This is the 60th installment of my music history feature, which explores select happenings on a specific date over time, mostly focusing on the ’60s and ’70s. While not surprisingly by now I have a well-defined system in place how I go about gathering facts for these posts, I still enjoy writing them. So let’s embark on another time travel journey and take a look back at some of the events on March 9 throughout rock and pop music history. As always, the selections reflect my music taste and, as such, are not meant to be a complete list.
1967:The Beatles began work on Getting Better in Studio 2 of Abbey Road’s EMI Studies as part of the recording sessions for their next studio album Sgt. Pepper’s Lonely Hearts Club Band. The song was mainly written by Paul McCartney with some lyrical input from John Lennon. During the late evening session, the tune’s rhythm track was recorded: McCartney’s rhythm guitar and Ringo Starr’s drums on track one; McCartney’s guide vocals on track two; a pianette (type of electric keyboard) played by George Martin on track three; and some additional drums on track four. Subsequently, a so-called reduction mix was created to free up additional tracks on the tape (eight-track recording would only start to become available in 1968). The Beatles and the studio crew called it a night, or I guess I should rather say an early morning, at 3:30 am (March 10). They devoted three additional sessions to the tune, evidently figuring it was getting better all the time. How do I know all of that? I don’t! Wait, what?! Well, there’s The Beatles Bible that captures all these details for the music geeks among us. 🙂
1973: American blues and boogie rockers Canned Heat released their ninth studio album The New Age. It was the first to feature guitarist James Shane and keyboarder Ed Beyer. At that time, Canned Heat had already lost key co-founder Alan “Blind Owl” Wilson who had died from a drug overdose in September 1970. Wilson had written and co-written the band’s biggest U.S. hit singles Going Up the Country and On the Road Again, respectively, and sung lead vocals on both. Here’s the opener Keep Clean written by Bob Hite, the band’s other key co-founder who since passed away as well in April 1981, also due to drugs. Unfortunately, Canned Heat has been hit hard with drug-related deaths. Fun fact: According to Wikipedia, renowned rock critic Lester Bangs was fired by Rolling Stone for writing a “disrespectful” review of the album at the time it came out.
1987: Irish rock band U2 released their fifth studio album The Joshua Tree. Fueled by hit singles With or Without You, I Still Haven’t Found What I’m Looking For and Where the Streets Have No Name, it topped the charts in more than 20 countries and became U2’s all-time top-seller. With over 25 million copies sold, it’s also one of the world’s best-selling albums. Produced by Brian Eno and Daniel Lanois, The Joshua Tree yielded two 1988 Grammy awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal. While it undoubtedly created over-exposure for U2, I feel The Joshua Tree is holding up pretty well to this day. Here’s one of the tunes that wasn’t released as a single, which I’ve come to dig over the years as one of my favorites: Red Hill Mining Town. Like all other tracks on the album, Bono provided the lyrics, while the music was credited to the entire band.
1993:Sting put out his fourth solo album Ten Summoner’s Tales, which remains my all-time favorite by the ex-Police front man. If I see this correctly, it became Sting’s best-selling album. It also received six 1994 Grammy nominations and won three: Best Engineered Album, Non-Classical, Best Music Video, Long-Form, and Best Vocal Performance, Male (for If I Ever Lose My Faith in You). Here’s the beautiful Shape of My Heart, co-written by Sting and his longtime sideman, guitarist Dominic Miller.
Sources: Wikipedia; Songfacts Music History Calendar; The Beatles Bible; YouTube
This is the fourth installment in a row of my recently introduced feature that highlights six random songs I like. I’m becoming cautiously optimistic I can keep up the pace and make this a weekly recurring series.
Irish folk group Clannad was formed in 1970 in the parish of Gweedore located on the Atlantic coast in northwest Ireland by siblings Ciarán Brennan, Pól Brennan and Moya Brennan, together with their twin uncles Pádraig Duggan and Noel Duggan. Initially known as Clann as Dobhar and since 1973 as Clannad, according to Wikipedia, the group has adopted various musical styles over the decades. This includes folk, folk rock, as well as traditional Irish, Celtic and new-age music, often incorporating elements of smooth jazz and Gregorian chant. Clannad’s eponymous debut album came out in 1973. They have since released 15 additional studio albums, the most recent of which, Nádúr, appeared in September 2013. The group remains active to this day, with Ciarán, Moya, Pól and Noel still being part of the line-up. Pádraig passed away in August 2016. Caisleán Õir is the breathtaking opener of Macalla, their eighth studio album from 1985. It became one of their most successful records, partially because of a collaboration between U2’sBono and Clannad vocalist Moya Brennan on the tune In a Lifetime. Macalla brought Clannad on my radar screen in the mid-’80s. The vocals on Caisleán Õir, co-written by Ciarán Brennan and Máire Brennan, still make my neck hair stick up. I recommend using headphones for that tune!
Fretland/Could Have Loved You
Fretland are an Americana band from Snohomish, Wa., which I featured last May in a Best of What’s Newinstallment. Unfortunately, it appears the situation hasn’t changed, and publicly available information on this band continues to be very limited. Fretland were founded by singer-songwriter Hillary Grace Fretland (vocals, guitar). The line-up also includes Luke Francis (guitar), Jake Haber (bass) and Kenny Bates (drums). Could Have Loved You is the opener and title track of the band’s upcoming sophomore album scheduled for March 26. Here’s the official video of the pretty tune, which was written by Hillary Grace Fretland. Her voice reminds me a bit of Sarah McLachlan.
John Mellencamp & Carlene Carter/Indigo Sunset
Heartland rock and Americana singer-songwriter John Mellencamp, one of my long-time favorite artists, needs no introduction. To country music fans, the same is probably true for Carlene Carter, the daughter of June Carter Cash and her first husband Carl Smith, who just like June was a country singer. June’s third husband, of course, was the man in black, Johnny Cash. With so much country in the gene pool, it’s perhaps not surprising Carlene became a country artist as well – and a pretty talented one I should add! During Mellencamp’s 2015–2016 Plain Spoken Tour, where Carter opened each show for him, the two artists started writing songs together. Eventually, this resulted in Sad Clowns & Hillbillies, Mellencamp’s 23rd and most recent studio album of original material, which was released in April 2017. Here’s one of the tunes Mellencamp and Carter wrote and performed together, the beautiful Indigo Sunset. I absolutely love this song. Check out the incredibly warm sound. I also think Mellencamp’s and Carter’s voices go perfectly with each other, even though they couldn’t be more different.
Simply Red/If You Don’t Know Me By Now
British pop and soul band Simply Red were formed in Manchester in 1985. They came very strongly right out of the gate with their studio debut Picture Book from October 1985. The album, which spawned various popular singles including Money’s Too Tight (to Mention) and Holding Back the Years, brought the group around smooth lead vocalist and singer-songwriter Mick Hucknall on my radar screen. After a four-year break between 2011 and 2015, they remain active to this day and have released 12 albums as of November 2019. Their amazing cover of If You Don’t Know Me By Now was included on their third album A New Flame that appeared in February 1989. It became hugely successful, topping the charts in the UK, Switzerland and New Zealand, and placing within the top ten in various other countries, except the U.S. where it stalled at no. 22. If You Don’t Know Me By Now was co-written by songwriting and production duo KennyGamble and Leon Huff, who are credited for developing the so-called Philly sound. The tune was first recorded and released in 1972 by Philly soul group Harold Melvin & the Blue Notes. Man, Hucknall’s got soul – so good!
Formed in London in 1970, folk and pop rock group America was one of the bands my sister unknowingly introduced me to as a 7 or 8-year-old. She had their first greatest hits compilation History: America’s Greatest Hits, a fantastic introduction to the group. I realize the trio that originally consisted of Dewey Bunnell (vocals, guitar), Dan Peek (vocals, guitar) and Gerry Beckley (vocals, bass) sometimes is dismissed as a copy of Crosby, Stills & Nash. Even if you think that’s true, I’d consider it to be a compliment; because that comparison largely stems from America’s harmony singing. How many bands can you name that sing in as perfect harmony as CSN? Or America, for that matter? Anyway, Ventura Highway, written by Dewey Bunnell, is the opener of America’s sophomore album Homecoming from November 1972. Every time I hear that song, I picture myself driving in some convertible on the California coastal Highway 1, with the free wind blowin’ through my hair. BTW, America exist to this day, with Bunnell and Beckley still being around. Peek, who left the group in 1977 and became a born again Christian, passed away in July 2011 at the age of 60.
You didn’t really think I could do a Sunday Six without at least one ’60s tune, did ya? Of course, you didn’t! I trust you’ve heard about British rock trio of ingenious bassist and vocalist Jack Bruce, guitar god Eric Clapton and drummer extraordinaire GingerBaker. Co-written by Clapton, producer Felix Pappalardi and Gail Collins, Strange Brew is the opener of Cream’s second studio album Disraeli Gears that came out in November 1967. If you had asked me, I would have bet Sunshine of Your Love was the highest-charting song from the album. Not so, at least not in the U.K. – turns out Strange Brew climbed to no. 17 there, while Sunshine of Your Love peaked at no. 25. In the U.S. it was different. Sunshine surged all the way to no. 5 on the Billboard Hot 100, while Brew didn’t chart at all. Funny how these things can go – perhaps it was too strange for American taste!
One man come in the name of love/One man come and go/One man come here to justify/One man to overthrow…
As the U.S. observes Martin Luther King Day today, it felt right to feature this tune. Pride (In the Name of Love) may have been over-exposed. It’s certainly been criticized for its lyrics, as have U2 for their grandiose concerts. I can also see why Bono’s frequent political activism for hunger, the poor and other causes while becoming a very wealthy man in the course of it all can rub people the wrong way. And yet I’ve always loved this song.
Bono’s singing is simply amazing, while The Edge provides a cool and unique guitar sound that’s truly signature. While the lyrics may not teach a lot about Dr. King, I still believe the words are powerful. And, call me naive, I also believe being a force for good while becoming rich don’t have to be mutually exclusive.
…In the name of love/One more in the name of love/In the name of love/ One more in the name of love…
Pride (In the Name of Love), composed by U2 with lyrics by Bono, is a tribute to Martin Luther King, Jr. The lyrics were inspired by U2’s visit of the Chicago Peace Museum in 1983, which featured an exhibit dedicated to the civil rights leader. Initially, Bono had intended to write a song criticizing then-U.S. President Ronald Reagan for his pride in America’s military might.
…One man caught on a barbed wire fence/One man he resist/One man washed up on an empty beach/One man betrayed with a kiss…
But as Songfactsnotes, Bono came to the conclusion lyrics condemning Reagan weren’t working. “I remembered a wise old man who said to me, don’t try and fight darkness with light, just make the light shine brighter,” he told NME. “I was giving Reagan too much importance, then I thought Martin Luther King, there’s a man. We build the positive rather than fighting with the finger.”
…In the name of love/One more in the name of love/In the name of love/One more in the name of love…
The melody and chords to Pride were conceived during a soundcheck in November 1983 prior to a U2 show in Hawaii. It was a gig during the band’s supporting tour for their third studio album War that had been released in February of the same year. Like all U2 soundchecks, it was recorded. U2 continued work on the track after the tour and it was subsequently finished as part of the recording sessions for their next album The Unforgettable Fire.
…Early morning, April four/Shot rings out in the Memphis sky/Free at last, they took your life/They could not take your pride…
Pride erroneously suggests Dr. King was shot in the early morning of April 4, 1968. The murder actually occurred just after 6:00 pm local Memphis time – a surprising mistake for Bono who seems to be well read. He later acknowledged his error and in concerts sometimes sings “early evening, April 4.” Why he simply didn’t make that a permanent adjustment beats me – rhythmically, I don’t see an issue.
…In the name of love/One more in the name of love/In the name of love/One more in the name of love…
Pride was first released in September 1984 as the lead single of The Unforgettable Fire, appearing one month ahead of the album. It was U2’s first major international hit, topping the charts in New Zealand; climbing to no. 2 and no. 3 in Ireland and the UK, respectively; and becoming the band’s first top 40 hit in the U.S.
…In the name of love/One more in the name of love/In the name of love/One more in the name of love.
Despite initially getting mixed reviews from music critics, Pride has since received many accolades. Haven’t we seen this movie many times before? The tune was ranked at no. 388 on Rolling Stone’s list of 500 Greatest Songs of All Time in December 2003. Pride is also included in the Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll.
It’s been more than two months since my last installment of this recurring music history feature. And while I’ve already covered 53 different dates since I started the series in 2016, this didn’t include August 8. As always, the idea here is to highlight select events based on my music preferences, not to provide a full listing.
1964: Bob Dylan released his fourth studio album Another Side of Bob Dylan. Th title was appropriate, since the record marked a departure from the more socially conscious songs on predecessor The Times They Are A-Changin’ that had appeared seven months earlier in January 1964. Some critics were quick to complain Dylan was selling out to fame. But Robert Zimmerman rarely seems to care much what others think about his music. Here’s My Back Pages. The tune has been covered by various other artists, including The Byrds, Ramones and Steve Earle, to name a few.
1969: An ordinary pedestrian crossing in London’s City of Westminster inner borough would never be same after it became part of the iconic cover photo of Abbey Road, the actual final studio album by The Beatles from September 1969, even though it was released prior to their official final record Let It Be. The famous shot was taken by Scottish photographer Iain Macmillan, who was then a freelancer. For any photographers, he used a Hasselblad camera with a 50mm angle lens, aperture f22, at 1/500 seconds, according to The Beatles Bible. Following the shoot, Paul McCartney reviewed the transparencies and chose the fifth one for the album cover. After the band’s breakup, Mcmillan also worked with John Lennon and Yoko Ono for several years. Here’s one of my favorite tunes from that album: George Harrison’s Here Comes The Sun.
1970: The third studio album by Blood, Sweat & Tears, ingeniously titled Blood, Sweat & Tears 3, hit no. 1 on the Billboard 200, following its release in June that year. After the success of their preceding eponymous second album from December 1968, which also topped the U.S. charts, the record had been widely anticipated. Here’s Lucretia Mac Evil, a great tune written by the band’s lead vocalist David Clayton-Thomas. The song, which was also released separately as a single, was one of just a handful of original tracks on the album, which mostly included cover versions of tunes from artists like James Taylor, The Rolling Stones and Traffic – apparently part of the reason why it received lukewarm reviews.
1987: I Still Haven’t Found What I’m Looking For, the second single off U2’s fifth studio album The Joshua Tree, topped the Billboard Hot 100, marking the Irish rock band’s second no. 1 song in the U.S. after the record’s lead single With Or Without You. The Joshua Tree, which also topped the charts in Canada, Australia, New Zealand and various European countries, catapulted U2 to international superstardom. Like all other tracks on album, the lyrics of the tune were written by Bono, while the music was credited to U2. Here’s the official video filmed in Las Vegas in April 1987 after the band’s first show in the city.
Sources: Wikipedia; This Day in Rock; The Beatles Bible; Billboard; YouTube
Time for another installment in my long-running, somewhat geeky music history feature. I still get a kick out of researching what happened on a certain date throughout the decades in rock & roll, even though it’s such an arbitrary concept. Admittedly, I’m using the term rock & roll loosely here. It pretty much includes all music genres I dig – hey, it’s my blog, so I get to make the rules. Without further ado, let’s get to March 15!
1967:The Beatles began work on Within You Without You, a song by George Harrison. According to The Beatles Bible, Harrison had written the tune at the London home of longtime Beatles friend Klaus Voormann who first had met the band in Hamburg and had shared a flat with Harrison and Ringo Starr in the British capital in early ’60s. Several musicians from the collective Asian Music Circle played traditional Indian instruments during the recording session. They were joined by Harrison and The Beatles’ then-personal assistant Neil Aspinall on tamburas. “The tabla had never been recorded the way we did it,” commented sound engineer Geoff Emerick. “Everyone was amazed when they first heard a tabla recorded that closely, with the texture and the lovely low resonances.” Within You Without You was included on Sgt. Pepper’s Lonely Hearts Club Band instead of Only a Northern Song, another Harrison tune that would later appear on Yellow Submarine.
1969:Cream hit the top spot on the UK Albums Chart with their fourth and final studio album appropriately titled Goodbye. It would stay in that position for two weeks. Here’s one of the record’s tracks, Politician, which also is one of my favorite Cream tunes. Co-written by Jack Bruce and Pete Brown, Politician was one of three live tracks on the record that were captured on October 19, 1968, at The Forum in Los Angeles during the band’s farewell tour. By the time Goodbye came out in February 1969, Cream had already disbanded.
1975:Black Water, a classic by The Doobie Brothers, climbed to the top of the Billboard Hot 100, the first of only two no. 1 hits the band had in the U.S. The second one was What a Fool Believes in 1979. Penned by Patrick Simmons who also sang lead, Black Water first appeared on the Doobies’ fourth studio album What Were Once Vices Are Now Habits released in February 1974. Interestingly, the initial single release of Black Water was as the b-side to the record’s lead single Another Park, Another Sunday. While it’s not a bad song, you still have to wonder about that decision, which seems to suggest that between the band and the record company, they hadn’t quite noticed what a gem Black Water was.
1986: The Bangles reached no. 2 on the UK Singles Chart with Manic Monday, scoring their first hit, which also peaked at no. 2 in the U.S., Australia, Germany and Ireland, and placed in the top 5 in Austria, Norway, New Zealand and Switzerland. Written by Prince under the pseudonym Christopher, the tune was included on the American pop-rock band’s sophomore album Different Light, which had appeared in January of the same year. I generally find listening to The Bangles fairly enjoyable. In particular, I like their harmony singing, plus they have some pretty catchy songs. Just please spare me with Eternal Flame, which at the time was hopelessly burned by overexposure on the radio back in Germany and I suspect in many other countries. BTW, The Bangles are still around in almost their original lineup. Following the band’s breakup in 1989, they reunited in 1998.
1999:Curtis Mayfield, Del Shannon, Dusty Springfield, Paul McCartney, The Staple Singers, Billy Joel, and Bruce Springsteen were inducted into the Rock and Roll Hall of Fame by Sean Combs, Art Alexakis, Elton John, Neil Young, Lauryn Hill, Ray Charles and Bono, respectively – sounds fucking unreal to me! Springsteen reunited with the E Street Band to perform at the ceremony. Here are Bruce and the boys with Wilson Pickett, performing a scorching version of In The Midnight Hour, a Stax classic Pickett had co-written with Steve Cropper in 1965. Watching Pickett say he wants to kick Bruce in the ass but will keep it light since he’s The Boss and Bruce responding ‘Let’s give it a shot’ is priceless – damn, this wants me to go and listen to some kickass live music, so badly – fuck you, COVID-19!
Sources: Wikipedia; The Beatles Bible; This Day In Music; This Day In Rock; Songfacts Music History Calendar; YouTube
“Bond, James Bond…” These words fascinated me from the very first 007 picture I saw when I was a kid growing up in Germany. I can’t remember how old I was but believe it was Goldfinger. On television. Sean Connery as the British super-spy, the silver Aston Martin DB5 with all the cool features, German actor Gert Fröbe as the ultimate bad guy Mr. Goldfinger – and, since this blog isn’t about movies – the killer title track performed by Shirley Bassey, an amazing vocalist!
Between TV and the movie theater, I pretty much have seen all of the 24 pictures released in the series to date. Of course, the difference between then and now is that I have so much matured that I would never want to be James Bond, driving down a winding road in a DB5 with an attractive woman sitting next to him. But taking a look at the 007 soundtracks sounds legitimate for a music blogger, doesn’t it?
Okay, when it comes to Bond music, we’re not exactly talking Hendrix, Clapton or The Beatles here, though in one case we come close. Plus, 007 title tracks have been performed by an impressive array of artists, such as Carly Simon, Paul McCartney, Tina Turner, Duran Duran and Sheryl Crow, to name a few. Let’s get to some of them – of course, shaken, not stirred! Hence in chronological order.
What could possibly be a better way to kick things off than with the classic James Bond Theme, which first appeared in the film that started it all: Dr. No. from 1962, introducing the movie world to “my 007”, Sean Connery. The piece was written by Monty Norman. John Barry, who composed the soundtracks for 11 Bond movies, arranged it for Dr. No. I’ve always dug the combination of the cool guitar theme that reminds me a bit of Hank Marvin and the jazz orchestra. It’s a timeless movie classic, in my opinion, right up there with Casablanca.
If I could only select one 007 title song, I think it would be the above noted Goldfinger, composed by John Barry with lyrics by Leslie Bricusse and Anthony Newley. This also happens to be my favorite Bond picture. Bassey’s killer vocal performance still gives me goosebumps to this day. Goldfinger peaked at no. 8 on the Billboard Hot 100, giving the vocalist born in Wales, England her only top 40 hit in the U.S., and a no. 21 on the UK Singles Chart.
On to Sir Paul and Live and Let Die. The 1973 picture was the first in the series to star Roger Moore as 007, my second favorite Bond actor and very close to Sean Connery. Co-written by Paul McCartney and his then-wife Linda McCartney, and recorded by McCartney’s band Wings, the tune became the most successful Bond title track up to that point, peaking at no. 2 on the Billboard Hot 100 and reaching no. 9 on the UK Singles Chart. The song also reunited McCartney with Fab Four producer George Martin
In 1977, the 10th Bond movie The Spy Who Loved Me came out. The title track Nobody Does It Better, composed by Marvin Hamlish with lyrics by Carole Bayer Sager, was performed by Carly Simon. It became Simon’s second most successful single in the U.S. and the UK, reaching no. 2 on the Billboard Hot 100 and no. 7 on the UK Singles Chart, respectively.
Jumping to the ’80s, here’s the only Bond track to date that ever topped the Billboard Hot 100: A View to a Kill from the 1985 picture, the last to feature Roger Moore. Co-written by Duran Duran and John Barry and performed by the English new wave band, the song also climbed to no. 2 in the UK, giving Duran Duran one of their biggest hits
The last Bond movie of the ’80s was License to Kill starring Timothy Dalton as 007, not my favorite choice; but I guess following Sean Connery and Roger Moore almost was mission impossible. The title track was co-written by Narada Michael Walden, Jeffrey Cohen and Walter Afanasieff. Gladys Knight performed the tune, marking her last charting solo single in the UK with a no. 6 top position.
This brings us to the ’90s. Who would have ever thought that Bono and U2 would get into the 007 action? Well, they did, writing the title track for the 95 picture GoldenEye, the first to star Pierce Brosnan in the lead role. He’s my favorite “late” 007. The title track, which incorporates a clever dose of nostalgia into a contemporary pop song, was performed by Tina Turner, who may not quite match Bassey’s Goldfinger but undoubtedly was a compelling vocalist.
Let’s pick another one from the same decade: Tomorrow Never Dies from 1997, Brosnan’s second lead role as 007. The title track was co-written by Shery Crow and the song’s producer Mitchell Froom. While the song peaked at no. 12 in the UK, it didn’t chart in the U.S.
This brings us to the current century. I’m not gonna beat around the bush here. The 007 movies and their title tracks haven’t gotten better over the decades. I still wanted to capture two examples from the 21st Century. Here’s You Know My Name from the 2006 picture Casino Royale, the first installment with Daniel Craig. Co-written by Soundgarden frontman Chris Cornell and soundtrack composer David Arnold, the tune was performed by Cornell. If I see this correctly, it was Cornell’s most successful single as a solo artist in the UK, where it hit no. 7. It also reached the top 10 in Denmark, Finland, Norway and Switzerland; it was less successful in the U.S., where it climbed to no. 79.
Last but not least, perhaps you wonder how a 007 title track sounds these days. Ask and you shall receive. Here’s No Time to Die from the upcoming picture, the 25th in the series. Scheduled to hit U.S. movie theaters on April 10, it once again stars Daniel Craig as 007. Co-written by Billie Eilish and her brother Finneas O’Connell, the tune is performed by Eilish. It was released as a single on February 13th and debuted on top of the UK Singles Chart and the Irish Singles Chart. At age 18, the American singer is the youngest artist to write and perform a Bond title track. Apparently, the song is also the first 007 theme track to top the British charts – the times they are a changin!
A two-part feature looking back at music of the decade
Here is the second and final installment of my feature looking back at music and some related events in the ’80s. This part is focused on the second half of the decade. As noted in part 1, it isn’t meant to be a comprehensive review but instead a selection of things I find noteworthy.
To me the key music event during this year and perhaps the entire decade was Live Aid. I was watching it on TV from Germany while simultaneously taping it on music cassette from the radio. Organized by Bob Geldorf and Midge Ure as a fundraiser to fight starvation in Ethiopia, Africa, the benefit concert was conducted on July 13 simultaneously in the U.K. at London’s Wembley Stadium and the U.S. at John F. Kennedy Stadium in Philadelphia. Among others, it featured Status Quo, Queen, U2, David Bowie, The Who and Paul McCartney at Wembley, while some of the performers in Philly included Joan Baez, Madonna, Tom Petty, Bob Dylan, Mick Jagger, Tina Turner and, in a less-than-stellar appearance, a reunited Led Zeppelin featuring Phil Collins on drums. The concerts were watched by an estimated global TV audience of 1.9 billion across 150 countries and raised approximately 150 million British pounds.
Other events that year included the official launch of VH-1 on cable TV in the U.S. (Jan 1); recording of the charity single for Africa We Are The World (Jan 28), co-written by Michael Jackson and Lionel Ritchie and performed by USA For Africa, who apart from Jackson and Ritchie featured Ray Charles, Billy Joel, Cindy Lauper, Paul Simon, Bruce Springsteen, Stevie Wonder and numerous other top artists; release of Dire Straits’ fifth studio album Brothers In Arms, their best-selling record that among others became known for its exceptional sound quality due to its all-digital recording (May 13); Michael Jackson’s purchase of the publishing rights for most of The Beatles’ catalog for $47 million, out-bidding former artistic collaborator McCartney whose success in music publishing had inspired Jackson to increase his activities in the business (Sep 6); and Roger Waters’ announced intention to leave Pink Floyd, which marked the start of a two-year legal battle over the rights to the band’s name and assets.
The biggest hit singles of 1985 were Shout (Tears For Fears), We Are The World (USA For Africa), Take On Me (a-ha), I Want To Know What Love Is (Foreigner) and Material Girl (Madonna). Following is Money For Nothing, the second single from Dire Straits’Brothers In Arms album, which they performed at Live Aid. Like on the studio recording, it featured Sting on backing vocals.
On Jan 30, the Rock and Roll Hall of Fame held its first induction ceremony. The first batch of inductees included Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, The Everly Brothers, Buddy Holly, Jerry Lee Lewis, Little Richard and Elvis Presley. While over the years since, there has been much debate over who should be in the Rock Hall, the selection process, the award categories, etc., I think there is no doubt that the above artists all well-deserving inductees.
Other events: Bob Geldorf’s knighthood award to recognize his work for Live Aid and other charity concerts for Africa (Jun 10); release of Madonna’sTrue Blue album, the best-selling record of year (Jun 30); and disbanding of The Clash, Electric Light Orchestra (revived by Jeff Lynne in 2000) and Men At Work.
The top-performing hit singles included Rock Me Amadeus (Falco) – the first German-language song to top the U.S. Billboard Hot 100, Papa Don’t Preach (Madonna), The Final Countdown (Europe), Take My Breath Away (Berlin) and West End Girls (Pet Shop Boys). The 1986 tune I’d like to highlight is Sledgehammer by Peter Gabriel, which was first released as a single in April. It also appeared on his fifth studio album So that came out the following month. Here’s the song’s official video, which won multiple accolades in 1987, including a record nine awards at the MTV Music Video Music Awards and “Best British Video” at the Brit Awards. It’s definitely one of the most memorable music videos of the decade.
Some of the events in music during that year included the induction of Aretha Franklin as the first woman into the Rock and Roll Hall of Fame (Jan 3); release of U2’s fifth studio album The Joshua Tree (Mar 9), which topped the charts in 20-plus countries and became one of the world’s most commercially successful records, selling more than 25 million copies; Whitney Houston’s second studio album Whitney, the first record by a female artist to debut at no. 1 on the Billboard 200 (Jun 27); launch of MTV Europe (Aug 1); and release of A Momentary Lapse Of Reason, Pink Floyd’s first studio album after the departure of and legal battle with Roger Waters (Sep 7). Waters finally wrapped up his legal separation from the band later that year.
The highest-charting hit singles were La Bamba (Los Lobos), Never Gonna Give You Up (Rick Astley); I Wanna Dance With Somebody Who Loves Me (Whitney Houston), It’s A Sin (Pet Shop Boys) and Who’s That Girl (Madonna) – I remember each of these songs like it was yesterday! Here’s Where The Streets Have No Name from my favorite U2 album The Joshua Tree. Credited to the band (music) and Bono (lyrics), the tune was released as the album’s third single in August 1987, five months after the record’s appearance.
Some of the music events that year included the induction of The Beach Boys, The Beatles, The Drifters, Bob Dylan and The Supremes into the Rock and Roll Hall of Fame (Jan 20); near-death experience for Alice Cooper on stage after one of the props, the Gallows, malfunctioned – yikes! (Apr 7); sale of legendary soul label Motown Records to MCA and financial firm Boston Ventures for $61 million (Jun 27); John Fogerty’s win of what sounds like a frivolous self-plagiarism lawsuit Fantasy Records had brought against him, claiming his 1985 comeback tune The Old Man Down The Road was too similar to Run Through The Jungle, which he had recorded with Creedence Clearwater Revival in 1970 (Nov 7); and final concert by Roy Orbison in Akron, Ohio (Dec 4) prior to his death from a heart attack only two days thereafter.
Leading hit singles: A Groovy Kind Of Love (Phil Collins), Don’t Worry Be Happy (Bobby McFerrin), Always On My Mind (Pet Shop Boys), Heaven Is A Place On Earth (Belinda Carlisle) and Take Me To Your Heart (Rick Astley). One 1988 song I like in particular is Under The Milky Way Tonight by Australian outfit The Church. Co-written by Steve Kilbey and Karin Jansson, it became the lead single to their excellent fifth studio album Starfish. Both were released in February that year. Here’s a clip.
I can’t believe I made it to the last year of the decade! Some of the events I’d like to highlight are criticism of Madonna by religious groups worldwide over alleged blasphemous use of Christian imagery in her music video for Like A Prayer (Feb 23), which had premiered on MTV the day before; release of Bonnie Raitt’s 10th studio album Nick Of Time, one of my favorite records from her (Mar 21); release of Tom Petty’s excellent debut solo album Full Moon Fever (Apr 24); Ringo Starr’s formation of his All-Starr Band (Jul 23); opening of The Rolling Stones’ North American tour in Philadelphia to support their comeback album Steel Wheels (Aug 31), two days after the album had dropped; and release of Neil Young’s 17th studio album Freedom (Oct 2), best known for the epic Rockin’ In The Free World.
Key hit singles were Like A Prayer (Madonna), Eternal Flame (The Bangles), Another Day In Paradise (Phil Collins), The Look (Roxette) and Love Shack (The B-52s). The final ’80s tune I’d like to call out via clip is Down To London by Joe Jackson, an artist I’ve listened to for many years. He recorded the song for his 10th studio release Blaze Of Glory, which appeared in April 1989.