-instrumentalist and co-lead singer for Durand Jones & The Indications. He penned some of the group’s most notable tracks, including ‘Morning In America,’ and sang lead on ‘Is It Any Wonder?’ – the latter an instant sweet soul classic anchored by Aaron’s falsetto, which caught the ear of producer and Black Keys guitarist Dan Auerbach…Soft-spoken with the look of a slightly disaffected 1950s matinee idol, Aaron Frazer possesses a unique voice that’s both contemporary and timeless. His higher register conveys a wide emotional palate and a progressive worldview in the tradition of musical masterminds like Curtis Mayfield. While Aaron’s stirring falsetto and thoughtful songwriting have made him established in the world of revival soul music, he refuses to be pigeonholed. That falsetto is in beautiful action on If I Got It (Your Love Brought It), a tune from Aaron’s debut album Introducing…, which was produced by Auerbach. The song was co-written by Frazer, Auerbach and David Ferguson. So good! check it out!

Sources: Wikipedia; Apple Music; Aaron Frazer website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

After having compiled this weekly recurring feature for about nine months, I’ve developed a pretty good methodology to find new music. As more frequent visitors of the blog know, the madness doesn’t include the mainstream charts. Sometimes it’s pretty easy, other times it requires more work. This week fell into the latter category. I’m still quite happy with this new installment that features various flavors of rock, including alternative, kickass classic, indie and country.

Glom/Merit

Glom from Brooklyn, New York are a classic alt-rock inspired, fuzzy alt-rock act, according to their profile on Bandcamp. Based on this interview with Two Story Melody from March 2019, it sounds like while members of Glom have been friends and played together in various bands since their early high school years, the group only formed in 2017. Bandcamp lists Sean Dunnevant (guitar, bass, vocals), Peter Beiser (guitar, piano, vocals), Sahil Ansari (guitar, drums, percussion, synthesizer), Jonathan Crandall (synthesizer, piano, percussion), Jonathan Harwood (percussion) and Jordan Wolfe (drums, percussion, synthesizer). Merit, written by Dunnevant, is the title track of Glom’s new album released yesterday (Dec 4). It’s a quite catchy tune. Based on sampling a few other tracks on the album, these guys seem to have a knack for melodies that are easy on the ears.

Greta Van Fleet/Age of Machine

Age of Machine is the second single from Greta Van Fleet’s next album. When the kick-ass rocker appeared yesterday, the Michigan band also revealed their second full-length studio release will come out on April 16, 2021 and be titled The Battle at Garden’s Gate, Spin reported. “There was a lot of self-evolution happening during the writing of this album that was prompted by experiences I had, experiences we all had, so a lot of contemplation occurred,” explained vocalist Josh Kiszka.  “It’s reflecting a lot of the world that we’ve seen, and I think that it’s reflecting a lot of personal truth,” observed guitarist Jake Kiszka. “I suppose that everything has changed except what got us here in the first place,” added Sam Kiszka, the third of the Kiszka brothers and bassist of the band that also includes drummer Danny Wagner. Greta Van Fleet’s classic rock orientation has generated lots of excitement and, as you’d expect, some criticism over its Led Zeppelin-influenced sound. I think the new single provides more evidence that Greta Van Fleet have evolved in finding their own unique style. Really looking forward to hearing more from that album!

Juniper/Angelina

Juniper are an indie rock band from the Boston area. They were formed in the spring of 2017 by Scott Johnson, Ahren Shreeve and Alejandro Marin. In September that year, they released their eponymous debut EP. Another EP, For the First Time, came out one year later. On their website, Juniper describe their sound as “unique” with “diverse influences of alternative rock, folk, R&B and bedroom pop” – the latter being yet another genre I had not heard of before. Currently, they are working on their debut album. Meanwhile, here’s their new single Angelina. And, nope, the lovely young woman in the video isn’t Angelina.

The Wild Feathers/My Truth

Let’s wrap it up with The Wild Feathers, a country rock band founded in 2010 in Nashville, Tenn. According to a bio on AllMusic, they prefer the term “American” over Americana when describing their sound, which falls somewhere between the earnest, neo-Southern rock of the Black Crowes, the bluesy swagger of the Black Keys, and the wide-open-road country-rock of the Eagles. The band’s current lineup features founding members Ricky Young (guitar, vocals), Taylor Burns (guitar, vocals) and Joel King (bass, vocals), as well as Ben Dumas (drums). The Wild Feathers began touring frequently in 2013, playing with artists like Bob Dylan, Willie Nelson and ZZ Ward. Their eponymous debut album appeared in August 2013. My Truth is a new original song from the band’s most recent fourth album Medium Rarities, which according to a review in Glide Magazine is a collection of covers, demos, B-sides and a handful of new tunes. My Truth is a great track co-written by King, Young and country singer-songwriter Brett James.

Sources: Wikipedia; Bandcamp; Two Story Melody; Spin; Juniper website; Juniper Facebook page; AllMusic; Glide Magazine; YouTube

23-Year-Old Southern Rock Guitarist Marcus King Shines On Soulful Solo Debut

Two weeks ago, I blogged about Playing For Change and that organization’s incredible videos produced with musicians from all over the world, covering well-known songs. One of the clips I highlighted was The Weight, featuring Robbie Robertson, Ringo Starr and professional musicians from eight other countries. The first thing I thought was, ‘how cool is it that Robertson and Starr are in the video. My second thought: ‘The young dude playing guitar and singing is killing it on vocals with his soulful voice. That guitarist was 23-year-old Marcus King. Earlier today, I listened to his solo debut album El Dorado and have to say I’m pretty blown away!

King who hails from Greenville, S.C. is not a newcomer. In fact, he has performed for a whopping 15 years! After beginning to play guitar at a very young age, already as an eight-year-old he started to be on stage with his father Marvin King, a professional blues guitarist. In 2013, as a 15-year-old, he formed the Marcus King Band. In October 2015, their debut album Soul Insight appeared. They have since released two additional records and two EPs. El Dorado, which came out on January 17 this year, was produced by Dan Auerbach of the Black Keys. Let’s get to some music!

Here’s the beautiful opener Young Man’s Dream. Spill Magazine called it reminiscent of Neil Young’s After the Gold Rush era. With King’s high pitched vocals and the tune’s sound, I think that’s not too far-fetched. Co-written by King, Auerbach and Nashville singer-songwriter Pat McLaughlin, the track also has some early Rod Stewart feel. It’s just cool!

The Well, a nice blues rocker that’s right up my alley, was co-written by King, Auerbach and Ronnie Bowman, a bluegrass vocalist and songwriter. I dig the main guitar riff and sound of that tune. Check it out!

Next up is Wildflowers & Wine, another co-write by King, Auerbach and Bowman. I really find it impressive how much soul the 23-year-old has in his vocals. That’s three great songs in a row, which already make it worthwhile to listen to this album.

There’s more. How about some country? Ask and you shall receive. Here’s Sweet Mariona, yet another tune co-written by King, Auerbach and Bowman. Listen to that sweet-sounding pedal steel guitar!

Another soul gem with a dose of country flair is Beautiful Stranger. I also love the gospel type backing vocals. To write this song King and Auerbach teamed up with country singer-songwriter Paul Overstreet.

The last track I’d like to call out is Too Much Whiskey, another co-write by King, Auerbach and Overstreet. It’s a great mix of blues and country.

In addition to King (lead vocals, guitar) and Auerbach (bass, guitar, backing vocals), other musicians on El Dorado include Gene Chrisman (drums), Matt Combs (strings), Paul Franklin (steel guitar), Chris St. Hillaire (percussion), Russ Pahl (guitar), Ray Jacildo (Glockenspiel, keyboards), Dave Roe (bass), Mike Rojas (keyboards), Billy Sanford (guitar), Bobby Woods (keyboards), as well as backing vocalists Ashley Wilcoxson and Leisa Hans.

Deservedly, El Dorado has received great reviews. Rolling Stone called it “excellent” and King “one of the most exciting guitarists to break through in years.” NPR’s rock critic Ken Tucker characterized the record as “a real beauty — and a turning-point for King.” Last but not least, Spill Magazine opined the album is a “musical masterpiece.”

King seems to be happy with the result as well, as he should be. “I’m really proud of it,” he told Rolling Stone. And what did Auerbach, who has produced for other artists like Dr. John, Ray LaMontagne and The Pretenders, have to add? “It’s staggering how good he is, how crazy-good his vocals are, how he can go anywhere on guitar.” I think that nicely sums up my sentiments.

Sources: Wikipedia; Spill Magazine; Rolling Stone; NPR; AllMusic; YouTube

What I’ve Been Listening to: Jessy Wilson/Phase

Does it sometimes happen to you as well that suddenly you remember an artist you really liked when you first discovered them but then they somehow completely disappeared from your radar screen? That’s exactly the experience I had earlier today with Muddy Magnolias and their fantastic debut album Broken People from October 2016. I had first come across this urban-R&B-meets-country-and-delta-blues duo of Jessy Wilson and Kallie North in August 2017 and blogged about the record’s title track here.

So when I checked whether they had released any new music in the meantime, it turned out North had left at the end of 2017. That’s too bad since I really dug their sound! But there was some good news. I couldn’t find any trace of North but learned Wilson went on to release her solo debut Phase in May 2019. And while at least initially I don’t like it as much as Broken People, there are some pretty intriguing tunes on this album.

MuddyMagnolias
Jessy Wilson (left) and Kallie North

Before getting to the record, I’d like to say a few words about Wilson. She grew up in Brooklyn, New York, listening to artists like Aretha Franklin, Gladys Knight, Curtis Mayfield, Lauryn Hill, Jay-Z and Biggie. After high school, Wilson became a backup singer, working and touring with artists like Alicia Keys, Usher, Kanye West, Faith Hill and Macy Gray. She also met John Legend who became her mentor. In 2013, she decided to strike out on her own as a full-time songwriter and moved to Nashville, Tenn.

There she met North, who originally hailed from Beaumont, Texas, and had worked as a photographer before deciding to pursue a career in music. Eventually, Muddy Magnolias got to Third Generation Records, which released their above-mentioned debut in October 2016. North left at the end of 2017. While her departure was a surprise to those following the band and no official reason was given at the time, Wilson during a November 2019 interview with NPR said she had seen it coming. Unlike Wilson who had been well accustomed to the ebbs and flows of the music business and the demands of touring, the lifestyle became too overwhelming for a married woman like North whose husband as a farmer could not accompany her on the road.

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Wilson decided to soldier on by herself. Not only that but she already had decided she wanted to work with Patrick Carney, drummer for the Black Keys. “Growing up in New York listening to hip hop…but still loving rock & roll music, I really became infatuated with the Black Keys,” Wilson told NPR. “And it was not just because it was rock music, it was music that was informed by all of the other stuff I really love. You know, when I would listen to Dan’s (Auerbach) vocals, I could hear Smokey Robinson in there. When I would listen to Patrick’s drumming, I could hear like that Wu-Tang girth, just like swag…for my ears and my taste, they were the only rock band that struck me that had like that swag, that street swag.”

Apparently, it took Wilson some time to convince Carney who initially did not appear to be impressed with her songs. But eventually, he agreed to work with her. This resulted in 11 tracks that with one exception are all co-written by Wilson, Carney and Jim McFarlin. In addition to being the producer, Carney also provides drums, bass, guitar and keyboards. McFarlin handles keyboards and backing vocals, while Wilson sings lead and backing vocals and plays keyboards. Other musicians on the album include Casey Kaufman (cello) and Steve Marion (guitar). Let’s get to some music.

Here’s the great opener Oh, Baby!

Clap Your Hands is an intriguing mix of hip hop, rock and R&B. Here’s the official video.

Waiting On… is a beautiful soulful ballad and a standout on the album. The tune is credited to an army of people who in addition to Wilson, Carney, McFarlin and Wilson’s former partner Kallie North include Luke Enyeart, Weldon Irvine, Calvin Knowles and interestingly Nina Simone. Not sure what the deal with Simone is – perhaps they sampled a part of one of her songs.

Another cool tune is aptly called Stay Cool.

Let’s do one more: Cold In the South.

Phase definitely is outside my core wheelhouse. But lately, the boundaries of that core wheelhouse have started to become a bit fuzzy. Plus, at the end of the day what really matters is whether I dig music or not.

Sources: Wikipedia; NPR; AllMusic; YouTube