Fortune Child Celebrate ’70s Style Classic Rock on Debut Album

Lately, it’s starting to feel classic rock is making a comeback, at least in my music world. I first noticed the trend in 2017 when I listened to Michigan rockers Greta Van Fleet. Last year, one of my favorite new records was California Dreamin’, the first full-length studio release by Dirty Honey. In February this year, another band called Goodbye June released their latest excellent album See Where the Night Goes. And now there’s Fortune Child and their impressive debut Close to the Sun.

I first came across the four-piece from Jacksonville, Fla. in February, after they had issued their latest single Tie the Line from the then-forthcoming album. Close to the Sun was since released on March 1. How I missed it at the time remains a bit of a mystery. Fortunately, my latest Sunday Six installment, which included a tune from Goodbye June, reminded me of Fortune Child.

From their website:

Deprive a person of something, and they will surely go out and find it. In an age where Rock N’ Roll has fallen by the wayside, few have heeded the call to preserve its integrity and importance in most of the music we hear today. It’s time to put the question to rest: Rock N’ Roll is here to stay, and Fortune Child will be commanding the ship.

Founded in Jacksonville, Florida in 2021, it is no secret that these lovers of good ol’ fashioned Rock were inspired by the likes of Led Zeppelin, Lynyrd Skynyrd, Alice in Chains, The Black Crowes and so many more. The four-piece band plans to take the Rock N’ Roll scene by storm, and to remind the people of what truly matters: the music itself.

Fortune Child (from left): Jon Ward, Melanie Jo, Christian Powers and Buddy Cramp

The band (Christian Powers/ vocals, Buddy Crump/ lead guitar, Melanie Jo/ drums, and Jon Ward/bass) has quickly garnered significant support from the Southeast US Rock N’ Roll scene opening for national touring acts such as Blacktop Mojo and will continue to do so as they leave crowds wanting more and more after each show. It’s loud, it’s dirty, and it’s down-right badass…For 2022, the band has partnered with legendary rock producer Kevin Elson of Journey, Mr. Big, Europe, and Lynyrd Skynyrd to produce their full length debut album “Close to the Sun”…

Let’s take a closer look at some of the goodies. Here’s the opener The Way, which pretty much sets the tone for the album. Like all other tunes except for the last track, it’s credited to the entire band. Hearing a group embracing 70s style classic rock makes me happy. I find it even more remarkable when it’s a new band. Perhaps, there’s still some life left in rock after all!

Here’s Don’t Shoot Me Down and the official video, another great rocker! These guys are having fun and they’re kicking butt – love it! It’s also cool to see a female rock drummer. While being a bit more common nowadays, it still is something you don’t encounter every day.

Next up is the title track. Perhaps the one thing I will say is there isn’t much variety in the band’s tunes. But since I dig their sound, it’s a minor wrinkle in my book.

The last track I’d like to highlight is the closer Conscious. Its acoustic sound and slower tempo provide a nice contrast to the other songs. It’s also the album’s sole tune credited to Powers and Crump only. I think Closer to the Sun would have benefitted from another song like Conscious to mix things up a little more.

Following is a Spotify link to the entire album:

Fortune Child are off to a great start. I certainly look forward to hearing more from them.

Sources: Fortune Child website; Fortune Child Facebook page; YouTube; Spotify

Goodbye June’s New Album Rocks, Classic Style

Goodbye June first entered my radar screen last December when I featured the title track of their then-forthcoming album See Where the Night Goes in a Best of What’s New installment. After listening to Breathe and Attack, which I included in my latest new music revue edition, it was an easy decision to dedicate an entire post to the group’s now-released fourth studio record, which came out on February 18.

See Where the Night Goes is the latest proof that while classic-style rock no longer is mainstream, it isn’t dead as is oftentimes claimed. Goodbye June, formed in Memphis, Tenn. in 2005, are part of what a July 2021 story in Guitar World called the New Wave of Classic Rock. Some of the other groups they noted in this context include Dirty Honey, Greta Van Fleet and Rival Sons. One band the story didn’t mention is Fortune Child, who were only founded in 2021 and may be the most recent in the pack. I featured one of their songs in yesterday’s Sunday Six installment.

Goodbye June are comprised of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. According to their AllMusic bio, they had first started making music together in their local church. The group was formed in honor of Baker’s brother who died in a car accident in June 2005. In 2009, they relocated to Nashville where they gained a reputation for their fiery live shows. Three years later, the band’s debut album Nor the Wild Music Flow came out.

Following extensive regional and some international touring, Goodbye June won first prize in 2014 in the Unsigned Music Competition. The band’s growing visibility led to a deal with Interscope Records. Their sophomore album Magic Valley appeared on that major label in May 2017. Let’s take a look at some music from See Where the Night Goes.

The album kicks off with Step Inside, credited to the three members of the band, as well as producer Paul Moak. The multi-instrumentalist from Nashville also contributed electric guitar, acoustic guitar, Clavinet, Mellotron, bass and percussion. Here’s the official video of the AC/DC-style rocker that pretty much sets the tone of the record.

Since I previously covered the title track and Breathe and Attack, I’m skipping these tunes here and go directly to Take a Ride. Like the opener, it was co-written by the band and Moak and is reminiscent of AC/DC as well. I could also see this tune on a Greta Van Fleet album.

Even high-energy rockers sometimes need to slow down. Here’s the rock ballad What I Need, credited to the band and Scott Stevens, another local Nashville artist. Call me crazy, I’m hearing some Lenny Kravitz here!

Let’s do two more: Here’s Baby, I’m Back, another Milbourn/Qualkenbush/ Baker/Moak co-write.

A tune titled Three Chords by a band like Goodbye June sounds promising, and it certainly doesn’t disappoint: Give ’em three chords/And the Holy Ghost/They’ll start a-moving/And shaking on the floor…Come on, boys, take us to rock & roll church!

Yes, Goodbye June aren’t exactly reinventing the classic rock wheel on See Where the Night Goes. And that’s precisely why I love it!

Sources: Wikipedia; Guitar World; AllMusic; Discogs; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Another Sunday is upon us, and the show must go on with a new explorative trip to celebrate great music of the past and present, six tunes at a time. This installment of The Sunday Six strikes out broadly, touching the ’40s, ’60s, ’70s, ’80s, ’90s and 2017. Let’s do it!

Ry Cooder/I Think It’s Going to Work Out Fine

I’d like to start today’s journey with some beautiful instrumental music by Ry Cooder. I believe the first time I heard of him was in connection with the great 1984 Wim Wenders motion picture Paris, Texas, for which Cooder wrote the score. This is some of the best acoustic slide guitar-playing I’ve heard to date – if you don’t know the movie’s score, check it out! In addition to 17 film scores, the versatile Cooder has released the same amount of solo albums since his 1970 eponymous debut. Not surprisingly, Cooder has also collaborated with the likes of John Lee Hooker, The Rolling Stones, Randy Newman, Linda Ronstadt, David Lindley and numerous other artists. This brings me to Bop Till You Drop, Cooder’s eighth solo album from July 1979, which I received as a gift in the late ’80s from my longtime German music buddy and former bandmate. Here’s Cooder’s great instrumental rendition of It’s Gonna Work Out Fine. Written by Rose Marie McCoy and Joe Seneca, the tune first appeared as a single by Ike & Tina Turner in June 1961.

The Animals/It’s My Life

After a gentle start, I’d like to step on the gas a bit with one of my favorite ’60s blues rock and R&B bands: The Animals. Not surprisingly, I’ve covered the British group’s music on various previous occasions, which among others include this Sunday Six installment and this post dedicated to their original lead vocalist Eric Burdon, one of the best British blues vocalists I can think of! It’s My Life first came out as a single in October 1965. Notably, it was penned by Roger Atkins and Carl D’Errico. This was not the only time Brill Building songwriters wrote a tune for the group. In May 1966, The Animals released another single, Don’t Bring Me Down, co-written by Gerry Goffin and Carole King. It’s My Life was also included on the band’s first compilation The Best of The Animals, which appeared in the U.S. only in February 1966. I’ve always loved this great psychedelic-flavored tune.

Steve Winwood/Roll With It

When it comes to Steve Winwood, I generally prefer his early years with The Spencer Davis Group, Traffic and Blind Faith over his oftentimes more pop-oriented solo period. Perhaps the biggest exception is Windwood’s fifth solo album Roll With It from June 1988. While undoubtedly influenced by ’80s pop, this record is also quite soulful. It became his most successful album, topping the Billboard 200 in the U.S. and reaching no. 4 in the UK, with more than three million copies having been sold. Here’s the excellent opener and title track, a co-write by Winwood and Will Jennings. Subsequently, Motown songwriters Holland-Dozier-Holland received a co-credit due to the tune’s similarities publishing rights organization BMI saw to (I’m a) Roadrunner, which had been a hit in 1966 for Junior Walker & the Allstars.

Sister Rosetta Tharpe/Strange Things Happening Every Day

Next let’s turn to a trailblazer and true rock & roll pioneer, the amazing Sister Rosetta Tharpe. While John Lennon famously said, “If you were to try to give rock & roll another name, you might call it Chuck Berry,” one of the genre’s early pioneers we must not forget was Tharpe. The prominent gospel singer started playing the guitar as a four-year-old and began her recording career at age 23 in 1938. She was one of the first popular recording artists using electric guitar distortion. Her technique had a major influence on British guitarists like Eric ClaptonJeff Beck and Keith Richards. She also influenced many artists in the U.S., including Elvis PresleyLittle Richard, Jerry Lee Lewis and Chuck Berry, to name a few. Tharpe has been called “the original soul sister” and “the godmother of rock & roll.” Unfortunately, her health declined prematurely and she passed away from a stroke in 1973 at the untimely age of 58. In May 2018, Tharpe was inducted into the Rock & Roll Hall of Fame as an Early Influence. Here’s Strange Things Happening Everyday, originally a traditional African American spiritual that became a hit for Tharpe in 1945. This recording is historic, as it’s considered to be one of the very first rock & roll songs. Tharpe’s remarkable guitar-playing, including her solos, distorted sound and bending of strings, is more pronounced on later tunes, but you can already hear some of it here. Check out this clip and tell me this amazing lady didn’t rock!

Prince/Cream

For this next pick, I’m jumping 46 years forward to 1991. Prince is an artist I’ve always respected for his remarkable versatility and amazing guitar skills, though I can’t say I’m an all-out fan. But I really like some of his songs. I must also add I’ve not explored his catalog in greater detail. It was largely my aforementioned German music buddy who introduced me to Prince. I recall listening together to his ninth studio Sign o’ the Times from March 1987. Cream, off Diamonds and Pearls that appeared in October 1991, is a tune I well remember hearing on the radio back in Germany. Based on Wikipedia’s singles chart, it looks like the song was Prince’s first big hit in the ’90s. Among others, it topped the U.S. charts, climbed to no. 2 in Canada and Australia, and reached the top 5 in France, Switzerland and Sweden. Here’s the official video. The actual tune starts at about 2:05 minutes into the clip. Sadly, we lost Prince way too early in April 2016 at age 57.

Greta Van Fleet/Safari Song

Last but not least, I’d like to turn to Greta Van Fleet, one of the contemporary bands that give me hope classic rock isn’t entirely dead yet. L.A. rockers Dirty Honey are another great example in this context. Greta Van Fleet were formed in Frankenmuth, Mich. in 2012 by brothers Josh Kiszka (lead vocals), Jake Kiszka (guitars, backing vocals) and Sam Kiszka (bass, keyboards, backing vocals), along with Kyle Hauck (drums). Other than Hauck who was replaced by Danny Wagner in 2013, the band’s line-up hasn’t changed. The group has been criticized by some as a Led Zeppelin knock-off, and the tune I’m featuring here probably is part of the reason. Selfishly, I don’t care since in my book, Zep are one of the greatest rock bands of all time. I would also add Greta Van Fleet’s sound has evolved since their early days. To me, their most recent album The Battle at Garden’s Gate from April 2021 bears very little if any resemblance to Zep. Here’s Safari Song, Greta’s second single released in October 2017. Credited to all members of the band, it was also included on their debut EP Black Smoke Rising that had come out in April of the same year. This just rocks and I could care less about the critics!

Here’s a playlist featuring all of the above tracks.

Sources: Wikipedia; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Welcome to another installment of my weekly recurring feature where I pick newly released songs I like. Let’s get to it without further ado. All tunes except for the last song appeared yesterday (January 7).

Dope Lemon/Rose Pink Cadillac

Dope Lemon is the solo project of Australian singer-songwriter Angus Stone. He first started to release music in 2007 with his sister as part of folk-pop duo Angus & Julia Stone. To date, four albums by the duo have appeared. In April 2009, Stone’s solo debut Smoking Gun came out under the pseudonym Lady of the Sunshine. Starting with his third solo album Honey Bones from April 2016, he has used the Dope Lemon moniker. Rose Pink Cadillac, co-written by him and Elliott Hammond, is the bouncy, funky title track of Stone’s fifth and latest solo release.

Best Coast/All Alone

I think this may be the first time I’m featuring a music artist in back-to-back Best of What’s New installments. Last week, I picked Best Coast’s then-most recently released song Leading. The rock duo, which includes songwriter, guitarist and vocalist Bethany Cosentino and guitarist and multi-instrumentalist Bobb Bruno, was formed in 2009 in Los Angeles. Borrowing again from their Apple Music profile: Drawing inspiration from ’60s surf rock and girl groups, Best Coast’s noisy lo-fi sound gave a nod to contemporaneous acts like Hot Lava, the Vivian Girls, and Brilliant Colors. Best Coast’s first year saw a flurry of little releases. Best Coast had become something of a sensation by the time 2009 came to a close. Fast forward to yesterday and the deluxe issue of Best Coast’s fourth studio album Always Tomorrow. Here’s one of the new tunes, All Alone, written by Cosentino – nice pop-rock!

Gang of Youths/In the Wake of Your Leave

Gang of Youths are an Australian indie rock band formed in Sydney in 2011 by principal songwriter David Le’aupepe (lead vocals, guitar). The other members include Jung Kim (lead guitar, keyboards), Tom Hobden (violin, keyboards, guitar), Max Dunn (bass) and Donnie Borzestowski (drums). According to their Apple Music profile, the group’s 2015 debut album The Positions tackled Le’aupepe’s painful divorce and mental health struggles against hard-charging indie rock topped with his tumultuous baritone. Rather than dwell in darkness, though, Gang of Youths’ anthems spin true stories of trauma into triumphant badges of survival and even hopefulness. Witness the empowering, Springsteen-worthy pulse driving “Let Me Down Easy,” from 2017’s Go Farther in Lightness. After winning four ARIA Awards for that record, the band became the inaugural performers on the Australian edition of MTV Unplugged in 2018. In the Wake of Your Love, credited to all members of the group, is a new single from their upcoming third studio album Angel in Realtime scheduled for February 25.

Dirty Honey/Let’s Go Crazy

Let’s wrap up this post with one of my favorite discoveries from last year: Los Angeles rock band Dirty Honey and their new single Let’s Go Crazy. If you’re familiar with Prince, the title of the song may be familiar. It’s actually a tune he originally recorded for his sixth studio and soundtrack album Purple Rain released in June 1984. Dirty Honey, who were formed in 2017 and are influenced by bands like Aerosmith, Led Zeppelin and Black Crowes, do a nice job putting Prince’s funky pop-oriented tune into a classic rock type of song – pretty cool! Their rendition came out on December 31 – another tune I swear I didn’t see in iTunes’ new releases when I checked that day.

Last but not least, here’s a playlist of the above tunes:

Sources: Wikipedia; Apple Music; YouTube; Spotify

The Year That Was – Part 2 of 2

Best new songs of 2021

This is the second installment of my 2-part review of 2021. Here I’m going to focus on songs released over the past 12 months, which I like in particular. The picks are based on my Best of What’s New weekly recurring feature. Part 1, which you can read here, highlighted my six favorite albums that came out over the past year.

Altogether, Best of What’s New featured more than 200 songs that were released in 2021. From there I narrowed things down to 4o tunes, which are included in the playlist at the end of this post. Following I’d like to highlight 10 out of these 40 songs. It wasn’t easy to pick those 10 tunes. In my view, that’s a good sign since it means there were many great choices.

Aaron Frazer/If I Got It (Your Love Brought It)

Kicking things off is If I Got It (Your Love Brought It), a terrific soul tune by Aaron Frazer, a Brooklyn, New York-based singer-songwriter. The song, co-written by Frazer, Dan Auerbach and David Ferguson, is off Frazer’s debut album Introducing…, which appeared on January 8 and was produced by Auerbach. Check out that neat falsetto, which is reminiscent of Curtis Mayfield – so good!

Gretchen Parlato/É Preciso Perdoar

Next, let’s turn to contemporary jazz by California native Gretchen Parlato. É Preciso Perdoar is the beautiful opener of her fifth studio album Flor (Portuguese for flower) that appeared on March 5. The tune is credited to Brazilian composers Alcyvando Luz and Carlos Coqueijo, as well as Parlato – just beautiful and so relaxing!

Dirty Honey/California Dreamin’

Dirty Honey are a great rock band from Los Angeles that was founded in 2017. I love their classic rock sound that has traces of Aerosmith, Led Zeppelin and The Black Crowes. California Dreamin’, credited to the entire band, is from Dirty Honey’s eponymous first full-length album released April 23.

Lord Huron/Mine Forever

Indie folk-rock band Lord Huron are one of the most seductive contemporary groups I can think of. Their moody sound of layered voices, jangly guitars and expanded reverb is pretty cool – very cinematic! Frankly, their latest record Long Lost, which came out on May 21, easily could have been in part 1 of this year-in-review feature. Here’s my favorite tune off that record, Mine Forever, penned by guitarist and vocalist Ben Schneider who founded Lord Huron in 2010.

Jane Lee Hooker/Drive

While I’ve started to pay much closer attention to new music, I only follow very few contemporary acts. One is Jane Lee Hooker, formed in 2013 in New York as an all-female blues rock band. Drive is more of a rock ballad with a nice soulful vibe. Released as a single on May 28, the tune will be on the band’s next album Rollin’ that is scheduled for January 2022. Definitely looking forward to that one!

The Wallflowers/Roots and Wings

On July 9, The Wallflowers released Exit Wounds, their first new album in nine years. With its warm melodic roots rock, the record sounds like it could be a follow-on to Bringing Down the Horse from May 1996, the sophomore album by Jacob Dylan’s band that brought them commercial success and two Grammy awards. Here’s one of my favorite tracks off the new album: Roots and Wings.

Son Volt/The Globe

While alternative country and Americana rock band Son Volt have been around since 1994, I had not heard of them until August of this year after the release of their ninth and latest album Electro Melodier on July 30. Check out The Globe written by the band’s founder, singer-songwriter and guitarist Jay Farrar. It’s got a bit of a Springsteen vibe, and there’s also a brief homage to The Who. Check out the Moog line at around 2:15 minutes… Love that tune!

Maggie Rose/What Are We Fighting For

Maggie Rose, born Margaret Rose Durante, is a Nashville-based country and rock singer-songwriter, who released her debut single under her maiden name in 2009, a cover of Kings of Leon’s Use Somebody. In the spring of 2013, when her first full-length album appeared, she already had adopted the Maggie Rose moniker. What Are We Fighting For is the opener of her latest album Have a Seat that came out on August 20. The great soulful tune was written by Rose, together with her longtime collaborators, guitarist Alex Haddad and Larry Florman  (background vocals, percussion).

Joey Landreth/Two Trains

While he shares a famous last name and also is a slide guitarist, Canadian artist Joey Landreth isn’t related to Sonny Landreth. But he sure as heck is talented and has a great sound! Check out Two Trains, the catchy funky closer from his third and most recent album All That You Dream, which appeared on November 26.

Blue Rodeo/When You Were Wild

When You Were Wild is a great tune by Blue Rodeo, a Canadian country rock band founded in 1984 in Toronto. I first came across the group in February of this year. This tune, co-written by founders Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), is from their 15th studio album Many a Mile released on December 3. I love that beautiful warm sound!

That’s it for the 10 tracks I wanted to call out. There are many more great tunes in the below playlist. Hope you will check them out!

Finally, to those celebrating, I wish you a merry Christmas and please be safe!

Sources: Wikipedia; YouTube

The Year That Was – Part 1 of 2

My six favorite albums of 2021

After feeling a bit lukewarm initially about the thought of looking back at 2021, a year I’d rather forget in many regards, I’m glad I decided to proceed. After all, there was lots of great new music – music that undoubtedly helped me cope with challenges this tiresome pandemic presented.

This review is split into two parts. Part 1 revisits my favorite 2021 albums I covered during the past year. Part 2 presents highlights from Best of What’s New, my weekly recurring feature looking at newly released songs. While it would have been easy to feature some of the same artists in both parts, I deliberately avoided overlap.

Altogether, I reviewed more than 20 albums over the past 12 months. After excluding archives releases, such as Neil Young’s Carnegie Hall 1970 and Young Shakespeare, and reissues like Tom Petty’s Angel Dream (Songs and Music from the Motion Picture “She’s the One”), I narrowed the list to 17 albums. Following are six I like in particular.

Rev. Peyton’s Big Damn Band/Dance Songs for Hard Times

Rev. Peyton’s Big Damn Band is an unusual country blues trio, and it’s not only because of their funny name. The group, which has been around since 2003, consists of Josh “The Reverend” Peyton (guitar, lead vocals), his wife  “Washboard” Breezy Peyton (washboard) and Max Senteney (drums). Notably, they don’t have a bassist. Peyton, a great guitarist, compensates with skillful fingerstyle playing that includes the prominent use of his thumb to play bass lines. Dance Songs for Hard Times, the trio’s 10th full-length album, was released on April 9. You can read more about it here. To get an idea, check out the amazing Too Cool to Dance and tell me this doesn’t rock!

John Hiatt with The Jerry Douglas Band/Leftover Feelings

One of my big “discoveries” this year is John Hiatt, an artist whose name I’ve known for 30-plus years but had not started to explore until earlier this year – well, better late than never! On May 21, Hiatt released a great collaboration album with Dobro resonator guitar master Jerry Douglas. They were backed by Jerry Douglas Band members Mike Seal (acoustic and electric guitar), Daniel Kimbro (bass, string arrangements) and Christian Sedelmyer (fiddle). You can read more about Leftover Feelings here, which was recorded at Nashville’s historic RCA Studio B during the Covid shutdown. Here’s a little sample: Mississippi Phone Booth, written by Hiatt.

Southern Avenue/Be the Love You Want

Southern Avenue, a five-piece from Memphis, Tenn., are one of my favorite contemporary groups, blending blues and soul with contemporary R&B. Founded in 2015, this great band features Ori Naftaly (guitar), Tierinii Jackson (lead vocals), her sister Tikyra Jackson (drums, backing vocals), Jeremy Powell (keyboards) and Evan Sarver (bass). On August 27, their third album Be the Love You Want came out. While it feels like a bigger and more contemporary production compared to the band’s first two records and there’s a guest appearance by pop artist Jason Mraz, at its core, this still sounds very much like Southern Avenue’s music I’ve come to love: A tasty blend of blues, soul, funk and gospel, combined with elements of modern R&B. You can read more about it here. And here’s Push Now.

The Wild Feathers/Alvarado

The Wild Feathers, formed in Nashville, Tenn. in 2010, combine elements of country rock, southern rock, classic rock, blues and folk with multi-part harmony singing – a quite attractive combination! The group’s current lineup includes founding members Taylor Burns (guitar, vocals), Ricky Young (guitar, vocals), Brett Moore (guitar, mandolin) and Joel King (bass, vocals), together with Ben Dumas (drums). On October 8, they released their fifth studio album Alvarado. According to an exclusive preview by American SongwriterThe Wild Feathers wrote and recorded the album in a small cabin located an hour northwest of Nashville, the same place in which they conceived predecessor Medium Rarities. You can read more about Alvarado here. To get an idea, I give you Side Street Shakedown, a great rocker co-written by King, Young and Burns.

The Brandy Alexanders/The Brandy Alexanders

The Brandy Alexanders are a psychedelic pop-rock band from Canada, which was formed in 2016. The members include brothers Alex Dick (lead vocals, guitar) and Daniel Dick (keyboards), along with Sean Shepherd (lead guitar), Zack Vivier (bass) and Robbie Cervi (drums). They were discovered in 2019 by Renan Yildizdogan, the founder of independent label Gypsy Soul Records, who saw the group at a local performance venue in Toronto and subsequently signed them. On December 10, The Brandy Alexanders released their eponymous debut album. For more on that, click here. And here’s the great-sounding opener Ceiling Fan, Man

Neil Young & Crazy Horse/Barn

Neil Young has been on a roll this year. In addition to the aforementioned solo releases from his archives, he put out Way Down in the Rust Bucket, another excellent archives release of a 1990 live concert with Crazy Horse. Speaking of Young’s longtime backing band, there was a record with new songs, Barn, his 41st studio release and 14th album with Crazy Horse. It appeared on December 10 as well. Recorded in a converted barn high in the Rocky Mountains, Barn sounds charmingly ragged, relaxed and spontaneous – like classic Crazy Horse! Click here for my album review and check out Heading West!

Additional 2021 albums I’d like to at least briefly acknowledge include Exit Wounds (The Wallflowers), Many a Mile (Blue Rodeo), Long Lost (Lord Huron), Dirty Honey (Dirty Honey) and The Battle at Garden’s Gate (Greta Van Fleet). Stay tuned for Part 2 of this year-in-review feature, which will include songs from these artists.

Sources: Wikipedia; American Songwriter; YouTube

Turkey Day Rock Marathon Is On Again

Earlier this evening, it dawned on me it’s Thanksgiving week, which means New York classic rock radio station Q104.3 once again is doing their annual countdown of the Top 1,043 Classic Rock Songs Of All Time. The countdown is based on submissions from listeners who each can select 10 songs. All picks are then tabulated to create the big list.

The countdown starts tomorrow morning at 9:00 am EST and stretches all the way to sometime this Sunday evening. That’s how long it takes to play all 1,043 songs. The only interruption of the countdown will happen at noon on Thanksgiving when Q104.3 plays Arlo Guthrie’s Alice’s Restaurant, all 18 and a half minutes of it – just wonderful!

While after 20 years in a row (yep, that’s how long they’ve done this!) it’s a forgone conclusion that Led Zeppelin’s Stairway to Heaven once again will be no. 1 and the top 20 will be largely occupied by the same songs from previous years, listening to the countdown is still fun. Think about it, when can you ever hear 1,043 different songs in a row on the radio. Most stations have a much smaller set of songs in rotation.

Below is a screenshot of my selections for this year. Once again, I decided to come up with 1o previously unpicked songs. This time, I included two tunes from 2021: California Dreamin’ (Dirty Honey) and Side Street Shakedown (The Wild Feathers). Both are probably very long shots to make the list, as are I Don’t Understand (The Chesterfield Kings) and Cinderella (The Fuzztones), but that’s okay

Following are clips of my selections:

Dirty Honey/California Dreamin’Dirty Honey, April 2021

The Wild Feathers/Side Street ShakedownAlvarado, October 2021

The Black Crowes/Twice As HardShake Your Money Maker, February 1990

AC/DC/It’s a Long Way to the Top (If You Wanna Rock ‘N’ Roll)High Voltage, April 1976

The Beatles/Helter SkelterThe Beatles, November 1968

David Bowie/Suffragette CityThe Rise and Fall of Ziggy Stardust and the Spiders from Mars, June 1972

Queen/Tie Your Mother DownA Day at the Races, December 1976

The Who/The Real MeQuadrophenia, October 1973

The Chesterfield Kings/I Don’t UnderstandThe Mindbending Sounds Of…The Chesterfield Kings, August 2003

The Fuzztones/CinderellaLysergic Emanations, 1985

I’m sure I’ll be listening to Q104.3’s countdown at different times over the next five days. Though this year, there will be stiff competition from Peter Jackson’s Get Back Beatles three-part docu-series!

Sources: Wikipedia; Q104.3 website; YouTube

The Wild Feathers Soar With Melodic Rock on New Album

My paying closer attention to new releases by contemporary artists is starting to pay off nicely. The most recent albums by The Reverend Peyton’s Big Damn Band, Dirty Honey and Lord Huron are some that come to mind. My latest “discovery” I feel quite excited about is Alvarado, the new album by The Wild Feathers, a band I first introduced on my blog last December with a tune from predecessor Medium Rarities.

Released on October 8, Alvarado is the band’s fifth studio album. The Wild Feathers were formed in 2010 in Nashville, Tenn. by high school friends Taylor Burns (guitar, vocals) and Preston Wimberly (guitar, vocals), along with Ricky Young (guitar, vocals) and Joel King (bass, vocals). Ben Dumas joined on drums following the August 2013 release of the group’s eponymous debut album. Burns, Young, King and Dumas remain part of the current line-up, which also includes Brett Moore (guitar, mandolin). Wimberly left in late 2015.

The Wild Feathers combine elements of country rock, southern rock, classic rock, blues and folk with multi-part harmony singing. And I should add catchy melodies, a joy to my pop ear I can’t deny always lingers in the background, no matter what genre of music I listen to! The group has cited Tom Petty, Eagles, The Band and Otis Redding as some of their influences. A bio on AllMusic also notes The Black Crowes, Led Zeppelin and The Allman Brothers Band – all artists I love!

This image has an empty alt attribute; its file name is the-wild-feathers-1.jpg

According to an exclusive preview by American Songwriter, The Wild Feathers wrote and recorded the new album in a small cabin located an hour northwest of Nashville, the same place in which they conceived Medium Rarities. “We made every previous studio album with Jay Joyce [a prominent Nashville producer – CMM] in these big magical studios which was awesome,” Young told the publication. “But over the years, we’ve listened back to old demos like ‘Man there was really nothing wrong with that.’ It’s kind of cool there are mistakes…those things make it unique and human.”

Let’s get to some music. Here’s the album’s opener and title track. American Songwriter noted this tune was originally written for the band’s eponymous debut album, making it the oldest track on the record. “Some songs just can’t find their way onto the actual album, but we always loved that one and wanted to record it someday,” explained Young who wrote the tune. Well, I’m glad they finally did!

Ain’t Lookin’ is a great rocker written by country singer-songwriter Jeffrey Steele together with the band’s King, Young and Burns. It’s got some nice guitar work, and that sound is just awesome!

Next up: Over the Edge, a tune written by King about some of the challenges in present day America, including violence and political division. We’ve gone too far to go back/We don’t know how to turn around/We’ve gone too far, I think that we’re/Going over the edge, going over the edge/Going over the edge, going over the edge…I can hear some Tom Petty in here.

Since I included the excellent Side Street Shakedown in my latest Best of What’s New installment, I’m skipping this track and go to Out on the Road penned by Burns. While it’s certainly not the first tune that describes life as a touring musician and the challenges it can bring, it’s a nice rocker featuring some neat slide guitar action.

Off Your Shoulders, co-written by King and Young, has an Eagles vibe. I really love how this tune sounds. Once again, the guitar work is great and includes some nice harmony action. Check it out.

Let’s do one more, coz why not? Here’s Flashback, another tune solely written by King. In a flashback/Oh, we never knew how good we had it/Take me back/I wanna hold on to the memories as long as I can/Hold on to the memories as best as you can…The lyrics are on the sentimental side and perhaps a bit cliche, but I think it’s safe to assume many folks have thought about “the old times,” especially during this seemingly never-ending pandemic.

The final word shall belong to Ricky Young. Alvarado “is about us, taking the reins and being in control and doing exactly what we want to do, and taking it where we want to go—putting a blindfold on and hoping it works out,” he told American Songwriter. “By taking control musically, we can last a lot longer than just having a hit early on and trying to chase that for the rest of your career.” Well said – I certainly look forward to hearing more from The Wild Feathers.

Sources: Wikipedia; AllMusic; American Songwriter; YouTube

The Sunday Six

Celebrating music with six random tracks at a time

It’s Sunday, which means the time has come again for going on another excursion to celebrate the beauty of music in different shapes from different decades, six tunes at a time. This latest installment of The Sunday Six touches the ’60s, ’70s, ’80s and the present, and includes jazz fusion, British invasion, Motown soul, alt. country and rock. Ready? Let’s do it!

Wayne Shorter/Beauty and the Beast

Kicking us off today is some beautiful saxophone-driven jazz fusion by Wayne Shorter, a co-founding member of Weather Report, which I featured in a recent Sunday Six installment. By the time he cofounded the jazz fusion band, Shorter already had enjoyed a 10-year-plus career that included playing with Art Blakey’s Jazz Messengers and Miles Davis’ Second Great Quintet. In addition to being a sideman, Shorter started his recording career as a bandleader in 1959 with Introducing Wayne Shorter – the first of more than 20 additional albums he has made in that role. One of these albums, his 15th, appeared in January 1975: Native Dancer, a collaboration with Brazilian jazz musician Milton Nascimento. Here’s a track from that record titled Beauty and the Beast. Composed by Shorter, the instrumental combines saxophone with some funky elements – very cool!

The Dave Clack Five/Glad All Over

Let’s jump back to November 1963 and a song by The Dave Clark Five I’ve loved from the very first time I heard it on the radio back in Germany during my early teenage years: Glad All Over. Co-written by DC5 drummer Dave Clark who also was the band’s producer, and lead vocalist and keyboarder Mike Smith, the tune first appeared as a single in the UK, followed by the U.S. in December of the same year. It also was the title track of the DC5’s U.S. debut album that appeared in March 1964. In January 1964, Glad All Over became the band’s first massive hit in the UK, knocking The Beatles’ I Want to Hold Your Hand off the no. 1 spot on the singles chart. In the U.S., the tune climbed to no. 6 on the Billboard Hot 100. This is a hell of a catchy song with a driving drum beat and great vocals – frankly worthy of displacing a Beatles song, and I say this as a huge fan of the Fab Four.

Martha and the Vandellas/Dancing in the Street

I guess Glad All Over has put me in some sort of a party mood, so let’s throw in another great party song: Dancing in the Street by Motown vocal group Martha and the Vandellas, which were formed in Detroit in 1957. Co-written by Marvin Gaye, William “Mickey” Stevenson and Ivy Joe Hunter, the tune first appeared in July 1964 and became the group’s highest charting single on the U.S. Billboard Hot 100, peaking at no. 2. Dancing in the Street, one of Motown’s signature songs, also did well in the UK where it reached no. 4 on the singles chart. Subsequently, the song was included on the group’s third studio album Dance Party from April 1965. Martha and the Vandellas disbanded in December 1972. After leaving Motown, Martha Reeves started a solo career but wasn’t able to replicate the success she had enjoyed with the group during the ’60s. Reeves who in July turned 80 apparently is still active.

The J. Geils Band/Looking for a Love

Well, now that I mentioned the word ‘party,’ let’s keep it going by turning to a group that has been called rock & roll’s ultimate party band: The J. Geils Band. The group, which was formed in 1967 in Worcester, Mass., originally included J. Geils (lead guitar), Peter Wolf (lead vocals, percussion), Danny Klein (bass), Stephen Jo Bladd (drums, percussion, backing vocals), Magic Dick (harmonica, saxophone, trumpet) and Seth Justman (keyboards, backing vocals). That line-up lasted for a remarkable 15 years until Wolf’s departure in 1983. After the rest of the group called it quits in 1985, The J. Geils Band had various reunion appearances and tours with different formations until 2015. Following his departure from the band, Wolf launched a solo career, released various albums and remains pretty active as a touring artist to this day. Here’s a great track off the band’s sophomore album The Morning After from October 1972: Looking for a Love, a cover of a song co-written by J.W. Alexander and Zelda Samuels, and first released by The Valentinos in March 1962. The J. Geils Band also put this tune out as a single in November 1971. It climbed to no. 39 on the Billboard Hot 100, giving them their first charting song in the U.S. It would take 10 more years before they scored a no. 1 with the more commercial Centerfold.

The Jayhawks/Five Cups of Coffee

I first covered The Jayhawks in August 2020 when I included a tune from their then-new album XOXO in a Best of What’s New post. I quickly came to dig this American alt. country and country rock band, and have since featured two of their other songs in previous Sunday Six installments this February and July. Initially formed in Minneapolis in 1985, The Jayhawks originally featured Mark Olson (acoustic guitar, vocals), Gary Louris (electric guitar, vocals), Marc Perlman (bass) and Norm Rogers  (drums). By the time their sophomore album Blue Earth appeared in 1989, Thad Spencer had replaced Rogers on drums. After five additional albums and further line-up changes, The Jayhawks went on hiatus in 2004, before reemerging with a new formation in 2019. Louris and Pearlman are the only remaining original members. Five Cups of Coffee is a great tune from the above mentioned Blue Earth album. It was co-written by Olson and Louris. The band’s great guitar sound and beautiful harmony singing are right up my alley!

Dirty Honey/Gypsy

For the sixth and final tune this week, let’s step on the gas with a great rocker by Dirty Honey. I first became aware of this rock band from Los Angeles in April this year when they released their self-titled first full-length album. At the time, I included one of the tracks in a Best of What’s New installment. Apple Music has compared Dirty Honey’s sound to the likes of Aerosmith, Led Zeppelin and The Black Crowes. The band’s members include Marc Labelle (vocals), John Notto (guitar), Justin Smolian (bass) and Corey Coverstone (drums). I was drawn to Dirty Honey right away and covered them again in a Sunday Six post in May. Here’s yet another track from the above mentioned album: Gypsy. Labelle’s vocals very much remind me of Steven Tyler. Great to hear a young band other than Greta Van Fleet embrace a classic rock-oriented sound!

Sources: Wikipedia; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Welcome to another Sunday Six. In case you’re a first time visitor of the blog, this recurring feature celebrates the beauty of music six random tunes at a time, meaning songs from different genres and different decades. Pretty much anything goes in the same post. A jazz instrumental from the ’50s could be followed by a ’70s hard rock tune. A blues track from the ’60s could appear together with a pop song from the ’80s. My only condition is I have to like the tracks and how they work together. With that being said, let’s get to it!

John Barry & Orchestra/James Bond Theme

“Bond, James Bond.” These words started to fascinate me when I was a young teenager back in Germany. I still like the James Bond movies, as ridiculously unrealistic as they are. Especially the older pictures with Sean Connery and Roger Moore are classics in my book. Of course, part of every Bond picture is the soundtrack, including the James Bond Theme, which has been featured in every 007 film since the first one, Dr. No, from 1962. The signature theme was written by English singer and film composer Monty Norman and arranged by John Barry, a composer and conductor of film music. Barry also wrote the scores for 11 Bond pictures between 1963 and 1987. I always loved the track’s distinct guitar part played by English session guitarist Vic Flick, using a Clifford Essex Paragon De Luxe electric/acoustic vintage guitar from 1939.

Al Jarreau/Take Five

I know of no other artist who had such an amazing ability to use his voice as an instrument like Al Jarreau. Perhaps the most compelling example is his rendition of jazz standard Take Five, which was included on a May 1977 live album titled Look to the Rainbow. I’ve always loved the original written by Paul Desmond and first recorded by the Dave Brubeck Quartet for the album Time Out from December 1959. But Al Jarreau took the track to a different level. I guess many folks at the time agreed. Look to the Rainbow became Jarreau’s breakthrough in Europe and the U.S. It won the 1978 Grammy Award for Best Vocal Jazz Performance. If you haven’t heard this, check it out. If you already know Jarreau’s rendition, listen to it again anyway! 🙂

Joe Jackson/Down to London

Let’s jump to the late ’80s with a great tune by Joe Jackson. The British singer-songwriter first entered my radar screen in 1980, when I received his excellent sophomore studio album I’m the Man for my 14th birthday. I still own that vinyl copy. I’ve since listened on and off to Jackson, a versatile artist who has played many genres over the decades, including punk, new wave, pop, rock, jazz and Latin. He’s also fun live. I saw him in May 2019 at a mid-size theater in New Jersey. You can read about it here and watch some clips I took. Down to London is one of my favorite tracks from Blaze of Glory, Jackson’s 10th studio album that came out in April 1989. Like all other tunes on the record, he wrote the song.

The Wallflowers/6th Avenue Heartache

Next we’re on to the ’90s. I guess, I’m going chronologically this time. When The Wallflowers released their sophomore album Bringing Down the Horse in May 1996, they were still a standing roots rock-oriented band. Their origins date back to 1989 when Jakob Dylan (lead vocals, guitar, piano) and his childhood friend Tobi Miller (lead guitar) began forming a band called The Apples. Jakob is a son of Bob Dylan and his first wife Sara Dylan (nee Noznisky). After Barrie Maguire (bass), Peter Yanowitz (drums) and Rami Yafee (keyboards) had joined the group, they changed their name to The Wallflowers. The band signed with Virgin Records in 1991 and released their eponymous debut album in August 1992. Five additional studio albums appeared thereafter until 2012. Since 2013, Dylan has been the only remaining original member, relying on touring musicians for shows. A new album titled Exit Wounds is slated for July 9, the first to appear under The Wallflowers name in nine years. Apparently, it will be supported by a tour. For now, here’s 6th Avenue Heartache, written by Dylan, one of the band’s best known tunes and certainly one of my favorites.

Alicia Keys/Fallin’

Alicia Keys is an interesting artist in my book. While much of her music falls outside my core wheelhouse, I still like her. Undoubtedly, Keys’ amazing voice has a lot to do with it, but it’s also her stage presence. There’s just something about Keys that draws me in. It’s like she’s radiating – I can’t quite explain it. Anway, Fallin’ is a breathtaking tune from Keys’ debut album Songs in A Minor, which came out in June 2001. The record had a long history, which I hadn’t known until I read about it in Wikipedia. Keys, a classically trained pianist, already began writing songs for the record as a 14-year-old in 1995. She recorded the album in 1998 for Columbia Records, but the label rejected it. Eventually, it appeared in June 2001 on J Records, a new label that had been formed by Clive Davis who had sensed Keys’ talent and bought her contract from Columbia. His instincts turned out to be right. Songs in A Minor topped the Billboard 200 and won five Grammy Awards in 2002. As of 2015, the album had sold 7.5 million copies in the U.S. and more than 12 million worldwide. Fallin’ was solely written by Keys. That tune still gives me goosebumps.

Dirty Honey/Tied Up

I guess this already brings me to the last track of this Sunday Six installment. It’s time for some kickass rock and one of my new “discoveries,” Dirty Honey. I first featured this great rock band from Los Angeles a week ago in this Best of What’s New installment. The band, which has been around since 2017, features Marc Labelle (vocals), John Notto (guitar), Justin Smolian (bass) and Corey Coverstone (drums). Their classic rock-oriented sound is reminiscent of groups like Led Zeppelin, Aerosmith and The Black Crowes. Here’s Tied Up, credited to the entire band, from their eponymous studio debut album released on April 23. This is a fun tune that nicely rocks!

Sources: Wikipedia; YouTube