Cheering you up for a dreadful Wednesday, one song at a time
For those of us taking care of business during the regular workweek, I guess it’s safe to assume we’ve all felt that dreadful Wednesday blues. Sometimes, that middle point of the workweek can be a true drag. But help is on the way!
Today I shall offer some royal remedy by Queen: Don’t Stop Me Now. Written by frontman Freddie Mercury, the tune first appeared on the British rock band’s seventh studio album Jazz from November 1978. It also became the record’s second single in January 1979.
Don’t Stop Me Now climbed to no. 9 on the Official Singles Chart in the UK. It also became a top 40 hit in various other European countries, including Ireland (no. 10), The Netherlands (no. 16), Belgium (no. 23), Germany (no. 35) and Austria (no. 38).
Apparently, Mercury’s upbeat motto worked less well in the U.S. where the tune peaked at a moderate no. 86 on the Billboard Hot 100. Still, as of January 21, 2020, the song reached 3x Multi-Platinum certification by the Recording Industry Association of America.
In addition to being a compelling vocalist, Freddie Mercury was an incredible performer. Here’s a cool live clip of Don’t Stop Me Now, apparently captured at a concert at London’s prominent entertainment venue Hammersmith Odeon (now officially called Hammersmith Apollo) in December 1979.
Here’s some additional background from Songfacts: Freddie Mercury wrote this song – both words and music – in Montreux, Switzerland. It finds him feeling unstoppable: he’s “floating around in ecstasy,” “like a tiger defying the laws of gravity,” and “traveling at the speed of light.”
[Queen guitarist] Brian May shared his thoughts on this song when he spoke with Absolute Radio in 2011: “I thought it was a lot of fun, but I did have an undercurrent feeling of, ‘aren’t we talking about danger here,’ because we were worried about Freddie at this point…It’s become a massive, massive track and an anthem to people who want to be hedonistic. It was kind of a stroke of genius from Freddie.”
Freddie Mercury wrote “Don’t Stop Me Now” on the piano. Roger Taylor (Queen’s drummer) told Mojo magazine in 2019: “I don’t necessarily think it’s one of our best songs, but I love the sentiment ‘call me Mr. Fahrenheit.’ It’s hilarious and it’s become a sort of rallying cry.”
Happy Hump Day, and always remember George Harrison’s wise words: All things must pass!
Sources: Wikipedia; Recording Industry Association of America website; YouTube
Almost Queen couldn’t have come up with a better a name. These four guys from New York really make you feel like you’re watching Freddie Mercury, Brian May, John Deacon and Roger Taylor. While unfortunately this is no longer possible and, as such, they are almost Queen, this band is doing a true killer job. I caught their show last night at The Stone Pony in Asbury, N.J. They really blew the frigging roof off the place!
Queen has been on my radar screen on and off since the late ’70s/early ’80s. While I wouldn’t call myself a die-hard fan, I’m well familiar with their better known songs and like many of them. In fact, I had contemplated doing a post on the English rock band a couple of times before. Then I spotted a notification on Facebook about Almost Queen’s gig last night and watched a few YouTube clips. Since yours truly has been called the King Of The Tribute Bands, of course, I had to continue performing my duties to continue living up to the title. 🙂
Before getting to last night’s gig and of course some clips, a few words about the band. There isn’t a lot of public background information out there, so I’m quoting from their website: Almost Queen delivers a live performance showcasing signature four part harmonies and intricate musical interludes. Donning genuine costumes, Almost Queen captures the live energy and precision that is the penultimate Queen experience. Okay, you simply could have said they are a kick-ass tribute that sounds and looks pretty darn close to the real deal!
Almost Queen are Joseph Russo as Freddie Mercury, Steve Leonard as Brian May, Randy Gregg as John Deacon and John Cappadona as Roger Taylor. While I couldn’t find any bios on these guys, it’s pretty clear to me that Almost Queen isn’t their first trip to the rodeo – there’s simply too much serious musician craftsmanship going on here! Take it from a guitarist and former bassist, who may have been only moderately capable but who sure as heck knows skill when he sees or hears it! Okay, let’s get to some killer clips before we all get a sheer heart attack!
After the great opener Tie Your Mother Down, one of my favorite Queen tunes I unfortunately missed to capture, Leonard rhetorically asked, are you ready to get crazy?When the crowd unambiguously expressed their sentiments, the band appropriately kept their foot on the gas pedal with Stone Cold Crazy. The tune first appeared on Queen’s third studio album Sheer Heart Attack from November 1974 and was credited to all four members of the band. The track was also released separately as a single and became a staple of Queen’s live shows thereafter.
Next up: Killer Queen, another track from Sheer Heart Attack. Written by Freddie Mercury, the tune also became the album’s lead single in October 1974. Almost Queen did a great job with the harmony vocals here. These guys definitely can do both play and sing!
Another One Bites The Dust is from Queen’s eighth studio record The Game, released in June 1980. The funky tune was written by John Deacon and also came out separately as the album’s fourth single. Ever since I’ve heard the hilarious version by “Weird Al” Yankovic, who turned it into Another One Writes The Bus, his take is in my ears.
By the time Almost Queen got to Don’t Stop Me Now, there was absolutely no chance anything could get in their way. The crowd had fully embraced them right from the get-go of the show, and the room was cooking, fueled by the pulsating drums and pumping bass! Written by Freddie Mercury, Queen first recorded Don’t Stop Me Now for their seventh studio album Jazz from November 1978. It also became the record’s second single released in January the following year.
Next up: Fat Bottomed Girls, another track from Jazz, written by Mercury. The tune also became the B-side to the album’s lead single Bicycle Race. Almost Queen made it another vocal gem.
Crazy Little Thing Called Love is not an Elvis Presley song, as Russo reminded the crowd, but yet another great Freddie Mercury composition from The Game. The cool rockabilly tune also became the album’s lead single in October 1979.
And then the time had come for Almost Queen to pay tribute to David Bowie with Under Pressure. The collaboration with The Thin White Duke was included on Queen’s 10th studio release Hot Space from May 1982. It also appeared as the album’s lead single in October the previous year and became Queen’s second no. 1 hit in the U.K. after Bohemian Rhapsody, topping the Official Singles Chart for nine week. For Bowie it was his third no. 1 on that chart, following Ashes To Ashes and the 1975 reissue of Space Oddity. The track is credited to all members of Queen and David Bowie.
No Queen tribute show would be complete without the above mentioned Bohemian Rhapsody. In my humble opinion, it is one of the weirdest and the same time most brilliant rock songs I know. The epic track was first recorded by Queen for A Night At The Opera, their fourth studio album from November 1975. Written by Mercury and also released separately as the record’s lead single in October that year, the tune should have laid to rest any doubts anyone might ever have had that he could have been an opera singer as well. There aren’t many rock vocalists with that quality – the only other one that comes to my mind spontaneously is Roy Orbison.
And since all things must pass, including great rock & roll shows, the time had finally come for Almost Queen to wrap things up. And what better songs to choose than We Will Rock You and We Are The Champions, just like Queen did traditionally. Both songs appeared back to back as the openers on Queen’s sixth studio album News Of The World. Perhaps not surprisingly, the guitar rocker We Will Rock You was penned by Brian May, while We Are The Champions is yet another Freddie Mercury composition.
So here we are, nine clips later – can you tell somebody got a little bit excited here? I just wish the sound quality of the footage would be better, since I feel it doesn’t do full justice to the band. The audience’s ability to sing, on the other hand, is captured accurately, I’m afraid! 🙂 Oh well, ultimately live music should be about having a great time, and I highly doubt there was anyone last night walking out of the place and being disappointed.
While I obviously recorded a good deal of the show, obviously, there were many things I left out, including pretty impressive drum and guitar solos by Leonard and Cappadona, respectively. Each of the band’s guys is massively talented.
According to the tour schedule on their website, upcoming Almost Queen shows include Brooklyn, N.Y. (Sep 8), Beverly, Mass. (Sep 21) and Plymouth, N.H. (Sep 22). If you like Queen and these guys come to your neck of the woods, you should seriously consider them. Tickets are quite affordable. Take it from the King Of The Tribute Bands – Almost Queen truly is almost Queen! 🙂