Boy, do I love this catchy tune, and now it’s stuck in my head! I heard it for the first time by Tom Petty and the Heartbreakers on their 1993 Greatest Hits compilation. Because it sounds so much like he could have written it, for a long time, I thought Something in the Air was a Tom Petty song! The original version was first released in May 1969 by Thunderclap Newman, a British band with an intriguing history that involves Pete Townshend who founded and produced them – something I might explore in a separate post. Townshend also played bass on the recording under the alias Bijou Drains. The tune was written by John David Percy “Speedy” Keen, Townshend’s former chauffeur who also penned Armenia in the City, a song The Who included on their 1967 album The Who Sell Out. Something In The Air topped the UK Singles Chart in July 1969 and was the sole no. 1 hit for Thunderclap Newman who only recorded one study album before they disbanded in April 1971.
Since I really dig the Tom Petty cover, here it is, taken from The Live Anthology, released in November 2009. This fantastic box set nicely illustrates that in addition to great original songs, Tom Petty and the Heartbreakers were a top-notch cover band – a potential fun topic for yet another post!
And, coz’ three make a charm, let’s throw in yet another version of the song that until today I had no idea existed: The Dukes of September. Formed in 2010, this American “supergroup” included Donald Fagen, Michael McDonald and Boz Scaggs. Essentially, it was a revival of The New York Rock and Soul Revue, a music project produced by Fagen’s then-future wife Libby Titus. Led by Fagen, the project involved a series of concerts between 1989 and 1992, which also featured McDonald, Scaggs and various other prominent music artists who performed a mix of their own songs and covers.
Even though their sound is pretty commercial pop, which to many music aficionados are bad words, I’ve always liked Toto for their great sound and outstanding musicianship. Here’s the thing: Yes, there are plenty of examples of terrible commercial pop music – just look at what’s currently dominating the charts. But just because something is selling well doesn’t mean it’s bad. Like it or not, a widely beloved and my all-time favorite band The Beatles made commercial pop music, at least during their earlier years. Or take Michael Jackson’sThriller album: It probably doesn’t get more commercial than that, yet it’s one of the best records ever released, at least in my humble opinion. And there are countless other examples.
Toto was founded in Los Angeles in 1976 by David Paich (keyboards, vocals) and Jeff Porcaro (drums, percussion), who had known each other from high school and done studio session work together. They recruited four additional members: Jeff’s brother Steve Porcaro (keyboards), Steve Lukather (guitar, lead and backing vocals), David Hungate (bass) and Bobby Kimball (lead and backing vocals). Like Paich and Jeff Porcaro, each of the additional members had worked with other artists. In fact, according to the official Toto website, the band’s members have performed on a total of 5,000 records that together sold half a billion copies. Obviously, this includes both projects that predated Toto and side engagements after the band’s formation – still, these are astonishing numbers!
Paich co-wrote half of the songs for Boz Scaggs’ seventh studio album Silk Degrees from March 1976. Steve Porcaro, Hungate and Lukather also worked with Scaggs. Following the formation of Toto, Lukather became one of the most sought after session guitarists. Perhaps his most famous engagement in this context is his guitar work on Michael Jackson’s Beat It from the Thriller album. Jeff Porcaro, who at the time was a 20-year-old drummer, played on all except one Steely Dan tunes on their fourth studio record Katy Lied from March 1975 – anyone who could live up to the perfectionism of Donald Fagen and Walter Becker must have been top notch! Last but not least, Kimball before joining Toto had been a vocalist in various New Orleans bands and S.S. Fools, an unsuccessful short-lived venture with three former members of Three Dog Night.
After signing with Columbia Records, Toto began work on their eponymous debut album. Paich wrote all except two tracks for the record that appeared in October 1978. Though music critics weren’t impressed with Toto initially, the band soon got a significant following. The record reached the top 10 on the albums charts in various countries, including Australia (no. 2), Sweden (no. 5), Germany (no. 8), Canada and the U.S. ( both no. 9) – not shabby for a debut! Toto have since released 12 additional studio albums, six live records and numerous compilations. Between June 2008 and February 2010, the band was on hiatus. Last June, they announced their latest greatest hits collection 40 Trips Around The Sun and a 2018 tour to celebrate their 40th anniversary. Let’s get to some music!
The first time I recall hearing the name Toto was in connection with the song Hold The Line. Written by Paich, it was the lead single and most successful tune from their first album and remains one of my favorite Toto songs. In particular, I dig the keyboard part and the guitar riff.
Next up: The title track of Toto’s excellent sophomore album Hydra. Credited to all members of the band, it’s a pretty complex tune with all kinds of breaks and changes in tempo that nicely showcase top notch musicianship. You simply don’t play this stuff without plenty of experience!
Toto IV from April 1982 became the band’s most successful album, topping the charts in Australia, Canada and the Netherlands, and reaching the top 10 in many other countries, including the U.S. and U.K. (both no. 4) and Japan (no. 3). It also generated what became the band’s only no. 1 on the U.S. Billboard Hot 100: Africa. Toto IV turned out to be Kimball’s last record with the band at the time. He was told to leave two years later after drug use had taken a toll on his voice. However, he would be back for Mindfields, the band’s 10th studio album from 1999, and stay on for the two albums thereafter. Toto IV’s lead single Rosanna, written by Paich, is yet another example of musical complexity the band seems to pull off effortlessly.
Since I suppose no Toto playlist would be complete without it, here’s Africa, which was co-written by Paich and Jeff Porcaro. Paich is sharing lead vocals with Kimball. Former Poco and Eagles bassist Timothy B. Schmit is among the guest musicians on the track, providing backing vocals and acoustic rhythm guitar.
In 1986, Toto released their sixth studio album Fahrenheit, the first with Joseph Williams as lead vocalist. It was also the last to feature three Porcaros: Jeff, Steve and their brother Mike Porcaro, who had replaced Hungate on bass shortly after Toto IV had come out. After Fahrenheit’s release, Steve left to focus on songwriting and music composing. While he continued to work with the band in a supporting capacity, it wouldn’t be until Toto XIV that he would be listed again as a core member. Here’s I’ll Be Over You, co-written by Lukather and American songwriter Randy Goodrum. Sung by Lukather, it’s perhaps Toto’s nicest ballad. The tune also features Michael McDonald on backing vocals. It became Toto’s highest charting single in the U.S. since Kimball’s departure, climbing to no. 11 on the Billboard Hot 100.
Toto’s seventh study record, ingeniously titled The Seventh One, came out in March 1988. It’s one of my favorite Toto albums and the last to feature Williams until their most recent studio record Toto XIV from 2015. Similar to Kimball, Williams was let go after his voice had been impacted by drug use. One almost wonders whether Toto makes their lead vocalists take drugs, fire them thereafter, and eventually ask them to come back! Here’s a nice rocker, Stay Away, featuring Linda Ronstadt on backing vocals and David Lindley on lap steel guitar.
By September 1992 when Kingdom Of Desire appeared, Toto had become a four-piece band, with Lukather performing all lead vocals. Their eighth studio album was also the last with Jeff Porcaro who passed away shortly after its release. Here’s the opener Gypsy Train, which like the majority of the record’s tracks is credited to the entire band. I hear a bit of an Aerosmith vibe in this one.
Tambu, released in May 1995 in Europe and in the U.S. the following month, is Toto’s ninth studio album and the first without Jeff Porcaro, who had been replaced by English drummer Simon Phillips. Similar to the band’s other members, Phillips had done plenty of session work. He also had been the drummer of The Who during their 1989 reunion tour in the U.S. Here’s The Turning Point, a groovy tune that’s credited to all members of the band plus Stan Lynch, the original drummer for Tom Petty and the Heartbreakers.
Toto’s 10th studio record Mindfields appeared in Europe and the U.S. in March and November of 1999, respectively. Kimball’s return as a vocalist made Toto a five-piece band again. Here’s the title track, which is credited to all members of the band and features Kimball on lead vocals.
Since I’d like to keep playlists to no more than 10 songs while ideally spanning an artist’s recording career, I’m jumping to Toto’s most recent studio album, the previously noted Toto XIV. Released in March 2015, as mentioned above, the record once again featured Williams on lead vocals and Steve Porcaro as a core member. It also marked the return of original bassist Hungate; Mike Porcaro had been inactive since 2007 due to Lou Gehrig’s Disease and sadly succumbed to complications just days before the album came out. Keith Carlock had replaced Phillips on drums, who had decided to leave Toto in January 2014 and focus on his solo career. Here’s the haunting Burn, a Paich/Williams co-write that also became the album’s third single.
Toto’s current official core members include Williams, Paich, Porcaro and Lukather. Three weeks ago, the band announced that Paich won’t be part of the North American leg of their 40th anniversary tour and instead will focus on his health that took a hit during his recent appearances with Toto in Europe. In the statement Paich said: “To say this was a difficult decision would be a complete understatement. I hope you will all be understanding of my need to be home. I look forward to joining the boys again on stage ASAP.” In the meantime, Dominique Xavier Talpin, who among others played with Prince, will sit in on keyboards.
The band’s North American tour kicked off in Vancouver on July 30. Tonight the band is playing in Costa Mesa, Calif. before it’s on to Henderson, NV on Friday. The current schedule lists 32 additional North American dates all the way until mid-November at what mostly look like small and mid-size venues. One, State Theatre of New Jersey in New Brunswick, is right in my neck of the woods. I got two tickets today – if only more top notch bands would be as reasonable when it comes to ticket prices!
Sources: Wikipedia, Toto official website, YouTube
1957: The music program American Bandstand debuted on U.S. national television. It was hosted by Dick Clark who had joined the show the previous year when it still had been known as Bandstand and aired on Philadelphia TV station WFIL-TV (now local ABC affiliate WPVI-TV). The program, which ran until 1989, featured many artists who lip-synced their latest hits. While as such it was chart-oriented, it coincided with time periods when great music was part of the mainstream. So it’s perhaps not a surprise to see which artists appeared on the show. According to Wikipedia, American Bandstand helped introduce famous artists to Americans, such as Prince, Michael Jackson and Aerosmith. Some of the other acts who were on the program included The Animals, The Beach Boys, Chuck Berry, The Doors, Marvin Gaye, B.B. King, Van Morrison, R.E.M., Steely Dan, Stevie Wonder and even Pink Floyd. Here’s a clip of a 1966 appearance of Roy Orbison performing Oh, Pretty Woman, featuring one of the coolest ’60s guitar riffs that still sounds awesome to this day.
1966:The Beatles released their seventh studio album in the U.K., Revolver, which many fans consider the band’s best record. While it’s undoubtedly a great album, if I had to choose, I would go with the follow-on release Sgt. Pepper’s Lonely Hearts Club Band. Revolver, apart from gems like Taxman, Eleanor Rigby and Got To Get You Into My Life, stands out for the introduction of various new recording techniques, including tape loops, backwards recordings, varispeeding and, most significantly, Artificial Double Tracking (ADT). George Martin’s string arrangement on Eleanor Rigby broke conventions by blending classical and pop music. George Harrison, who took on a bigger role in the album’s songwriting, introduced another Indian instrument to pop music after the sitar on predecessor Rubber Soul: the tambura. Here’s a clip of Eleanor Rigby.
1978:The Rolling Stones hit no. 1 on the U.S. Billboard Hot 100 with Miss You, their eighth and last no. 1 single in the U.S. Credited to Mick Jagger and Keith Richards, the song was written by Jagger while jamming with Billy Preston during rehearsals in 1977. It became the lead single for Some Girls, the band’s 14th and 16th British and American studio album, respectively. Apparently, there is some disagreement between Jagger and Ronnie Wood who maintain the track wasn’t supposed to be a disco song, while according to Richards, “Miss You’ was a damn good disco record; it was calculated to be one.” To me it’s obvious that Richards hates the tune. In my humble opinion, there’s no question the Stones have released much better songs.
1984:Bruce Springsteen & The E Street Band played the first of 10 gigs at Brendan Byrne Arena, now called Meadowlands Arena, in East Rutherford, N.J. during the Born In The U.S.A. Tour, Springsteen’s longest and most successful tour to date. The show included two sets and an encore, with a total of 28 tracks. As is typical for The Boss, he went far beyond the album that the tour supported and dug deep into his catalog. He also played a number of covers. Here’s a cool clip of the Detroit Medley captured during the same tour two months later in Vancouver, Canada. The medley includes Devil With The Blue Dress, Good Golly Miss Molly, CC Rider, Jenny Jenny and Travelin’ Band, among others. The band is absolutely killing it – rock & roll simply doesn’t get better than this! The crazy thing is that Springsteen pretty performed with the same intensity 32 years later when I saw him last in August 2016 at MetLife Stadium, right across the highway from Meadowlands.
1992:Jeff Porcaro, best known as co-founder and drummer of Toto, passed away at the young age of 38 years. The circumstances of his death remain ambiguous. According to the band history on the official Toto website, Porcaro died from a heart attack that resulted from a severe allergic reaction to chemicals in pesticide he had sprayed in his garden earlier that day. But the Los Angeles Times reported the heart attack stemmed from atherosclerosis triggered by years of cocaine use. One thing is clear: Porcaro was an excellent, sought after session drummer, who apart from Toto worked with Steely Dan, Eric Clapton, Paul McCartney and Boz Scaggs, among others. Here’s a clip of Rosanna from Toto IV, which I think features some of Porcaro’s finest drum work.
Sources: Wikipedia; This Day In Music.com; Billboard Hot 100 chart history; setlist.fm; Toto website; YouTube
First solo record in 26 years almost didn’t happen
Today, Roger Daltrey released As Long As I Have You,his ninth solo album after 1992’s Rocks In The Head. The voice of the 74-old-year-old frontman of The Who has never sounded better, which is amazing. In September 2015, Daltrey was diagnosed with viral meningitis during The Who Hits 50! North American tour, forcing the band to reschedule the remaining dates until 2016. “I was a month in the hospital, touch and go for a few days,” Daltrey told British tabloid The Sun during a recent interview. “I had a long recovery and you never quite get over it…My feet hurt and my thumbs have gone.”
Daltrey credits his longtime bandmate and brother-in-arms Pete Townshend for finishing the record, on which he had started work after the March 2014 release of Going Back Home, his great collaboration album with Wilko Johnson. “I had eight of the 11 tracks,” he explained to The Sun. “I listened to them and thought, ‘None of this will do anything’…But my manager sent the material to Pete, who rang me and said, ‘What’s up with you? This is fabulous, you’ve got to finish it…Then out of the blue, he said he’d like to play guitar on it. That gave me the confidence to carry on.”
The result is a compelling 11-track collection. Among the nine covers are the title track (Jerry Ragovoy and Bob Elgin), How Far (Stephen Stills), Where Is A Man To Go (Jerry Gillespie & K.T. Oslin), Get On Out Of The Rain (Parliament), Into My Arms (Nick Cave) and You Haven’t Done Nothing (Stevie Wonder). There are also two original songs, Certified Rose and Always Heading Home, a co-write with English novelist Nigel Hilton. Townshend plays acoustic and some electric guitar on seven of the tracks. Other guest musicians include Mick Talbot (keyboards) and Sean Genockey (lead guitar). The album was produced by Dave Eringa, who also served in that capacity on the Wilko Johnson collaboration album. Time to get to some music!
One of the album’s standout is the opener and title track with its groove and soulful backing vocals. The tune was first recorded by soul singer Garnet Mimms in 1964 and is a song The Who covered when they were starting out.
Where Is A Man To Go is another soulful gem. Daltrey’s voice shines.
Another nice cover is Get On Out The Rain, which originally was recorded by American funk band Parliament as Come In Out Of The Rain and included on their 1970 debut album Osmium.
I’ve Got Your Love is a tune written by Boz Scaggs, which was included on his 1997 studio album Come On Home. This is one of the songs, on which Townshend plays lead guitar. Daltrey described his solo to The Sun as “beautiful and sensitive.”
Certified Rose, one of the two original tunes on the album, has a nice Stax vibe and is about watching Daltrey’s eldest daughter Rosie grow up. “I had Rod Stewart in mind for that but I woke up one day a few months ago and I could hear Certified Rose as a soul song,” Daltrey told The Sun. “I just needed to add the right ingredients and change the bridge.”
The last track I’d like to highlight is the record’s closer Always Heading Home, the original tune Daltrey co-wrote with Hilton.
“For Pete to say he wanted to play on my new record was such an honour because he’s my ultimate guitarist,” Daltrey told The Sun. “He’s the most original. He can play like Clapton if he wants and he can play like Hendrix but when Pete plays Pete, where does that come from? It’s that rhythmic thing he does. He will always take chances and doesn’t mind playing a hundred bum notes for four great ones that make you go, ‘Wow!’ Rock doesn’t need to be perfect, it needs bum notes and beads of sweat.”
He added, “We love each other and always have. We used to do this wrestling in public but if anyone came between us, God help them! I’m very happy just to be his singer and have him, at the end of my life, saying, ‘Roger sung my songs better than I ever could.’ That means a lot to me.”
Sources: Wikipedia, The Sun, The Who official website, YouTube
Donald Fagen has no intention to retire anytime soon
I’m a huge Steely Dan fan. If anything, last year brought them closer to me than ever before and not just because of the untimely death of Walter Becker. I also attended a couple of shows of an excellent Steely Dan tribute band called Royal Scam. On Wednesday, Donald Fagen turned 70, so doing a post on the man felt right. Since I previously covered Steely Dan including their history here, I’d like to primarily focus on Fagen’s solo music.
But first a bit of history. Donald Jay Fagen was born in Passaic, N.J. on January 10, 1948. He grew up in South Brunswick, N.J. According to Wikipedia, he didn’t like the suburban setting, feeling it was trapping him like a prison. These sentiments and Fagen’s love of late-night radio were inspirations for his first solo album The Nightfly.
It’s fair to say Fagen’s life changed forever when he met Becker in 1967 when they were both students at Bard College in Annandale-on-Hudson, N.Y. Fagen was impressed with Becker’s guitar skills. They soon discovered they liked similar music and decided to write songs together. They also started playing together in various local bands.
The seeds for Steely Dan were sown in the summer of 1970, when Fagen and Becker responded to a Village Voice ad by guitarist Denny Dias, looking for a bassist and keyboard player with jazz chops. Becker was playing the bass at the time and would switch to the electric guitar later.
Steely Dan’s first lineup was assembled in December 1971, after Becker, Fagen and Dias had moved to Los Angeles. The additional members included Jeff “Skunk” Baxter (guitar), Jim Hodder (drums) and David Palmer (vocals). Earlier, Gary Katz, a staff producer at ABC Records, had hired Becker and Fagen as staff song writers. It was also Katz who signed the band to the label.
Between 1972 and 1980, Steely Dan released seven studio albums: Can’t Buy A Thrill (1972), Countdown To Ecstasy (1973), Pretzel Logic (1974), Katy Lied (1975), The Royal Scam (1976), Aja (1977) and Gaucho (1980). While I dig all of these records, to me the gem is Aja, which I previously covered here.
Following Steely Dan’s breakup in June 1981, Fagen started to work on his solo debut The Nightfly. Released in October 1982, this record remains the highlight of his solo catalog to date, in my opinion. It included various production staff and musicians who had been involved in Steely Dan records, for example producer Katz, bassist Anthony Jackson and lead guitarist Larry Carlton, something Fagen would continue on his future solo efforts. The opener I.G.Y., which according to Wikipedia stands for International Geophysical Year, “an international scientific project promoting collaboration among the world’s scientists.”
While it took Fagen 12 years to release his second solo album Kamakiriad in May 1993, he kept busy on other fronts, contributing to soundtracks and writing a column for Premiere magazine. He also worked together with Becker and Katz on Zazu, the 1986 debut album by American model and singer-songwriter Rosie Vela. In the early ’90s, he toured with The New York Rock and Soul Revue, a musical project directed by Fagen’s future wife Libby Titus. In addition to Becker, it included other prominent musicians, such as Michael McDonald, Boz Scaggs and blues singer Charles Brown.
Kamakiriad was produced by Becker. Revolving around the concept of a journey in a high-tech car, the album illustrates Fagen’s attraction to futuristic themes, similar to I.G.Y. Though oftentimes, one cannot be sure whether he means things seriously or is being ironic. Following the release, he reunited with Becker for a tour to support the album. While the record received a Grammy nomination and peaked at no. 10 on the U.S. Billboard 200 and at no. 3 on the UK Albums Chart, its commercial performance was poor. That’s a pity, since it’s actually a pretty good album. Here’s the opener Trans-Island Skyway – just love the groove of this tune!
Following his reunification with Becker, Fagen co-produced Becker’s 1994 solo debut 11 Tracks Of Whack. He also played keyboards on the album. In 2000, Fagen and Becker released Two Against Nature, their first studio album as Steely Dan in two decades. The follow-up Everything Must Go appeared in June 2003. It was Steely Dan’s last studio album.
In March 2006, Fagen released his third solo record Morph The Cat, in which Becker had no involvement. The record was generally well received and won a Grammy Award For Best Surround Sound Album. Here’s a clip of H Gang. The guitar work and the tenor sax solo by Steely Dan’sJon Herrington and Walt Weiskopf, respectively absolutely shine.
Following the appearance of Morph The Cat, Steely Dan resumed regular touring. In June 2008, Becker’s second studio album Circus Money came out. Sunken Condos, Fagen’s fourth and most recent studio record, was released in October 2012. Another well-received album, Sunken Condos peaked at no. 12 on the Billboard 200. Here’s what’s probably my favorite tune from that album, Weather In My Head. Love the blues groove of that tune!
During an in-depth interview with Rolling Stone’s podcast Music Now last month, Fagen confirmed he wants to continue touring as long as possible. He added, “It keeps you young, for sure, touring. I noticed when I’m off, I don’t feel as good as when I’m on. I got to be either recording or touring. I especially enjoy live performing more than I used to. We have a fantastic band. I got a couple of fantastic bands. It’s just so much fun to be with these guys and to play.”
One of these bands is called The Nightflyers, four young musicians Fagen has worked with over the past few years. They are Connor Kennedy (guitar, vocals), Lee Falco (drums, vocals), Brandon Morrison (bass, vocals) and Will Bryant (keyboards, vocals). Here’s a clip of them performing the title track of The Nightfly album, captured during a concert in Cincinnati last year.
Last Saturday, Steely Dan and The Doobie Brothersannounced a co-headlining 37-gig North American 2018 summer tour. It’s scheduled to kick off in Charlotte, N.C. on May 10 and conclude on July 14 in Bethel, N.Y. One of the shows (July 6) is right in my backyard at PNC Bank Arts Center in Holmdel, N.J. Unfortunately, I haven’t seen Steely Dan and imaging them without Becker is still hard. The Doobies, which I also really dig, have had many changes in their lineup since their heyday in the ’70s. Still, I’m very tempted!
Sources: Wikipedia; Rolling Stone; Steely Dan website; YouTube