Shout-out to my brother-in-law who brought Popa Chubby to my attention earlier today. Before then, I had never heard of the 60-year-old electric blues-focused guitarist and songwriter from the Bronx, New York, who was born Theodore Joseph “Ted” Horowitz.
Chubby has been playing music for more than 30 years. On his website he describes his style as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson.” These are many names to throw around, but based on YouTube clips I have seen it’s not just empty words.
The above tune is the title track of Chubby’s most recent album that came out in March this year in celebration of his 30th anniversary as a blues artist. It’s one of 13 original tracks on the record that also includes covers of Freddie King’sI’d Rather be Blind and Prince’sKiss.
I’m pretty sure I’m going to further explore Chubby and write more about him. Until then I’ll leave you with this cool rendition of Jim Hendrix’sHey Joe captured in 2011 on the German music TV program Rockpalast.
A selection of newly released music that caught my attention
For this latest installment of the recurring feature, I had lots of new/recently released music to choose from: various singer-songwriters, Americana, rock and blues. It would have been easy to add at least four additional songs, but I’d like to keep these posts to no more than four to six tracks. As in previous installments, it’s a mix of young and more established artists, which is exactly what I’d like it to be. I’m really glad that my foray into new music continues to yield many promising discoveries. Here we go!
John Craigie/Don’t Ask
From his website: Renowned for his eloquent Americana style, engaging live shows, and off-the-cuff clever observations, John Craigie carries on the legacy of classic singer-songwriters, while blazing a trail of his own. Recently, that trail twisted and turned into new territory for the Portland, OR performer who The Stranger appropriately dubbed, “the lovechild of John Prine and Mitch Hedberg.” Released on May 8, Don’t Ask is the latest single from the 39-year-old’s upcoming new album Asterisk the Universe, slated for June 12. Two additional tracks from the record, which should be his seventh, are already available. According to Wikipedia, Craigie has been called a “modern day troubadour” reminiscent of Woody Guthrie and Ramblin’ Jack Elliott. While I don’t know about that, I’ve no doubt I really dig what I’m hearing.
Israel Nash is a 39-year-old singer-songwriter from Dripping Springs, TX. Wikipedia puts his music in the Americana, rock and indie rock genres. Based on his most recent release – the EP Topaz – I can also hear some soul influences. Nash came to Texas via New York from Missouri, his original home. After moving to New York in 2006 and performing in local clubs, Nash independently released his debut album New York Town in 2009. After the appearance of his sophomore album Barn Doors and Concrete Floors in March 2011, Nash moved to Dripping Springs late in the same year. He has since released three additional studio records, one life albums and two EPs including Topaz, which came out on May 22. Here’s the great opener Canyonheart. Check out that tune’s beautiful warm sound!
John “Papa” Gros/It’s Raining
To start with, what an awesome name, and very much New Orleans – admittedly, it was part of the reason why I took a closer look at John “Papa” Gros, who hails from the big easy. For over three decades, Gros has brought his city’s celebratory culture to listeners around the globe., according to his website. Gros mixes all the sounds of New Orleans – funk, trad jazz, brass band, blues – and makes it his own signature gumbo. His new solo album Central City, shows Gros capturing New Orleans’ distinct feel-good charm with help from some of its’ most renowned players. Gros began playing gigs when he was just fifteen years old but didn’t truly kick off his career until after graduating from Loyola in 1989 with a degree in French Horn performance…Between 2000 and 2013, Gros began his transition into the spotlight by leading Papa Grows Funk, a highly revered group that mixed hard-hitting funk grooves with often unpredictable jazz spontaneity. The band has since broken up, and John “Papa” John has carried on with a solo career. Central City, which came out on April 17, is his third solo effort. Here’s the beautiful It’s Raining. I hear some Randy Newman in here!
Scott Ellison/All Wound Up
Are you ready for some good ole’ blues and honky tonk? Enter singer-songwriter, guitarist and blues rocker Scott Ellison was born in Tulsa, Okla. in on June 13, 1954. According to his website, he started his career in the ’70s, playing with country singer Jesseca James and blues artist Clarence “Gatemouth” Brown in 1981. After relocating to Los Angeles in the mid-’80s, Ellison played with The Box Tops, The Shirelles, The Drifters and Gary U.S. Bonds, among others. By the ’90s he had formed his own blues band and opened for other artists like Joe Cocker, The Fabulous Thunderbirds and Buddy Guy. In 1993, Ellison’s first solo album Chains of Love appeared. Skyline Dive is his most recent record, which appeared on May 8. Here’s All Wound Up, a nice smoking blues rocker – my kind of music!
Fretland/Say It Well
I couldn’t find a lot of information on Fretland, an Americana band from Snohomish WA. The apparently still young group was founded by singer-songwriter Hillary Grace Fretland (vocals, guitar). The band also includes Luke Francis (guitar), Jake Haber (bass) and Kenny Bates (drums). Say It Well is the beautiful closer of Fretland’s eponymous album released on May 22. It’s a very bare bones acoustic tune, which sounds like is performed by Hillary with guitar only.
Dr. Joe is another artist I had not heard of before. From his website: Based in Austin TX but raised on a farm outside Salina, Kansas, band leader Joe Sparacino spent his early childhood learning piano from a southern gospel choir matron and listening to his family’s old vinyl collection of Ray Charles, Leon Russell and James Booker. Their debut single: “Tell Your Mother” was produced by Vance Powell (six-time Grammy Award winning record producer) whose credits include Jack White, The Raconteurs, White Stripes, Kings of Leon, Arctic Monkeys, Chris Stapleton, etc. and recorded at his famed Sputnik Studio in East Nashville.GOOD DAYS [apparently their second single] was recorded by – Niles City Sound (Leon Bridges) in Fort Worth Texas with additional work by Adrian Quesada (Black Pumas), Abhi The Nomad and Austin Jenkins (White Denim). It was mixed and mastered at Abbey Road in London.Believer is Dr. Joe’s latest single, which came out on April 10 (Good Friday). I think this tune is cooking. I suppose this means I’m a believer! 🙂
Sources: Wikipedia; John Craigie website; John “Papa” Gros website; Scott Ellison website; Fretland website; Fretland Facebook page; Hillary Grace Fretland Facebook page; YouTube
I happened to listen again to this great blues rocker this morning. I previously mentioned it a few times on the blog, most recently in December 2017. So, yes, I’m plagiarizing myself, but hey, it’s been almost two and a half years. Plus, with so many of us being stuck at home, aren’t we ready for a dose of alcohol? Of course, everything in moderation! 🙂
Buddy Guy co-wrote this great tune with longtime collaborator Tom Hambridge for his 17th studio album Born to Play Guitar from July 2015. Hambridge also produced this gem, played drums, percussion, tambourine, triangle and wind chimes, and provided backing vocals – quite an overachiever!
I just love Whiskey, Beer & Wine – the main guitar riff, the funky groove, Guy’s vocals. To me, it almost feels like listening to a Jimi Hendrix reincarnation. If you dig blues rock, I can highly recommend the entire record, which won a Grammy Award for Best Blues Album in 2016.
Born to Play Guitar came out one day after Buddy Guy’s 78th birthday. I’d be happy if I make it until age 78 and can still hold my guitar, not to speak of playing the instrument! I’ve seen Guy twice and he’s just phenomenal. Now 83 years old, he’s still going strong – unbelievable! If you feel like watching more, check out this clip from February this year – damn, from what planet did this man come from?
I got this song/I’m gonna sing/I’m gonna sing it just for you/If you dig the blues/I want you to help me sing it, too/I want everybody to hear me when I say/The blues is back, and it’s here to stay.
The above intro from The Blues is Alright, a tune by Little Milton, nicely captures how I’m feeling as I’m writing this post. Of course, the blues has always never really left, though I guess it’s fair to say it had greater visibility when Milton released that song back in 1984 and Stevie Ray Vaughan was all the rage.
Sadly, Vaughan and Milton are no longer with us, not to mention the likes of B.B. King, Muddy Waters and John Lee Hooker, to name a few artists of the “old guard.” But over the past few months, exciting new blues music has been released. And as somebody who digs the blues, that truly makes me happy. Are you ready for some? Ready or not, here we go!
Robert Cray first appeared on my radar screen in 1988 with Don’t Be Afraid of the Dark, the title track to his sixth studio album, a tune that grabbed me immediately. Fast-forward some 32 years and 18 records later to February 28 this year when Cray released That’s What I Heard. Produced by longtime collaborator Steve Jordan, who also plays drums and percussion, the great collection includes four original tracks and eight covers. The Robert Cray Band also features Richard Cousins (bass), Dover Weinberg (keyboards) and Terence F. Clark (drums). Here’s the opener Anything You Want, an original. Apart from being a decent guitarist, I think Cray also has a great soulful voice.
Ever heard of British blues-rock guitarist Joanne Shaw Taylor? Damn, that lady sounds smoking hot to me! Even though Taylor is only in her mid-30s, she has an impressive record. She was discovered at the age of 16 by Dave Stewart (of Eurythmics), who in 2002 invited her to tour in Europe with his band D.U.P. In 2009, Taylor’s debut album White Sugar appeared. Her latest release is Reckless Blues, an EP that came out two weeks ago on March 6. Here’s a great cover of Slow Dancing in a Burning Room, a tune John Mayer wrote and first recorded for his third studio album Continuum from September 2006.
Let’s move on to Frank Bey. Admittedly, I had never heard of him until earlier today, even though the man is 74 years old and, well, has been around for some time. According to his website, he began his singing career 70 years ago as a gospel singer – yep, we’re talking as a 4-year-old. At age 17, he joined the Otis Redding Revue. In the mid-70s, Bey became entangled in a legal battle with James Brown over one of his songs Brown had recorded without his permission. While the matter was settled out of court, it left Bey embittered, and he got out of the music business for 17 years. Then he returned and since 1998 has released six albums, the most recent of which is All My Dues Are Paid that appeared on January 17 this year. It’s warm and soulful. Here’s the tasty opener Idle Hands, featuring some cool wah-wah guitar and nice horn work, along with Bey’s great vocals and some hot gospel backing vocals. Check it out!
Ready for two more? Here’s Christone “Kingfish” Ingram with his new single Empty Promises, a live recording that came out on February 14. The 21-year-old from Clarksdale, Miss. released his debut album Kingfish last May and got rave reviews. It’s certainly no coincidence he has played with the likes of Buddy Guy, Keb’ Mo’, Eric Gales and Rick Derringer. I think we will hear many more great things from this super talented young artist. Empty Promises was written by blues and soul singer and guitarist Michael Burks who passed away in May 2012 from a heart attack. He was only 54 years old.
The final tune I’d like to call out is by Tas Cru, another blues artist I had not heard of before either. While he doesn’t have a Wikipedia page, luckily, there’s a website. According to his bio, Cru is truly a blues eclectic who refuses to let his music be bound to just one blues style…with a repertoire of over 60 original songs from multiple albums and dozens of crowd-pleasing classics…Tas Cru is currently is based out of upstate New York and performs in multiple formats ranging from solo acoustic to a 7 piece-backing band. Cru’s most recent album, which was released on February 1, is titled Drive On. According to a review in Elmore Magazine, it’s his ninth and 11th overall, when including two blues-for-kids records he made. Here’s the funky title song featuring great horn and organ work. Don’t get fooled by the tune’s slow start. Keep listening!
Sources: Wikipedia; Robert Cray website; Joanne Shaw Taylor website; Frank Bey website; Tas Cru website; Elmore Magazine; YouTube
Down on the Boulevard is Irish guitarist’s sixth solo album
Call me a happy camper. Gerry Lane is the second great artist I just “discovered” and write about during the same weekend. Like Minimum Vital, which I covered in my previous post, Lane popped up in the same “New Music Mix” my streaming provider served up yesterday. And like the French progressive rock band, Lane also doesn’t have a Wikipedia page, even though he has been active since 1970 and played with Noel Redding (yep, that bassist from the Jimi Hendrix Experience) and Gary Moore, among others. What’s up with that?
According to his website, Lane was born in West Cork, Southern Ireland. His first instrument was a button key accordion. He later progressed to guitar, and during his early teens he played in the family pub with whoever the visiting musician was. He played in many bands in the West Cork area, one of the most successful being a band called “SOUTHERN COMFORT”…
While in that band he met Noel Redding (Ex Bass player with the Jimi Hendrix Experience). Gerry and Noel played together in various bands around Southern Ireland. During the late 70’s Gerry played the showband circuit in Ireland and England with bands like, Stage 2, Tony Stevens Band and Discovery…In 1980 Gerry formed a band called ” DRIVESHAFT “. With that band he toured extensively in Ireland and England playing headline gigs…and supporting visiting international acts like: Rory Gallagher (also from Cork Ireland), Phil Lynott’s Grand Slam, ZZ Top, Def Leppard, Saxon and the Michael Schenker Group.
In 1983 Gerry moved to England and while living in London he got to work and record with Gary Moore, Cozy Powell (ex-Rainbow / Whitesnake / Jeff Beck / Black Sabbath), Neil Murray (ex-Bass player with Whitesnake / Brian May Band), John Sinclair (Keyboard player with Ozzy Osbourne / Uriah Heep)…In 1993 Gerry moved to the Canary Islands (Gran Canaria) where he now lives and works.
The singer-songwriter’s and producer’s vocal influences include Joe Cocker, Tony Joe White, Jimmy Barnes and Bob Seger. Lane’s website also notes Eric Clapton, Mark Knopfler, Rory Gallagher, BB King and Buddy Guy as guitarists who have influenced him. When it comes to songwriting, he cites Tony Joe White, Keb’ Mo’, Mark Knopfler, John Hiatt and Bob Seger. Okay, you might say, any music artist can name famous peers. At the end of the day what truly matters is the music. And the music on this album is a lot fun to listen to, so let’s finally get to some of it.
Here’s the title song and opener. Like all of the 10 tracks on the album, it was written by Lane. Down on the Boulevard also includes a new version of Meloneras Blues, the title track from what appears to be his solo debut from 2008. Check it out!
The album’s second track Kick off them Shoes has a cool blues and Stax soul vibe. It reminds me a bit of Cocker’s You Can Leave Your Hat On. This is some tasty shit!
Track no. 3 is called Cryin’ in the Rain. When the first three songs of an album are great, usually, it’s a good sign. Just like the previous tune, I dig the soulful vibe.
The Writing’s on the Wall features some nice slide guitar action.
Let’s finish things up with another tasty rocker: Solid as a Rock. With that cool guitar riff and sound, I could actually picture this as an AC/DC song. And guess what? It turns out the tune is a tribute to rhythm guitarist Malcolm Young, as the notes to the following clip point out.
Mal was a hard man/He was born into a clan/He was a guitar singer/In a rock & roll band/He was dynamite/He was TNT/He was out of sight/He touched the devil in me
He was solid as a rock/He took it to the top/He was solid as a rock/He never let it stop – that’s right/He was solid as a rock…
I’m not much of a radio guy, not even in the car, where despite having access to Sirius XM, I prefer listening to music from my streaming provider most of the time. An exception for the past few years has been a massive four and a half-day countdown of songs New York classic radio station Q104.3 does around each Thanksgiving. Ingeniously, they call it the Top 1043 Classic Rock Songs of All Time.
To come up with the list, the station asks listeners to submit their top 10 songs in no particular order, which each counting as one vote. They then tally the submissions, determine the 1043 songs with the most votes, and play all of them in one shot, starting with the tune that got the least votes. The only interruption happens at noon on Thanksgiving, when they play Arlo Guthrie classic Alice’s Restaurant in its entire 18 minutes plus. The whole thing lasts from 1:00 pm ET on Wednesday prior to Thanksgiving until sometime on Sunday evening after the holiday!
This year marks the 19th annual annual countdown. Wow, that’s what I call devotion – and smart marketing/audience engagement! Remarkably, each year Led Zeppelin’sStairway to Heaven has been the most popular song. And while the station does not reveal actual vote totals, the hosts have said in the past the tune has always won by many votes.
Don’t get me wrong, I dig Stairway – big time. In fact, if I could only choose one rock song, it probably would be that Zep classic, even though The Beatles generally remain my all-time favorite band. There are other tunes that usually make the top 10, such as Hey Jude and Queen’sBohemian Rhapsody. Again, there’s nothing wrong with these songs and I like them as well.
But the recurrence of the above tracks makes the countdown predictable. To me this means it’s not as much fun as it could be. As I noted before, I think it’s time to shake things up a bit. Following is the set of tunes I submitted. I almost would have forgotten about it and literally did so at 3:00 am this morning when I went to the bathroom and remembered – okay, call me a loony! Here are my choices in no particular order.
Of course, it’s unlikely my selections will change much if anything. On the other hand it’s like elections. If everybody thought they couldn’t impact the outcome, nobody would vote. And that would indeed guarantee that nothing would ever change! So here’s to hoping for a new number one this year. How about Hey Jude?😆
I’ve said it before and I say it again. While the likes of B.B. King, Muddy Waters and Willie Dixon are gone and Buddy Guy is one of a handful of last men standing from the old guard, the blues is alive and well. It’s particularly encouraging to see young artists embrace it. Perhaps the most compelling example I know is 22-year-old Jontavious Willis. None other than Taj Mahal has called him “Wunderkind.” Recently, he executive-produced the young bluesman’s sophomore album Spectacular Class, which appeared in April this year.
In some regards, the story of Willis, who is from Greenville, Ga., mirrors that of other great blues artists. The church and a key event determined his path. According to his website, Willis grew up singing gospel music with his grandfather at a local Baptist house of worship. Then, as a 14-year-old, he saw Muddy Waters on the tube. In the old times, it would have been television, but this is the 21 Century, so it was actually YouTube. Apparently, Willis was instantly hooked and knew that’s the music he wanted to play – I just love these types of stories!
I’m not sure how Willis and Taj Mahal found each other. Apparently, Mahal asked Willis to play on stage with him in 2015. Then I guess he became a mentor. “I had an opportunity to have him grace my stage when I came to Atlanta,” said Mahal. “He had a thunderous response from the audience. It was just so great. I’m very, very particular and very private about my stage so – and if somebody is on it giving the full run to go, you know that they must be able do whatever it is that they say they can do, and I say that he can do it and more.”
In 2016, Willis released his debut album Blues Metamorphosis. The following year, he opened up select gigs for Mahal and Keb’ Mo’ during their TajMo tour. That’s were I first heard about Willis and actually saw him. As you can read here, I was really impressed what this young man who performed solo got out of his acoustic guitar. Fast-forward to the presence and Spectacular Class, which by the way is not some overly confident statement by the artist about his music, though it actually is outstanding, in my humble opinion. Instead it refers to a line in one of the songs called Take Me To The Country: …The folks in the country don’t live too fast got good mannerism and spectacular class…
Time to get to some of that spectacular music! Here’s the opener Low Down Ways. Don’t you agree this sounds awesome and certainly not like some 22-year-old kid? It does remind me a little bit of Keb’ Mo’, who served as the record’s producer and also plays guitar on several tracks including this one. By the way, all songs on the album were written by Willis.
In the second track Willis asks the question The Blues Is Dead? But he doesn’t waste much time to offer his perspective: …The blues ain’t going nowhere, gonna be here for a great long time/As long as folks got situations and problems on their mind… According to this upbeat review from Rock and Blues Muse, the tune in addition to Willis on lead vocals and slide guitar features Phil Madera on piano and Andrew Alli on harp. Apart from Mo’ (electric guitar), other musicians on the album include Martin Lynds and Thaddeus Witherspoon on drums, as well as bassist Eric Ramey – clearly, all top-notch craftsmen!
Daddy’s Dough is a delta blues type of tune that nicely showcases Willis’ abilities on acoustic guitar, with nice harp fill-ins by Alli. Dig the groove on this one!
Next up, the above mentioned Take Me To The Country. This is the type of country blues Willis is oftentimes associated with and another nice example of his acoustic guitar chops – just great! Here’s a nice video showing Willis in action. Check out the great fingerpicking!
The last track I’d like to highlight is the album’s closer The World Is In A Tangle. Here’s the official video – some killer guitar, banjo and mandolin work on this tune! Sadly, the lyrics capture how I sometimes feel about present day America: The world’s in a tangle it’s time to make a change/I’m gonna move away and change my name/I said the world’s in a tangle what’s going on/I’m going to a foreign land and make it my home…
Here’s how Willis describes his sound and approach to the blues: “My instrument sound is simple; my voice is what I put on the forefront. I feel that’s what the blues is about. When you start focusing on your instrument more than vocals you are forgetting the purpose of the blues, which is to tell a story.”
Given Taj Mahal’s important role in Willis’ career thus far, it feels appropriate to quote him again: “Jontavious Willis. That’s my Wonderboy, the Wunderkind. He’s a great new voice of the 21st Century in the acoustic blues. I just love the way he plays. He has really just delightful timing and a real voice for the music because he was raised in the tradition and the culture. It’s just wonderful to hear him sing. The way he tunes his guitar is just amazing. There’s not a bluesman alive that could pick his instrument up and play it. You’d have to sit there for a good while to figure those tunings out.” High but well-deserved praise from a living blues legend!
Willis is currently on the road in the U.S., with a few gigs overseas in Switzerland, Denmark and Norway scheduled between August 29 and September 7. On some of his dates later this year, he is playing with Keb’ Mo’, e.g., Charlotte, N.C. (Sep 18), Oklahoma City (Sep 22) and Fort Collins, Colo. (Sep 26) – should be an awesome show! The full schedule is here.
Sources: Jontavious Willis website, Rock and Blues Muse, YouTube
Kenny Wayne Shepherd first entered my radar screen about two years ago with the release of his eighth studio album Lay It On Down, which I covered here at the time. Now, the Louisiana guitarist is back with The Traveler. While Shepherd’s music remains anchored in blues rock, his latest release also offers flavors of country, Southern and straight rock. No matter how you characterize it, this record simply presents fun music by a great guitarist who also proves he’s a pretty talented songwriter.
For quick background on Shepherd, I’m quoting from his website: “In a 20-year recording career that began when he was just 16, Shepherd has established himself as an immensely popular recording artist, a consistently in-demand live act and an influential force in a worldwide resurgence of interest in the blues…At 16 years old, he signed his first record deal and burst onto the national scene with the release of his 1995 debut album Ledbetter Heights…In 2013, Shepherd further expanded his musical horizons by teaming with veteran rockers Stephen Stills and Barry Goldberg to form THE RIDES, whose first album Can’t Get Enough helped to expand Shepherd’s audience as well as his musical resume.”
Released last Friday, May 31, The Traveler is the Shepherd’s ninth studio album. Eight of the ten tracks are originals written by Shepherd. In addition to playing guitar, he shares lead vocals with Noah Hunt, who has been part of the Kenny Wayne Shepherd Band since 1997. The other members include drummer Chris “Whipper” Layton, a co-founding member of Stevie Ray Vaughan’s backing band Double Trouble; Joe Krown and Jimmy McGorman (both keyboards) and Scott Nelson (bass). The Traveler appears on Concord Records and was co-produced by Shepherd and Marshall Altman with whom Shepherd also worked on his previous two albums. Let’s get to some music.
Here’s the opener Woman Like You, a catchy blues rocker with some nice horn accents, featuring Hunt on lead vocals.
Long Time Running is another great rock tune with horns and Hunt singing lead.
I Want You combines a classic blues riff, great horn fills and a more contemporary drum sound. Here, Shepherd is also handling lead vocals. It is one of the few tunes where he is playing a more extended guitar solo, something that is largely absent on the other tracks.
On Tailwind, a Southern rock style, acoustic-oriented tune, the band is slowing things down. Once again, Hunt is providing lead vocals
The Traveler also includes two covers: Joe Walsh’sTurn To Stone and Buffalo Springfield’sMr. Soul written by Neil Young. As a big Neil fan, I couldn’t resist the latter. With the dominant horns, it’s a pretty cool version, in my opinion.
“I like albums to have their own identity, and I don’t want to be one of those artists where you know what it’s going to sound like before you even hear it,” Shepherd stated. “I want the new material to be original and give the listener something different. A lot of these songs represent stories I’ve picked up on the road, and the experiences we’ve had along the way.”
“The main thing is to catch the essence of the live shows,” Shepherd further pointed out. “We’re a live band, and when people listen to our records, I want them to hear what we sound like when we play live. As far as my playing goes, I’m still refining my approach, and learning that it’s not about showing off or how flashy you can play. It’s about serving the song and playing what’s right emotionally. I want to move people in the depths of their souls, and to stir my own spirit. The only way I know how to do that is to get everyone recording together in the same room, and everyone’s making eye contact. That’s how spontaneous moments happen.”
Shepherd and his band are busy touring the U.S. and Europe for the remainder of the year. Most of the U.S. dates are with Buddy Guy – damn, this should be an awesome show! Some of the upcoming gigs include Flagstaff, Ariz. (Jun 8); Cincinnati (Jun 16) ; Red Bank, N.J. (Jun 18) – dangerously close to my house – and East Providence, R.I. (Jun 21). Starting toward the end of the month, Shepherd is playing a series of concerts in Europe before returning to the U.S. in late July. The full schedule is here.
Sources: Wikipedia, Kenny Wayne Shepherd website, Kenny Wayne Shepherd Facebook page, Glide Magazine, YouTube
“Personally, I’m happy to be anywhere,” stated Walter Trout, as he was introducing the second tune of his set on Tuesday night at The Iridium in New York City. The 68-year-old blues veteran wasn’t referring to the storied music club in Manhattan’s Theater District, which has seen such luminaries like Les Paul, Jeff Beck, Buddy Guy, Joe Walsh, Joe Satriani and Mick Taylor. Trout was talking about being on planet earth. It was the first of repeated references to survival he made throughout the show.
Five years ago, Trout found himself near death in a hospital with liver failure. “I was in Canned Heat,” he sarcastically remarked, referring to his four-year stint in the blues rock band from 1981 to 1985, adding he is the only survivor of their lineup at the time. Trout is alive thanks to a liver transplant he received in 1994. When he was released from the hospital, he had to learn again how to talk and how to walk – and, yes, how to play the guitar!
Noting that playing guitar was the only thing he had ever known and that he had been a guitarist since 1969, Trout said he practiced six to seven hours every day. Eventually, his skills came back. Trout’s agonizing recovery took one year. In 2015, he documented his ordeal in what he described as a very dark album: Battle Scars. And in January this year, he released what’s aptly called Survivor Blues, a covers album with tunes Trout feels are forgotten gems. I wrote about this excellent record here. In fact, it was that album that brought Trout on my radar screen, which culminated in Tuesday night’s show. And boy, what a great gig it was to watch!
For the most part, Trout played tunes from Survivor Blues, as well as his two preceding studio albums We’re All In This Together (2017) and the aforementioned Battle Scars. His great backing band included Teddy Zig Zag (keyboards, harmonica, vocals), Michael Leasure (drums) and Johnny Griparic (bass). There were also appearances by two guests: Tour manager Anthony Grisham (guitar) and Paul Schaffer (keyboards).
Let’s get to some music. With a pole right in front of me, taking video was a bit tricky. The first song I’d like to highlight is Me, My Guitar And The Blues from Survivor Blues. The powerful cover of Jimmy Dawkins’ title track from his 1997 solo album was the above mentioned second tune of the set. At about 1:42 minutes into the song, Trout explains the idea behind the covers album.
Almost Gone is the opener to Battle Scars, the first album Trout recorded after his long recovery from his liver disease and transplant. Now I get the feelin’ that somethin’s goin’ wrong/Can’t help believin’ I won’t last too long/Won’t last too long, too long/Hey, I can see the writing on the wall/Hey, I believe I’m about to lose it all/I look around, I look around and everything I see/Reminds me of the way, reminds me of the way I used to be…
Another track from Survivor Blues is a song written by Sunnyland Slim called Be Careful How You Vote. The title track to his 1989 studio album couldn’t be more timely, but the true highlight is the music. In addition to Trout’s guitar, the tune features great Hammond and harmonica work by Paul Schaffer and Teddy Zig Zag, respectively – and all of it over a nice shuffling groove. If you watch one clip only, I’d recommend this one – it’s worth all of its 12 minutes and 14 seconds!
I’d like to conclude with the title track of Trout’s 2017 studio album We’re All In This Together. This tune features a guest appearance by Anthony Grisham who does a nice job on guitar, taking solo turns with Trout.
Toward the end of the show Trout, spoke passionately about organ donation. He noted in the U.S. there are currently 120,000 people waiting for an organ. Each month, time is running out for about 2,000 of them – a true national emergency, as he called it. Trout also reminded the audience that humans have eight vital organs that could potentially save eight lives, pointing to himself as living proof what organ donation can do. Since November 2015, Trout has been a patron of the British Liver Trust. He certainly is a compelling ambassador.
Tuesday’s gig at The Iridium was Trout’s third date during his ongoing U.S. tour. The next upcoming shows include Bay Shore, N.Y. (tonight), Pawtucket, R.I. (Friday) and Plymouth, N.H. (Saturday). Altogether, the U.S. leg includes 17 gigs and concludes on April 27 in Pelham, Tenn. The current schedule also shows dates in Europe in May, June, August and October.
I think Slipstream is one of the gems in Bonnie Raitt’s close to 40-year recording career. I hadn’t heard the album in a while until this morning. Afterwards, I spontaneously decided to cover it.
Raitt is one of my favorite music artists, and I’ve written about her before. If you’re curious about her background, you can read more here. In this post, I’d like to focus on the music from Slipstream, Raitt’s 16th studio album released in April 2012. It came seven years after the predecessor Souls Alike, the last album for her longtime record company Capitol Records. The album is the first issued on her independent label Redwing Records, which she launched in 2011.
Slipstream kicks off strongly with the groovy Used To Rule A World. The tune also became one of two tracks that appeared separately as a single. It was written by singer-songwriter and session multi-instrumentalist Randall Bramblett. In addition to Raitt, he has played with the likes of Gregg Allman, Robbie Robertson and Steve Winwood. Apart from Raitt’s funky guitar, I particularly dig the Hammond B3 part performed by Mike Finnegan. He’s another session musician with an impressive resume, including Jimi Hendrix, Joe Cocker, Buddy Guy, Etta James and Crosby, Stills and Nash, to name some.
Right Down The Line, the second single off the album, is a nice cover of a tune by Gerry Rafferty. The Scottish singer-songwriter included it on his sophomore album City To City from January 1978. That record is best known for the mega hit Baker Street, which makes me want to listen to the song and other music from Rafferty. I haven’t done that in a long time either – could become a separate blog topic in the future!
Down To You is another tune for which Bramblett got a credit. The other co-writers are George Marinelli, who also plays guitar, as well as Raitt who wrote the lyrics – her only credit on the album. But if you interpret songs, sing and play slide guitar like Raitt, I think it becomes a minor detail whether or not you actually write the songs. Marinelli, a founding member of Bruce Hornsby and The Range, has been part of Raitt’s band since 1993.
Raitt slows things down on Not Cause I Wanted To, a ballad about the breakup of a relationship. I wonder whether the tune, which was co-written by Al Anderson and Bonnie Bishop, has some autobiographic connection. According to Wikipedia, Raitt’s marriage to actor Michael O’Keefe ended in divorce in late 1999, apparently because their careers caused them to spend much time apart.
The last tune I’d like to call out is Standing In The Doorway, another track on the quieter side. It was written by Bob Dylan, who included it on this 30th studio album Time Out Of Mind from September 1997. Interestingly, Slipstream also features another Dylan cover from the same record, Million Miles. When covering songs, Raitt oftentimes makes them her own, but in this case, she chose to stay closely to the original – in any case, a beautiful take!
Slipstream entered the Billboard 200 at no. 6, making it Raitt’s highest-charting album in the U.S. in 18 years since 1994’s chart-topper Longing In Their Hearts. She also won Best Americana Album for Slipstream at the 2013 Grammy Awards.