The Sunday Six

Happy Sunday! Once again another weekend seems to be flying by but, of course, we cannot let this happen without visiting six tracks from six different decades with the magical music time machine. Hope you’ll join me for the ride!

Elliot Lawrence and his Orchestra/Alto Lament

For the start of today’s journey, let’s set our time machine to 1958. That’s when American jazz pianist and bandleader Elliot Lawrence recorded Alto Lament, a smooth track by Anthony Louis Scarmolin, an Italian-American composer, pianist and conductor. Based on what I could find, it appears the track was first included on an EP titled Definitely Lawrence! and released in 1959. Lawrence’s long career started in the 1940s. After recording and touring with his own band, he gave up jazz in the early 1960s and began composing and arranging for television, film and stage. Among others, he wrote the score for the great 1971 neo-noir action thriller The French Connection starring Gene Hackman, Roy Scheider and Fernando Rey.

Oasis/All Around the World

After this relaxed start of our trip, let’s kick it up a notch with a song that couldn’t be more appropriate when traveling across different countries: All Around the World, a catchy tune by UK pop rockers Oasis. By the time they released their third album Be Here Now in August 1997, they already had established themselves as one of Britain’s most popular ’90s bands, only three years after emerging from obscurity with their debut Definitely Maybe. Like all other songs on Be Here Now, All Around the World was penned by the band’s lead guitarist and principal songwriter Noel Gallagher.

Tedeschi Trucks Band/Somehow

For this next pick, we shall travel back to the present. When listening to Somehow by Tedeschi Trucks Band, somehow, I keep thinking of Bonnie Raitt, one of my all-time favorite artists. Both Susan Tedeschi’s vocals and the music would make this track a perfect fit for Raitt. Written by the group’s member Gabe Dixon (keyboards, guitar, vocals) and songwriter Tia Sellers, Somehow is from their most recent studio album I’m the Moon, which came out in September 2022. Rightfully, Tedeschi Trucks Band called their fifth album the “most ambitious studio project” of their career to date. It was released in several installments, which I covered here and here at the time – terrific album!

The Kinks/Waterloo Sunset

Time to pay a visit to the ’60s. Let’s hop across the pond to London. The year is 1967 and it’s the month of September. That’s when British rock band The Kinks came out with their fifth UK studio album, Something Else by the Kinks. And indeed, that release was something else! In no small part, that’s because of the incredible lead single Waterloo Sunset, which appeared in May of the same year. Written by Ray Davies, the tale about a solitary narrator reflecting on two lovers, the river Thames and Waterloo Station is an absolute gem in the band’s catalog, at least in my book!

Roxy Music/Jealous Guy

When I first heard Jealous Guy by Roxy Music on the radio in Germany in 1981, I immediately loved it. In my youthful innocence, initially, I thought the song was the English art rock band’s own tune, not realizing they had recorded it as a beautiful tribute single to John Lennon in the wake of his senseless murder in December 1980. At the time, I already owned Lennon’s great 1975 compilation Shaved Fish, but it didn’t include Jealous Guy – definitely a miss! Originally, Lennon had recorded the ballad for his September 1971 sophomore solo album Imagine. Eventually, I borrowed a copy of that album and taped it on music cassette. Nowadays, I dig both versions equally.

James Gang/Walk Away

When you hang out with good friends, time flies – I can’t believe we’re reaching the final stop of another music time travel trip! Let’s end it with a kickass rocker by American rock band James Gang: Walk Away. Written by the great Joe Walsh, who had joined the group in early 1968, Walk Away was the opener of James Gang’s third studio album Thirds, released in April 1971. It would be Walsh’s final studio project with the band. After his departure in December 1971, he formed Barnstorm. Eventually, he was invited to join the Eagles in 1975 and continues to perform with them to this day.

As usual, the final thing I leave you with is a Spotify playlist featuring all of the above tracks. Hope there’s something you dig and you’ll be back for more!

Sources: Wikipedia; YouTube; Spotify

The Sunday Six

Welcome to the first Sunday Six of May 2022! It’s been a bit on the chilly side in my neck of the woods. But the weather in the New Jersey-New York-Connecticut tri-state area can change rapidly, and before we know it, we may have summer-like temperatures. One thing is for sure: Spring has definitely arrived! Now that we’ve got the weather covered, let’s get to a new set of six songs to celebrate music of the past and the present.

Joel Ross/Wail

I’d like to start today’s musical journey in the year 2022 with jazz by 26-year-old New York composer Joel Ross. A bio on the website of the renowned Blue Note Records jazz label calls him “the most thrilling new vibraphonist in America.” Here’s a bit more: The Chicago-born, Brooklyn-based player and composer has a way of being everywhere interesting at once: from deeply innovative albums (Makaya McCraven’s Universal Beings and Deciphering the Message, Walter Smith III & Matthew Stevens’ In Common) to reliably revolutionary combos (Marquis Hill’s Blacktet, Peter Evans’ Being & Becoming) to his own acclaimed Blue Note albums: KingMaker, Who Are You?, and The Parable of the Poet. This brings me to Wail, a track off Ross’s latest Blue Note album released April 15. “Almost every take is a first take, since our years improvising together have shaped these compositions into something with more meaning than we ever could know,” he told Apple Music. Oftentimes, free-form jazz isn’t my cup of tea, but I do like this music!

Ace/How Long

Our next stop is the ’70s and a tune by British pop-rock band Ace I’ve always loved: How Long. I was reminded of the catchy song when I heard it on the radio the other day. How Long was written by the group’s frontman and keyboarder Paul Carrack. It was Ace’s debut single and appeared on their first album Five-A-Side, released in January 1974. How Long became their biggest hit, climbing to no. 3 in the U.S. and Canada, and reaching no. 20 in the UK. I think it’s the only tune I know from Ace, who were active from 1972 until 1977. Following their breakup, Carrack became a member of various prominent bands, including Roxy Music, Squeeze and Mike + The Mechanics. In 1980, Carrack also launched a solo career, which continues to this day.

Willie Nelson/Night Life

If you saw my latest Best of What’s New installment, you probably noticed it included new music by Willie Nelson who just turned 88 years and remains a viable artist. This reminded me of a tune I had earmarked for The Sunday Six a few months ago after my streaming service provider had served it up as a listening suggestion. Night Life, co-written by Nelson, Paul Buskirk and Walt Breeland, was first released as a single in 1960. Wikipedia notes the following interesting anecdote: Due to financial issues, Nelson sold the song to guitar instructor Paul Buskirk for $150. The recording of the song was rejected by Pappy Daily, owner of Nelson’s label, D Records. Daily believed that the song was not country. Encouraged by the amount of money he received for the song, Nelson decided to master it at another studio. To avoid legal actions, it was recorded as “Nite Life” under the artist name of “Paul Buskirk and the Little Men featuring Hugh Nelson.” In 1963 Bellaire Records reissued the single under the original title of “Night Life,” recrediting it to “Willie Nelson.” While it may not be among Nelson’s most popular songs, to me Night Life feels like a timeless classic.

John Lennon/Watching the Wheels

Next, we go to November 1980 and Watching the Wheels, one of my favorite John Lennon tunes from his solo career. It first appeared on Double Fantasy from November 1980, which sadly turned out to be Lennon’s last album released during his lifetime. Only three weeks after the release, he was murdered by a deranged individual in front of The Dakota, the New York City building in which he was living with Yoko Ono and their then-six-year-old son Sean. Watching the Wheels also appeared separately as the album’s third single in March 1981. Unlike the two preceding singles Woman and (Just Like) Starting Over, which reached no. 2 and no. 1, respectively, in the U.S. on the Billboard Hot 100, Watching the Wheels “only” climbed to no. 10. Interestingly, in the UK where the first two singles topped the charts, the song stalled at no. 30.

Oasis/Wonderwall

Okay, time for a stop-over in the ’90s and Wonderwall, a massive hit by English pop-rock band Oasis. Written by the group’s co-founder Noel Gallagher, the tune appeared on their sophomore album (What’s the Story) Morning Glory?, released in October 1995. The record became even more successful than the band’s strong debut Definitely Maybe that had appeared in August 1994. Wonderwall also was one of six singles Morning Glory spawned. It surged to no. 2 in the UK on the Official Singles Chart and also did well elsewhere: No. 1 in Australia; no. 2 in Ireland; no. 5 in Canada; and no. 8 in the U.S. and The Netherlands, among others. During their active period between 1991 and 2009, Oasis sold over 70 million records worldwide and were one of the most successful acts in the UK.

The Crazy World of Arthur Brown/Fire

And once again, it’s time to wrap up another Sunday Six, and I give you the god of hellfire! The Crazy World of Arthur Brown are an English psychedelic rock band formed in 1967 by vocalist Arthur Brown. The group’s initial run spanned three years and their only hit Fire, co-written by Brown, the band’s keyboarder Vincent Crane, as well as Mike Finesilver and Peter Ker. Appearing on the group’s eponymous debut album from June 1968 and separately as a single, Fire topped the charts in the UK and Canada, climbed to no. 2 in the U.S., and reached no. 3 in each Belgium, Switzerland and Germany. It also charted in the top 10 in The Netherlands (no. 4) and Austria (no. 7). After this phenomenal start and sharing bills with the likes of The Who, The Doors and Small Faces, the group ran out of, well, fire and disbanded in June 1969. They reformed in 2000 with a different line-up and Brown as the only original member, and apparently remain active to this day. Bown has also issued various solo releases and has a new album scheduled for June 24. In case you’re curious how he sounds these days at age 79, the first track is already out.

Last but not least, here’s a Spotify playlist with all the above goodies.

Sources: Wikipedia; Blue Note Records website; Apple Music; YouTube; Spotify