Clips & Pix: Bruce Springsteen & The E Street Band/Backstreets

Here’s a classic by Bruce Springsteen & The E Street Band: Backstreets from Hammersmith Odeon, London ’75, a live album and video capturing a full-length performance by The Boss and his band at the British live entertainment venue in November 1975 during the Born to Run tour. This package was released in November 2005 as part of the 30th anniversary edition of Born to Run, my favorite Springsteen album.

While I feel there’s no need to justify this post, the reason I’m publishing this now is very simple. I was listening to a used vinyl copy of Born to Run I recently had picked up at a great local vintage record store. Backstreets, which like all other tracks on the record was written by Springsteen, is the final tune on Side one.

According to Songfacts, Backstreets is an intense story about a broken relationship; a tale of losing a lover where the narrator seems more concerned about losing her as a friend. The girl in the song, Terry, is a character Springsteen created based on girls he knew...Asked where this song came from in a 2016 interview with Rolling Stone, Springsteen replied: “Just youth, the beach, the night, friendships, the feeling of being an outcast and kind of living far away from things in this little outpost in New Jersey. It’s also about a place of personal refuge. It wasn’t a specific relationship or anything that brought the song into being.”

Songfacts also notes Backstreets is one of E Street Band drummer Max Weinberg’s favorite Springsteen tunes. They include the following quote from an ABC Radio interview: “I guess what hit me most about it was the emotionalism of the lyrics. I felt particularly proud to play on that record [Born to Run – CMM], because it was a kind of an involved drum part, it involved not playing a lot, just getting into that tom-tom figure – ba-ba-ba-ba-boom bom-boom, ba-ba-ba-ba-boom bom-boom. And if anyone’s every heard ‘Running Sacred’ by Roy Orbison, that was the kind of tension we were trying to create. And I like to think we did.”

In addition to Springsteen (electric guitar, vocals) and Weinberg, the tune’s original studio recording also featured Garry Tallent (bass) and Roy Bittan (piano, Hammond organ). Last but not least, there’s a magazine for Springsteen fans titled after the song. It’s been published quarterly since 1980.

Sources: Wikipedia; Songfacts; Backstreets website; YouTube

Great Covers, B.r.u.c.e. Style

Over his nearly 50-year recording career, Bruce Springsteen has amassed an enormous catalog. He could easily fill up his 3 to 4-hour shows he routinely plays with just his own songs and still not even perform half of the tunes he has written over the decades. Yet The Boss has always liked to mix up his sets with covers. Why? I think it’s because Springsteen loves great music and to honor the artists behind it.

The latest reminder is The Live Series: Songs Under Cover Vol. 2, a new album released on March 5 as part of Springsteen’s ongoing series of concert releases. It’s available via digital download at https://live.brucespringsteen.net and on music streaming services. With The E Street Band, Springsteen has the perfect group of road-tested warriors to back him. Just like Tom Petty’s Heartbreakers used to do, these guys can play anything. The new album triggered the idea to do a post on covers, B.r.u.c.e. style.

In the Midnight Hour

I couldn’t think of a better tune to kick things off than with a Stax gem. Here’s Springsteen’s version of In the Midnight Hour. Apparently, this was captured at Nassau Veterans Coliseum on Long Island, N.Y. in 1980 during The River Tour. Written by Wilson Pickett and Steve Cropper, the song was first recorded by Pickett, one of my favorite Stax artists, and appeared in June 1965. It also became the title track of Pickett’s second studio album that appeared in the same year.

Who’ll Stop the Rain

Who’ll Stop the Rain is one of my long-time favorite tunes by Creedence Clearwater Revival. Written by John Fogerty, the track was included on the band’s fifth studio album Cosmo’s Factory from July 1970. It’s one of the covers included on Springstreen’s new live release. This was recorded at London’s Wembley Arena in June 1981. Great version. I love the sax work by “The Big Man” Clarence Clemons – just wish his solo would have been longer!

Sweet Soul Music

Here’s an amazing version of Sweet Soul Music, another soul classic. Co-written by Sam Cooke, Arthur Conley and Otis Redding, the tune was recorded at FAME Studios in Muscle Shoals, Ala., and first released by Conley in 1967. Bruce Springsteen & The E Street Band were on fire that night in Stockholm, Sweden in July 1988. It was around the same time I saw Springsteen first in Frankfurt, Germany. I will never forget that show. Springsteen and the E Street Band belted out one cover after the other for more than one hour. Technically, I guess this was the encore. If I recall it correctly, they also played Sweet Soul Music in addition to gems like In the Midnight Hour, Land of a Thousand Dances and Shout. It was just unbelievable!

Highway 61 Revisited

Bob Dylan’s Highway 61 Revisited is another highlight from Springsteen’s latest live release. For this rendition at Shrine Auditorium in Los Angeles in December 1990, Springsteen got a little help from his friends Jackson Browne and Bonnie Raitt. It really doesn’t get much better! Written by Dylan, Highway 61 Revisited became the title track of his sixth studio album from August 1965. Check this out – this is to die for!

Twist & Shout/La Bamba

This fantastic medley of Twist & Shout and La Bamba was captured during the Human Rights Now! Tour, a series of 20 benefit concerts conducted in 1988 to raise awareness of Amnesty International during the year of the 40th anniversary of the Universal Declaration of Human Rights. Twist & Shout, co-written by Bert Berns and Phil Medley, was first recorded and released by American R&B vocal group The Top Notes in 1961. La Bamba, a Mexican folk song, became broadly popular in 1968 through the amazing rendition by Ritchie Valens – one of the artists who died in that plane crash near Mason City, Iowa in the early morning hours of February 3, 1959, together with Buddy Holly.

Rockin’ All Over the World

Let’s wrap up this post with another John Fogerty classic that became the title track for Status Quo’s 10th studio album from November 1977, and a huge hit for the British boogie rockers. Fogerty originally recorded Rockin’ All Over the World for his self-titled sophomore solo album that came out in September 1975. Bruce and the boys played the song during a gig at Olympiastadion in Helsinki, Finland in July 2012. As Springsteen said, “let’s do it right – alright!” Man, would I have loved to be there!

Source: Wikipedia; YouTube

Clips & Pix: Chuck Berry with Bruce Springsteen & The E Street Band/Johnny B. Goode

Unforgettable performance of iconic tune at 1995 Rock and Roll Hall of Fame concert

This morning, I listened to a nice compilation of tunes released by Chess Records. The legendary Chicago blues and R&B record company and the amazing artists it had under contract make an excellent topic for another post to explore in the future.

The first track on the list was Johnny B. Goode by Chuck Berry. Following is a clip of a great live version of the song, which has always been one of my favorite classic rock & roll tunes. It brought together Berry and the Boss as part of a Rock & Roll Hall of Fame concert in 1995 to celebrate the dedication of the Hall of Fame Museum. The performance also marked the first appearance of the reunited E Street Band, which Springsteen had dissolved in 1989.

The quality of Berry’s concerts varied substantially, which is obvious when you watch clips of his live performances on the Internet. In great part this happened because Berry did not want to have a standing touring band. Instead, he insisted that tour organizers hire local musicians from the towns where he would perform. Typically, these bands would not get an opportunity to rehearse with Berry. Essentially, this left the musicians with following Berry’s lead. Not surprisingly, the outcomes varied.

The above clip is one of the best live performances of Berry I could find. He was still in pretty decent shape at age 68. You can clearly see the kick that Springsteen and The E Street Band got out of it. Also great to watch is the interaction between Berry and Clarence Clemons, the band’s amazing saxophonist at the time.

Sources: Wikipedia, Billboard, YouTube