Best of What’s New

A selection of newly released music that caught my attention

Another weekend brings another slate of new music. This installment of Best of What’s New features a nice mix of big name and lesser known artists. Genres include country-oriented rock, folk, indie rock and folk rock. Let’s get to it!

Bon Jovi & Jennifer Nettles/Do What You Can

Jon Bon Jovi and country band Sugarland frontwoman Jennifer Nettles joined forces for an updated version of Do What You Can, a tune from Bon Jovi’s 15th studio album 2020 scheduled for October 2. Written during the early days of COVID-19, initially, the song only included the first verse and the chorus. Jon Bon Jovi invited fans via social media to contribute lyrics, essentially asking them to tell their own pandemic stories. He first revealed an acoustic version of the complete song during the Jersey4Jersey benefit online concert. The tune was subsequently released as a single on July 23. “As I finished the mix and did the video, I said, ‘Boy, this song would have such crossover potential’, Bon Jovi told Rolling Stone. “It makes you feel good and the message is just right on at this time that when you can’t do what you do, do what you can,” added Nettles during a recent Facebook chat. Do What You Can very much has the same feel of the artists’ previous collaboration Who Says You Can’t Go Home from 2006. Both tunes remind me of The Lonesome Jubilee, one of my favorite John Mellencamp albums from 1987.

Jeff Tweedy/Love Is the King

American songwriter, musician and record producer Jeff Tweedy is best known as vocalist and guitarist of alternative rock band Wilco, founded in 1994 by former members of Uncle Tupelo, an alternative country group, which Tweedy co-founded as well. Between these two bands and his solo efforts, Tweedy has released close to 20 albums over the past 30 years. Love Is King is the title track of his fourth solo album that is set to come out on October 23. As reported by Pitchfork, Tweedy announced the tune on September 15, together with a second track of the forthcoming album, Guess Again. “At the beginning of the lockdown I started writing country songs to console myself,” he pointed out in an accompanying statement. “Folk and country type forms being the shapes that come most easily to me in a comforting way. “Guess Again” is a good example of the success I was having at pushing the world away, counting my blessings—taking stock in my good fortune to have love in my life. A few weeks later things began to sound like “Love Is the King”—a little more frayed around the edges with a lot more fear creeping in. Still hopeful but definitely discovering the limits of my own ability to self soothe.”

Elizabeth Cook/Perfect Girls of Pop

Elizabeth Cook is an American country singer-songwriter who has been an active recording artist since 2000. Originally, she hails from Wildwood, Fla. where she was born as the youngest of 12 children. Cook already joined her parents on stage at the age of 4. Her mother Joyce was a mandolin and guitar played and her dad Thomas played upright bass, which he had learned while serving time in an Atlanta prison for illicit production of high-proof distilled spirits. Cook holds the distinction of having performed more than 400 times on the Grand Ole Opry since her March 2000 debut, the most appearances to date by a non-member. Her studio debut The Blue Album came out in November 2000. Perfect Girls of Pop is a track from her seventh and most recent album Aftermath released on September 11. It’s catchy tune that sounds much more like indie pop rock than country.

Native Harrow/Carry On

Native Harrow are a folk rock duo from Eastern Pennsylvania, comprised of Devin Tuel (lead vocals, guitar) and her partner Stephen Harms (bass, drums, keyboards, guitar). Unfortunately, publicly available information on them is limited and the following is based on this Facebook piece and a review by Staccatofy. Carry On is a beautiful tune from Native Harrow’s fourth studio album Closeness, which came out on August 21. Two things about this song grabbed me right away: The warm sound, especially the keyboard, and the vocals by Tuel, who apparently is a classically trained singer. I also think the gospel style choir in the last third of the track is a perfect fit to what essentially is a gospel song. Tuel and Harms recorded the album’s 10 tunes at a Chicago studio together with drummer and engineer Alex Hall over the course of only two 3-day sessions in late December 2019 and early January 2020. The basic tracks were captured live in studio with Tuel, Harms and Hall on vocals/guitar, bass and drums, respectively. The album follows their 2019 release Happier Now.

Sources: Wikipedia; Rolling Stone; Pitchfork; Facebook; Staccatofy; YouTube

Americana Rockers Cordovas Release New Single and Announce New Album

Cordovas recently released High Feeling, the first song from their new album Destiny Hotel that’s slated for October 16. The Americana and country rock band from East Nashville, Tenn. first entered my radar screen two years ago, when I caught them during a free outdoor summer concert close to my house. The group’s multi-part harmony singing got my immediate attention. Together with their guitar-driven sound, they remind me of bands like Crosby, Stills, Nash & YoungThe BandGrateful DeadEagles and Little Feat.

“We just wanted to write something true and easy,” bassist and vocalist Joe Firstman told Rolling Stone about the new single that appeared on August 5. “That was the vibe from the very beginning,” added Firstman, a singer-songwriter, who founded Cordovas in 2011, following a six-year stint as bandleader for NBC late-night show Last Call with Carson Daly. The band’s other current core members include include Toby Weaver (guitar, vocals), Lucca Soria (guitar, vocals) and Sevans Henderson (keyboards).

Cordovas (from left): Lucca Soria, Sevans Henderson, Joe Firstman and Toby Weaver

Recorded in Los Angeles and produced by Rick Parker, Destiny Hotel is the third full-length album by Cordovas, following their first label release That Santa Fe Channel from August 2018, which I previously reviewed here. Rolling Stone also calls out contributions from Black Pumas. I included the psychedelic soul band from Austin, Texas in a recent installment of my Best of What’s New feature. The group’s Adrian Quesada  provided additional production, guitar, and mixing work for High Feeling, which also features backing vocals by Angela Miller and Lauren Cervantes, who are both touring members of Black Pumas.

According to Cordovaswebsite, Destiny Hotel is a work of wild poetry and wide-eyed abandon, set to a glorious collision of folk and country and groove-heavy rock-and-roll…[The album] expands on the harmony-soaked roots rock of Cordovas’ ATO Records debut That Santa Fe Channel, a 2018 release that earned abundant praise from outlets like Rolling Stone and NPR Music. While the statement certainly doesn’t lack confidence, I think the record’s first single lives up to it, and I look forward to listening to the entire album.

Sources: Wikipedia; Rolling Stone; Cordovas website; Discogs; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Another Friday calls for another installment of Best of What’s New. This week, I’m mostly featuring new music by long established artists like Robert Plant, Alanis Morissette and The Jayhawks. There’s also Americana singer-songwriter Ryan Gustafson, who isn’t a newcomer either, though not exactly a household name yet. Rounding out this post are LadyCouch, an exciting, still relatively young soul-oriented band from Nashville. Let’s get to it.

Robert Plant/Charlie Patton Highway (Turn it Up, Pt. 1)

Charlie Patton Highway (Turn it Up, Pt. 1) is a previously unreleased tune from Robert Plant’s upcoming career-spanning solo anthology Digging Deep: Subterranea, which is scheduled for October 2nd. Credited to drummer Marco Giovino, producer Buddy Miller and Plant, the song came out on July 31. It will also be included on Band of Joy Volume 2, Plant’s 12th solo album and the first since Carry Fire from October 2017, which is “soon to be released,” according to his merchandise website. “I spent time in the hill country of north Mississippi around Como, dropping back to Clarksdale, the incredible center of black music talent over the years,” Plant told Rolling Stone about the track. “I weaved my car through the Delta back roads, listening to the remarkable protestations of Mississippi AM radio. I was looking at my world and my times from this unfamiliar place and found myself exposed to a nightmare world of half-truths.” Looks like Robert Plant fans have lots of music they can look forward to.

Alanis Morissette/Her

Canadian singer-songwriter, record producer and actress Alanis Morissette is best known for 1995 album Jagged Little Pill, which included various hits like Ironic and Hand in My Pocket. Since then, she has released six additional albums, including her most recent one Such Pretty Forks in the Road, her ninth and first in eight years, which appeared on July 31. Like all other tracks on the album, Her was co-written by Morissette and Michael Farrell. “I’ve had so many mentors who were women, who have really represented the maternal,” Morissette explained to Apple Music. “Especially postpartum, there’s this whole thought of like, ‘Who’s going to mother the mother?’…For me, this song is really about reaching out for mom, the reaching out for the maternal, for the empathic, the skin-on-skin tenderness.”

The Jayhawks/This Forgotten Town

The Jayhawks are an American alternative country and country rock band that was initially founded in Minneapolis in 1985. The original line-up included Mark Olson (acoustic guitar, vocals), Gary Louris (electric guitar, vocals), Marc Perlman (bass) and Norm Rogers (drums). Their eponymous debut album appeared the following year. The Jayhawks released six additional records before they went on hiatus in 2004. Five years later, they reunited and have since come out with four additional albums. In addition to original co-founders Louris and Perlman, the band’s other current members are Tim O’Reagan (drums, vocals), Karen Grotberg (keyboards, backing vocals) and John Jackson (acoustic guitar, violin, mandolin). This Forgotten Town, co-written by Louris, Perlman and O’Reagan, is from their new album XOXO released on July 10. I dig the warm sound, and there’s some great harmony singing as well.

The Dead Tongues/Déjá Vu

Déjá Vu is a track from Transmigration Blues, the new album released on June 26 by The Dead Tongues, a project of singer-songwriter, musician and producer Ryan Gustafson, according to his Facebook page. “I gave this album everything I had, over and over again,” Gustafson notes in a June 26 post. “Songwriting is a mirror, a safe space, a place to explore my limits of thought and emotion, a way to communicate when other avenues seem unaccessible or hidden to me, its where I learn to fail, fall apart and persist, its where I go inward ultimately to recycle it outward again, it’s where I’m alive and where i consider silence…To live is to change and this is the time to truly be present and alive.” Given all of Gustafson’s efforts to make the record, I find it remarkable there’s no further information about him on his Facebook page. And this isn’t his first time at the rodeo. Searching Discogs revealed Transmigration Blues is Gustafson’s fourth album appearing under The Dead Tongues alias. The oldest listed entry is the self-released Desert from 2013. I can hear a Neil Young vibe in Déjá Vu but can’t deny the fact I could be biased, given this also happens to be the title of Crosby, Stills, Nash & Young’s iconic studio album from March 1970.

LadyCouch/Heartache

LadyCouch are a Nashville-based band around Keshia Bailey and Allen Thompson. According to their website, the band was born out of Keshia Bailey and Allen Thompson’s love for one another and their love for honest, soulful music.  Although their friendship stretches back years, it wasn’t until the winter of 2017 they decided to share a stage…The pair seem to come from two different worlds, musically, with Keshia hailing from the straight-ahead throwback Soul group Magnolia Sons, and Allen from the psychedelic folk of the Allen Thompson Band. But their similar Appalachian upbringings and their genuine appreciation for Soul, Rock, Funk, Country and Folk allow them to build bridges across genres to create a sound all its own. In addition to Bailey and Thompson, the band’s other core members include guitarists Grayson Downs, Clint Maine and Mike Ford Jr., as well as Jimmy Matt Rowland (keyboards), Ray Dunham (drums) and Gordon Persha (bass). Heartache appears to be their second single that came out on July 17. Boy, do I love their warm and soulful sound!

Sources: Wikipedia; Robert Plant official store website; Rolling Stone; Apple Music; Discogs; YouTube

New Eagles 2018 Concert Film to Debut on ESPN This Sunday

I just saw and wanted to share this story reported by Ultimate Classic Rock. This Sunday, July 5, a concert film by the Eagles, Live From The Forum MMXVIII, will debut on ESPN at 8:00 pm EDT. The film captures highlights from three gigs the Eagles played in September 2018 at The Forum in Los Angeles during their North American tour that year. The concert, which will also appear on vinyl, CD, Blue-ray and DVD on October 16, marks the band’s first release following the untimely death of Glenn Frey in January 2016 at the age of 67.

I was fortunate enough to see the Eagles with Frey in 2015 in Atlantic City during their History of the Eagles Tour, less than six months before he passed away. After a hiatus due to Frey’s death, the Eagles resumed playing shows in 2017, with Glenn’s son Deacon Frey and Vince Gill taking over Glenn’s parts. The following year, the band returned to full-fledged touring. While their shows got rave reviews, ticket prices were completely over the top, so I haven’t seen them again since the above great Atlantic City show – not that that concert was exactly cheap, but at least I felt I could still half way afford it! Now, no way, but I take a free broadcast!

According to this ESPN press release, LIVE FROM THE FORUM MMXVIII, a Scheme Engine production directed by Nick Wickham, was filmed on 14 4K cameras. It will be available on October 16, through Rhino in a variety of audio and video formats, including Blu-ray, CD, Vinyl, and Streaming. A super deluxe edition will also be available. The set captures definitive live performances of the band’s most iconic hits, (“Hotel California,” “Take It Easy,” “Life In The Fast Lane,” “Desperado”), and beloved album tracks, (“Ol’ 55, “Those Shoes”), along with some of the individual members’ biggest solo smashes, (Henley’s “Boys Of Summer,” Walsh’s “Rocky Mountain Way,” and Gill’s “Don’t Let Our Love Start Slippin’ Away”).

The Eagles’ lineup (including touring musicians) during their 2018 tour featured Don Henley (lead and backing vocals, drums, percussion, rhythm guitar), Joe Walsh (lead and rhythm guitars, keyboards, backing and lead vocals), Timothy B. Schmit (bass, backing and lead vocals, harmonica), Deacon Frey (rhythm and lead guitar, lead and backing vocals, Vince Gill (lead and rhythm guitar, backing and lead vocals), John Corey (piano, backing vocals, percussion, additional guitars), Scott F. Crago (drums, percussion), Will Hollis (keyboards, synthesizers, backing vocals), Steuart Smith (guitars, mandolin, backing vocals) and Michael Thompson (piano, keyboards, backing vocals).

Here’s the great looking track list, as reported by Ultimate Classic Rock:

‘Eagles Live From the Forum MMXVIII’ Track Listing
1. “Seven Bridges Road”
2. Joe Walsh: “How ya doin?”
3. “Take It Easy”
4. “One of These Nights”
5. Don Henley: “Good evening, ladies and gentlemen”
6. “Take It to the Limit”
7. “Tequila Sunrise”
8. “In the City”
9. Timothy B. Schmit: “Hey, everybody, that’s Joe Walsh”
10. “I Can’t Tell You Why”
11. “New Kid in Town”
12. Don Henley: “Just want to thank all of you…”
13. “How Long”
14. Deacon Frey: “Hello, everybody…”
15. “Peaceful Easy Feeling”
16. “Ol’ 55”
17. “Lyin’ Eyes”
18. “Love Will Keep Us Alive”
19. Vince Gill: “How about a nice hand for California, man…”
20. “Don’t Let Our Love Start Slippin’ Away”
21. “Those Shoes”
22. “Already Gone”
23. “Walk Away”
24. Joe Walsh: “Is everybody OK?”
25. “Life’s Been Good”
26. “The Boys of Summer”
27. “Heartache Tonight”
28. “Funk #49”
29. “Life in the Fast Lane”
30. “Hotel California”
31. “Rocky Mountain Way”
32. “Desperado”
33. “The Long Run”

Sources: Wikipedia; Ultimate Classic Rock; ESPN press release

Clips & Pix: Emmylou Harris & the Hot Band/Ooh Las Vegas

I rarely post clips twice but felt the above warranted an exception. I previously included this amazing footage in a July 2017 post about the British TV music show The Old Grey Whistle Test. It captures Emmylou Harris, who appeared on the program in 1977 with The Hot Band, her backing group from 1974 until 1991. That band couldn’t have selected a better name – I mean, holy smoke!

Ooh Las Vegas was co-written by Gram Parsons and Ric Grech. Harris included her rendition of the tune on her third studio album Elite Hotel released in December 1975. She also sang on Parsons’ original from his January 1974 studio record Grievous Angel. I think both versions are fantastic and represent county rock at its finest. Call it hillbilly music, if you want – I don’t care, this just rocks!

The Hot Band featured Albert Lee (lead guitar, vocals), Rodney Crowell (guitar, vocals), Emory Gordy Jr. (bass, vocals), Glen D. Hardin (piano), Hank DeVito (steel guitar) and John Ware (drums). Harris provided lead vocals and guitar.

I really need to further explore Emmylou Harris. The more of her music I hear, the more I like her. It’s already clear to me she absolutely deserves more than just one clip. Look for a post on her in the near future.

Sources: Wikipedia; YouTube

Neil Young Releases Second Upfront Single From “The One That Got Away”

Evidently trying to build some buzz ahead of Homegrown, Neil Young on Friday released Vacancy, the second single from his long-awaited album that originally was supposed to come out in 1975. It’s a classic Young mid-tempo rocker he wrote and, as reported by Ultimate Classic Rock, one of seven tracks that were never issued on any other of his subsequent albums.

Homegrown was recorded at Young’s Broken Arrow Ranch Studio in 1974 and early 1975, and features Stan Szelest (organ), Ben Keith (lap steel), Tim Drummond (bass) and Karl T. Himmel (drums). Additionally, there are guest appearances by Levon Helm and Emmylou Harris. Originally, this album was scheduled to come out after Harvest and prior to Comes a Time.

I apologize, wrote Young on his website back in February. This album ‘Homegrown’ should have been there for you a couple of years after ‘Harvest.’ It’s the sad side of a love affair. The damage done. The heartache. I just couldn’t listen to it. I wanted to move on. So I kept it to myself, hidden away in the vault, on the shelf, in the back of my mind…but I should have shared it. The love affair Young alluded to was his relationship with actress Carrie Snodgress from late 1970 until 1975.

The album is actually beautiful, Young went on. That’s why I made it in the first place. Sometimes life hurts. You know what I mean. Anyway, it’s coming your way in 2020, the first release from our archive in the new decade.

Five of Homegrown’s 12 tracks were previously released on other Young albums: Love is a Rose (Decade, 1977), the title track (American Stars ‘n Bars, 1977), White Line (Ragged Glory, 1990), Little Wing (Hawks & Doves, 1980) and Star of Bethlehem (American Stars ‘n Bars).

Homegrown was recorded in analog and mastered to vinyl from the original master tapes, restored with love by John Hanlon, Young further explained. This album, in vinyl, displays the beauty, feeling and depth of music recorded in the analog domain, before digital. It’s the perfect example of why I can’t forget how good music used to sound.

This is the one that got away…Well, while 45 years certainly is a long time, I have no doubt many Neil Young fans will be excited and think it was worth the wait! Homegrown is scheduled for June 19.

Sources: Wikipedia; Ultimate Classic Rock; Neil Young website; YouTube


What I’ve Been Listening To: Poco/Pickin’ Up The Pieces

Buffalo Springfield, who definitely deserve an own post, may well have been called “Buffalo Springboard.” After the Canadian-American folk rock band broke up in May 1968, Stephen Stills got together with David Crosby and Graham Nash to form Crosby, Stills & NashNeil Young launched his solo career and later joined CSN; and Richie Furay (vocals, rhythm guitar) co-founded Poco, together with Jim Messina (lead guitar, vocals), Rusty Young (pedal steel guitar, banjo, dobro, guitar, mandolin, vocals), George Grantham (drums, vocals) and Randy Meisner (bass, vocals). Messina also served as the band’s producer. They called their debut album Pickin’ Up The Pieces, a reference to Springfield’s break-up, and boy did they live up to the title!

I rarely find myself agreeing with the editors of Apple Music, but in this case, I think they got it right. They boldly call the record “an album that’s every bit as good as anything the Springfield did.” Poco is considered to be one of the pioneers of country rock, years before the Eagles popularized the genre. And yet, compared to records from CSN and Young that came out around the same time Poco released their debut in May 1969, the latter only accomplished moderate chart visibility. It would take the band almost a decade before scoring a commercial success with the excellent Legend, the band’s 11th studio release from November 1978. Back to Pickin’ Up The Pieces.

Poco 1968
Poco in 1968 (left to right): Jim Messina, Randy Meisner, George Grantham, Richie Furay and Rusty Young

Furay was involved in most of the writing of the album’s music, either as the sole writer or a co-writer. Various of his songs date back to the time with Springfield. In this context, Wikipedia specifically notes What A Day. While Meisner participated in the recording sessions, he was asked to leave the band prior to the record’s release over disagreements with Furay, who for some reason insisted that only he and Messina could participate in the final mixing sessions. As a result, Meisner’s vocals were re-recorded by Grantham. He was also replaced on the cover with a dog. Only this bass parts were kept – egos in rock. Time for some music!

I’d like to kick things off with the above mentioned What A Day. That song grabbed me immediately with it’s powerful opening It’s a good morning and I’m feeling fine. The vocal harmonies are an absolute killer and definitely rival the magic of Crosby, Stills, Nash & Young. I also dig the tune’s groove. Apparently, Poco didn’t release any singles from the record. I wonder how that tune would have fared as a single.

Calico Lady is another standout to me – more terrific harmony singing and nice acoustic and electric guitar work. Also, I’ve never heard a dog play such a groovy bass line! The song is credited to Furay, Messina and Skip Goodwin.

Among the tunes that sound more like straight rock is Short Changed, another track written by Furay. The rugged lead guitar is a bit reminiscent of Neil Young. I would bet this is one of the songs Furay wrote during his Buffalo Springfield days.

The album’s title track is traditional country rock. This was the first song Poco recorded and appears to be another tune Furay wrote during the Buffalo Springfield era. According to Wikipedia, commenting on the song, Furay said, “To me it summarized the attitude we wanted to convey in our music: good, wholesome & positive. There was so much negativity going on in the world in the early 70s and it needed a refreshing sound. The country rock sound we were creating would be it. We were innovators, pioneering the way for a whole new ‘Southern California sound’ that many groups who followed would capitalize on.”

The last track I’d like to call out is Grand Junction. The instrumental, yet another piece written by Furay, has a groove that is similar to The Allman Brothers’ Jessica.

From Pickin’ Up The Pieces Poco went on to record 18 additional studio albums, the most recent of which appeared in March 2013. There are also nine live records and multiple compilations. In 1974, Furay left Poco, discovered Christianity, formed Christian rock band Souther, Hillman, Furay and in 1983 became a senior pastor in Bloomfield, Colo. He continues to perform to the present day. Messina left the band in 1971, following the release of their live album Deliverin’ to focus on producing. He then hooked up with Kenny Loggins to form Loggins & Messina. Following his exit from Poco, Meisner joined the Stone Canyon Band and in September 1971 became a co-founding member of the Eagles.

Poco is still around. Rusty Young remains the only co-founding member. The current line-up also includes Jack Sundrud (guitar, bass, vocals), Rick Lonow (drums, percussion) and Michael Webb (keyboards, guitars, accordion, vocals). While at the end of 2013 Young announced his official retirement, he still tours with the band. He also released his first solo album Waitin’ For The Sun last year.

Poco is currently touring the U.S. If you happen to live in or near Melbourne or Jacksonville, Fla., you can see the guys this Thursday or Friday. There are four additional scheduled gigs for 2018, as well as three dates for February and March 2019. Based on the schedule, it doesn’t look like Poco is planning to call it quits anytime soon.

Sources: Wikipedia, Apple Music, Poco official website, YouTube

Great Music Isn’t Quite Dead Yet

Four coinciding releases from Roger Daltrey, Ry Cooder, John Mellencamp and Glenn Fry

Yesterday was a great day in music as far as I’m concerned. When was the last time you can remember new releases from four great artists coming out the same day? While admittedly sometimes I don’t recall what I did the previous day, I really couldn’t tell you. Sadly, when checking iTunes for new music, I usually see stuff I don’t care about, so why even bother? Well, part of me refuses to give up hope that amid all the mediocre crap that dominates the charts these days, I might find something I actually dig. This time I surely did, with new releases from Roger Daltrey, Ry CooderJohn Mellencamp and Glenn Frey.

Since I just wrote about Daltrey’s new single How Far from his upcoming solo album As Long As I Have You, I’m only briefly acknowledging it in this post. Based on this tune and the previously released title track, his new record surely looks very promising. It’s set to come out June 1, tough I have a feeling we might see a third single leading up to its release – really looking forward to this one!

Ry Cooder_The Prodigal Son

Ry Cooder’s new album The Prodigal Son is his 17th solo record and first new release in six years. I’m not going to pretend to be an expert on his music – in fact, I know far too little about it. But here’s what I know. I’ve yet to hear bad music from this virtuoso multi-instrumentalist and I know good music when I hear it. And this it, baby, great music – plain and simple – no need to over-analyze!

The Prodigal Son is a beautiful collection of roots and gospel music. Eight of the 11 tunes are covers from artists like Blind Willie Johnson, Blind Alfred Reed and Carter Stanley. All of the reviews I read noted the album represents a return all the way to the beginning of Cooder’s 50-year recording career. Asked by the Los Angeles Times why he decided to make a gospel-focused record, Cooder said, “In these times, all I can say, empathy is good, understanding is good, a little tolerance is good. We have these dark forces of intolerance and bigotry that are growing back…The gospel music has a nice way of making these suggestions about empathy…Plus I like the songs, I have to admit.” Well said!

Here’s a nice clip of the Blind Willie tune Everybody Ought To Treat A Stranger Right – sadly, this couldn’t be more timely! Watching the maestro at work live in the studio is a real treat. By the way, the drummer is Cooder’s son Joachim, who has collaborated with him on several records and tours in the past and apparently was an important catalyst for the new record.

More frequent readers of the blog know that I’m a huge fan of John Mellencamp. His new release Plain Spoken: From The Chicago Theatre is a companion to a concert film that debuted on Netflix on February 1st. It captures a show Mellencamp performed at the landmark venue on October 25, 2016. The set features country singer Carlene Carter, with whom he has been on the road for several years and recorded the excellent 2017 collaboration album Sad Clowns & Hillbillies.

John Mellencamp_Plain Spoken From The Chicago Theatre

The new DVD-CD set includes the original version of the Netflix film with commentary from Mellencamp throughout, a “non-commentary” version of the film, and a live CD of the concert. While I’ve only listened into some of the tunes from the CD via Apple Music, I certainly like what I’ve heard so far. Here’s a clip of Cherry Bomb, a track from the 1987 studio album The Lonesome Jubilee, one of my favorite Mellencamp records.

Last but not least, there’s Above The Clouds: The Collection, a new four-disc box set capturing the solo career of Glenn Frey. The set combines well known tunes like The Heat Is On, Smuggler’s Blues and You Belong To City with lesser known, deeper cuts and, perhaps most intriguingly, a copy of Longbranch Pennywhistle, a pre-Eagles 1969 album Frey recorded with J.D. Souther. The set also includes a DVD capturing footage from Frey gig in September 1992.

Glenn Frey_Above The Clouds Box Set

Admittedly, I had not been aware of Longbranch Pennywhistle, which according to Ultimate Class Rock until now had only been available on CD as an import. Frey and Souther also performed as a duo under that name, though it was a short-lived venture. Frey went on to co-found the Eagles in 1971, together with Don Henley, Bernie Leadon and Randy Meisner. Souther ended up co-writing some of the band’s best known tunes, such as Best Of My Love, Heartache Tonight and New Kid In Town. Here’s a clip of Run Boy, Run, one of the tracks from the Longbranch Pennywhistle album, which was written by Frey.

While Daltrey’s upcoming album is something to look forward to, I’m under no illusion that yesterday was an aberration. The days when great music releases were part of the mainstream are long gone. Still, why not enjoy the nice moment while it lasts!

Sources: Wikipedia, Los Angeles Times, Rolling Stone, American Songwriter, NPR, John Mellencamp official website, USA Today, Ultimate Classic Rock, YouTube