On This Day in Rock & Roll History: December 30

Before this year and decade are finally over, I thought why not throw in another installment of this recurring feature. For first-time visitors, the idea of these posts is simple: Look what happened on a specific date in rock throughout the decades. Admittedly, it’s a rather arbitrary way to cover music history. Moreover, these posts reflect events I find interesting and are not supposed to be comprehensive summaries. Usually, the selections are heavily focused on the ’60s and ’70s, which generally are my favorite music decades. This time, I’m also throwing in two birthdays. With that being said, let’s get to it!

1928: Ellas McDaniel (born Ellas Otha Bates), the American artist who became known as Bo Diddley, was born in the tiny city of McComb, Miss. When he was six years old, the McDaniel family who had adopted him from his mother, moved to Chicago, where the boy studied the trombone and the violin before taking up the guitar. Initially, he played on street corners with friends. By 1951, he had secured a regular gig at Chicago South Side’s 708 Club. In April 1955, then already known as Bo Diddley, he released his namesake tune featuring his signature Bo Diddley beat. Diddley, who passed away on June 2, 2008, influenced many artists, such as early rock & rollers Buddy Holly and Elvis Presley, as well as The Beatles and The Rolling Stones. Here’s Bo Diddley, his only tune to top the Billboard Hot R&B chart.

1947: Jeffrey (Jeff) Lynne was born in the Birmingham suburb of Erdington, England. Jeff got his first (acoustic) guitar as a child from his father Philip Lynne. In 1963, he formed his first band, The Rockin’ Hellcats – that’s when bands still had fun names! Three years later, Jeff joined Birmingham rock group The Idle Race as lead guitarist, keyboarder and vocalist, and played on their first two albums. While the band developed a cult following, it did not achieve commercial success. In 1970, Lynne’s friend Roy Wood invited him to join The Move, the band that eventually morphed into Electric Light Orchestra. After a successful run that lasted 11 albums and 15 years, ELO disbanded in 1986. In 2000, Lynne revived ELO, but until 2013, they mostly released re-issues and played occasional mini-reunions. Since 2014, the band essentially has been a Jeff Lynne project billed as Jeff Lynne’s ELO and released two albums. Lynne also was a co-founder of Traveling Wilburys. In addition to producing for “his” bands, Lynne produced for many other artists, such as Dave Edmunds, Tom Petty, George Harrison, Paul McCartney and Joe Walsh. Here’s Livin’ Thing from ELO’s sixth studio album A New World Record, released in July 1976. Like most ELO tunes, the song was written by Lynne who turned 72 years today. Happy birthday!

1967: For the 15th time, The Beatles stood at no. 1 on the Billboard Hot 100, this time with Hello, Goodbye. Written by Paul McCartney, the tune was released as a non-album single in November 1967, backed by I’m The Walrus. According to Songfacts, John Lennon wasn’t fond of the tune, calling it “three minutes of contradictions and meaningless juxtapositions.” Apparently, he was also mad that his song I’m The Walrus was relegated to the B-side. While Hello, Goodbye has nice harmony singing and a cool bassline, I have to say I’m with Lennon here. The lyrics are silly and the much stronger I’m The Walrus would have deserved to be an A-side release.

1973: Jim Croce topped the Billboard Hot 100 with Time In A Bottle, his second and last no. 1 hit. Sadly, he didn’t get a chance to witness this milestone. On September 20, 1973, Croce was killed in a plane crash during a tour while taking off from Natchitoches, La.  He was en route to Sherman, Texas for his next scheduled gig at Austin College. All of the other five people who were on board of the chartered Beechcraft E18S died as well. Time In A Bottle was the third single off Croce’s third studio album You Don’t Mess Around With Jim, which had come out in April 1972. The poetic love song is a timeless gem!

1974: Bob Dylan recorded the take of Tangled Up In Blue that ended up on his 1975 album Blood On The Tracks while visiting his brother David for the holidays in Minnesota. Written in the summer of 1974, the tune deals with personal matters Dylan was going through at the time, including his failing marriage to his first wife Sara Dylan (born Shirley Marlin Noznisky). Dylan had first recorded the song with producer Phil Ramone in New York but not released it. During the session that generated the album version, Dylan asked Kevin Odegard, a local singer and guitarist who had been brought in to support the recording, what he thought about the song. Odegard suggested changing the key from G and A. Dylan gave it a try and apparently was satisfied with the outcome. Odegard never received any credit on the record but graciously said the experience was instrumental in launching his own successful music career.

Sources: Wikipedia; This Day In Music; Songfacts; This Day In Rock; YouTube

If You Can’t See The One You Love, See The One You Can – Part 2

As more frequent visitors of the blog know, I generally dig tribute bands and wrote a feature about some of them about a year ago. While then I did not plan a part 2, the reality is I’ve seen many more tribute acts than I could ever feature in one post. So, who knows, this may turn into a series of occasional posts with additional parts in the future. For now, I’d like to focus on part 2. Since I couldn’t figure out in which order to lists the acts, I decided to do so alphabetically.

Almost Queen

As their name suggests, this band is a tribute to Queen. While I could not find public information on the backgrounds of the musicians, these guys from New York surely impressed me when I saw them last September at The Stone Pony in Asbury Park, N.J. Almost Queen are Joseph Russo as Freddie MercurySteve Leonard as Brian MayRandy Gregg as John Deacon and John Cappadona as Roger Taylor. Their delivery of four-part harmonies and Queen’s music, combined with their looks, make for a fun live experience. More information on the band and their impressive touring schedule that extends beyond the tri-state area of New York, New Jersey and Connecticut, can be found on their website and Facebook page. Here’s a sample: We Will Rock You and We Are The Champions.

Beginnings

This tribute to Chicago is one of the most compelling tribute bands I’ve seen, and without meaning to brag, I’ve seen many! Another group from New York, Beginnings is a national act, performing over 100 shows each year – great news for Chicago fans. Founded in the fall of 2002, the band consists of Mason Swearingen (bass, vocals), Johnny Roggio (guitar, vocals), Dan Hendrix (trombone, percussion, vocals), Adam Seely (saxophone, percussion), Doug Woolverton (trumpet, percussion), Scott Chasolen (keyboards, vocals) and Chris Milillo (drums, vocals). Beginnings’ impressive member credits include recording and performing with artists like Peter Frampton, Don Henley, Aretha Franklin, The Temptations and Blood Sweat & Tears, and awards like the Billboard Songwriter’s Award and ASCAP Songwriter’s Award – frankly, way too many credits I can list here! Check out their website and Facebook page for more information. Here’s a great rendition of Just You ‘N’ Me I saw during a recent summer concert. BTW, the band mostly focuses on Chicago’s early and in my opinion best work.

Brit Floyd

This amazing tribute to Pink Floyd is the brainchild of musical director Damian Darlington, who also provides vocals and plays guitar and lap steel. Prior to forming the band in Liverpool, England in 2011, he had played for 17 years with long-running Aussie tribute The Australian Pink Floyd Show. The other members of Brit Floyd include Rob Stringer (keyboards, vocals), Ian Cattell (bass, vocals Chapman Stick, trumpet), Edo Scordo (guitar, vocals), Arran Ahmum (drums), Thomas Ashbrook (keyboards, vocals), as well as backing vocalists Ola BienkowskaAngela CervantesRoberta FreemanEmily Jollands and Jacquie Williams – quite a mighty line-up! For more on this band, read my previous post from March of this year when I saw them in Bethlehem, Pa., and visit their website and Facebook page. Here’s Brit Floyd with Pink Floyd classic Comfortably Numb.

Decade

I have mentioned Decade on previous occasions, but as a huge Neil Young fan, I simply couldn’t resist to include this fantastic tribute from New Jersey in this post. The band revolves around singer-songwriter and Neil Young tribute artist John Hathaway. A life-long fan of Young, Hathaway has faithfully studied this artist in and out, and it shows. While he typically focuses on capturing the music, he can also act like Young, which I have witnessed myself. To bring the Canadian artist’s music to life in its full mighty, Hathaway is usually backed by a varying line-up of other long-time musicians. This clip of Old Man was captured during a gig earlier this year at Tim McLoone’s Super Club in Asbury Park. The backing musicians that night included Gordon Bunker Strout (guitar, backing vocals), Pam McCoy (backing vocals), John Dickson (bass), Bob Giunco (drums), Thomas Stevenson (banjo),  Dave O’Brien (pedal steel guitar), Jeff Levine (keyboards) and James Doyle (guitar, banjo). More information about Decade and John Hathaway is available on Facebook here and here.

The Doobie Others

I really dig The Doobie Brothers, so a tribute I came across last month caught my immediate attention. Ingeniously called The Doobie Others, this six-piece band from New York and New Jersey features Pat Montefusco (lead vocals, guitar), Joe Torres (lead vocals, percussion), Eddie Profet Jr. (bass, backing vocals), Allan Korenstein (keyboards, backing vocals), Mike Quadrino (saxophone, keyboards, backing vocals), Ron Lovisa (lead guitar) and Jim Del (lead & backing vocals, drums). While The Doobie Others mostly seem to perform in the New York-New Jersey-Connecticut tri-state area, their current schedule shows they occasionally venture out to other states on the East Coast. For more information, check their website and Facebook page. Here’s the band in action with Jesus Is Just Alright. Captured during a summer concert last month, the footage doesn’t do their high musical caliber full justice, but I feel you still get a good idea.

Free Fallin

This band from Minneapolis is a great tribute to Tom Petty, one of my all-time favorite artists. Founded in September 2007 and named after one of Petty’s songs, Free Fallin  are Tom Brademeyer (as Tom Petty, guitar & lead vocals), Mark Larsen (as Stan Lynch, drums), Russ Lund (as Ron Blair, bass), Karl Swartz (as Mike Campbell, guitar & vocals), Dale Peterson  (as Benmont Tench, keyboards, percussion & vocals) and Craig Volke (as Scott Thurston, guitar, keyboards, harmonica, percussion & vocals). Free Fallin is a full-time tribute band performing throughout the U.S. and even internationally. Check out their website and Facebook page, as well as this cover of Refugee from last year’s Rock The Farm Festival in Seaside Heights, N.J., which I previously covered here.

Good Stuff

Good Stuff is another outstanding tribute act I covered before here, but similar to Decade, I did not want to leave them out – how could I as a huge Steely Dan fan? Formed about a year ago and named after a Donald Fagen tune, Good Stuff features Mike Caputo (lead vocals), Don Regan  (guitar), Axel Belohoubek  (keyboards), Jay Dittamo  (drums), Scott Hogan (bass), Phil Armeno (saxophones, flute) and vocalists  Deanna Carroll and Linda Ferrano. Among them, these professional musicians have very impressive credits, such as tour pre-production for Madonna and David Bowie, and touring musicians for Chuck BerryBo DiddleyThe Duprees , The Les Paul TrioJose Feliciano and  Keith Emerson – yep, that Keith of ELP. Similar to Beginnings, there is too much to list. I should also mention that in addition to Steely Dan, the band performs music by Gino Vannelli, Sting and Stevie Wonder. While this may look somewhat arbitrary, combining music from these four artists works pretty well. The key is selecting songs that have a common denominator, which is a jazz influence. Check out more about this unique tribute act on their website and Facebook page. Oh, and here’s My Old School.

Kiss The Sky

With the 50th anniversary of Woodstock going on, I’d like to close this post with a compelling tribute act to Jimi Hendrix. Again, if you are a frequent reader of the blog, the name Kiss The Sky may sound familiar, since I covered them before here. The band revolves around Jimi Hendrix tribute artist Jimy Bleu, who actually met Hendrix in 1968 as a teenager. The following year, Bleu attended Woodstock and got one of the guitar straps Hendrix used during his performance there. You can read more about his cool background story in the above post. Kiss The Sky covers music from both the Jimi Hendrix Experience and Band of Gypsys. Bleu’s excellent backing musicians for The Experience include bassist A.J. Hager as Noel Redding and drummer Ted Edwards as Mitch Mitchell. The Band of Gypsys tribute features Jay Powerz as Billy Cox (bass) and James Jaxon as Buddy Miles (drums). You can find more information about this tribute act on their Facebook page. I also encourage you to check out this clip of Voodoo Child I took last October. Filming conditions weren’t ideal, but I think the footage still gives a good impression about this outstanding band.

Pictured in the image on top of the post are (clockwise from upper left corner) Almost Queen, Beginnings, Brit Floyd and Jimy Bleu/Kiss The Sky.

Sources: Almost Queen website and Facebook page; Beginnings website and Facebook page; Brit Floyd website and Facebook page; Decade and John Hathaway Facebook pages; The Doobie Others website and Facebook page; Free Fallin website and Facebook page; Good Stuff website and Facebook page; Kiss The Sky Facebook page; YouTube

 

Good Stuff Celebrates Great Music of Steely Dan, Gino Vannelli, Sting And Stevie Wonder

At first sight, Steely Dan, Gino Vannelli, Sting and Stevie Wonder don’t seem to have many things in common. Of course, each are distinguished artists who became successful during an era when you could easily find great music, even on mainstream radio. Music that involved true craftsmanship. Music that had soul. Music that would grab you. Music that would want you to learn how to play an instrument yourself. At least, that’s what it did to me when I was in my young teens!

While I’m afraid the days when great music was part of the top 40 charts and all you really needed to do find it was switching on the radio are largely gone, there’s something very powerful about great music: It’s here to stay, in some cases even for more than 200 years, when you think about classical composers. And it should be celebrated. Enter Good Stuff, a unique tribute band to the above noted artists.

Mike Caputo
Mike Caputo, founder and lead vocalist of Good Stuff

As regular visitors of the blog know, I enjoy going to tribute shows and have done so quite frequently in recent years. This has included truly outstanding bands, and I’ve written about many of them in the past. Because of that my good blogger buddy Music Enthusiast has even jokingly called me The King of Tribute Bands. And why not? After all, there’s a king of pop, a king of rock & roll, a queen of soul, etc., so wouldn’t you agree it’s appropriate to have a king of tribute bands?😀

Most tribute acts I’ve seen focus on one particular artist or band. So when vocalist Mike Caputo, whom I’ve known for a couple of years, told me he was putting together a tribute band to celebrate the music of Steely Dan, Gino Vannelli, Sting and Stevie Wonder, frankly, I was a bit skeptical at first. Steely Dan made total sense to me. Mike has been a singer, songwriter and musician for more than five decades. From his previous longtime tenure as lead vocalist of a Steely Dan tribute band, I knew he nails the voice of Donald Fagen. But adding three other artists to the mix? Well, it may not be a common concept, but Good Stuff surely pull it off beautifully. And once you listen to their setlist, you realize these songs really work well together.

Good Stuff 2
Good Stuff (clockwise): Mike Caputo, Don Regan, Axel Belohoubek, Deanna Carroll, Jay Dittamo, Scott Hogan, Phil Armeno and Linda Ferrano

Of course, it’s not only about selecting the “right” music from four different artists; it also takes great musicians to implement the concept. Which brings me to the band: Don Regan (guitar), Axel Belohoubek (keyboards), Deanna Carroll (vocals), Jay Dittamo (drums), Scott Hogan (bass), Phil Armeno (saxophones, flute) and Linda Ferrano (vocals). Linda is a recent addition to Good Stuff and alternates vocal duties with Deanna. All of these guys are professional musicians; most of them have been for more than three decades with impressive accomplishments.

For example, Alex’s credits include tour pre-production for Madonna and David Bowie. Phil was a touring backing musician for Chuck Berry, Bo Diddley and The Duprees in the 70s. Chuck Berry and Bo Diddley? Only the thought of playing with these rock & roll pioneers would give me acid reflux. And Phil is so moderate about it! Or take Jay. He has performed nationally and internationally with artists like The Les Paul Trio, Jose Feliciano and Keith Emerson (yep, that Keith of ELP). Scott, the youngest member of the band and a student of Don, has toured with pop group Hanson, Bernie Worrel Orchestra and The Shirelles, among others. In addition to Good Stuff, almost all members also play solo or in other bands. Not surprisingly, all this impressive experience shows!

Time to get to some music! Half of Good Stuff’s show features Steely Dan tunes. As such, the band appropriately selected a name that not only reflects the music they play but is also related to Steely Dan, or more precisely to Donald Fagen. Good Stuff is a Fagen tune from his fourth studio album Sunken Condos released in October 2012. The song I’d like to highlight here is My Old School. Co-written by Fagen and Walter Becker, the tune appeared on Steely Dan’s second studio album Countdown to Ecstasy from July 1973.

Gino Vannelli is the one artist in the mix I’m much less familiar with than the others. Among the handful of his tunes I know and dig is Brother To Brother, the title track of his sixth studio record from September 1978. It’s a jazzy and pretty complex tune, which I think measures up nicely to the Aja album, the gem in Steely Dan’s catalog.

Next up: Sting. Good Stuff has decided to focus on featuring material from the ex-Police man’s fourth solo effort: the excellent Ten Summoner’s Tales, which happens to be my favorite Sting album. Here’s Heavy Cloud No Rain. Like the majority of the album’s tracks, the tune was entirely written by Sting.

The last song I’d like to call out is Don’t You Worry ‘Bout A Thing by Stevie Wonder. This great tune is from his 16th studio album Innervisions, which is widely considered to be one of the highlights of Wonder’s long catalog. He is one of my all-time favorite artists, and I would have loved to see him last year in Atlantic City during his short summer tour. But with ticket prices starting at $350, it was simply impossible.

It’s still relatively early days for Good Stuff. So far, they haven’t ventured beyond New Jersey. In fact, next Saturday, March 23, they will play Tim McLoone’s Supper Club, a great performance venue in Asbury Park, the hotbed of Jersey’s music scene. Mike told me he is starting to receive an increasing amount of queries from agents, including from out of state. As such, folks who do not reside in the Garden State may get a chance to see the band in the future. In case you’d like to further check them out, visit their website or Facebook page.

Sources: Wikipedia, Good Stuff website, YouTube

What I’ve Been Listening To: Eric Clapton/461 Ocean Boulevard

1974 album marked Slowhand’s triumphant return to music after three-year heroin addiction

461 Ocean Boulevard represented a clear break for Eric Clapton from his hardcore blues rock-oriented days with John Mayall & The Bluesbreakers, The Yardbirds, Cream and Derek and the Dominos. I’m a fan of all the aforementioned bands but also dig the more laid back side Clapton showed on his second studio solo album, which was released in July 1974.

It’s important to remember this record came after a three-year hiatus during which Clapton had overcome a heroin addiction. As the great documentary Eric Clapton: Life In 12 Bars tells, he tragically ended up replacing heroin with alcohol before finally getting sober in 1987. Clapton had also grown weary about his previous status as a “guitar god,” so he was clearly looking for a new start.

The album opens with a cover of Motherless Children, a blues standard that was first recorded by American gospel blues singer Blind Willie Johnson in 1927. The sped up beat gives the tune a great groove. I also like Clapton’s slide guitar playing.

The second track Give Me Strength is one of three tunes, for which Clapton has writing credits. I dig the dobro he plays on that track, something that at the time of the album’s release seemed to irritate a Rolling Stone critic, who also noted, “What’s disturbing is not that Clapton plays differently, but that he plays so little.” In my humble opinion, knowing when and how to show restraint is part of being a great guitarist.

Willie And The Hand Jive is one of two songs that were also released separately as singles. The tune was written by Johnny Otis and first appeared in 1958. Like the original version, Clapton’s take has a cool Bo Diddley beat.

The second and undoubtedly much better known single from the record is I Shot The Sheriff, a nice cover of the Bob Marley tune. I really like the slightly funky guitar sound and the keyboard part on this recording. It became a big hit for Clapton, hitting no. 1 in the U.S. on the Billboard Hot 100, and also topping the charts in Canada and New Zealand. According to Wikipedia, years later Marley told Clapton he liked his cover.

Next up: Let It Grow, which is my personal favorite on the album and another tune written by Clapton and on which he plays the dobro. Yvonne Elliman sings backup vocals. Before joining Clapton’s band in 1974, she had played Mary Magdalene in the musical Jesus Christ, Superstar. Elliman also scored a hit with If I Can’t Have You in 1978, which became part of the soundtrack of the motion picture Saturday Night Fever. Music critics noted the chord progression of Let It Grow is similar to Led Zeppelin’s Stairway To Heaven, something Clapton himself acknowledged. I wonder whether those same critics also worried about the similarity between Stairway and Taurus, the instrumental by Spirit.

The last track I’d like to call out is Steady Rollin’ Man, a song written by Robert Johnson, one of Clapton’s influences. In fact, 30 years later, he would record Me And Mr. Johnson, an entire album dedicated to the delta blues artist. This is another example where Clapton took an old blues tune and gave it new life and a nice groove by speeding it up.

While 461 Ocean Boulevard received mixed reviews from music critics, it became one of Clapton’s most successful albums with strong chart performances in the U.S. and many other countries. In August 1974, it was awarded Gold status by the Recording Industry Association of America. And, oh yes, it’s also listed at no. 409 in Rolling Stone’s 2012 list of the 500 Albums Of All Time – the same publication whose critic ripped it apart when it originally appeared.

This post wouldn’t be complete without acknowledging the musicians who helped Clapton record the album. Some critics felt they were less than capable – yes, there was no John Mayall, Ginger Baker, Jack Bruce or Duane Allman, but to say that Clapton’s band essentially was mediocre is simply ridiculous, in my opinion.

The musicians included Dick Sims (keyboards), George Terry (guitar, vocals), Carl Radle (bass), Jamie Oldacker (drums, percussion), Al Jackson Jr. (drums on Give Me Strength and Albhy Galuten (synthesizer, piano, clavichord). In addition to Elliman, Tom Bernfield and Marcy Levy were backing vocalists.

Last but not least, the album was produced by studio wizard Tom Dowd. This certainly helps explain the great sound.

Sources: Wikipedia, Rolling Stone, YouTube