Best of What’s New

A selection of newly released music that caught my attention

After having compiled this weekly recurring feature for about nine months, I’ve developed a pretty good methodology to find new music. As more frequent visitors of the blog know, the madness doesn’t include the mainstream charts. Sometimes it’s pretty easy, other times it requires more work. This week fell into the latter category. I’m still quite happy with this new installment that features various flavors of rock, including alternative, kickass classic, indie and country.

Glom/Merit

Glom from Brooklyn, New York are a classic alt-rock inspired, fuzzy alt-rock act, according to their profile on Bandcamp. Based on this interview with Two Story Melody from March 2019, it sounds like while members of Glom have been friends and played together in various bands since their early high school years, the group only formed in 2017. Bandcamp lists Sean Dunnevant (guitar, bass, vocals), Peter Beiser (guitar, piano, vocals), Sahil Ansari (guitar, drums, percussion, synthesizer), Jonathan Crandall (synthesizer, piano, percussion), Jonathan Harwood (percussion) and Jordan Wolfe (drums, percussion, synthesizer). Merit, written by Dunnevant, is the title track of Glom’s new album released yesterday (Dec 4). It’s a quite catchy tune. Based on sampling a few other tracks on the album, these guys seem to have a knack for melodies that are easy on the ears.

Greta Van Fleet/Age of Machine

Age of Machine is the second single from Greta Van Fleet’s next album. When the kick-ass rocker appeared yesterday, the Michigan band also revealed their second full-length studio release will come out on April 16, 2021 and be titled The Battle at Garden’s Gate, Spin reported. “There was a lot of self-evolution happening during the writing of this album that was prompted by experiences I had, experiences we all had, so a lot of contemplation occurred,” explained vocalist Josh Kiszka.  “It’s reflecting a lot of the world that we’ve seen, and I think that it’s reflecting a lot of personal truth,” observed guitarist Jake Kiszka. “I suppose that everything has changed except what got us here in the first place,” added Sam Kiszka, the third of the Kiszka brothers and bassist of the band that also includes drummer Danny Wagner. Greta Van Fleet’s classic rock orientation has generated lots of excitement and, as you’d expect, some criticism over its Led Zeppelin-influenced sound. I think the new single provides more evidence that Greta Van Fleet have evolved in finding their own unique style. Really looking forward to hearing more from that album!

Juniper/Angelina

Juniper are an indie rock band from the Boston area. They were formed in the spring of 2017 by Scott Johnson, Ahren Shreeve and Alejandro Marin. In September that year, they released their eponymous debut EP. Another EP, For the First Time, came out one year later. On their website, Juniper describe their sound as “unique” with “diverse influences of alternative rock, folk, R&B and bedroom pop” – the latter being yet another genre I had not heard of before. Currently, they are working on their debut album. Meanwhile, here’s their new single Angelina. And, nope, the lovely young woman in the video isn’t Angelina.

The Wild Feathers/My Truth

Let’s wrap it up with The Wild Feathers, a country rock band founded in 2010 in Nashville, Tenn. According to a bio on AllMusic, they prefer the term “American” over Americana when describing their sound, which falls somewhere between the earnest, neo-Southern rock of the Black Crowes, the bluesy swagger of the Black Keys, and the wide-open-road country-rock of the Eagles. The band’s current lineup features founding members Ricky Young (guitar, vocals), Taylor Burns (guitar, vocals) and Joel King (bass, vocals), as well as Ben Dumas (drums). The Wild Feathers began touring frequently in 2013, playing with artists like Bob Dylan, Willie Nelson and ZZ Ward. Their eponymous debut album appeared in August 2013. My Truth is a new original song from the band’s most recent fourth album Medium Rarities, which according to a review in Glide Magazine is a collection of covers, demos, B-sides and a handful of new tunes. My Truth is a great track co-written by King, Young and country singer-songwriter Brett James.

Sources: Wikipedia; Bandcamp; Two Story Melody; Spin; Juniper website; Juniper Facebook page; AllMusic; Glide Magazine; YouTube

Best of What’s New

This is the 30th installment of Best of What’s New. When I started the new music feature 30 weeks ago, I wasn’t sure I’d find enough material I dig to blog on a weekly basis. So far it’s been a rewarding experience, and I’m optimistic I can get going at that rate.

Usually, I keep the installments to four tunes. This time, however, before I knew it, I found eight songs I could have featured. I decided to cut down the selection to the following six tunes. The set is quite rock-oriented, but there’s also a great jazz tune that just makes me happy and a beautiful guitar instrumental.

Black Stone Cherry/Again

Black Stone Cherry are a hard rock band formed in Edmonton, Ky. in 2001. Chris Robertson (lead vocals, lead and rhythm guitar) and John Fred Young (drums, percussion, piano, backing vocals) had played together since they were young teenagers. They were soon joined by Ben Wells (rhythm and lead guitar, backing vocals) and Jon Lawhon (bass, backing vocals) to complete the band’s lineup. In May 2006, they released their eponymous debut album. Again is a track from the band’s upcoming 7th studio album The Human Condition scheduled for October 30. Black Stone Cherry announced the album on August 6 and debuted the tune and music video. “There was a real urgency and fear of the unknown during those sessions – it was a scary time,” Young told Louder.  “Every song on this album tells a story of the experiences we all go through – our happiness, our struggles, and how we have to adapt.” I hardly listen to present day hard rock, but this tune got something.

Puscifer/The Underwhelming

Puscifer is a project from rock singer-songwriter and producer Maynard James Keenan, who also is the lead vocalist and primary lyricist of rock bands Tool and A Perfect Circle. Between these bands, Keenan has released 12 albums over the past 30 years. Other members of Puscifer, which is currently a trio, include Carina Round (vocals, guitar, ukelele, tambourine) and Mat Mitchell (lead guitar). The Underwhelming is a tune from Puscifer’s upcoming fourth studio album Existential Reckoning due out October 30. The tune became the album’s second single on September 17.

Elvis Costello/Hey Clockface/How Can You Face Me?

I believe Hey Clockface/How Can You Face Me? is the first jazz tune I ever heard by Elvis Costello. When I came across it yesterday, I immediately knew I had to include it in this installment of Best of What’s New. According to a review in Stereogum, Costello recorded it together with a small jazz ensemble in Paris about a month before Covid-19 changed the world. It also turns out the tune and Costello’s other singles he has released over the past few months are all part of a new studio album titled Hey Clockface scheduled for October 30. According to Wikipedia’s count, it should be Costello’s 33rd studio release. Hey Clockface/How Can You Face Me? first appeared as the album’s fourth upfront single on September 11. This tune just has an infectious groove. Check it out!

Ben Harper/Paris

American singer-songwriter and multi-instrumentalist Ben Harper has been a recording artist since 1992. He began playing guitar as a child and had his first gig at the age of 12. During his teenage years in the ’80s, Harper began playing slide guitar, influenced by Delta blues artist Robert Johnson. In 1992, he recorded the album Pleasure and Pain with Tom Freund. This was followed by his solo debut Welcome to the Cruel World from February 1994. Since then, he has released 13 additional studio albums. In 2010, Harper formed folk rock-oriented band Fistful of Mercy, together with George Harrison’s son Dhani Harrison and singer-songwriter Joseph Arthur. Harper has also collaborated with Charlie Musslewhite and various other artists. Paris is a beautiful, sparse instrumental featuring only Harper on his lap steel guitar. It’s on an upcoming new all-instrumental album, Winter Is For Lovers, set to appear on October 23. Two other tunes, Inland Empire and London, from the 15-track collection are already out as well, and they sound just as great!

Blue Öyster Cult/The Alchemist

While Blue Öyster Cult is a very familiar name, the rock band that was founded all the way back in 1967 in Stony Brook, N.Y. had not released new music since Curse of the Hidden Mirror from June 2001. That changed yesterday (October 9) with The Symbol Remains, their 15th studio album. Of course, Blue Öyster Cult have had numerous line-up changes over the decades, though founding member and lead guitarist Donald Roeser, known as Buck Dharma, is still around. As is Eric Bloom, who joined BÖC as lead vocalist, guitarist and keyboarder in April 1969, replacing Les Braunstein. Like Dharma, Bloom has been on all of the band’s albums released to date. Here’s The Alchemist, written by Richie Castellano, who has been part of Blue Öyster Cult since 2004. This makes The Symbol Remains his first studio with the band after 16 years – remarkable! The Alchemist may not be Cities On Flame With Rock and Roll, (Don’t Fear) the Reaper or Burnin’ For You, but it still sounds pretty cool to me. Check out the sweet harmony guitar playing featuring Dharma and Castanello, which starts at about 3:33 minutes. These guys are still rockin’!

Greta Van Fleet/My Way, Soon

Speaking of rockin’, what could be a better way to end this installment than with the latest single by Greta Van Fleet, one of the most exiting contemporary bands, in my opinion: May Way, Soon, which was also released just yesterday. “This song was inspired by what three years of touring did by opening so many doorways,” vocalist Josh Kiszka told Louder. “This is my truth, how I feel about all of our travels, but I know it echoes the experiences and changes of perspectives for [his GVF bandmates] Jake, Sam, and Danny as well.” May Way, Soon is the first tune from Greta’s next studio album (title and release date still to be announced). “The definition of ’normal’ has very much broadened over the past couple of years, and it has affected us as musicians, especially in the writing and recording of this new album,” added drummer Danny Wagner. While My Way, Soon delivers the energetic type of rock fans of the band have come to dig, it sounds less influenced by Led Zeppelin. I think only does this show Greta is evolving musically, but it’s also a good thing from a longevity perspective.

Sources: Wikipedia; Louder; Stereogum; YouTube

Greta Van Fleet’s Widely Anticipated Full-Length Debut Album Is Out And It Rocks

Anthem Of The Peaceful Army shows young Michigan rockers can move beyond Zeppelin-like crunchers

“Greta Van Fleet can’t get the Led out of its sound,” declares the headline of a Chicago Tribune review. V.e.r.y.  c.l.e.v.e.r.! “They come bearing shamelessly recycled Zeppelin-isms with a frontman who seems to have heard Rush’s “2112” a few times,” opines Rolling Stone. Did they just identify a second band Greta Van Fleet “rips off?” Asks Consequence of Sound: “The throwback rockers can resurrect the sounds of the past, but what about the future?” Gee, how about giving this young band some time beyond their first full-length album Anthem Of The Peaceful Army, which was released on Friday.

As I’m looking at the reviews of the widely anticipated record, I feel like telling certain critics to take a chill pill. Yes, there’s no denying the Michigan rockers have tunes with a Led Zeppelin I vibe. But, frankly, what’s so terrible to sound similar to one of the greatest rock bands of all time? Especially in an era where mediocrity gets most of the limelight? Plus, at least to my ears, Anthem Of The Peaceful Army proves there’s actually more to Greta Van Fleet than Zep-style rockers. Caveat: As a former bassist and someone who has listened to loud music many times, I can’t deny a certain degree of hearing loss!😆

Greta Van Fleet
Greta Van Fleet (from left): Sam Kiszka, Josh Kiszka, Danny Wagner and Jake Kiszka

All tracks on the album are credited to all four members of the band. They include Josh Kiszka (lead vocals) and his brothers Jake Kiszka (guitar, backing vocals), who is Josh’s twin, and Sam Kiszka (bass, keyboards, backing vocals), as well as Danny Wagner (drums, backing vocals). Let’s kick things off with the opener Age Of Man. Except perhaps for the lead vocals, right out of the gate there’s a tune I don’t feel sounds particularly like Led Zeppelin.

Next up: The Cold Wind. Okay, this kick-ass rocker has an undeniable Zeppelin vibe. I can already see some critics getting their knickers twisted over it. But guess what? I don’t care – on the contrary, I love the fact that here we have a young band that embraces full throttle classic rock, a genre that generally isn’t doing particularly well these days. Wouldn’t it be cool if the tune would top the Billboard Hot 100?

You’re The One introduces acoustic-oriented rock. But wait, didn’t Zep also do plenty of acoustic stuff? So is it yet another rip off? I don’t worry much about it. All I can say is I like this tune. It’s got a catchy melody. I also dig the organ part.

Anthem is another acoustic track. Here’s the first verse of the reflective song: Read the news/There’s something every day/So many people/Thinkin’ different ways/You say “Where is the music/A tune to free the soul/A simple lyric/To unite us all?”

Let’s throw in one more tune: Lover, Leaver (Taker, Believer), another nice rocker and the album’s closer.

According to a story in the Detroit Free Press, Anthem of the Peaceful Army was produced by the Rust Brothers, three “veteran Detroit music guys” who are connected to Kid RockAl Sutton, the owner of Rustbelt Studios and Rock’s longtime recording engineer; Marlon Young, lead guitarist of Twisted Brown Tucker, Rock’s longtime backing band; and Herschel Boone, a songwriter and producer, who also worked with Rock as a backing vocalist. The album, which appears on Lava Records, was produced at Rustbelt and at Blackbird Studio in Nashville.

I guess some of what is happening to Greta Van Fleet is perhaps unavoidable for a band that has received a lot of attention in a relative short amount of time. Add to this the fact that none other than Robert Plant during an interview with Australia’s Network 10 said of the band, “They are ‘Led Zeppelin I'” and called lead vocalist Josh Kiszka “a beautiful little singer,” as reported by the Detroit Free Press in a separate article, and you can see why there’s so much buzz around Greta Van Fleet. And buzz oftentimes also brings less than flattering commentary to the forefront.

I think Greta Van Fleet is on a promising trajectory. Keep in mind they are very young guys. Josh and Jake are 22, while Sam and Denny are 19. Their talent is undeniable. With Anthem Of The Peaceful Army they have taken a step forward. Let’s just give them time to find their own unique style and sound. And if in the meantime, they continue to throw in some Zeppelin-like rockers I have no problem with that whatsoever!

Sources: Wikipedia, Chicago Tribune, Rolling Stone, Consequence Of Sound, Detroit Free Press, YouTube