The Venues: Beacon Theatre

In July 2017, I introduced The Venues, a category featuring famous concert halls, such as The Apollo Theatre and well known TV music programs like The Ed Sullivan Show. For some reason, the category fell off the bandwagon after the third post in November that year – not quite sure why. In any case, I felt the time was right for another installment. One of the venues that came to my mind immediately is the Beacon Theatre in New York City, in part because the beautiful historic theater on Manhattan’s Upper West Side is associated with two of my favorite bands: The Allman Brothers Band and Steely Dan, which both had frequent annual residencies there. The Dan still does! But first things first – a bit of history.

The Beacon Theatre opened as the Warner’s Beacon Theatre on December 24, 1929. It was designed by Chicago architect Walter W. Ahlschlager as a venue for silent films. But when the original owners financially collapsed, Warner Theatres acquired the theater to be a first-run showcase for Warner Bros. films on the Upper West Side. By that time, the movie genre of silent films had already become obsolete. The Beacon, which subsequently was operated by Brandt Theaters, remained a movie theater over next few decades. It would take until 1974, when Steven Singer became the first owner who turned the Beacon into a venue for live music.

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Fortunately, an effort in 1987 to convert the theater into a night club was blocked in court, given its historic and protected architecture. In 1982, it had been added to the National Register of Historic Places. Through the ’80s and ’90s, the Beacon Theatre continued to fill a spot in the midsize category venue in New York between the larger Radio City Music Hall and various smaller clubs and ballrooms. In 2006, sports and entertainment holding company The Madison Square Garden Company started operating the Beacon. In November that same year, the theater began a 20-year lease by Cablevision, which also leases Radio City Music Hall and owns Madison Square Garden.

Between the second half of 2008 and early 2009, the theater underwent a complete renovation. As reported by The New York Times, the work involved about 1,000 workers, lasted seven months and cost $16 million. The result can be seen in the above photo and is certainly stunning. I was fortunate to experience the mighty venue myself when I saw Steely Dan there in October 2018.

In addition to pop and rock concerts, the Beacon Theatre has hosted political debates, gospel choirs, comedians and many dramatic productions. The 2008 Martin Scorsese picture Shine a Light, which captured The Rolling Stones live in concert, was filmed there. In January 2016, Joan Baez celebrated her 75th birthday with a show at the Beacon. She also played the venue in May this year as part of her now completed 2018/2019 Fare Thee Well Tour. Time for some music that was performed at the Beacon.

Let’s kick things off with the Grateful Dead, who performed two shows at the theater on June 14 and 15, 1976. Apparently, the following footage of Not Fade Away was captured during a soundcheck there, not one of the actual concerts but, hey, close enough! Plus, it’s a fun clip to watch. Not Fade Away was written by Charles Hardin, a.k.a. Buddy Holly. His producer Norman Petty received a co-credit. The tune was first released as a single in October 1957. It was also included on Holly’s debut album The “Chirping” Crickets, released in November of the same year.

Next up: The Black Crowes and Remedy. Co-written by lead vocalist Chris Robinson and his brother and rhythm guitarist Rich Robinson, the tune appeared on the band’s sophomore album The Southern Harmony and Musical Companion from May 1992. The footage is from late August 1992 when the Black Crowes played a series of four shows at the Beacon.

James Taylor is one of my favorite singer-songwriters. One tune I dig in particular is Fire And Rain.  He recorded it for his second studio album Sweet Baby James, which was released in February 1970. The song also came out separately as a single and became Taylor’s first hit, peaking at no. 3 on the Billboard Hot 100. This clip was captured during a show on May 30, 1998.

Here are The Rolling Stones with Jumpin’ Jack Flash from the aforementioned Martin Scorsese concert film. Credited to Mick Jagger and Keith Richards, the tune was released as a single in May 1968. The film includes footage from two shows the Stones played at the Beacon. This performance is from their second night there on November 1, 2006.

Starting from 1998, The Allman Brothers Band played spring residencies at the Beacon for 19 years in a row except for 2010 when the theater wasn’t available. This performance of Dreams is from their March 2013 series of gigs. The Gregg Allman song first appeared on the band’s eponymous debut album from November 1969.

On April 1 and 2, 2016, Bonnie Raitt played the Beacon Theatre as part of her extended Dig In Deep Tour, named after her most recent studio album from February 2016. I caught her during that tour in August 2016, which thus far was the first only time. Her gig at New Jersey Performing Arts Center in Newark remains one of the best shows I’ve seen. Co-written by Gordon Kennedy  and Wayne KirkpatrickGypsy In Me is one of the tracks from Dig In Deep. Not only is Raitt a superb guitarist and great vocalist, but she also is as genuine as it can get. There is no BS with this lady. What you get is what you see!

From The Allman Brothers it wasn’t a big leap to former member Derek Trucks, his wife Susan Tedeschi and the group they formed in 2010: Tedeschi Trucks Band. My knowledge of their music is fairly limited, and I definitely want to explore them more closely. Here’s their take of Ain’t Wastin’ Time No More, another great tune written by Gregg Allman. It first appeared on the Allmans’ third studio album Eat A Peach from February 1972, long before Trucks joined them in 1999. The song was also released separately as a single in April that year. This clip was captured on October 11, 2017 during what looks like a six-date residency the band did at the Beacon that year.

The last and most recent clip I’d like to feature is footage of Steely Dan from their 2018 U.S. tour, which ended with a seven-date residency at the Beacon. Of course, I couldn’t leave out the Dan! This performance of Pretzel Logic was from their final gig on October 30. Co-written by Walter Becker and Donald Fagen, Pretzel Logic is the title track of Steely Dan’s third studio album that appeared in February 1974.

Until last year when I saw them twice, which included the Beacon for an October 20 show dedicated to my favorite album Aja, I had never seen Steely Dan. Both concerts were fantastic. Fagen and co are currently touring again, which will bring them back to the Beacon in October. While the thought of returning to this beautiful venue is tempting, I can’t justify it to myself, given I saw them twice last year and other shows I’ve been to or still consider for this year.

Sources: Wikipedia, The New York Times, setlist.fm, YouTube

Clips & Pix: Fleetwood Mac/Black Magic Woman

The above clip was captured in Tulsa, Okla. during the opening show of Fleetwood Mac’s 50-plus-date North American tour – the first featuring the band’s new lineup with Mike Campbell and Neil Finn and without Lindsey Buckingham. According to setlist.fm, Fleetwood Mac had not played Black Magic Woman since 1987. The tune goes back all the way to the band’s blues origins. Written by British blues rock artist Peter Green, Black Magic Woman was Fleetwood Mac’s third single released in March 1968. Only a couple of years later, it became a signature song and major hit for Santana.

I realize posting this footage may trigger some comments, or maybe not, but one thing is for sure – ever since Fleetwood Mac announced Buckingham’s exit and their new lineup, there has been a good deal of debate whether the band can be same without him. In my opinion, the answer is a clear ‘no,’ but I also feel this doesn’t mean they can’t go on. Plus, it’s worth remembering that this wasn’t Buckingham’s first departure.

To be clear, I think Lindsey Buckingham is a terrific artist who wrote or co-wrote many Fleetwood Mac tunes I dig, such as Monday Morning (Fleetwood Mac, 1975) The Chain (Rumours, 1977), Tusk (Tusk, 1979) and Big Love (Tango In The Night, 1987). His distinct vocals blended well with Stevie Nicks and Christine McVie. And let’s not forget he’s a really talented guitarist with a signature sound. Fleetwood Mac simply cannot be the same band without him – and that’s okay!

I will say the circumstances of Buckingham’s departure look unfortunate. Supposedly, there were artistic disagreements between him and the band about the tour, which was then in the planning stages. Sure, at the time there were five members in Fleetwood Mac, and when it’s four against one, at some point you have to figure out how to move forward as a band. But the speed with which that decision was made is remarkable, especially when it comes to a longtime member like Buckingham, who had been with Fleetwood Mac for a total of 38 years, if my math is correct. He already departed once before in 1987 and returned in 1992.

I think it’s intriguing that Fleetwood Mac have revamped their set list, which now combines older material and deeper cuts like Black Magic Woman, Tell Me All The Things You Do (Kiln House, 1970), Hypnotized (Mystery To Me, 1973) and Monday Morning (Fleetwood Mac, 1975) with usual suspects, such as The Chain (Rumours, 1977), Dreams (Rumours), Rhiannon (Fleetwood Mac, 1975) and Little Lies (Tango In The Night, 1987). I also feel the inclusion of Crowded House’s Don’t Dream It’s Over Over and Tom Petty’s Free Fallin’ is okay and doesn’t make Fleetwood Mac a cover band.

Having said all of the above, I saw Fleetwood Mac (Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks) once in 2013, just months prior to the announcement of Christine McVie’s return. It was a solid show, and I think that does it for me with seeing this band live for time being, especially given high ticket prices and other artists I’d like to see.

Sources: Setlist.fm, Wikipedia, YouTube