On This Day In Rock & Roll History: September 8

1952: Twenty-two-year-old Ray Charles, one of the greatest voices in jazz, R&B, blues and soul, recorded his first session for Atlantic Records. In June that year, the record company had bought out his contract from Swingtime for $2,500, the equivalent of approximately $23,700 today. With hits like I’ve Got A Woman, A Fool For You and What I’d Say Charles would release before he moved on to ABC-Paramount in November 1959, let’s just say Atlantic’s investment paid off handsomely. One of the four cuts Charles recorded during that first session with Atlantic was Roll With My Baby by Sam Sweet, which became his first single for the label backed by The Midnight Hour, another tune Sweet had written. Check out the great groove on this tune, which wants to make you snip along with your fingers!

1957: The infectious Reet Petite by Jackie Wilson was released for the first time. It gave “Mr. Excitement” his first solo hit, peaking at no. 6 on the U.K. Official Charts and climbing to no. 45 on the U.S. Cash Box chart, both in November that year. It would take another 29 years before the great tune, which was co-written by Berry Gordy, Gordy’s sister Gwen Gordy Fuqua, and Wilson’s cousin Roquel “Billy” Davis, would hit no. 1 in the U.K. in November 1986. Unfortunately, Wilson who passed away in January 1984, was not able to celebrate the tune’s late success. And, yes, feel free to sing along r-r-r-r-r-rolling that “r.”

1964: The Beatles performed two concerts that night at the Forum in Montreal, Canada before a crowd of 21,000 fans. At that time, Beatlemania was going on in full swing with its insanity, which for this particular event included death threats from French-Canadian separatists. The Fab Four never returned to Montreal thereafter. The two gigs that night included their standard 12-song set Twist And Shout, You Can’t Do That, All My Loving, She Loves You, Things We Said Today, Roll Over Beethoven, Can’t Buy Me Love, If I Fell, I Want To Hold Your Hand, Boys, A Hard Day’s Night and Long Tall Sally. Here’s an audio recording, which supposedly is from that show. It’s posted on The Beatles Bible, the source of the ultimate Fab Fab truth. The quality is mediocre, but hey, let’s not bitch here, it’s pop music history!

1973: Speaking of great voices, Marvin Gaye reached the top of the Billboard Hot 100 with the title track of his thirteenth studio album Let’s Get It On. Co-written by Gaye and Ed Townsend, the tune became his second no. 1 single in the U.S. after I Heard It Through The Grapevine from October 1968. Remarkably, Gaye would top the U.S. chart only one more time with Got To Give It Up released in March 1977. Let’s Get It On performed more moderately in the U.K., peaking at no. 31. Well, let’s get it on to a clip of the great tune!

1974: Eric Clapton topped the Billboard Hot 100 with his excellent cover of I Shot The Sheriff. Written by Bob Marley and first recorded for the sixth studio album by The Wailers Burnin’ from October 1973, the tune became Clapton’s only no. 1 single on the Hot 100. The song also appeared on his second solo album 461 Ocean Boulevard, which appeared in July 1972 and was his first record after beating a three-year heroin addiction.

Sources: Wikipedia, This Day In Music.com, This Day In Rock, The Beatles Bible, YouTube

On This Day In Rock & Roll History: August 28

1964: The Beatles performed the first of two gigs at Forest Hills Tennis Stadium in Queens, New York during the U.S. leg of their world tour that year. They played their standard 12-song set of original tunes largely drawing from the A Hard Day’s Night album, as well as rock & roll covers. The tunes included Twist And ShoutYou Can’t Do ThatAll My LovingShe Loves YouThings We Said TodayRoll Over BeethovenCan’t Buy Me LoveIf I FellI Want To Hold Your HandBoysA Hard Day’s Night and Long Tall Sally. After the show, The Fab Four met Bob Dylan who visited them in their suite at the Delmonico Hotel in New York City. Beatles biographer Jonathan Gould noted the musical and cultural significance of the meeting, saying within six months, “Lennon would be making records on which he openly imitated Dylan’s nasal drone, brittle strum, and introspective vocal persona”; and six months after that, Dylan began performing with a backing band and electric instrumentation, and “dressed in the height of Mod fashion.” While the fact that great music artists influence each other isn’t exactly surprising, based on The Beatles Bible’s account of that night, it seems to me John, Paul, George and Ringo primarily got stoned with Dylan who brought along some grass to smoke. Not really sure how much their condition allowed them to have meaningful conversations about music. Here’s some footage from the Forest Hills show, a great illustration of Beatlemania, which makes me wonder why The Beatles didn’t stop touring earlier.

1965: Exactly one year after The Beatles, Bob Dylan took the stage at Forest Hills Tennis Stadium, marking the first night of a 40-date North American tour. Following a solo section, Dylan played an electric set. This all happened only about a month after he had rattled the “folkies” at the Newport Folk Festival. On that night in Forest Hills, Dylan’s electric backing band featured guitarist Robbie Robertson and drummer Levon Helm, who were then associated with a band called The Hawks, a predecessor to The BandHarvey Brooks (bass) and Al Kooper (organ) rounded out the line-up. After the first two shows of the tour, Robertson and Helm insisted that their mates from The Hawks join Dylan’s backing band: Rick Danko (bass), Garth Hudson (keyboards) and Richard Manuel (drums). Dylan agreed, and until May 1966, they would be billed as Bob Dylan and the Band. Here’s a clip of Like A Rolling Stone, which supposedly was captured from the Forest Hills gig. The sound quality is horrible, but, hey, it’s mighty Dylan and it’s historical!

1968: Simon and Garfunkel’s fourth and second-to-last studio album Bookends hit no. 1 on the UK Official Albums Chart Top 100, starting a five-week run in the top spot there. Apart from the title track, the record featured gems like America and the no. 1 U.S. single Mrs. Robinson. Written by Paul Simon, the tune had become famous the previous year when it had been included in the American motion picture The Graduate. I’ve always loved the bluesy touch of that song.

1972: Alice Cooper topped the British singles chart with School’s Out, scoring his only no. 1 hit anywhere in the world. Credited to Cooper (lead vocals) and the members of his band at the time, Michael Bruce (rhythm guitar, keyboards, backing vocals), Glen Buxton (lead guitar), Dennis Dunaway (bass, backing vocals) and Neal Smith (drums, backing vocals), the tune was the title track of the band’s fifth studio album released in June 1972. School’s Out also became Cooper’s biggest chart success in the U.S., peaking at no. 7 on the Billboard Hot 100. According to Songfacts, Cooper during a 2008 interview with Esquire said, “When we did ‘School’s Out,’ I knew we had just done the national anthem. I’ve become the Francis Scott Key of the last day of school.” It’s also safe to assume, Cooper shocked some school principals and parents.

1981: British DJ, producer and band manager Guy Stevens passed away at the age of 38 years from an overdose of prescription drugs he was taking to reduce his alcohol dependency – yikes! Among others, Stevens gave Procol Harum and Mott the Hoople their distinct names. He also co-produced The Clash’s fifth studio album London Calling from December 1979, together with Mick Jones, the band’s co-founder, lead guitarist and co-lead vocalist. Stevens also brought Chuck Berry to the U.K. for his first tour there in 1963. He also was the president of the Chuck Berry Appreciation Society. According to Wikipedia, Stevens introduced lyricist Keith Reid to keyboarder Gary Brooker and told Reid at a party that a friend had turned “a whiter shade of pale”. Supposedly, these words inspired the song with the same title that was subsequently recorded by Brooker’s newly formed band Procol Harum and became a major international hit in 1967.

Sources: Wikipedia, This Day In Music, The Beatles Bible, Songfacts, YouTube

British Invasion Returns In Full Force To Atlantic City

Beatles, Rolling Stones and Who tribute bands set stage on fire

The British Invasion may have stopped some 50 years ago, though it surely didn’t feel like it yesterday in Atlantic City. If anything, three outstanding tribute bands illustrated how the music continues to be alive and kicking to this day, and why the British rock and pop music wave of the ’60s is one of the best imports the U.S. has ever seen, except perhaps for German cars!:-)

This was my second year at the British Invasion Festival at the Golden Nugget Hotel & Casino in Atlantic City. I greatly enjoyed the free outdoor one-day event last June when I went there for the first time, so was it worth a two-hour drive to return? You betcha, baby – if anything, I felt it was even better than last year! Britain’s Finest, The Glimmer Twins and Who’s Next once again were in top shape.

Britain’s Finest

Britain’s Finest are one of the most intriguing tributes to The Beatles I know, and as a longtime Beatles fan, I’ve seen quite a few over the decades. Founded in Los Angeles in 2011, the band consists of Benny Chadwick (Paul McCartney), Ruben Amaya (John Lennon),  Robert Bielma (George Harrison) and Luis Renteria (Ringo Starr).

Like last year, they focused on the Beatles’ live period, playing songs, such as From My To You, I Want To Hold Your Hand, Can’t Buy Me Love, A Hard Day’s Night, Help and Twist And Shout. What distinguishes Britain’s Finest from other Fab Four tribute acts I’ve seen is that in addition to a faithful execution of the music, the four guys also resemble John, Paul, George and Ringo, and assume their on-stage personas. This time for a change, I took video myself. Here are clips of From Me To YouCan’t Buy Me Love and Twist And Shout.

To further check out Britain’s Finest and their scheduled shows, visit their website. Most of their upcoming gigs are on the West Coast – given the band is based in L.A., perhaps that’s not a big surprise. They’ll be back east for a series of gigs in Miami starting in early August. But I suppose New Jersey fans may have to wait until next June when they are planning to return to Atlantic City.

The Glimmer Twins

Unlike The Beatles, I actually don’t recall having seen a tribute act to The Rolling Stones. But frankly, except for the original, I doubt it can get better than The Glimmer Twins. This band from Philly is led by Keith Call (lead vocals, harp) and Bernie Bollendorf (guitar), who in an incredible way bring to life Mick Jagger and Keith Richards, respectively. They are backed by excellent musicians, including Michael Rubino (guitar), Bobbie Corea (drums), Rob Ekstedt (bass), Rocco Notte  (keyboards), Bobby Michaels (saxophone, flute) and amazing vocalist Valorie Steel.

The Glimmer Twins play Stones gems, such as Start Me Up, Dead Flowers, Sympathy For The Devil, Jumpin’ Jack Flash, Honky Tonk Women, Paint It Black and, of course, Satisfaction. Here are three the clips from their performance last night: opener Start Me UpJumpin’ Jack Flash and Honky Tonk Women. The latter prominently features Steel – that lady can sing!

The Glimmer Twins have a long schedule of summer shows in the tri-state area and beyond, including gigs in Tarrytown, N.Y. (June 22); Sea Isle City, N.J. (August 4); Manchester, Vt. (August 10); Bethlehem, Pa. (August 11); and Riverhead, N.Y. (August 18). For more about the band and their upcoming concerts, visit their website.

Who’s Next

This firecracker tribute to The Who was the perfect band to close out the night. Their members include Bill Canell as Pete Townshend, Dave McDonald as Roger Daltrey, Mike Conte as John Entwistle and Rich Savarese as Keith Moon. Similar to Britain’s Finest, not only do these four guys sound great, but the resemblance of each to their heroes is truly remarkable. The fact that none other than Messrs. Townshend and Daltrey acknowledged the band at a Who concert in May 2014 in Forest Hills, N.Y. speaks for itself.

Who’s Next play many of the tunes that come mind when you think of The Who: Baba O’Riley, Love Reign O’er Me, The Real Me, 5:15, Squeeze Box, Who Are You, Eminence Front, My Generation, and the list goes on and on. Below are clips of opener The Real Me/5:15 and Who Are You. I got really close for the second clip to better capture how meticulously each member plays and impersonates their part. Fortunately, they skip the destruction of equipment. As much as I can see the spectacle, watching Townshend smash his guitar always made me cringe. Instead, he should have given away the guitars to schools in underprivileged neighborhoods or something like that.

For more about Who’s Next, check out their website. At this time, it doesn’t list any upcoming shows, but I’m sure there will be more. The band already announced last night they are going to be back to Atlantic City for next year’s British Invasion Festival. While much can happen in a year, I have every intention to return as well!

Sources: Britainsfinestband.com, theglimmertwins.com, whosnexttribute.com, YouTube