Best of What’s New

A selection of newly released music that caught my attention

Another week has flown by, and it’s time to take a fresh look at newly-released music that caught my attention. This Best of What’s New installment features some smooth acoustic soul and roots rock-oriented country from the U.S., as well as indie pop-rock from the UK and Australia. All tunes are on releases that came out yesterday (November 12). Let’s get to it!

Allen Stone/Unaware

My first pick is some smooth acoustic soul and R&B by Allen Stone, a singer-songwriter based in Seattle, Wa. Originally hailing from the Spokane area, Stone began singing as a 3-year-old at his father’s church, who was a preacher. By the age of 14, Stone was leading worship at the church and playing the guitar. A year later, he discovered soul artists like Stevie Wonder and Marvin Gaye. After attending the Moody Bible Institute in Spokane, Stone decided to drop out of the church and move to Seattle to pursue a music career. He self-released his debut album Last to Speak in 2010. His 2011 eponymous sophomore album, initially also a self-release, charted in the top 5 on the Billboard Heatseekers Albums chart. Unaware, co-written by Stone and Pablo Signori, is a beautiful acoustic soul ballad and the opener of Stone’s fifth and new album Apart. Love this!

Cody Jinks/All It Cost Me Was Everything

Next, I’d like to turn to some roots rock-oriented country by Cody Jinks. According to his Apple Music profile, the Texas songwriter’s first foray into music was as lead singer and lead guitarist in the thrash-metal band Unchecked Aggression. When he returned to the country music he’d grown up on, he traded in the snarling amps for acoustic guitar, but his songs lost none of their weight. Jinks’ third album, 2010’s Less Wise, established his husky baritone as a powerful vessel for twang-laden laments about the passage of time, unrequited love, and “raising hell with the hippies and the cowboys.” Even among modern outlaw country singers, Jinks occupies his own particular space, carved out by the combination of a low-rumbling vocal style that recalls pioneers of the genre and his deeply traditional arrangements…Even at his lightest, Jinks’ trademark heaviness remains. This brings me to All It Cost Me Was Everything, the opener of his new album Mercy. Co-written by Jinks, Josh Morningstar and Kendell Marvel, the tune has a nice roots-rock vibe. It looks like Jinks first released it ahead of the album on August 30.

Blondes/Out the Neighborhood

According to this review on Totalntertainment, Blondes are a four-piece UK band that was formed by freshmen at Nottingham University in late 2017. In 2020, they released their debut single Coming of Age, which became viral on TikTok, resulting in millions of streams. This led to a deal with Austin, Texas-based C3 Records. The band has since released four additional singles, which are all included on their new debut EP Out the Neighborhood. Here’s the title track, credited to what appear to be the four members of the band, Alex Davison, Daniel Stroud, Tom Herbert and Will Porter. Their brand of indie pop-rock is quite catchy. Check it out!

Courtney Barnett/Rae Street

The last track I’d like to call out is by Australian indie singer-songwriter Courtney Barnett. Her Apple Music profile notes she is recognized for her loose, gritty power-trio presentation, sharp lyrics, and deadpan conversational delivery…Courtney Barnett emerged in 2012 with the self-released EP I’ve Got a Friend Called Emily Ferris. It garnered critical praise in her native Australia, and she soon won the positive attention of critics in the U.S., U.K., and elsewhere with the follow-up, 2013’s How to Carve a Carrot into a Rose. Her full-length debut, Sometimes I Sit and Think, and Sometimes I Just Sit, proved to be her commercial breakthrough, landing in the U.S. Top 20 and Top Five in Australia and earning nominations from both the Grammys (Best New Artist) and Brit Awards (International Female Solo Artist). Born in Sydney in 1987, Courtney Melba Barnett grew up listening primarily to American bands but was only inspired to write songs after discovering Australian singer/songwriters Darren Hanlon and Paul Kelly. Prior to the release of Barnett’s above-mentioned full-length debut in 2015, she played in various bands, including post-grunge outfit Rapid Transit, her own group The Olivettes and alt-country group Immigrant Union. If I Don’t Hear From You Tonight, written by Barnett, is a tune from her new and third full-length solo album Things Take Time, Take Time.

Sources: Wikipedia; Apple Music; Totalntertainment; YouTube

Best of What’s New

A selection of newly released music that caught my attention

My weekly quest to uncover new music continues. This latest Best of What’s New installment features another diverse collection of music genres/styles, all of which was released yesterday (November 20). It includes country rock, grungy pop punk, alternative and, yes, more African-rooted music. Let’s kick it off with the latter.

Ausecuma Beats/Yelena

Ausecuma Beats is named after the countries/ geographic regions of their members: Australia, Senegambia, Cuba and Mali. According to their profile on Bandcamp, they are more than just a band, they are a philosophy. Led by master djembe player [an African drum], Boubacar Gaye [from Senegal], the nine-strong ensemble, demonstrate artists coming together based on an idea – the idea of place, of transplanting cultural heritage into a contemporary city. Ausecuma Beats is people from all corners of the world finding themselves together in new environments, as a community. Their website also calls out the following additional members: Yusupha Ngum (lead vocals; from Gambia); Rodolfo Hechavarria, known as “Panga” (congas; Cuba); Ed Crocker (drums; Australia); Bassidi Koné (balafon, an African wooden xylophone-like instrument; Mali); and Adam Halliwell (electric guitar; Australia). While I haven’t been able to find when the band was formed, the tune Yelena appears on their eponymous debut album. This is music radiating joy with an infectious groove. I take this any day, especially during these unreal times we are currently witnessing!

Ward Davis/Ain’t Gonna be Today

Ward Davis, originally hailing from Monticello, Ark., is a country singer-songwriter who has been based in Nashville since 2000. According to his artist profile on Apple Music, Davis first gained attention in Nashville as a songwriter, placing songs on albums by Trace Adkins, Wade Hayes, Merle Haggard & Willie Nelson, and Cody Jinks. The latter was a pivotal connection for Davis. After he co-wrote three songs for Jinks’ 2018 album Lifers, Jinks chose to go out on tour with the like-minded Davis, thereby raising the profile of this practitioner of lean, literary neo-outlaw country...Davis spent his first decade attempting to fit into the commercial confines of Nashville, but success took a while to materialize. His first break arrived in 2011, when he placed “My Kind of Crowd” on Premium Country from David Adam Byrnes. In 2014, he released an EP, No Bridges. His debut album 15 Years in a 10 Year Town followed in 2015. Ain’t Gonna be Today is the opener of Davis’ sophomore album Black Cats and Crows. Co-written by Davis and Kendell Marvel, the country rocker features nice harmony guitar and pedal steel action.

I Am the Avalanche/Better Days

I Am the Avalanche are a punk rock band from Brooklyn, N.Y., founded in 2004. ‘Fugetaboutit’, used to be my kneejerk reaction when it comes to punk. But over the years, I’ve come to realize not all punk is created equal, and there’s actually some I like to listen to, at least occasionally. Since I rarely can lose my pop instinct entirely, a tune generally needs to have some melody to appeal, not just be noise. Based on their new studio album Dive, I Am the Avalanche seems to fit the bill. The band features Vinnie Caruana (lead vocals, guitar), Brandon Swanson (guitar), Michael Ireland (guitar), Kellen Robson (bass) and Brett “The Ratt” Romnes (drums). Their eponymous studio debut came out in September 2005. Better Days, co-written by Ireland and Caruana, is the opener of the new album, the band’s fourth studio album. The grungy pop rocker reminds me a bit of Green Day.

Anna McClellan/Feel You

According to her Facebook page, Anna McClellan began performing original songs in her hometown of Omaha, NE at the age of seventeen and has been actively recording and touring ever since. Her debut, Fire Flames [2015], earned her an opening slot on a Frankie Cosmos tour. Through the doors that tour opened, McClellan eventually met Father/Daughter Records which led to the release of her second full-length record, Yes and No, in 2018. After a stint in NYC, several subsequent tours and meandering, Anna returned to Omaha and recorded I saw first light, her latest effort for Father/Daughter. The album was recorded over two weeks with a multitude of local cohorts, and it documents Anna’s journey from the Midwest to the east coast and back again, probing both the roots of her creative impetus and her ongoing commitment to social issues. Here’s Feel You from McClellan’s new album I Saw First Light.

Sources: Wikipedia; Bandcamp; Ausecuma Beats website; Apple Music; Facebook; YouTube