The Sunday Six

Celebrating music with six random songs at a time

Welcome to a new Sunday Six and another hot weekend, at least in my area of Central New Jersey. This is the latest installment of my recurring weekly feature that celebrates music I love in different flavors and from different periods, six tunes at a time.

In some cases, my picks are songs that I earmarked over the course of the week. On other occasions, the posts are coming together pretty spontaneously at the last minute. This one predominantly falls into the latter category. I’m happy with the way it turned out. Hope you find something in here you dig!

Colin McLeod/Old Soul (featuring Sheryl Crow)

Starting this week’s set is Colin McLeod, a Scottish singer-songwriter and farmer I had not heard of until yesterday. McLeod got my attention when I spotted a clip on Facebook, featuring a song he recorded with Sheryl Crow and included on his new album Hold Fast, which was released on June 18. The mellow atmospheric tune spoke to me right away – I love these types of coincidences! For a bit of additional background, here’s an excerpt from his Apple Music profile: Raised on the Isle of Lewis, the largest island of Scotland’s Outer Hebrides archipelago, MacLeod amassed a wide array of influences, from regional folk and pop to widescreen Springsteen-esque rock, before leaving the island in 2009 to test his mettle as a performer. An A&R scout from Universal caught one of MacLeod’s gigs in Aberdeen, which resulted in the release of his debut album Fireplace, which he issued under the moniker Boy Who Trapped the Sun in 2010. The experience left a bad taste in his mouth, so, exhausted and homesick, he returned to the Isle of Lewis, where he spent his days raising sheep and growing crops. It proved to be a fortuitous move. Inspired by the sights, sounds, smells, and stories of his remote part of the world, MacLeod was able to parlay those experiences into his music, culminating in the release of the acclaimed Ethan Johns-produced Bloodlines, his first collection of songs to be issued under his own name. McLeod’s new album is his sophomore release. Old Soul was written by him. Call me crazy, I can hear a bit of Bono in his voice. I also think his vocals beautifully blend with Sheryl Crow’s.

Buddy Guy/Kiss Me Quick (featuring Kim Wilson)

On to some great electric guitar blues. Yes, it’s quite a leap. But you see, that’s the thing about The Sunday Six – it can be arbitrary. If you’re into the blues and see the names Buddy Guy and Kim Wilson, you know you’re in for a treat. What can I say about the amazing Buddy Guy? He’s the last man standing from the old Chicago blues guard, who played with the likes of Muddy Waters, Howlin’ Wolf and Little Walter. Guy who is turning 85 in July is a force of nature. I’ve been fortunate to see him live twice over the past five years. Wilson, of course, is best known as the lead vocalist and frontman of blues rockers The Fabulous Thunderbirds. I’d love to see these guys as well! So what do get when combining the two artists? A nice blues shuffle titled Kiss Me Quick that appeared on Guy’s 17th studio album appropriately titled Born to Play Guitar, which won the Grammy for Best Blues Album in 2016. The tune was co-written by Richard Fleming and producer Tom Hambridge. Makes me want to listen to the entire bloody album!

The Who/The Real Me

Let’s kick things up a notch with The Who and The Real Me. Why pick the second track from side one of Quadrophenia? To begin with, The Who’s sixth studio album from October 1973 is one of the gems in their catalog. Another reason why I chose this particular tune is John Entwistle and his outstanding bass work. As a former hobby bassist, perhaps I pay closer attention and get a little bit more excited about bass runs than some other folks. All I can tell you is this: Seeing The Ox with The Who at New York’s Madison Square Garden in 2001 was an unforgettable event. In typical fashion, Entwistle was standing pretty much motionless on one side of the stage, while Pete Townshend launched from one windmill attack to the other, Roger Daltrey engaged in impressive lasso acrobatics with his microphone, and Zak Starkey (yep, Ringo Starr’s son) was working that drum kit. It was really something else! Sadly, Entwistle passed away about six months after that show in Las Vegas, the day before The Who were scheduled to kick off their 2002 U.S. tour. He was only 57 years old – what a loss!

Seals & Crofts/Summer Breeze

Time to slow things down again. And since summer is in full swing, here’s one of the warmest sounding tunes I can think of in this context: Summer Breeze by Seals & Crofts. Every time I hear this song, it puts me at ease. Behind the soft rock duo were multi-instrumentalists James Eugene “Jim” Seals  and Darrell George “Dash” Crofts. Summer Breeze, the title track of their fourth studio album from September 1972, probably is their best known song. It peaked at no. 7 and no. 6 on the U.S. and Canadian mainstream charts, respectively. The album marked their commercial breakthrough. Seals & Crofts also scored two other hits: Diamond Girl (1973) and Get Closer (1976). Unlike Summer Breeze, I had to sample these tracks to remember them. Then the hits stopped, and in 1980, after their record company had dropped them, Seals & Crofts decided to go on hiatus. They have since reunited a few times. There are also younger torch bearers. Wikipedia notes in 2018, Jim Seals’ cousin Brady Seals and Darrell Crofts’ daughter Lua Crofts began touring as Seals and Crofts 2, performing Seals & Crofts music as well as some originals.

The Zombies/She’s Not There

The first time I heard She’s Not There was the cover by Santana from their excellent 1977 Moonflower album. Since it certainly sounds very much like a Carlos Santana tune, I simply assumed it was their song. Only years later did I find out She’s Not There was written by Rod Argent, the keyboarder of The Zombies. The tune first appeared in the UK in July 1964 as the British rock band’s debut single. Two months later, it came out in the U.S. She’s Not There was also included on The Zombies’ debut album. In this case, the self-titled U.S. version was first out of the gate in January 1965. The U.K. edition, titled Begin Here, appeared in April that year. As was common at the time, there were some differences between the two versions. After the breakup of The Zombies in 1969 and a couple of impersonating bands, Argent and original lead vocalist and guitarist Colin Blunstone reunited in 2000, moved to the U.S. and recorded an album, Out of the Shadows, released in 2001. Starting from 2004, they began touring again as The Zombies. There have also been three additional albums since, released under the name Colin Blunstone and Rod Argent/The Zombies. The most recent one, Still Got That Hunger, appeared in October 2015. The band is still around. Ticketmaster currently lists some gigs for 2022.

Gregg Allman/My Only True Friend

The time has come again to wrap up things. My final pick is by Gregg Allman. He and The Allman Brothers Band were a very late discovery for me. Fortunately, it happened just in time to see them once in New Jersey on their very last tour in 2014, a couple of months before their final curtain at the Beacon Theatre in New York. After exploring the band, I also got into Gregg Allman’s solo catalog. I particularly dig Low Country Blues from January 2011 and his final album Southern Blood, which I got on vinyl. It came out in September 2017, four months after Allman had passed away at the age of 68 due to complications from liver cancer. Even though I had only become fond of his music a few years earlier, his death really moved me. I still get emotional about it. There was something very special about Gregg Allman when he was singing and hitting those keys of his Hammond B3. I can’t quite explain it. Here’s Southern Blood’s opener My Only True Friend, the sole track on the album that was co-written by Allman. The other writer was Scott Sharrad, lead guitarist and musical director of Allman’s backing band. You can read more about the album here.

Sources: Wikipedia; Apple Music; YouTube

Woke Up This Morning, With the Blues in My Head (Ahhh)…

Woke up this morning, with the blues in my head…

I don’t even want to pretend I know how to write lyrics, so let’s better stop it right here. But the content of these words largely reflects the truth, if you allow that “the blues in my head” actually was a set of headphones and that I was listening to a Buddy Guy tune, followed by a Walter Trout song this morning.

While I never need an excuse to blog about music I dig, the aforementioned little episode gave me the idea to put together a post about blues and blues rock tunes, so I wanted to acknowledge it. In fact, I would say the majority of my blogging is triggered by spontaneous music encounters. With that explanation out of the way, let’s get to some music!

Buddy Guy/I Suffer With the Blues

Given the intro, it makes sense to kick things off with Buddy Guy. This is a tune from his 1967 debut album Left My Blues in San Francisco. I Suffer With the Blues was written by Guy who today, more than 50 years years later at age 84, still plays his energetic brand of electric guitar blues. I guess he wasn’t kidding when he titled his 17th studio album from July 2015 Born to Play Guitar, an amazing album, btw.

Janis Joplin/Try (Just a Little Bit Harder)

Boy, would I have loved to see Janis Joplin in concert! Her incredibly powerful voice and her energy were just off the charts. Try (Just a Little Bit Harder) is the incredible opener of what sadly was Joplin’s only solo album that appeared during her short lifetime, I Got Dem Ol’ Kozmic Blues Again Mama!, released in September 1969. The tune was co-written by Jerry Ragovoy and Chip Taylor.

Walter Trout/All Out Of Tears

Since I listened to Survivor Blues, Walter Trout’s aptly titled studio album from Jan 2019, I’ve really come to dig this bluesman who originally is from New Jersey. After overcoming alcohol and drug addiction in the ’80s and making it through a liver transplant necessitated by liver failure, Trout perhaps is the ultimate blues rock survivor. All Out Of Tears is a tune from is most recent album Ordinary Madness that came out in August 2020. The great slow blues, which has a bit of a Gary Moore vibe, was co-written by him, his wife and manager Marie Trout and blues fellow artist Teeny Tucker.

Bonnie Raitt/Mighty Tight Woman

While Bonnie Raitt crosses genres, I simply couldn’t do this post without including her. She’s one of my all-time favorite artists, not only because of her extraordinary slide guitar playing, but also because of her sincerity. Raitt covered Mighty Tight Woman, a Sippie Wallace tune, on her eponymous debut album from November 1971.

B.B. King/What Happened

B.B. King needs no further introduction. I pretty much could have picked any tune. What Happened is from Completely Well, King’s 17th studio album released in December 1969, which is best known for his cover of The Thrill Is Gone. What Happened holds the distinction of being the only tune on the album, which was written by King.

Dani Wilde/Bring Your Loving Home

The blues is a genre that has a number of great young female guitarists. One is 35-year-old Dani Wilde from South West England. At age 22, she was signed to Ruf Records, an independent German blues label, a force in blues with an impressive roster of artists. A significant portion of them are women. Bring Your Loving Home, written by Wilde, is the opener of her debut album Heal My Blues from 2008.

Stevie Ray Vaughan/Pride and Joy

A post about blues tunes really would be incomplete without Stevie Ray Vaughan. Sadly, this amazing guitarist from Texas lost his life already at age 35 in a helicopter crash, one of so many talented musicians who died in air travel accidents. Pride and Joy, written by Vaughan, appeared on his debut album Texas Floods released in June 1983. He’s also an artist I would have loved to see live.

Ana Popović/Fearless

Serbian blues singer and guitarist Ana Popović, who currently resides in Los Angeles, is another talented female artist who started her solo career at Ruf Records with the album Hush! from January 2001. Written by Popović, Fearless is the opener of her fifth studio album Unconditional that came out in August 2011.

Taj Mahal & Keb’ Mo’/Don’t Leave Me Here

One of the coolest collaboration albums I know is TajMo from May 2017, which brought together two blues greats from different generations: Taj Mahal and Keb’ Mo’. I was fortunate to catch them during a tour they did that year to support the album – one of the best shows I’ve seen. Here’s the fantastic opener Don’t Leave Me Here cowritten by Gary Nicholson, Mo’ and Mahal.

Eliana Cargnelutti/Just For Me

Time to wrap up this post. How many female blues guitarists from Italy do you know? Had you asked me that question a few years ago, I would have come up completely empty. I “discovered” Eliana Cargnelutti in January 2019, when I did a feature on female blues artists. The 31-year-old from Udine, Italy, who is yet another artist on Ruf Records’ roster, has released two albums to date. Here is Just For Me, a track from Cargnelutti’s sophomore album Electric Woman  released in January 2015.

Sources: Wikipedia; YouTube

Pix & Clips: Buddy Guy/Whiskey, Beer & Wine

I happened to listen again to this great blues rocker this morning. I previously mentioned it a few times on the blog, most recently in December 2017. So, yes, I’m plagiarizing myself, but hey, it’s been almost two and a half years. Plus, with so many of us being stuck at home, aren’t we ready for a dose of alcohol? Of course, everything in moderation! 🙂

Buddy Guy co-wrote this great tune with longtime collaborator Tom Hambridge for his 17th studio album Born to Play Guitar from July 2015. Hambridge also produced this gem, played drums, percussion, tambourine, triangle and wind chimes, and provided backing vocals – quite an overachiever!

I just love Whiskey, Beer & Wine – the main guitar riff, the funky groove, Guy’s vocals. To me, it almost feels like listening to a Jimi Hendrix reincarnation. If you dig blues rock, I can highly recommend the entire record, which won a Grammy Award for Best Blues Album in 2016.

Born to Play Guitar came out one day after Buddy Guy’s 78th birthday. I’d be happy if I make it until age 78 and can still hold my guitar, not to speak of playing the instrument! I’ve seen Guy twice and he’s just phenomenal. Now 83 years old, he’s still going strong – unbelievable! If you feel like watching more, check out this clip from February this year – damn, from what planet did this man come from?

Sources: Wikipedia; YouTube