Neil Young’s 2001 Album Was Toast Until It Wasn’t

Admittedly, this post was predictable, at least to those who know me well. As a longtime Neil Young fan, I just couldn’t ignore Toast. In fact, you might ask, what took me so long? The simple answer is I didn’t want this post to coincide with any other recently published posts.

Toast is yet another album where Neil was, well, Neil. After he had assembled his backing mates from Crazy Horse in San Francisco in 2001 and worked on music for the album, he decided he didn’t like the outcome and scrapped it. Instead, he called back his Crazy Horse guitarist Frank “Poncho” Sampedro and recorded an album with Booker T. & the M.G.’s, Are You Passionate?

Well, of course, there’s a bit more to the story. This review in Uncut largely unpacks it. In a nutshell, it appears to have been a combination of poor preparation where Young hadn’t prepared any raw material the band could work from, as well as his personal state of mind: His marriage with his second wife Pegi Young (née Morton) was going through a rough patch. Eventually, they got divorced in 2014.

The above Uncut review quoted from Young’s October 2014 biography Special Deluxe: A Memoir of Life & Cars: “I was not happy with it, or maybe I was just generally unhappy. I don’t know. It was a very desolate album, very sad and unanswered.” Rightfully, Uncut also noted it’s remarkable that Young, nevertheless, ended up using three songs written during the Toast sessions for Are You Passionate?: Quit (Don’t Say You Love Me), How Ya Doin’? (renamed Mr. Disappointment and Boom Boom Boom (retitled She’s a Healer).

The above shall suffice for context. I’d say it’s time to get to some goodies. I should point out Toast doesn’t break any new musical ground. Since I dig the “old Neil”, that’s not a problem for me. All songs were written by Neil Young, except for the opener Quit, which he co-wrote with Sampedro. Let’s start with that one, a mellow-sounding tune that starts with a chorus repeating the phrase, “don’t say you love me” – not exactly cheerful!

On Standing in the Light of Love things get crunchy. Young called it “sort of like a Deep Purple hit” in a piece on his website NeilYoungArchives.com. However you’d like to characterize the tune, it’s the type of Neil rocker I really dig!

Next up is Gateway of Love. Clocking in at 10:11 minutes, it’s the second-longest track on Toast. It kind of has an epic feel to it and in that sense reminds me a bit of Cortez the Killer, one of Young’s best-known tracks off Zuma, another album with Crazy Horse, released in November 1975.

The last track I’d like to call out is the closer Boom Boom Boom, which at 13:06 minutes is the longest song on Toast. At about 8:45 minutes into the track, things take an unexpected jazzy turn with trumpet work credited to Tom Brady – obviously, not that Tom Brady. Let the good times roll!

Toast was recorded at Toast Studios in San Francisco, which is safe to assume explains the record’s name. The album was co-produced by Young and his longtime producer John Hanlon. In addition to Young, Hanlon has worked with the likes of Stephen Stills, T-Bone Burnett, R.E.M., Gillian Welch, Dennis Wilson and The Beach Boys. On his website, Young adds that Rick Rubin “was in the control room for a fair amount of time during the recording as a guest.”

The final word shall belong to Neil. “I had forgotten about these songs, put them out of my mind and went on living my life,” he wrote on his website. “It must be said here Crazy Horse shows a depth never seen or heard before on any other Horse recording [CMM – well, I’m not going to argue with the man here, but I could see some folks disagreeing]. For the greatest group I have ever met – CRAZY HORSE, this is a pinnacle. Where they let me go, where they took me, was unbelievable.”

Sources: Wikipedia; Uncut; NeilYoungArchives.com; Discogs; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Yes, folks, it’s Saturday again, which kind of amazes me. Where did the week go? Anyway, Saturday means it’s time to take a fresh look at newly-released music. Unlike most previous Best of What’s New installments, which largely featured artists who are new to me, this week presents a mix of familiar and new names. All picks are from albums that appeared yesterday (July 8).

The Deslondes/Ways & Means

Kicking things off today are The Deslondes, a group formed in 2013 in New Orleans, blending folk, rock ‘n’ roll, bluegrass, R&B, American roots music, blues, gospel, country and zydeco – quite a stew! From their Apple Music profile: Bringing their own style of down-home, rootsy twang to the home of the blues, the Deslondes are a band of rough but tuneful troubadours who found their voice when they settled in New Orleans, Louisiana. The quintet members adopted their name from a street in the Lower Ninth’s Holy Cross neighborhood, and they found kindred spirits in another New Orleans outfit, Hurray for the Riff Raff. Between developing a loyal following at home and impressing audiences on the road opening for Hurray for the Riff Raff, word began to spread about the Deslondes, and New West Records signed them to a recording contract, releasing their self-titled debut album in June 2015. Two additional albums have since come out, including their latest Ways & Means. Here’s the title track – like their sound!

Wet/Canyon

Wet are an indie pop group from Brooklyn, New York. They were formed in 2012 by Kelly Zutrau, Joe Valle and Marty Sulkow who had met in the city while they were students at NYU and Cooper Union. In 2013, after they had gained some attention through local gigs and posting music online, they signed with boutique record label Neon Gold and subsequently with Columbia. Wet’s self-titled debut EP came out in May 2014. Their first full-length album Don’t You was released in January 2016. Canyon, written by Zutrau, is a track from the group’s fourth and new studio album Pink Room. I find Zutrau’s vocals quite soothing.

Journey/Come Away With Me

After releasing The Way We Used to Be in June 2021, their first new music in 10 years, Journey are back with a new album. Yes, I know, some folks dismiss them as shallow arena rock or pop rock. I fully stand behind the fact that I have always liked a good number of their songs. Formed as the Golden Gate Rhythm Section in San Francisco in 1973 by former Santana members  Neal Schon (lead guitar) and Gregg Rollie (keyboards), along with George Tickner (rhythm guitar), Ross Valory (bass) and Prairie Prince (drums), the band initially was conceived as a back-up group for Bay Area artists. However, they quickly abandoned the concept, renamed themselves  Journey, and released their eponymous debut record in April 1975, a progressive rock album. After Steve Perry joined as lead vocalist in October 1977, they adopted a much more pop rock-oriented sound and entered their commercially most successful period. While following Perry’s departure in 1998 Journey’s success began to wane and the group has seen various lineup changes over the decades, they have hung on, with Schon remaining as the only original member. The current core lineup also includes Arnel Pineda (lead vocals) and Jonathan Cain (keyboards, backing vocals). Here’s Come Away With Me, a track off the new album Freedom, Journey’s 15th studio release – their first in 11 years since Eclipse from May 2011.

Neil Young & Crazy Horse/Goin’ Home

Let’s wrap up this Best of What’s New installment with something really cool – well, at least it excites me. Neil Young, one of my all-time favorite artists, is back with yet another previously abandoned album. In 2000, Young convened his longtime backing band Crazy Horse at Toast recording studio in San Francisco. But according to this review in Uncut, things didn’t work out, and while after playing some shows in South America the band returned to the studio invigorated, Young wasn’t happy with the outcome. Instead, he recorded an album with Crazy Horse guitarist Frank “Poncho” Sampedro and Booker T. & the M.G.’s. Titled Are You Passionate? and released in April 2002, it included some leftover songs from the record he abandoned, which appropriately is titled Toast. From Young’s website neilyoungarchives.com: For the past two decades, Toast has been whispered about in collectors’ circles in hushed tones, as Young has dropped pieces of information about it here and there, especially as it contains three never-before-released songs. Here’s one of them: Standing in the Light of Love, a great Neil rocker – I just love the man!

Last but not least, here’s a Spotify playlist with the above and some additional songs sans Neil Young. Most of his music remains off the platform after Young asked Spotify to remove it in April, protesting the company’s hosting of controversial podcaster Joe Rogan.

Sources: Wikipedia; Apple Music; Uncut; Neil Young Archives; YouTube; Spotify

Neil Young’s Harvest Turns 50

On February 1, 1972, Neil Young released his fourth studio album Harvest. The 50th anniversary of what is among my all-time favorite Young records almost escaped my attention. I mistakenly had assumed the release date was February 14.

Young recorded Harvest following the breakup of Crosby, Stills, Nash & Young in July 1970 after the end of their tour that year, which had strained relationships among the four members. It would take until 1974 before they would get back together again for a reunion tour.

For Harvest Young assembled a backing band he called The Stray Gators. The members were Jack Nitzsche (piano), Ben Keith (steel guitar), Tim Drummond (bass) and Kenny Buttry (drums). In addition to The Stray Gators, Harvest featured various notable guests, including James Taylor, Linda Ronstadt and, interestingly, each of Young’s former CSNY’s bandmates.

Let’s take a look at some of the songs. Side one kicks off with the beautiful Out on the Weekend. Like all other tracks, the tune was written by Young.

A Man Needs a Maid is a song about Young’s girlfriend at the time, the actress Carrie Snodgress. According to Songfacts, initially, the tune was coupled with Heart of Gold and played on piano. “It was like a medley,” Young said in [the autobiography – CMM] Shakey, “the two went together.”

Speaking of Heart of Gold, a post celebrating the 50th anniversary of Harvest wouldn’t be complete without this song. One of Neil Young’s best-known tunes, it also appeared separately as the album’s lead single in January 1972 and became his biggest hit. James Taylor and Linda Ronstadt provided backing vocals. Taylor also played banjo.

On to Side two. Here’s Old Man, a tune Young wrote about the caretaker of the ranch he bought in 1970 as a 25-year-old. Like on Heart of Gold, backing vocals were provided by Taylor and Ronstadt, with Taylor also contributing banjo. Songfacts quotes Ronstadt from an interview with music magazine Mojo: “I can’t remember why Neil wanted me to sing with him – I guess he just figured I was there and could do it – but we went in there and they were doing ‘Heart of Gold’ and ‘Old Man’ and I thought they were such beautiful songs.” Old Man also became the album’s second single in April 1972.

Another great tune on Side two is Alabama. According to Songfacts, This song can be seen as a follow-up to Young’s 1970 song “Southern Man” from After The Gold Rush. Canadian-born Young abhorred the idea of racism and spoke out – loudly – about his feelings. This song went unnoticed by most, but combined with the previous effort, it caused Lynyrd Skynyrd to pen their Southern Rock classic “Sweet Home Alabama” in response to Young’s assertions...In his 2012 autobiography  Waging Heavy Peace, Neil Young said of this song, “I don’t like my words when I listen to it today. They are accusatory and condescending, not fully thought out, and too easy to misconstrue.” Stephen Stills and David Crosby provided backing vocals.

The last song I’d like to highlight is The Needle and the Damage Done, a tune about heroin use and what this drug sadly will do to many who get into it. Young wrote this song about ex-Crazy Horse guitarist Danny Whitten who struggled with heroin addiction. In fact, Young hired him in April 1972 to join rehearsals for his tour to support the Harvest album. But Whitten wasn’t up to the task and Young ended up firing him on November 18 that year, giving him $50 and a plane ticket to Los Angeles. Once Whitten got there, he overdosed on alcohol and Valium, which killed him – making Young feel guilty for many years.


Harvest topped the Billboard 200 for two weeks and became the best-selling album of 1972 in the U.S. While most music artists would have been pleased with such success, Neil Young felt alienated. He followed up Harvest with what became known as the “ditch trilogy”: the live album Time Fades Away (October 1973), as well as the studio records On the Beach (July 1974) and Tonight’s the Night (June 1975). While these three records didn’t match Harvest’s chart and sales performance, they became favorites of many Young fans.

Sources: Wikipedia; YouTube

The Horse Has Left the Barn

Recorded high in the Rocky Mountains, Neil Young’s new album with Crazy Horse sounds spontaneous and relaxed

Neil Young’s new album with Crazy Horse is out today (December 10). While Barn doesn’t break new ground, its classic Neil Young feel makes for a great listening experience fans of the Canadian-turned-American singer-songwriter will love. His 41st studio release appears 52 years after 1969’s Everybody Knows This Is Nowhere and follows Colorado from October 2019, the first and most recent albums, respectively, which Young recorded with his longtime backing band.

The title of the new album couldn’t be more fitting: It was recorded in June this year in a converted barn high in the Rocky Mountains, using Le Mobile Recording Studio. “Made it just like in the old drawings and photographs,” Young told Apple Music about the barn. “It used to be a stage stop, so you’d see these pictures with the carriages and the horses and the ladies with their big dresses with the metal ring and everything.”

From left: Billy Talbot, Ralph Molina, Nils Lofgren and Neil Young

Young also explained the album’s unusual recording process to Apple. The sessions were scheduled at night, so he and his Crazy Horse members Nils Lofgren (piano, backing vocals), Billy Talbot (bass, backing vocals) and Ralph Molina (drums) could work in the moonlight. Getting to the barn involved walking for a couple of miles “across the meadows, through the valley.” Further describing the scene Young added, “The Rockies are everywhere. And it’s just beautiful. I like that.” 

Three of the 10 tracks, Song of the Seasons, Heading West and Welcome Back, had been released upfront. I previously covered these tunes here, here and here. As such, I’m skipping them in this post. Let’s take a look at some of the other songs. All tunes were written by Young.

Change Ain’t Never Gonna has a bluesy vibe. Young, a strong supporter of biofuels, criticizes the opponents of alternative fuels: Ten men workin’ had to get a new job/Try to save the planet from a fuel-burnin’ mob/Who turned on everyone for bein’ so controllin’/Takin’ away all the freedom they’ve been knowin’…

On crunchy rocker Canerican, Young who became an American citizen in 2020 reflects on his new status: …I am American, American is what I am/I was born in Canada, came south to join a band/got caught up in the big time, traveling through the land/Up on the stage I see the changes coming to this country/I am Canerican/ Canerican is what I am…

They Might Be Lost is one of the acoustic tunes on the album. It’s not clear to me what the song is about. This review in Riff Magazine notes it may or may not be about a marijuana grower waiting for couriers to come pick up the latest shipment. While I guess it’s possible, I’m not sure how they came up with this explanation.

On Human Race, the speed picks up and the sound gets crunchy again. There’s also less ambiguity about the lyrics…Who’s gonna save the human race/Where are all the children gonna run and hide (children of the fires and floods/From the fires and floods today’s people have left behind

The last track I’d like to highlight is Tumblin’ Thru the Years. The piano-driven ballad appears to be a thank you to Young’s wife Daryl Hannah for sticking with him. They started a relationship in 2014 and got married three years ago. Well, I was walking down the road/one step at a time heading home/I was thinkin’ about the love we share, you and me/It’s a complicated thing, this life/If I wasn’t here with you/Tumblin’ thru the years without our love

Barn was co-produced by Young and Niko Bolas, who also worked in this capacity on Young’s previous albums Living with War (2006), Freedom (1989) and This Note’s for You (1988). On Barn, nothing seems to be overthought, a common characteristic of other Crazy Horse albums. In fact, the recordings sound pretty spontaneous, occasionally somewhat imperfect and relaxed. Perhaps those moonlight recording sessions and walks to the barn contributed to this feel!

Barn’s release is accompanied by a documentary about the making of the album, BARN/A Band – A Brotherhood – A Barn, directed by Hannah. The film was screened on December 9 for one night only at select theaters in Chicago; Santa Monica, Calif. and New York City. Another screening is scheduled in Toronto for tomorrow evening. The documentary will also stream on Young’s website NeilYoungArchives.com and streaming services in January.

Sources: Wikipedia; Apple Music; Riff Magazine; YouTube

Clips & Pix: Neil Young & Crazy Horse/Welcome Back

Neil Young has shared a video of Welcome Back, the third upfront track from his upcoming new album. Recorded with his longtime backing band Crazy Horse, Barn is scheduled for this Friday, December 10. The eight-and-a-half-minute track is a slow-burning, crunchy jam rocker. Its feel reminds me a bit of Cortez the Killer, the epic tune from Young’s 1975 Zuma album, which he also made with Crazy Horse. This sounds like classic Neil – check it out!

A note published on Young’s website NeilYoungArchives.com on December 3 reads as follows: Welcome Back! The Horse is in the Barn playing a song like only the Horse can. Enjoy! We had a great time making this record for you and of course for us!

Apart from Young (guitar, vocals), the clip features Crazy Horse members Nils Lofgren (guitar), Billy Talbot (bass) and Ralph Molina (drums). Like the previously released Heading West, Welcome Back was recorded on June 21 this year at Le Mobile Remote Recording Studio in the Rocky Mountains. According to Wikipedia, Barn is Young’s 41st studio album and his 14th with Crazy Horse.

In addition to the album, there will be a companion documentary titled BARN/A Band – A Brotherhood – A Barn, directed by Young’s wife Daryl Hannah. The film will be screened at select theaters for one night only. Current locations listed on NeilYoungArchives.com include venues in Chicago; Santa Monica, Calif.; New York City and Toronto. Here’s a trailer.

Sources: Wikipedia; NeilYoungArchives.com; YouTube

The Sunday Six

Celebrating music with six random tracks at a time

Can you believe we’ve reached the first Sunday in December? Soon those who celebrate will be saying ‘Merry Christmas’ before we all kiss this dreadful second pandemic year goodbye – fuck COVID! Sorry, usually I don’t swear, but I just needed to get this off my chest! On a more upbeat note, this also means it’s time to embark on another music journey. How do you like that transition? And, yes, I’ve put together another eclectic set of six tunes. Come on, hop on board and fugetabout the stupid virus, at least for some time!

Glenn Miller and his Orchestra/Moonlight Serenade

I’d like to start with a timeless jazz classic that takes us back all the way to 1939. When for some reason, Moonlight Serenade randomly came to my mind the other day, I immediately decided the beautiful swing ballad by Glenn Miller would make for a great Sunday Six opener. According to Songfacts, the tune’s origins date back to 1935 and a song titled As I Lay Me Down to Weep, with music by Miller and lyrics by Eddie Heyman. The tune wasn’t recorded at the time, but in 1938, the music became the theme of Miller’s radio broadcasts on NBC. The following year, when Miller who by then had his own band recorded a song called Sunrise Serenade, publisher Robbins Music suggested that he pair it with Moonlight Serenade to make it a theme. Moonlight Serenade was the original As I Lay Me Down to Weep with different lyrics. Miller kept the title but decided to record the music only – smart decision! When it appeared in May 1939, Moonlight Serenade became an immediate sensation and Miller’s signature song. And here we are, 82 years later!

Meat Loaf/Bat Out of Hell

In case Moonlight Serenade put you in a sleepy mood it’s time to wake up, as we jump to October 1977. Bat Out of Hell is the title of the debut album by Michael Lee Aday known as Meat Loaf. The album was produced by Todd Rundgren and written by Jim Steinman. It was based on the musical Neverland, a futuristic rock version of Peter Pan Steinman had written in 1974. Wikipedia notes the album’s musical style reflected Steinman’s fondness of Richard Wagner, Phil Spector, Bruce Springsteen and The Who. Not only did Bat Out of Hell become one of the best-selling records of all time, but it also marked the start of a successful long-term collaboration between Aday and Steinman. Sadly, Steinman passed away at the age of 73 in April this year. Meat Loaf’s most recent studio album Braver Than We Are dates back to December 2016. He was sidelined by back surgeries thereafter. But just last month on his Facebook, he announced a new album for 2022. Even though Bat Out of Hell like pretty much all Meat Loaf songs I’ve heard is a massive production, it’s just an incredible tune.

Percy Sledge/When a Man Loves a Woman

After Meat Loaf’s rock inferno let’s slow things down again with a beautiful soul ballad by Percy Sledge. Co-written by Calvin Lewis and Andrew Wright, When a Man Loves a Woman was first recorded by the R&B, soul and gospel singer and released in March 1966. The tune hit no. 1 in the U.S. on both the mainstream Billboard Hot 100 and the Hot Rhythm & Blues Singles charts. The title track of Sledge’s debut album also topped the charts in Canada and reached no. 4 in the UK. When a Man Loves a Woman became his signature song. I just don’t get tired of this tune, which is one of my favorite ballads.

Kenny Wayne Shepherd/Blue On Black

My next pick is by Kenny Wayne Shepherd. Southern rock-flavored Blue On Black was included on the then-20-year-old blues rock guitarist and singer-songwriter’s sophomore album Trouble Is… from October 1997. It was his first record that appeared under the Kenny Wayne Shepherd Band moniker. Blue On Black, co-written by Shepherd, Mark Selby and Tia Sillers, became his most successful U.S. chart hit to date, topping the Mainstream Rock chart and reaching no. 78 on the Billboard Hot 100. In contrast, Shepherd’s records have enjoyed huge success on the Top Blues Albums chart, where eight of the nine albums he has released thus far hit no. 1. Shepherd is only 44 years old, so we can hopefully look forward to many more years of great music from him.

The Romantics/Talking in Your Sleep

I can hear the secrets that you keep/When you’re talking in your sleep…I always liked the lyrics of this song by The Romantics. The catchy pop rocker from September 1983 became the biggest hit of the American new wave band that was founded in Detroit in 1977. Credited to all of the group’s five members – Coz Canler (lead guitar, vocals), Wally Palmar (lead vocals, rhythm guitar, harmonica), Pete Solley (keyboards), Mike Skill (bass, rhythm guitar, backing vocals) and Jimmy Marinos (drums, lead vocals, percussion) – Talking in Your Sleep was the lead single off their fourth studio album In Heat that appeared at the same time. Luckily for the talkative dreamer, she only has sweet things to say about her lover who lies right next to her in bed. The song topped the U.S. Billboard Hot 100 and the charts in Canada. It also became a top 30 hit in various other countries, including Australia (no. 14), Germany (no. 18), The Netherlands (no. 24) and Switzerland (no. 20). The Romantics remain active to this day, with Palmar, Sill and Cole being part of the present four-piece that since 1994 has also included Brad Elvis (drums, percussion). How many other bands can you name that have been around for some 44 years with their initial line-up largely intact?

Neil Young/The Painter

And once again we’ve reached the final stop of our Sunday music time travel. Why pick a seemingly arbitrary Neil Young tune? Why not! In fact, that’s kind of the point of The Sunday Six. Anything goes anytime as long as I dig it. The Painter is the opening track of Young’s 26th studio album Prairie Wind that appeared in September 2005. The record’s acoustic-oriented sound is reminiscent of Harvest Moon (1992) and Harvest (1972), which are both among my favorite Neil Young albums. While Prairie Wind doesn’t quite match the two aforementioned records, it still became one of Young’s most successful albums in the later stage of his remarkable 58-year-and-counting career. Like all other tunes on the album, The Painter was written by Young. BTW, speaking of his longevity, Young is coming out with a new album, Barn, on December 10, which he recorded with his longtime backing band Crazy Horse.

* This post has been updated to reflect that Blue On Black was co-written by Kenny Wayne Shepherd, Mark Selby and Tia Sillers, not Shepherd, Danny Tate and Sillers, as had been stated initially.

Source: Wikipedia; Songfacts; Discogs; YouTube

Clips & Pix: Neil Young & Crazy Horse/Heading West

On October 28, Neil Young announced Heading West on his Neil Young Archives website, the second upfront tune from his upcoming new album with Crazy Horse, Barn. The below official video appeared on November 4.

The crunchy electric rocker follows the acoustic folk tune Song of the Seasons from October 15, which I previously featured here. Both of these tracks sound like classic Neil, and I’m looking forward to the album that’s scheduled to drop on December 10.

My mom and I travelled across the country together, heading west, Young wrote on his website. She was on her way back home to start over. I was on my way there with her. Here’s a song about me and my mom and those ‘growing up’ times. It’s so great to remember her this way!

Heading West features Young (guitar, lead vocals) and his Crazy Horse band mates Nils Lofgren (piano, backing vocals), Billy Talbot (bass, backing vocals) and Ralph Molina (drums). The tune was recorded in the Rocky Mountains on June 21 this year at Le Mobile Remote Recording Studio. Housed in a remote recording truck, Le Mobile is a rolling recording studio that over its nearly 50-year history has been used by countless music artists from AC/DC to ZZ Top.

I think this comment by Young perfectly sums the ragged melodic tune: What a great ride with the Horse on this one! Larry Cragg [Young’s longtime guitar tech – CMM] had my guitar sounding so alive.

Neil Young with his mother Edna Blow Ragland “Rassy” Young (1918–1990) – undated photo from Neil Young Archives

In a separate statement on his website, Young also had this to say about the forthcoming album: All of BARN is real. It came from the heart. We may have cried after some takes…in happiness…in elation…A band of brothers, we have all known one another since our beginnings. We made ‘Only love can break your Heart’ and ‘Southern Man’ on the same album. We made ‘Round and Round’ and ‘Down by the River’ on the same album. We made ‘Don’t forget about Love’ and ‘Human Race’ on the same album. Welcome back. It’s not the same. Barn may be our best album ever.

That conclusion certainly doesn’t suggest a lack of confidence. One of the things I find intriguing about Neil Young is his spontaneity. He doesn’t seem to overthink his recording projects. Overall, I feel this approach has served him well, though it’s also fair to say the outcomes have varied.

Young is also known for having made impulsive decisions and having scrapped entire albums at the last minute. It doesn’t look like that’s going to be the case for Barn. If anything, for the past few years, Young seems to have been on a mission to release more of his music, as evidenced by his Archives Performance Series, not withhold it. Keeping fingers crossed!

Sources: Wikipedia; NeilYoungArchives.com; Le Mobile website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Hard to believe it’s Saturday again, and another week just flew by since my last revue of newly released music. Most of the times, Best of What’s New features artists I’m not familiar with or only have heard of in passing. This week is different. Two of my picks include artists who have been around for more than five decades, and I’ve listened to each for some 40 years. I had not been aware of the other two, though they’re not new artists. All tunes except for the last one are on releases that came out yesterday (October 15).

Santana/Joy (feat. Chris Stapleton)

I’d like to start with Carlos Santana who I trust needs no introduction. He first entered my radar screen when I was 8 or 10 years old. That’s when I listened to his band’s first compilation Santana’s Greatest Hits from 1974, which my older sister had on vinyl. I loved the combination of Latin rhythms and rock right away, which was front and center on that record, since it covers Santana’s first three studio albums. Of course, Santana’s music has since evolved. Which brings me to the band’s new and 26th studio album Blessings and Miracles. After the Latin rock-focused Africa Speaks and Santana IV, released in 2019 and 2016, respectively, Blessings and Miracles is reminiscent of previous records like Supernatural and All That I Am, marking return to a more pop-oriented sound and a collaborative approach. Here’s Joy, a tune co-written by Carlos Santana and Chris Stapleton, one of the many guests on the new album, who also include Rob Thomas (remember Smooth?), Steve Winwood and Chick Corea, among others. I didn’t expect Stapleton to sing a reggae-like tune, but it works and has a cool groove!

Wilderado/The Worst of It

Wilderado are an indie rock band that originally hails from Tulsa, Okla. and is currently based in Los Angeles. According to their Apple Music profile, their expansive indie rock fuses soaring vocals and rumbling guitars with an open-road, Americana-inspired feel…Co-songwriters Max Rainer (vocals, guitar) and Tyler Wimpee (vocals, guitar) began working together in college, initially using the name Bird Dog. By 2016, the band also included bassist Colton Dearing and drummer Justin Kila and the quartet, now called Wilderado, released their debut EP, Misty Shrub. The Worst of It, written by all four members of the band, together with co-producers Chad Copelin and James McAlister, is a track from Wilderado’s new eponymous album, their first full-length release. I like this!

Erin Enderlin/Somebody’s Shot of Whiskey

Erin Enderlin is a Nashville-based county singer-songwriter who originally is from Conway, Ark. She has written songs for a number of other country artists, such as Alan Jackson, Lee Ann Womack, Randy Travis and Reba McEntire. Some became hits on the Billboard Country Chart, such as Jackson’s Monday Morning Church from 2004 and Womack’s Last Call from 2008, which reached no. 5 and no. 14, respectively. In August 2013, Enderlin released her debut album I Let Her Talk. Two additional records have since appeared, as well as Enderlin’s new EP Ballroom Mirrors. Here’s the opener Somebody’s Shot of Whiskey. The tune was co-written by Enderlin and Ben Chapman. Looks like it was first released back in July. I suppose three months still count as newish. Plus, the EP is definitely new.

Neil Young & Crazy Horse/Song of the Seasons

I’d like to finish this Best of What’s New post with the latest from Neil Young and Crazy Horse. Song of the Seasons is the first track from their forthcoming album Barn scheduled to drop on December 10. This is Young’s 40th studio album and his 14th with Crazy Horse, and follows Colorado from October 2019, which he also recorded with the band. According to a short statement on Young’s website, Song of the Seasons was written about a year ago (by him) and is the oldest tune on the record. Released on October 14, the song features Young (guitar, harmonica, vocals), together with band members Nils Lofgren (accordion, backing vocals), Billy Talbot (bass, backing vocals) and Ralph Molina (drums). This acoustic folk tune sounds like classic Neil Young – love it!

Sources: Wikipedia; Apple Music; Neil Young website; YouTube

Neil Young Releases Another Live Gem From His Archives

Solo acoustic gig from January 1971 is among the earliest concert footage of Young released to date

Since I first had learned about it a few weeks ago, I had been looking forward to the latest release by Neil Young, which came out Friday, March 26. Not only is Young Shakespeare a brilliant title, but it’s yet another highlight from Young’s archives. The live album and concert film comes only four weeks after Way Down in the Rust Bucket, which captures a terrific November 1990 live performance with Crazy Horse I previously reviewed here, and four months following the massive box set Neil Young Archives Volume II: 1972–1976.

Young Shakespeare documents an acoustic solo concert at the Shakespeare Theater in Stratford, Conn. on January 22, 1971. Neil Young was 25 years old at the time and had just entered what arguably is the best period of his solo career. Only four months earlier, he had released After the Gold Rush. Harvest, On the Beach and Tonight’s the Night were still about one, three and four years into the future, respectively.

Part of Young’s Journey Through the Past solo tour, the Shakespeare gig happened only three days after the famous Massey Hall show in Toronto Canada. The latter concert was captured on Live at Massey Hall 1971, which came out in March 2007 as the second release from Young’s Archives Performance Series. A vast amount of additional albums have since appeared in the series. If I see this correctly, Young Shakespeare is the second release of Volume 03, even though it’s registered as Volume 03.5. Well, I’m not an archivist.

As reported by NME, initially, video footage of the concert was filmed by German television at the time, but it never aired. Only bits and pieces recorded by visitors that night had been floating around among Young fans. Young considers the gig as superior to the Massey Hall show, calling it “a more calm performance, without the celebratory atmosphere of Massey Hall” on his archives website last year. “Young Shakespeare’ is a very special event,” he added. “To my fans, I say this is the best ever. ‘Young Shakespeare’ is the performance of that era. Personal and emotional, for me, it defines that time.”

I think Young may be right. The true magic of Young Shakespeare isn’t the set list. Neil Young fans have heard these songs a million times before. What I find fascinating are his announcements that illustrate what went through his mind at the time. They also convey Young’s great sense of humor. The entire gig comes across as very intimate. It’s almost like you’re in the same room with Young, and he’s chatting and cracking jokes while tuning his guitar for the next song. How about some music?

The first tune I’d like to call out is one of my all-time favorites: The Needle and the Damage Done. Mind you, when Young performed the song that night, it had not been recorded yet. I was included on his fourth studio album Harvest released in February 1972.

Dance Dance Dance is a track from Crazy Horse’s eponymous debut album that came out in February 1971. At the time of the Shakespeare gig, it was another yet-to-be-released tune. Young cheerfully calls it hoedown music.

Here’s a medley of A Man Needs a Maid and Heart of Gold, performed on the piano. Young introduces it by saying he hasn’t played the piano for a long time and usually screws it up. He cheerfully adds, “But you’ve never heard it before anyway, so you probably think that’s the way it is, and it’ll be alright.” Obviously, Young was correct. Both songs would appear on Harvest.

In addition to yet-to-be released songs at the time, Young played some old tunes. After all, his solo tour was titled Journey Through the Past. Here’s one of them, Down by the River, a song from his second album Everybody Knows This Is Nowhere released in May 1969.

The last track I’d like to highlight is the album’s closer Sugar Mountain. Young wrote this song on November 12, 1964, which was his 19th birthday. The tune’s first official release was a live version, which became the b-side of Young’s first solo single The Loner from February 1969. It’s always been on of my favorite Neil tunes. It also cracks me up when Young says, “If you don’t know the words…just, you know, you’re all university students. Just memorize them after the first time!”

Here’s the full track list:

1. Tell Me Why
2. Old Man
3. The Needle and the Damage Done
4. Ohio
5. Dance Dance Dance
6. Cowgirl in the Sand
7. A Man Needs a Maid/Heart of Gold
8. Journey Through the Past
9. Don’t Let It Bring You Down
10. Helpless
11. Down by the River
12. Sugar Mountain


NME notes Young Shakespeare is only predated by footage from Young’s gigs at New York’s Café Feenjon in June 1970, and the Crosby, Stills, Nash & Young concert at Fillmore East in March 1970. Obviously, there’s also the aforementioned Live at Massey Hall 1971, so I assume NME referred to video recordings. The new release is available on CD, vinyl and major streaming platforms. The DVD is available exclusively in Young’s own store.

Sources: Wikipedia; NME; YouTube

Clips & Pix: Neil Young/Tell Me Why

Neil Young has been on a roll releasing material from his archives. The above clip is from an upcoming album and concert film titled Young Shakespeare. Scheduled for March 26, it captures an acoustic gig at the Shakespeare Theater in Stratford, Conn. on January 22, 1971. As reported by Ultimate Classic Rock, this is the earliest known footage of Young in concert.

Recorded three days after the famous show at Toronto’s Massey Hall (released as Live at Massey Hall 1971 in March 2007), the footage was taken for German TV. Apparently, it never aired and wasn’t released otherwise until now.

Neil Young Announces 'Young Shakespeare' Live LP and Concert Film

Tell Me Why, written by Young, is the opener of the album and film. It also is the first track of his third studio album After the Gold Rush, which came out in September 1970, only four months prior to the Shakespeare and Massey Hall shows.

While I like many of Neil Young’s electric tunes with Crazy Horse, I think oftentimes he’s even better solo with just his acoustic guitar and harmonica or piano. Notably, Young Shakespeare features various tunes from Harvest, the follow-on to After the Gold Rush, which had not been released at the time. These songs include classics A Man Needs a Maid, Heart of Gold and The Needle and the Damage Done. Following is the official film trailer.

Here’s the track list:

1. Tell Me Why
2. Old Man
3. The Needle and the Damage Done
4. Ohio
5. Dance Dance Dance
6. Cowgirl in the Sand
7. A Man Needs a Maid/Heart of Gold
8. Journey Through the Past
9. Don’t Let It Bring You Down
10. Helpless
11. Down by the River
12. Sugar Mountain


Young Shakespeare will be available on vinyl, CD, DVD and streaming platforms. It comes on the heels of Way Down in the Rust Bucket, another excellent live album Young released on February 26, which I previously covered here.

Sources: Wikipedia; Ultimate Classic Rock; YouTube