With Mick Jagger Back In Full Force, Stones Kick Off Postponed ‘No Filter’ North American Tour In Chicago

If you frequently visit my blog, you may have seen I just posted on The Rolling Stones and their new live concert film/album release Bridges To Bremen. Fast forward some 21 years from that 1998 gig in Germany to last night at Chicago’s Soldier Field where the Stones finally opened their North American No Filter Tour. If you watch the enclosed clips and didn’t keep up with the news, you’d never guess anything much had changed. But apart from 21 years of water under the bridge, 75-year-old Mick Jagger underwent heart valve replacement surgery only a few months ago, so it’s fair to say last night was no ordinary kick-off date.

I don’t know how you felt, but when I first learned about Jagger’s heart issues and his then-upcoming procedure, my first thought was how crazy it is that the fittest guy in the band was ‘knocked out.’ My second thought was that if anybody from The Rolling Stones could pull off bouncing back from heart surgery, it would be Jagger. As such, with a Stones ticket in hand I had bought early this year, I selfishly was ‘glad’ the gig was postponed because of him. Coz’ let’s be honest here, had it been Charlie Watts, who earlier this month turned 78, who knows what would have happened. And while 75-year-old Keith Richards has survived many things, I’m not sure how he would have come out of heart surgery.

“This was certainly a swerve, a left-hand ball for us,” Ronnie Wood recently told U.K. tabloid Daily Mirror, commenting on Jagger’s heart surgery. “We knew it was something serious. I think he needed a bit of support, which we gave him. We thank our lucky stars.” So should the fans! While heart valve replacement is a so-called minimally invasive procedure that is not uncommon, especially in older men, I suppose there’s nothing routine about it when it affects the front man of the band you’ve been playing with for more than four decades!

Said Jagger last week: “I’m feeling pretty good. Been rehearsing a lot lately in the last few weeks. This morning a bit of gym. Nothing crazy. Then I go into rehearsal with the band.” Well, ‘nothing crazy’ may be a bit of an understatement when you watch this video of Jagger, which was posted about a month ago, only four weeks after his heart surgery. He is one beast of a guy! Anyway, let’s go back to last night and take a look at some YouTube footage.

Here’s Street Fighting Man. First released as a single in August 1968 and also appearing on the Beggars Banquet album from December that year, perhaps the Stones couldn’t have picked a more appropriate opener.

I was glad to see Dead Flowers is part of the set. I just love that tune off the Sticky Fingers album from April 1971. It’s also great to watch Jagger energetically strumming that guitar in adding to singing. What a triumphant return to the stage!

There are songs you immediately recognize after just a couple of bars, and Jumpin’ Jack Flash is one of them. If I could only pick one of Richards’ guitar riffs, this would be it, baby. The Stones first released the track as a single in May 1968. Okay, it may not be quite as compelling as the version on Get Yer Ya-Ya’s Out, but it still sounds fucking awesome to me!

How about wrapping things up with one additional tune from Sticky Fingers? Here’s Brown Sugar, which was the final tune of the regular set. It was the album’s lead single released on April 16, 1971, just a few days ahead of the record.

Here’s the full set list:

1. “Street Fighting Man”
2. “Let’s Spend the Night Together”
3. “Tumbling Dice”
4. “Sad Sad Sad”
5. “You Got Me Rocking”
6. “You Can’t Always Get What You Want”
7. “Angie”
8. “Dead Flowers”
9. “Sympathy for the Devil”
10. “Honky Tonk Women”
11. “You Got the Silver”
12. “Before They Make Me Run”
13. “Miss You”
14. “Paint It Black”
15. “Midnight Rambler”
16. “Start Me Up”
17. “Jumpin’ Jack Flash”
18. “Brown Sugar”

Encore:
19. “Gimme Shelter”
20. “Satisfaction”

Am I ready for “my” August 1st gig at MetLife Stadium in New Jersey? How many days?

Sources: Wikipedia, Daily Mirror, Ultimate Classic Rock, YouTube

Clips & Pix: The Rolling Stones Featuring Brad Paisley/Dead Flowers

An edited take of the above recording of Dead Flowers appears on the bonus version of Honk, the new greatest hits collection released today by The Rolling Stones. It was captured in Philly in June 2013 and features country artist Brad Paisley, who shares vocals with Mick Jagger and puts on a nice guitar solo. Co-written by Jagger and Keith Richards, the tune first appeared on Sticky Fingers, my favorite Stones album from April 1971.

Based on Wikipedia, Honk is the Stones’ 26th compilation album. According to their website, it features “the biggest hits and classic cuts from every Rolling Stones studio album from 1971’s Sticky Fingers to 2016’s Blue & Lonesome” and “is the most up to date collection of essential Stones’ tracks, including 36 fan favourites and rarities, with the bonus version including 10 additional live songs, presenting collaborations with some of the biggest names in music, such as Dave Grohl, Florence Welch, Brad Paisley and more.”

Initially timed to their now postponed U.S. tour due to Mick Jagger’s heart valve surgery, folks could be forgiven to be a bit cynical about Honk. But as a long-time and probably somewhat biased listener of the Rolling Stones, the new collection doesn’t bother me. While I’m generally more fond of the Stones’ 60s and early ’70s period, apart from Dead Flowers, Honk features great other tunes like Brown Sugar, Start Me Up and It’s Only Rock ‘n’ Roll But I Like It – yes I do! The other live tracks are fun to listen to as well.

Sources: Wikipedia, Rolling Stones website, YouTube

My Playlist: ZZ Top

The idea to put together this playlist came to me yesterday, after I had spotted this clip on Facebook. It shows John Fogerty and Billy Gibbons rocking out together to some Creedence Clearwater Revival and ZZ Top tunes to promote their upcoming Blues & Bayous Tour. While nothing is spontaneous here as it seems they want folks to believe, and I just wish they would have played more of each song than just the opening bars, hey, it’s still fun to watch these guys. And the thought of them doing a double-headliner that also will be right in my backyard sure as heck is very tempting!

I don’t want to pretend I’m a ZZ Top expert, but I have a good deal of their songs in my iTunes library – certainly more than enough material to inform this playlist. I think the first time these Texan rockers entered my radar screen was in 1983, when seemingly out of nowhere they were all the rage on the radio with songs like Gimme All You Lovin, Sharp Dressed Man and Legs. At the time, my parents didn’t have cable, which wasn’t as popular in Germany as in the U.S., so it wasn’t until much later that I also got to watch some of ZZ Top’s hilarious music videos, such as the rotating guitars in Legs!

ZZ Top was formed 1969 in Houston, TX, when Gibbons (guitar), Lanier Greig (organ) and Dan Mitchell (drums) got together. That formation recorded the single Salt Lick but record companies weren’t receptive, and it didn’t go anywhere. Greig and Mitchell left shortly thereafter. In late 1969, bassist, keyboardist and co-vocalist Dusty Hill joined, replacing then-bassist Billy Ethridge. Hill subsequently introduced Gibbons to drummer Frank Beard with whom he had played in various other bands in the past. The classic line-up was in place and still is to this day, more than 45 years later – frankly, I don’t know of any other band that hasn’t changed its line-up over such a long time!

ZZ Top in 1975
ZZ Top in 1975, with Dusty Hill (left) and Billy Gibbons

Due to continued lack of interest from U.S. record companies, ZZ Top finally signed a contract with UK label London Records and released their debut album. Cleverly called ZZ Top’s First Album, the record appeared in January 1971. While it established the band’s blend of Blues, Boogie, Hard Rock and Southern Rock, it didn’t get much attention. The sophomore Rio Grande Mud from April 1972 entered the U.S. Billboard 200, peaking at no. 104 in June 1972, while the single Francine climbed to a respectable no. 69 on the Billboard Hot 100.

ZZ Top’s commercial breakthrough came with the follow-up album Tres Hombres from July 1973. While the reception from music critics was lukewarm at the time, the album climbed all the way to no. 8 on the Billboard 200. The single La Grange, which has since become a classic, peaked at no. 41 on the Billboard Hot 100 in June 1974. The band’s fourth album Fandango! from April 1975 brought another successful single, Tush, which peaked at no. 20 on the Billboard Hot 100 and became ZZ Top’s highest charting single in the 70s.

ZZ Top_Eliminator

The band has since released 11 additional studio records, four live albums and various compilations. Eliminator from March 1983, which includes the above mentioned tunes Gimme All You Lovin, Sharp Dressed Man and Legs, became ZZ Top’s best-selling album, thanks to a more commercial sound the band had adopted in the early ’80s. Their 15th and most recent studio release La Futura appeared in September 2012. I haven’t seen any reports about a new album. La Futura was the first new record in nine years, so if that’s any guide, fans may need to have patience for a few more years. Time for some music!

Let’s start off the playlist with ZZ Top’s debut single Salt Lick, a nice blues rocker written by Gibbons, an early showcase of his outstanding guitar skills. I also like Greig’s organ work.

Brown Sugar, another tune by Gibbons to whom most of the band’s early songs are credited, appears on ZZ Top’s First Album. I like how the song begins slowly with just Gibbon’s vocals and his guitar, before it launches into a groovy blues rocker.

Tres Hombres may be best known for La Grange, but the tune I’d like to highlight from that album is the fantastic opener Waitin’ For The Bus, which is credited to Gibbons and Hill. I just totally dig the guitar riff and groove on that track, and also like the blues harp solo.

If I had just one ZZ Top tune to select, it would be Tush from the Fandango! album. To me it’s perhaps the ultimate guitar blues rocker. I love the riff and how tight the band is playing – there’s not one second being wasted here! Starting with this record, the band’s songs typically are credited to all three members.

In November 1976, ZZ Top released their fifth studio album Tejas. It includes this nice Stonesy tune called It’s Only Love.

Next up: Tube Snake Boogie from El Loco, ZZ Top’s seventh studio album from July 1981. It’s the first record on which the band started experimenting with a more commercial sound, introducing synthesizers on some of the tracks.

Even though it sounds more commercial than their ’70s records, no ZZ Top playlist would be complete without music from the Eliminator album. Despite the somewhat monotonous drum beat, which sounds more like a drum machine, Sharp Dressed Man is just a cool song. And the official video is too hilarious to leave out, so here it is!

And ‘coz it’s so much fun watching ZZ Top music videos from that time, here’s Legs. No doubt, the rotating guitars have become an unforgettable part of music video history.

I would also like to acknowledge a couple of the band’s later songs. Here’s Fearless Boogie, a tune from XXX, ZZ Top’s 13th studio album released in September 1999. And just in case, the title is a reference to the band’s then-30th year in business.

I’d like to close out this playlist with Chartreuse. The tune, which sounds a bit like a remake of Tush, is from ZZ Top’s most recent studio record La Futura. It surely proves these guys still know how to rock.

With total domestic record sales of some 25 million copies, ZZ Top are among the top 100 selling artists in the U.S. Internationally, the band has sold more than 50 million albums. In 2004, the Texan rockers were inducted into the Rock & Roll Hall of Fame. Asked during a Rolling Stone interview in November 2017 whether he still wants to be in ZZ Top at age 80, Gibbons said, “Well, yeah, I could do it. We are smack dab in the middle of a technological breakthrough that is making life extension quite a bit of the day-to-day norm.”

As for that double-headliner with Fogerty, the Blues & Bayous Tour kicks off in Atlantic City on May 25. Currently, there are 24 additional dates on the schedule, with the final gig being in Welch, Minn. on June 29.

Sources: Wikipedia, U.S. Billboard Charts, Rolling Stone, YouTube

Clips & Pix: The Rolling Stones/Brown Sugar

This killer version of Brown Sugar by The Rolling Stones is from Sticky Fingers Live At The Fonda Theatre 2015. In early January, I posted another clip, Can’t You Hear Me Knocking, from this album, which appeared in September 2017 as part of the band’s From The Vault series.

The Stones’ dynamic during their performance before an audience of some 1,200 people at The Fonda Theatre in Hollywood on May 20, 2015 was through the roof. You can also see how much fun they had. This was clearly not some routine gig. These guys left their hearts and souls on that stage!

Written by Mick Jagger and Keith Richards, Brown Sugar is the opener of the 1971 Sticky Fingers album, which the above show celebrated. By the way, it remains the only gig to date, during which The Stones performed what was their ninth British and 11th U.S. studio record in its entirety.

Brown Sugar was also released in April 1971 as the album’s lead single and became the 6th Stones single to top the U.S. Billboard Hot 100. It would take until August 1973 before they scored another no. 1 in the U.S. with Angie. In the UK, Brown Sugar peaked at no. 2 on the Singles Chart. Rolling Stone ranked the tune at no. 5 on its 100 Greatest Guitar Songs Of All Time list.

Sources: Wikipedia, http://www.stonesfromthevault.com, YouTube

The Hardware: Fender Telecaster

World’s first commercially successful solid-body electric guitar continues to be popular to this day, more than 65 years after its introduction

Similar to the Fender Stratocaster and the Gibson Les Paul, which I covered in previous posts here and here, I could have called the Fender Telecaster the quintessential electric guitar. After all, that model predated the Stratocaster and the Les Paul by three years and one year, respectively. And while Paul Bigsby built the first solid-body for country and western artist Merle Travis in 1948, it was the Telecaster that became the first such electric guitar that was manufactured on a substantial scale.

But the truth is “quintessential” is largely in the eye of the beholder. I always loved the seductive shape of the Stratocaster. I also thought Mark Knopfler created such a cool signature sound with it on Sultans of Swing, Once Upon a Time In the West and other early Dire Straits classics. Ultimately, that’s why I feel the Strat is THE electric guitar and wrote about it first. On to the Telecaster.

The Telecaster was developed by inventor Leo Fender, the founder of the Fender Electric Instrument Company. He built the first prototype in the fall of 1949 and introduced it to the market in 1950 as the Fender Esquire, a solid-body with one single-coil pickup. But the Esquire was hampered by quality issues, especially around the guitar neck that easily bent, so it was only produced in limited numbers.

Fender Esquire 1951
Fender Esquire 1951

Fender addressed the lacking neck stability with the placement of a tross rod. He also added a second single-coil pickup to the guitar and renamed it the Fender Broadcaster. That name was very similar to Broadkaster drum sets made by Gretsch, so needed it be changed. The Broadcaster became the Telecaster in 1951, and the guitar has been sold under that brand name ever since.

The Telecaster featured several innovations and used production techniques that made manufacturing and repairing the guitar more cost-effective compared to models from Gibson and other manufacturers. Rather than constructing the Telecaster individually, Fender introduced the production of components that could easily be put together into the finished product on an assembly line.

Fender Telecaster 1951
1951 Fender Telecaster

Unlike the traditional glued in neck, the Telecaster had a “bolt-on” neck. Not only did this make production easier, but it also allowed for faster repair or replacement of the neck. Additionally, the neck on the classic Telecaster was made from a single piece of maple without a separate fingerboard.

Moreover, the bodies of the Telecaster were built with solid pieces of wood instead of being hand-carved individually. The Telecaster also featured easily accessible electronics. This was made possible through a removable control plate. In contrast, the electronics of the then-predominant hollow-body electric guitars could only be accessed through the soundholes.

Fender Telecaster Electronics Control Plate
Telecaster control plate for electonics

Unlike the Stratocaster, which got a lukewarm initial reception from many guitarists, the Telecaster was an immediate hit. This can be explained by the guitar’s distinct properties, which according to Reverb include: “A bridge pickup tone like to no other. The definition of twang when clean. The definition of rock when dirty; Liberating simplicity. Two pickups, two knobs, six strings, no frills. It forces you to be a better player; Surprising versatility. Across three pickup positions, different tone knob positions and varying levels of gain, the Tele is capable of an unexpected number of voices.”

I think it’s mainly the guitar’s versatility, which has made the Telecaster a staple in country, electric blues, rock & roll and other music genres. Like in the case of the Stratocaster and the Les Paul, several customized versions of the Telecaster have appeared over the decades. These variants feature different pickup configurations like a humbucker in the neck position, dual humbuckers and three single-coil pickups. There is also a semi-hollow version called the Telecaster Thinline.

Now comes the part of this type of gear-focused post that excites me the most – a list of musicians who have championed the equipment.

James Burton

American guitarist James Burton, who has performed with Ricky Nelson, Elvis Presley, Johnny Cash, Glen Campbell, Roy Orbison and many others, has played a Telecaster since age 13 and is considered to be the most visible Tele player in the late ’50s. Here’s a great clip of Burton performing Johnny B. Goode live with Presley.

Albert Lee

Also known as Mr. Telecaster, English guitarist Albert Lee has played a Telecaster since 1963. Here is a cool live clip from the early ’70s of Lee performing Country Boy with British country rock band Heads Hands & Feet – holy moly!

Albert Collins

American electric blues guitarist Albert Collins was called The Master of the Telecaster. The Fender Custom Shop offers an Albert Collins Signature Telecaster, which is based on his 1966 model featuring a humbucker pickup in the neck position. Here’s Collins with Iceman, the title song of his tenth and final studio album released in March 1991, two and a half years prior to his untimely death from lung cancer in November 1993 at age 61.

Keith Richards

Rolling Stones guitarist Keith Richards has used a variety of Telecasters throughout his long career. The most famous one is a ’53 Tele called Micawber. According to the Fender website, Richards got the Micawber from Eric Clapton as a present for his 27th birthday in 1970. At the time, the Stones were gearing up for Exile On Main Street. Shortly after the band’s ’72 tour, Richards replaced the single-coil pickup in the neck position with a ’50s Gibson PAF humbucker for extra bite. Here’s a clip of Richards in action with his Micawber, together with the Stones: Brown Sugar, from the 2016 concert in Havana, Cuba.

Muddy Waters

Blues guitar legend Muddy Waters played a red ’57 Telecaster. Until 2010, Fender offered a replica as part of its signature series, the Muddy Waters Telecaster. Here is a great clip of the maestro and his red Telecaster, performing I’m A King Bee, captured during ChicagoFest in 1981.

Bruce Springsteen

Of course, this short list of Telecaster champions would be incomplete without The Boss. Bruce Springsteen’s iconic guitar, which is pictured on the cover of the Born To Run album from 1975, is not a pure breed Telecaster. As Bobby Owsinski explains on his Music Production Blog, it’s actually a hybrid from at least two other guitars: a ’50s Telecaster body with what looks like a ’57 Esquire neck, which Springsteen purchased at a guitar shop in Neptune, N.J.

Before selling it to The Boss, store owner Phil Petillo removed the two additional pickups that had been added to return the guitar to its original Telecaster configuration. Over the years, Petillo made significant additional modifications requested by Springsteen, including triangular Precision Frets, a six saddle titanium bridge, as well as custom hot-wound waterproofed pickups and electronics, so the guitar could better withstand Springsteen’s marathon shows. In 2005, he retired his beloved instrument from live shows and has since played clones of it during tours. Springsteen continues to use the original for studio recordings. Here’s a clip of the mighty Born To Run, which is from a 1978 show and presumably features Springsteen’s original Telecaster hybrid. Man, watching this footage makes me want to see The Boss again!

Sources: Wikipedia; “Telecaster Buying Guide,” The Hub, March 2017; “Statocaster vs. Telecaster: The Differences That Matter,” Reverb, Nov 2016; “Interesting Mods: Keith Richards’ ‘Micawber’,” Fender website; “The Story Behind Bruce Springsteen’s Iconic Hybrid Telecaster,” Bobby Osinski, Music Production Blog; YouTube